Welcome to Austin Classical Guitar’s Music Library!
Our collection of printed music is cataloged below. Feel free to browse or search by keyword. You can also download a copy of the database if you would like.
Music library materials are available to the public for onsite study at ACG’s headquarters in Austin, by appointment only. For inquiries about the collection, including donations, or to schedule a visit, please get in touch with Norma Hawes at 512-300-2247 or norma@austinclassicalguitar.
ACG Music Library
In library:Y/N | # of Copies | Composer | Name | Work | Transcribed/Edited By | Published Date | Publisher | Instrumentation | Notes | Table of Contents | On Loan | Donated By: |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Y | Ablóniz, Miguel | Mlguel Ablóniz | Arietta Medievale | 1978 | Bèrben | Solo | ||||||
Y | Ablóniz, Miguel | Miguel Ablóniz | Capriccio Scioglidita | 1982 | Bèrben | Solo | ||||||
Y | Ablóniz, Miguel | Miguel Ablóniz | Capriccio Scioglidita (Warming-Up Capriccio) | 1982 | Bèrben | Method | Exercises | |||||
Y | Ablóniz, Miguel | Miguel Ablóniz | Cinque Momenti Musicali per Chitarra | 1982 | Bèrben | Solo | ||||||
Y | Ablóniz, Miguel | Miguel Ablóniz | Esercizi Essenziali per la Mana sinistra (essential exercises for the left hand) | 1954 | Bèrben | Method | Exercises, Left hand | Eight Essential Exercises for Technique Seven Chromatic Exercises for Virtuosic Technique Twenty-nine Double Scales: Thirds; Sixths; Octaves About Snaps [desc. slurred notes] on the Same String Study on Slurs and Snaps | ||||
Y | Ablóniz, Miguel | Miguel Ablóniz | Guitar Serenade | Ida Presti | 1960 | Ricordi | Solo | |||||
Y | Ablóniz, Miguel | Miguel Ablóniz | Sequential | 1973 | Bèrben | Solo | ||||||
Y | Ablóniz, Miguel | Miguel Ablóniz | You and Me ( Waltz and Samba) | 1985 | Bèrben | Solo | ||||||
Y | Agibalov, Alexei (b. 1940) | Alexei Agibalov (b. 1940) | Sonata No. 1 for the 7-String Guitar | 2010 | 7-string guitar | |||||||
Y | Aguado, Dionisio (1784-1849) | Dionisio Aguado (1784-1849) | Eight Lessons | Sophocles Papas, fing. | 1964 | Columbia Music Company | Method | Exercises, Collection, each lesson serves as a solo) | Richard Childress | |||
Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Asturias: for soloist and guitar trio | Matthew Lyons | Solo, 3 guitars | Trio, Ensemble | |||||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Asturias, Leyenda - Preludio | Andres Segovia | 1992 | Union Musical Ediciones | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Asturias, Leyenda - Preludio | Andres Segovia | 1956 | Ricordi | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Asturias, Leyenda - Preludio | Andres Segovia | 1992 | Ricordi | Solo | Richard Childress | ||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Barcarola | S. Garcia Fortea | 1964 | Union Musical Espanola | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Cadiz (Saeta) | Carlos Barbosa-Lima | 1977 | Columbia Music Co. | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Cadiz (Saeta) No. 4 de la Suite Espanola | Celedonio Romero | 1986 | Union Musical Espanola | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Cadiz Serenata) de la "Suite Española" | A. Sinópoli | ? | Ricord! | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Capricho Catalan, Op. 165 | Michael Lorimer | 1976 | Mel Bay | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Cordoba ("From Songs of Spain") Op. 232, No.4 | Carlos Barbosa Lima | 1977 | Columbia Music Co. | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Cordoba: De "Chants d'Espagne" | A. Sinopoli | 1963 | Ricordi | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Danza Española No. 1 | Jose Azpiazu | 1963 | Ricordi | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Danza Española No. 2 | Jose Azpiazu | 1963 | Ricordi | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Danza Española No. 4 | José Azpiazu | 1963 | Ricordi | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Danza Española No. 5 | Jose Azpiazu | 1963 | Ricordi | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Danza Española No. 6 | Jose Azpiazu | 1963 | Ricordi | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Evocacion (de la Suite "Iberia") para dos guitarras | Miguel Llobet | 1964 | Union Musical Española | 2 guitars | Duet, Score only | ||||
Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Guitar Music of Spain, The. Volume Two | Various | 1994 | Wise Publications | Solo | Collection, advanced level | Asturias (Leyenda - Preludio) - transcr. Luis Maravilla Cadiz (Serenata Española) - transcr. F. Tarrega; rev. Miguel Llobet Cataluna (Corranda - No.2 De La "Suite Española) - transcr. Venancio García Velasco Cordoba (De “Cantos De Espana”) - transcr. Ernesto Bitetti En La Alhambra (Capricho Morisco) - S. García Granada (Serenata-De La “Suite Espanola”) - transcr. F. Tarrega Mallorca (Barcarola) - transcr. Luis Maravilla & Luis Lopez Tejera Oriental (De “Cantos De España”) - transcr. Miguel Llobet Puerta De Tierra (Bolero) - transcr. S. García Rumores De La Caleta (Malaguena-De “Recuerdos De Viaje”) - transcr. Aureo Herrero Serenata Arabe - transcr. S. García Sevilla (Sevillanas-De La “Suite Española”) - transcr. F. Tarrega; rev. Miguel Llobet Tango (No.2 De La Suite “España”) - transcr. Venancio García Velasco Torre Bermeja (Serenata) - transcr. Miguel Llobet | ||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Gitárdarabok - Pieces for Guitar | Venancio Garcia Velasco | 1979 | Edito Musica Budapest | Solo | Collection | Danza Española Mallorca (Barcarola) Granada (Serenata) Torre Bermeja (Serenata) Córdoba Sevilla | |||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Granada: Serenata | F.Tarrega | 1964 | Otto Heinrich Noetzel Verlag | Solo | |||||
? | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Granada (Serenata) from "Suite Española" | Elias Barreiro | 1980 | The Wills Music Co. | 2 guitars | Duet, Score only | ||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Leyenda | Andres Segovia | Spanish Music Center | Solo | ||||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Leyenda (Asturias) | Sophocles Papas | 1993 | Columbia Music Co. | Solo | Richard Childress | ||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Mallorca | Andres Segovia | 1947 | Celesta Publishing Co. | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Mallorca: Barcarola Para Guitarra | Luis Maravilla | 1954 | Union Musical Espanola | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Recuerdos de Viaje No. 6 Rumores de la Caleta) | Turibio Santos | 1985 | Editions Max Eschlg | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Sevilla (Sevillanas) No. 3 de la Suite Española | CeledonioRomero | 1986 | Union Musical Espanola | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Sevilla: pour Ensemble de guitares | Yvon Rivoal | 2002 | Editions Henry Lemoine | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Suite Española Op. 47 | Manuel Barrueco | 1981 | Belwin Mills Publishing Corp | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Tango | Gaston Martin | 1966 | Georges Del!ieu & Co | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Tango Opus 165 No.2 | Andrew Segovia | 1967 | Schott | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Torre Bermeja Seranata Op.92 no.12 | Miguel Llobet | 1959 | Union Musical Espanola | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Torre Bermeja (Serenata) | Miguel Ablóniz | ? | Bèrben | Solo | |||||
Y | Albert, Benoît | Benoît Albert | Les climatiques, vol. 1 (for 3 guitars) | 2014 | Les Productions D'Oz | 3 guitars | Trio, Ensemble, Score and parts | 1. Océan 2. Home 3. Massilloon - Ohio | ||||
Y | Albinoni, Tomaso | T. Albinoni | Adagio Sol Mineur | Gaston Martin | 1966 | Edition Delriéu | Solo | |||||
Y | Alexander, Allan | Allan Alexander | Seven Venezuelan Waltzes- Vol. I | The Hamilton Music Group (?) | Solo | |||||||
Y | Almeida, Laurindo | Laurindo Almeida | Guitariana | Laurindo Almeida | 1955 | Charles Colin | Solo | 1 piece by Bach: Corrente | Baa-Too-Kee (Batuque) - ancient ritual Brazilian Dance Mystified Braziliance Staniana (A Polyphonic Study) Eili-Eili Sueño Corrente (from Sonata II) - J. S. Bach Historia Do Luar Historia Da Saudade Historia Da Inspiracao Lament in Tremolo Form English Air When Night Falls (I Think of You) Danza Gitana (Gypsy Dance) Choro Para Olga Pavana for Pancho The One Minute Divertimento | |||
Y | Alonso, Avelino | Avelino Alonso | Diferencias | Patrlck Gaudi | 1990 | Editorial de Musica Espanola Contemporanea | Solo | |||||
Y | Amelkina-Vera, Olga | Olga Amelkina-Vera | Intermezzo for guitar quartet | 2010 | Kithara | 4 guitars | Quartet, Ensemble, Score and parts (Autographed by composer) | |||||
Y | Ameller, André | André Ameller | Catalunya Suite pour Guitar | Jean Perdreau | 1977 | Gerard Billaudot Editeur | Solo | |||||
