There’s no better way to describe Ravindra Paudyal than an absolute miracle worker. Internationally trained and accomplished, Ravindra began teaching at the Early Childhood Development Center in Nepal earlier this year and has already made a world of difference in the lives of his students.
In Nepal, resources are limited for children, especially those of incarcerated parents. According to UNICEF’s 2010 Nepal Child Poverty Report, over a third of Nepal’s 12.6 million children live below the national poverty line, and two in every five of them are severely deprived of at least two basic human needs. With life on the street as their only alternative, many Nepali children are forced to accompany their mothers to jail, since caretakers in the area are few and far between. Nepalese law permits children to stay in jail with their incarcerated mothers only until they reach the age of five, at which point relatives usually assume custody. Unfortunately, in many cases there are no relatives available to take care of these children, ultimately leaving them helpless and homeless.
That’s where ECDC comes in. Their mission aims to ensure incarcerated mothers have more control over their children’s fate, working tirelessly to supply each and every child with the resources necessary to shape their ideal future. With the help of Ravindra and the rest of their team, ECDC offers these children something they could never get in prison: the chance to be a kid. Through the power of music, children who were once in a seemingly impossible position are given a fresh start, finally able to enjoy their childhood.
Ravindra leads classical guitar classes every week, using ACG’s resource GuitarCurriculum.com to teach his students how to play and perform. For them, music is more than entertainment, it’s a rare privilege that becomes a source of great pride when they learn how to create it themselves.
Ravindra Paudyal
“They want to show their ability and enjoy themselves in the field of music, and as a result, they find their dreams here,” Ravindra explains.
Much like the children he teaches, Ravindra’s own upbringing largely shaped his future in music. “My older brother was a very good musician, until all of a sudden he became very ill and his kidney stopped working. At the hospital, he held my hand and told me, ‘you must learn music, because I don’t think I’ll get the chance.’ It was very hard for me to hear those words. Then one day he passed away. Our house, once full of musical sound and melody, suddenly turned into grave silence. These circumstances are what inspired me to learn music.”
Slowly but surely, Ravindra began practicing guitar by himself. “I couldn’t help but feel like the soul of my brother was imbedded in me. I felt like his dream was leading me,” he recalls. “Since then, I’ve realized just how much my instrument means to me. My guitar became a friend that led me to celebrate in joy, counseled me and supported me during my sorrows.”
Teaching guitar allows Ravindra to do the same for his students. “My greatest wish is to produce brilliant classical musicians through ECDC, so that they can make a living on their own after they leave the program. Beyond that, I hope to produce future teachers through ECDC so that they can teach the next generation of musicians.”
He insists that ACG has made it all possible. “Working with ACG is truly gratifying because of their heartfelt intentions and their prolific direction of creating skillful musicians by providing quality education purely based on non-profit social work. They provide countless opportunities to a lot of skilled classical musicians, which drives me to be truthful and dedicated in my work. Because of this, I’ve been fortunate enough to enhance the lives of so many children.”
From the Desk is an Austin Classical Guitar (ACG) and GuitarCurriculum.com series that explores the organization through the eyes of the staff members. These articles focus on the staff’s thoughts and motivations, and hopefully provides a chance to get to know the people behind the scenes.
This week’s From the Desk is written by ACG and GuitarCurriculum.com’s Director of Curriculum, Eric Pearson.
A native of western New York, Eric had previously served as Executive Director of the Infinity Performing Arts Program, Inc. and taught at Ithaca College and Cayuga Community College. He is a frequent clinician at state and national meetings for music educators, including conferences hosted by the Texas Music Educators Association, the National Association for Music Educators, and the American String Teachers Association. ---
It’s an exciting time for GuitarCurriculum.com!
This summer we made some major updates to the website, including a whole new look and layout. We also added over 20 new solos, 10 new recordings, and several pieces submitted by guest composers using our new share music page!
We are always looking for ways to make this resource more robust and easily accessible for your use in the classroom. Just this week, we have begun adding model performance videos to the score landing pages of our ensemble arrangements. Check out this one featuring an ensemble led by our frequent guest clinician, Chuck Hulihan. If you would like to share an outstanding performance of one of the GuitarCurriculum pieces, please reply to this email, or post to the forum with permission to use your clip!
We have also been hosting a series of live webinars on a variety of topics submitted by users and teachers around the world. If there’s a topic you’d like us to cover, or if you would like to join in on the conversation, please reach out and let us know!
In the coming weeks we will be releasing new arrangements of traditional music from Mexico, revised course packets, new elementary materials and even arrangements of Turkish music by our guest composer, Celil Refik Kaya.
Ultimately, this resource is a reflection of what teachers like you have expressed a need for over the years. We thank you for the opportunity to grow in this journey together, and to help serve the developing young musicians in your classroom.
Keep in touch and please share what cool projects are going on in your part of the world!
- Eric Pearson
P.S. We’ll be at the New York State School Music Association conference in Rochester, NY in December. Stop by our booth and say hello if you’re there!
Postcards is an Austin Classical Guitar (ACG) and GuitarCurriculum.com series that explores the guitar programs around the nation and strives to bring the guitar teacher community together.
This week’s Postcards is written by James McKay, Music Educator at Jennings Junior High in Jennings Missouri. McKay discusses the expressive and therapeutic benefits of playing guitar in this Postcard.
Jennings Jr. High Postcard
James McKay
Here in a little town called Jennings Missouri, some really incredible things are happening. Tightly tucked away between St. Louis (Top 10 most dangerous U.S. cities) and Ferguson (known for the national attention it got from the Mike Brown incident), music has been used to impact the lives of youth who once have and continue to experience trauma.
For a region of this size, the Jennings School District is fairly small. It's comprised of three elementary, one junior, and one high school. In 2014, I piloted a string program that has now blossomed to cover all five buildings. All students started on violin and later, when given a chance, moved on to viola, cello, or double bass. I began to notice that some of the students weren't taking music classes purely for the love of music. Some attended because of what the course did for them - relaxation. On several occasions, when asked about the class, students repeated responded,
"Playing music relaxes me, I feel calm."
Fast forward to 2017, my life was impacted by a visit to the workshop hosted by the St. Louis Classical Guitar Society. A wonderful gentlemen from Austin Classical Guitar introduced me to GuitarCurriculum.com, and immediately, I was SOLD ON the idea of a non-guitarist having the ability to teach classical guitar effectively. Three years later, we have 27 middle schoolers playing guitar and playing several performances throughout the school year. Thanks to the ongoing support from the St. Louis Classical Guitar Society, I can grow my program to scale.
The blessing in disguise here is, some of the students who signed up for the violin ended up falling in love with classical guitar. Our students now have expanded choices for music that helps them to not only express themselves but also enjoy the therapeutic benefits of playing music.
We’d love to hear about guitar in your part of the world next! Reach out to Jess Griggs anytime with your story and a photo or two.
This week’s From the Desk is written by ACG and GuitarCurriculum.com’s Director of Curriculum, Eric Pearson.
For a region of this size, the Jennings School District is fairly small. It's comprised of three elementary, one junior, and one high school. In 2014, I piloted a string program that has now blossomed to cover all five buildings. All students started on violin and later, when given a chance, moved on to viola, cello, or double bass. I began to notice that some of the students weren't taking music classes purely for the love of music. Some attended because of what the course did for them - relaxation. On several occasions, when asked about the class, students repeated responded, 