Anastassakis, Ioannis | Ioannis Anastassakis | The Art of Rasgueado: A Comprehensive anaylsis of the Rasgueado technique for the classical & the flamenco guitar | 2002 | Mel Bay Publications, Inc. | Method | Includes chapters on Rumba rhythms and the Golpe technique, includes tablature | THE ART OF RASGUEADO Symbols used in this book PREPARATORY RASGUEADOS TRADITIONAL RASGUEADOS Ornamental rasgueados The eami rasgueado 16th-note traditional rasgueados The ieami rasgueado The amii rasgueado Triplet & Sextuplet traditional rasgueados The pai rasgueado The pei rasgueado The pmi rasgueado The pmp rasgueado Quintuplet traditional rasgueados The eamii rasgueado The peami rasgueado CONTEMPORARY RASGUEADOS Triplet rasgueados The iai rasgueado The iia rasgueado The imi rasgueado The iei rasgueado The mmi rasgueado The amamami rasgueado The amamamamani rasgueado The amamamamamamamami rasgueado 16th-note rasgueados The pami rasgueado The paip rasgueado SPECIFIC PURPOSE RASGUEADOS Triplet and sextuplet rasgueados The pm rasgueado The ieamie amieam i rasgueado The iamiarni rasgueado Miscellaneous other rasgueados The ami rasgueado: The amiami rasgueado: The amiamiami rasgueado: The imae rasgueado: The imaei rasgueado: The peamip rasgueado The eami ieam i rasgueado The ieamii rasgueado The amiamiami rasgueado The amiimami rasgueado Final rasgueado exercise ON PRACTICING THE RASGUEADO TECHNIQUE Rasgueado Practice Outline GOLPE TECHNIQUE Golpes with the ring finger Golpes with the Thumb RUMBA PATTERNS Introduction to the Rumba Flamenca Basic Rumba patterns Pattern no. 1 Pattern no. 2 Variations on the Rumba patterns Variation no. 1 Variation no. 2 Variation no. 3 Variation no. 4. CONCLUSION ACKNOWLEDGEMENTS ABOUT THE AUTHOR | |||||
Y | Andes, Marc | Marc Andes | Suite Folklore: Preludio; Cancion; Romance; Vals; Danza | 1981 | Editions Aux Guitares | Solo | ||||||
Y | Anido, Maria Luisa | Maria Luisa Anido | Aire de Vidalita | 1952 | Bèrben | Solo | ||||||
Y | Anonymous | Anonymous | 15 berühmte russische Lieder und Romanzen (15 Famous Russian Songs and Romances) | Anatoly Manukoff, ed. | 1961 | Musikverlag Zimmermann | voice and guitar | Anthology, Russian Folk, Gypsy, German-Russian Text | Weiße Akazien (White Acacia) - Gypsy Russian Romance Es scheint der Mond (The Moon is Shining) - Russian Folk Song Sulikò (Darling) - Georgian Folk Song Schwarze Augen (Black Eyes) - Russian Folk Song Am Kamin (By the Fireplace) - (Russian Gypsy Romance) - P. Batórin Sei nicht traurig, leibe Mutter (Don't Scold Me, Mother) - A. Dubuque Auf glattem Wolgaeise (Here Comes the Postal Troika) - Folk Song Die Petersbuger Landstraße entlang (Along Petersburg landstrasse) - FolkSong Heissa Troika (Hey, Troika!) - M. K. Steinberg Abendglocken (Evening Bells) - Folk Song Zwei Gitarren (Two Guitars) - Russian Gypsy Romance Eintönig klingt das Glöckchen [der Troika] (Bells Chime in Unison) - Folk Song Laß, Kutscher, die Rappen nur geh'n (Coachman, Don't Drive the Horse!) - Gypsy Romance Stjenka Rasin [famous Cossack leader] - Folk Song Die zwölf Räuber (Twelve Thieves) - Russian Legend | |||
Y | Anonymous | Lebedeff, Wassili P. | 50 Russiche und Ukrainische Volkslieder Und Tänze für Gitarre Mit Bezeichnung der Bässe für 10 Saitige Gitarre (Optional fingering for 9- and 10- string guitar) | Wassili P. Lebedeff | Musikverlag Wilhelm Zimmermann | Solo | Folk songs, dances, text in Russian, German, English | 1. Along the river 2. The rowan-tree 3 In the garden, in the little kitchen-garden 4 The torch 5 Snowflakes, white and downy 6 The witty fellows - Ukrainian song 7. As to the brook I go 8 Ah, Nastasya 9. Hopak - Ukrainian dance 10. The pedlars 11. The little willow-tree 12. On the azure sea 13. In the valley stood 14. The green grove 15. At the merry festival I 've been 16. The young maiden 17. A high mountain is standing there - Ukrainian song 18. E - i ukhnem! Song of the Volga-boatmen 19. By the river, by the bridge 20. Do not scold me, dear mother 21. Oh, my porch, my new porch 22. Down the mother Volga-river 23. As there went our maiden-friends 24. I am a young maiden and I sleep well 25. The lady 26. Swim away, my little boat - Ukrainian Song 27. On the Neva-river 28. The snow isn't white any longer 29. As on the hill, the steep one 30. Under the apple-tree 31. Hymn for the Tsar 32. The sea-gull - Ukrainian song 33. The little greyish blue dove 34. Beyond the forest, beyond the dark grove 35. Don't go, Grisha, to the evening-festival - Ukrainian song 36. Down the street 37. Kamarinskaya - dancing song 38. Late in the evening from out the grove 39. My field, my dear field 40. Buckwheat pancakes - Ukrainian dancing 41. Along the street a snow-storm is blowing 42. The red sarafan 43. The neighbour’s hut - Ukrainian dancing song 44. On the paved street 45. The reapers are moving out into the field - Ukrainian dancing song 46. My dear mother 47. Oi, poor young maiden - Ukrainian song 48. The glade - Cossacks' dancing song 49. Winds, stormy winds are blowing - Ukrainian song 50. Brightly shines the moon - dancing song | ||||
Y | Anonymous | Domingo Prat | Album de Danzas Y Cantos Argentines | Domingo Prat | 1977 | Ricordi Americana | Solo, Collection | South American, Argentina, Folk, Traditional | Minué Federal Chacarera Estilo (Popular) Zamba Santiagueña (Popular) Vidala (Popular) El Gato Zapateado (Variación de) | |||
Y | Anonymous | William Walton | Anon. in Love: Six Songs for Tenor Voice and Guitar | William Walton, Julian Bream, ed. | 1960 | Oxford University Press | tenor voice and guitar | Duet, Score only | 1. Fain would I change that note 2. O stay, sweet love 3. Lady, when I behold the roses 4. My Love in her attire 5. I gave her Cakes and I gave her Ale 6. To couple is a custom | |||
Y | Anonymous | Matthew Cochran | El Cóndor Pasa | Matthew Cochran | 2006 | Clear Note Publications | 4 guitars | Quartet, Ensemble, Score and parts, Folk, Tradtional, Peru | ||||
Y | Anonymous | Domingo Prat | El Testamento De Amelia (L' testament d'Amelia) | Domingo Prat | 1955 | Ricordi Americana | Solo | Folk, Cancion Popular Catalan | ||||
Y | Anonymous | Llobet, Miguel and Papas, Sophocles | El Testamento de Amelia and Plany (Catalan Folk Songs) | Miguel Llobet, arr., Sophocles Papas, rev. | 1960 | Columbia Music Co. | Solo | Folk | ||||
Y | Anonymous | Miguel Llobet | Five Catalan Melodies | Miguel Llobet, arr., Sophocles Papas, rev. | 1960 | Columbia Music Co. | Solo, 2 guitars | Collection, Folk, includes seond guitar part for El Noy | El Noy de la Mare - 2nd guitar El Noy de la Mare El Testamento de Amelia Plany La Filla Del Marxant (The Merchant's Daughter) El Metre (El Maestro) | |||
Y | Anonymous | P. Van Der Staak | Four Royal Dances (16th Century) | Pieter Van Der Staak | 1989 | Broekmans & Van Poppel | Solo | 1a. Churfürst Moritz Tantz - Anonym 1b. Saltarello 2a. Der Churfürstin Zu Sachsen Tentzleyn 2b. Saltarello 3a. Churfürst Augustus Tantz 3b. Saltarello 4a. Graff Johann Von Nassau Tantz 4b. Saltarello | ||||
Y | Anonymous | Francis Cutting (1596) | Greensleeves (Orig. para Laud) | Lupe de Azpiazu | 1963 | Union Musical Espanola | Solo | OLD, needs repair | ||||
Y | Anonymous | Miguel Llobet | Guitar Works Vol. 2: 16 Folksong Settings | Miguel Llobet, Ronald Purcell, ed. | 1989 | Chanterelle Verlag | Solo | Collection, Style, Folk, Catalan, León, Argentina | Cataluña: 1. Plany 2. La Filla del Marxant 3. El Testament d’Amelia 4. Canço del Lladre 5. Lo Rossinyol 6. Lo Fill del Rei 7. L’Hereu Riera 8. El Mestre 9. La Nit de Nadal 10. La Filadora 11. La Pastoreta 12. La Preço de Lleida 13. El Noi de la Mare León: 14. Leonesa Argentina: 15. Estilo Popular No. 1 16. Estilo Popular No. 2 | |||
Anonymous | Traditional | The Mermaid | Derek Hasted | 1990 | Derek Hasted | 4 guitars | Quartet, Ensemble, Score, sea shanty, chanty | |||||
Y | Anonymous | Mark Anthony Cruz | Nettleton | Mark Anthony Cruz | 2006 | MAC Publications | 5 guitars | Quintet, Ensemble, Score and parts | ||||
Y | Anonymous | Cesare Negri, Helmut Mönkmeyer | Nuove Inventioni di Balli (New Inventions of the Dance): Complete edition of the 43 Balli in arrangement from the Italian tablature for the guitar circa 1600 | Cesare Negri, Helmut Mönkemeyer | 1967 | P.J. Tonger | Solo | Anthology, Renaissance, Dance, Itallian | 1. Il Villanicco 2. Lo Spagnoletto 3. La Barrera 4. Brando gentile 5. Pavaniglia alla Romano 6. Gratioso 7. Torneo amoroso8. Bianco fiore 9. Il Cesarino 10. Cortesia Amorosa 11. Brando di Cales 12. Pavaniglia all'vso de Milano 13. La Biscia Amorosa 14. Bassa Gioiosa 15. Alta Visconte 16. Bassa delle Ninfe 17. Amor felice 18. Alemana d'Amore 19. Galleria d'Amore 20. Tordiglione nuouo 21. Il Canario 22. Bass Imperiale 23. Laura Gentile 24. Alta Mendozza 25. Alta felice 26. Il Bizzarro 27. So ben mi chi hà buon tempo 28. Il pastor leggiadro 29. Alta Somaglia 30. Il Bigarà 31. Leggiadra Maria 32. Fedeltà d'Amore 33. Bizzarria d'Amore 34. Leggiadra Gioiosa 35. Nobiltà d'Amore 36. La Battaglia 37. La Correnta 38. La Nizzarda 39. Ballo fatto da sei Dame 40. Ballo fatto da sei Caualieri 41. La Catena d'Amore 42. Intermedio d'Armenia Pastorale 43. Brando detto Alta Regina | |||
Y | Anonymous | Sophocles Papas | Pasacalle, from 2 Flamenco Variations | Sophocles Papas, rev. | 1960 | Columbia Music Co. | Solo | Flamenco | ||||
Y | Anonymous | Karl Scheit | Renaissance Dances (Tänze Aus Der Renaissance) | Karl Scheit | 1960 | Universal Edition | Solo | Renaissance, Collection, Dance, Includes helpful description of each type of dance | I Allemande II Pavane III Galliarde IV Balletto V Billanelle VI Allemande VII Galliarde | |||
Y | Anonymous | Elias Barreiro | Romance | Elias Barreiro | 1981 | The Willis Music Co. | Solo | |||||
Y | Anonymous | Vicente Gomez | Romance de Amor | Vicente Gomez, arr. | 1940 | Belwin Mills Publishing Corp. | Solo | |||||
Y | Anonymous | Aaron Stang | Romanza (A Spanish Romance) | Aaron Stang | 2002 | Belwin Mills Publishing Corp. | 4 guitars, optional Bass guitar | Traditional, Quartet, Ensemble, Parts only | ||||
Y | Anonymous | Sergei Rudnev | Russian Folk Songs for Classical Guitar (from The Russian Collection Volume III) | Sergei Rudnev (b. 1955), Matanya Ophee | 1994 | Editions Orphée | Solo | Folk, Melody only | Dance Song Since Yesterday's Midnight To the Road I Go Alone Grass On The Meadow The Wanderer's Song The Old Lime-Tree Along The Paved Street I will Sow Gossfoot Play, My Bagpipe The Snowball Tree Between Steep Banks My Husband Made Me Stoke The Fire I Will Forget You When... Circle Dance The Little Homestead Russian Rhapsody | |||
Y | Anonymous | Jef Goor | Sick Tune, The; Currant; Squirrel's Toy, The; Kemp's Jig (Francis Cutting) | Jef Goor | 1971 | Uitgave Metropolis | Solo, Folk | Collection | ||||
Y | Anonymous | Sophocles Papas | Spanish Romance | Sophocles Papas | 1960 | Columbia Music Co. | Solo | |||||
Y | Anonymous | John W. Duarte | Three English Folk Songs: Greensleeves; Bushes and Briars; Blackbirds and Thrushes | John W. Duarte | Novello & Company Limited | Solo | Folk | |||||
Y | Anonymous | Yuquijiro Yocoh | Sakura Theme and Variations (on the Japanese folk song) | Yuquijiro Yocoh | ? | Guitar Solo Publications | Solo | Folk, Japanese | ||||
N | Anonymous (1550) | Anonyme (1550) | Saltarello, attribué à Vincenzo Galilei | |||||||||
Y | Anonymous (1580) | Anonymous (1580) | Greensleeves | Alan Dodd | 1970 | Alan Dodd Publications | Solo | Folk | ||||
N | Anonymous (18th Century) | Anonymous (18th Century) | Kitty of Coleraíne (Traditional Irish Air) Arranged for Voice and Guitar | ? | Brazilliance Music Publishing | Voice and guitar | Folk, Score only | |||||
N | Anonymous ca. 1750 | Karl Scheit | Præludium und zwei Menuette | Karl Scheit | 1966 | Universal Edition | Solo | |||||
Y | Antunes, Jorge de Freitas | Jorge de Freitas Antunes | Sighs | 1976 | Musikverlag Zimmermann | Solo? | ||||||
Y | Aranjo, Karl | Karl Aranjo | Guitar Scale Guru: The Scale Book, Your Guide for Success! | 1998 | Creative Concepts Publishing | Method | Scales | Basic Open String Scales: C, G, F, D, Bb, A, E Major The Major Scales: Root 6, Root 5 Music Theory, Major Scale Theory Essential Root 6 & Root 5 Movable Scales Major Scales: Five Position Playing The Minor Scales Advanced Theory: The Pure Minor Minor Scales: Five Position Playing Minor Pentatonics: Five Position Playng BLUES Scales: Five Position Playing Major Pentatonics: Five Position Playing | ||||
Y | Ardizzone, Matthew | Matthew Ardizzone | Mazurka Collection | Matthew Ardizzone | 1999 | Mel Bay Publications | Anthology | John Fernando | ||||
Y | Armstrong, Ellis | Ellis Armstrong | Istanbul | 1974 | Armstrong Music Studios | Solo? | ||||||
Y | Arnold, Malcolm | Malcolm Arnold | Fantasy (written for Julian Bream) | Julian Bream, ed. | 1971 | Faber Music Ltd. | Solo | |||||
Y | Arpe, Manuel Seco de | Manuel Seco de Arpe | Tiento | Agustin Mauri | 1995 | Editorial de Musica Española Contemporanea | Solo | |||||
Y | Arrigo, Girolamo | Girolamo Arrigo | Serenata per Chitarra | 1963 | Heugel & Cie | Solo | ||||||
Y | Asencio, Vicente | Vicente Asencio | Getsemaní para guitarra (1961) | Angelo Gilardino | 1978 | Bèrben | Solo | |||||
Y | Asia, Daniel | Daniel Asia | Your Cry will be a Whisper (for Solo Guitar) (1992) | 1996 | Merion Music, Inc | Solo | ||||||
Assad, Clarice | Clarice Assad | Magnetic Trance | 2014 | Virtual Artists Collective Publishing | 4 guitars | |||||||
Y | Assad, Sergio | Sergio Assad | Aquarelle | 1992 | Editions Henry Lemoine | Solo | ||||||
Y | Bach, Carl Philipp Emanuel (1714-1788) | Bach | Solfeggietto | Giovanni DeChiaro | 1989 | The Willis Music Co. | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Christian Bach (1735-1782) | Quartetto Op. 18 | Manley Mallard | 2009 | Guitar Chamber Music Press | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Bach, Johann Sebastian (1685-1750) | Bach | 2 Choral Preludes: Wake Up, Calls the Voice, BWV 645; Jesus Remains My Joy, Bwv 147 | David Russell, arr. | 2005 | Les Éditions Doberman-Yppan | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | 12 Chorales | Giovanni DeChiaro | 1985 | The Willis Music Co. | 4 guitars | Collection, Quartet, Ensemble | 1. Christ lag in Todesbanden (Christ lay in the bonds of death) 2. Nun danket alle Gott (Now let all thank God) 3. Nun liegest alles unter dir (Now all lies beneath Thee) 4. Wo soll ich fliehen hin (Where am I to flee?) 5. Ach Gott, vom Himmel sieh darein (Ah, God, from heaven look and be merciful) 6. In dulci jubilo 7. Jesus Christus, unser Heiland (Jesus Christ, Our Savior) 8. Herr Jesu Christ, du höchstes Gut (Lord Jesus Christ, Thou highest good) 9. Schmücke dich, O liebe Seele (Deck thy self, dear soul) 10. An Wasserflüssen Babylon (By the rivers of Babylon) 11. Meines Lebens letzte Zeit (The last hour of my life) 12. Jesu, meine Freude (Jesus, my joy) | |||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | 15 Two-Part Inventions | Ken Hummer | 2003 | Alfred Music Publication Company, Inc. | Solo | Collection | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Arioso from Cantata No. 156 (BWV 156) and Harpsichord Concerto in F minor (BWV 1056, for Flute and Guitar | Gary Shocker, arr. Guitar part edited by Jason Vieaux | 2010 | Theodore Presser Company | Flute and guitar | Duet, Score and flute part | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Bach for the Guitar | Leon Block, arr. | 1965 | Edward B.Marks Music Company | Solo | Collection | Minuet from Notebook of Anna Magdalena Bach Jesu, Joy of Man's Desiring - Chorale from Cantata No. 147 Rondo-Gavotte from Violin Sonata No. 6 Awake, Awake, A Voice Is Calling - Chorale Prelude Gavotte from the 5th French Suite Gavotte from the 6th English Suite Minuet in G Minor Sarabande from the 5th English Suite Gavotte from the 3rd English Suite Gavotte fromm the 6th Cello Suite Polonaise Concerto in the Italian Style Sarabande from the 1st French Suite | |||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Bach Lute Suites for Guitar: The complete works for lute solo by Johann Sebastian Bach | Jerry Willard | 1980 | Ariel Publications | Solo | Collection | Suite I, BWV 996 Suite II, BWV 997 Suite III, BWV 995 Suite IV, BWV 1006a Prelude, Fuge, and Allegro, BWV 998 Prelude, BWV 999 Fuge, BWV 1000 | |||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Best of Bach, The | Joseph Castle | 1977 | Mel Bay | Solo | Collection | Minuet March (from Anna Magdalena's Notebook) Minuet (from Anna Magdalena's Notebook) Chorale (To Thee, Jehovah, I Will Sing) Minuet (from Anna Magdalena's Notebook) Courante Sleepers Awake (from Cantata No. 140) Air for the G String (from Suite No. 3 in D Major) Gavotte - from 6th Sonnata for Solo Violin Courante - from Suite No. 3 for Cello | |||
Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Bach for Recorder and Guitar | Eugene Reichenthal | 1976 | Edward B.Marks Music Corporation | recorder and guitar (flute and guitar) (2 guitars) | Collection, Duet, Scores only | March in G from "The Little Note Book of Anna Magdalena Bach" Minuet Wie soil Ich from "Cantata 152" Prelude from "18 Little Preludes and Fugues" (No. 10) Sinfonia from "Cantata 156" Minuet from "French Suite No. 2" Minuet from "French Suite No. 6" Bourree in E minor Gavotte from "French Suite No. 5" Siciliano from "Sonata No. 2 for Flute and Harpsichord" Bourree in A minor Jesu, Joy of Man's Desiring from "Cantata 147" Wisset ihr nicht from "Cantata 154" ....................... Little Prelude from "6 Little Preludes" Polonaise from "The Little Note Book ofAnna Magdalena Bach" Air in G\ | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Cello Suite I Guitar Transcription (BWV 1007) | Michael Lorimer | 1976 | Charles Hansen Music & Books | Solo | |||||
Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Cello Suite I Guitar Transcription (BWV 1007) | Michael Lorimer | 1989 | Mel Bay Publications, Inc. | Solo | Richard Childress | |||||
Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Cello Suite II Guitar Transcription (BWV 1008) | Michael Lorimer | 19891976 | Shattinger International Music Corp | Solo | Original for Solo Cello in D Minor, transcribed in A minor | Richard Childress | ||||
Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Cello Suite II Guitar Transcription (BWV 1008) | Michael Lorimer | 19891976 | Shattinger International Music Corp | Solo | Original for Solo Cello in D Minor, transcribed in A minor | Richard Childress | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Cello Suite V (BWV 995) (Original in C minor) / Lute Suite Ill (BWV 1011): "Pièces pour la Luth a Monsier Schouster par J.S. Bach" (Original in G minor) | Michael Lorimer | 1977 | Mel Bay | Solo | Lute, Facsimile of original lute transcription by Bach | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Chaconne (in D minor) | Andres Segovia | 1934 | Schott | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Chaconne | Andres Segovia | 1935 | Schott | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Complete Works for Lute Vol. 3 (BWV 998-999-1000) | Michael Sadanowsky | 1990 | Gerard Billaudot Editeur | Solo | Collection | Prélude - Fugue - Allegro, BWV 998 Prélude en Ré mineur, BWV 999 Fugue en La mineur, BWV 1000 | |||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Concerto Brandenbourgeois No 6 BWV 1051 | James Smith | 2000 | Doberman Yppan | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Courante - Gavotte | Andres Segovia | 1928 | Schott Music Corp. | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Drei Kleine Stucke: Polonaise (from Anna Magdalena's Notebook); Menuet; Marcia | Andres Segovia | 1935 | B. Schott's Sohne | Solo | |||||
Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Eight J. S. Bach Compositions: Transcriptions for Guitar and a Guide to Performance | Bryan Townsend | 1999 | Mel Bay Publications, Inc. | Solo | Collection | Minuet 1 from the second cello suite BWV 1008 Minuet 1 from the second cello suite BWV 1008 Sarabande from the second cello suite BWV 1008 Bourée from the first lute suite BWV 996 Siciliano from the first violin sonata BWV 1001 Andante from the second violin sonata BWV 1003 Prelude BWV 1009 Suite in A major BWV 1007: Prelude Allemande Courante Sarabande Minuets 1 & 2 Gigue Prelude from the fourth lute suite BWV 1006a | Richard Childress | |||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Fuga (from Violin Sonata in G minor, BWV 1001, and for Lute, BWV, 1000) | Karl Scheit | 1966 | Karl Scheit Universal Edition | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Fugue from Concerto e Fuga BWV 909, arranged for Two Guitars | Richard M. Long | 1986 | Tuscany Publications | 2 guitars | Duet, Score only | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Gavotte | Andres Segovia | 1954 | Schott | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Gavotte (de la Suite Anglaise no. 3) | Emlio Pujol | 1957 | Editions Max Eschlg | 2 guitars | Duet, Score only | 1 - John Fernando | |||
Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | J. S. Bach in Tablature, Volume I: Beginning to Intermediate Pieces in Standard Tab and Notation for Guitar | Jake Pincus | 1992 | Mel Bay Pulications, Inc. | Solo | Collection, Standard and tablature notation | 1. Minuet 1 in G major (From the notebook ofAnna M. Bach) 2. Musette in D Major (6) = D (From the notebook of Anna M. Bach) 3. Minuet 2 in G major (From the notebook ofAnna M. Bach) 4. Bouree in E minor (From the 1st Lute Suite) 5. Two Part Invention in C major 6. Two Part Invention in D minor 7. Minuet in G minor (6) = D 8. Jesu, Joy of Man's Desiring (From Cantata 147) 9. Gavotte (From the 3rd Lute Suite) 10. Prelude in D minor (From 1st Lute Suite) | Richard Childress | |||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Jesu Joy of Man's Desiring (Chorale from Cantata no. 147) | David Dolata | 1983 | The Willis Music Co. | ||||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Jesu Joy of Man's Desiring (from Cantata no. 147) | 1977 | Hal Leonard | Solo | ||||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Jesu Joy of Man's Desiring (from Cantata no. 147) | Laurindo Almeida | Brazil!iance Music Publishing | Solo | ||||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Jesu, Joy of Man's Desiring (from Cantata 147) | Sophocles Papas | 1975 | Columbia Music Co. | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | "Jesus que ma joie demeure" Cantate no. 147 | Jose de Azpiazu | 1964 | Edition Delrteu | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Kleine Prelude in C (Short Prelude in C) | J. Verhoef | 1968 | Harmonia-Uitgave | 2 guitars | Duet, Score only | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Lute Suite A-moll (originally in c-Moll), BWV 997 (from Musik für Gitarre) | Karl Scheit | 1984 | Universal Edition (UE 16710) | Solo | Lute | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Parkening Plays Bach | Christopher Parkening, Nick Foster, et. al. | 1973 | Antigua Casa Herry-Brener, Ltd. | Solo | Collection | Jesu, Joy of Man's Desiring (from Cantata No. 147) Prelude No. I (Well-Tempered Clavier) Prelude No. VI (Well-Tempered Clavier) Prelude No. IX (Well-Tempered Clavier) Sheep May Safely Graze (from Cantata No. 208) Sleepers, Awake (from Cantata No. 140) Be Thou With Me Gavotte I & II (from 5th Cello Suite) Prelude | Richard Childress | ||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Partita in A minor (BWV 1013) | David Leisner | 1993 | Merion Music., Inc | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Prélude | Andres Segovia | 1954 | Schott | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Prélude | Andres Segovia | 1954 | Belwin Mills | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Prelude and Fugue in A minor | Hector Quine, arr. | 1978 | Oxford University Press | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Prélude et Fugue | Andres Segovia | 1954 | Schott | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Vol. I: Prelude (Little Prelude in C minor)-Allemande-Minuetto I- Minuetto II | Andrés Segovia | 1928, 1956 | B. Schott's SÖhne | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Preludio de la suite IV para violoncelo solo | R. Sainz de la Maza | 1964 | Union Musical Espanola | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Sarabande (de la Cinquième Suite pour Violoncelle) | Emilio Pujol | 1962 | Editions Max Eschlg | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Sarabande | Andres Segovia | 1982 | Schott Music Corp. | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Selected Works | Alexander Bellow | 1976 | Shattinger International Music Corp | Solo | Sarabande and Double (from Partita I, Viiolin Solo) Bouree and Double (from Partita I, Violin Solo) Gavotte and Rondo (from Partita III, Violin Solo) Andante (from Sonata II, Violin Solo) Fugue (from Lute Suite II) | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Suite française no 5, BWV 816 | Jim Lange | 2000 | Les Prodution D'Oz | 3 guitars | Trio, Ensemble, Score and parts | Allemande Courante Sarabande Gavotte Bourrée Loure Gigue | |||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Suite in E minor | Julian Bream | 1967 | Faber Music Ltd. | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Suite in E minor for the Lute, BWV 996 | Karl Scheit | 1975 | Universal Edition | Lute | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Suite in A minor, BWV 997 (from Complete Works for the Lute) | Karl Scheit | 1984 | Universal Edition | Lute | |||||
Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Suite No. 1 BWV 1007 | John W. Duarte | 1983 | Schott & Co. Ltd. | Solo | I. Prelude II. Allemande III. Courante IV. Sarabande V. Minuets I & II VI. Gigue | Richard Childress | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Suite No. 3 for lute in A minor | Heinz Teuchert | 1975 | G. Ricordi & Co. | Lute | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Suite No. 3 for Violoncello (BWV 1009) | John W. Duarte | 1983 | Schott | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Toccata und Fuge D-Moll | Jose de Azpiazu | 1969 | Ricordi | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Two Minuets | Sophocles Papas | 1950 | Columbia Music Co. | Solo | |||||
Y | Bach, Karl Philipp Emanual Bach, Johann Bernhard Bach, Wilhelm Friedmann Bach, Johann Christophh Bach, Johann Sebastian Bach, Johann Michael | Karl Philipp Emanual Bach Johann Bernhard Bach Wilhelm Friedmann Bach Johann Christophh Bach Johann Sebastian Bach Johann Michael Bach | From the Bach Family | Theodore Norman | 1969 | G. Schirmer, Inc. | Solo | Anthology | Minuet - William Friedemann Bach Passepied I - Johann Bernhard Bach Passepied II - Johann B. Bach Courante - Johann Sebastian Bach Minuet -Wilhelm Friedemann Bach La Complaisante - Karl Philipp Emanuel Bach Minuet - Johann Christoph Bach Allegro - Johann Christoph Bach Aria - Johann Sebastian Bach Minuet - Karl Phillip Emanuel Bach Aria - Johann Bernhard Bach Die Trennung (The Separation) - Karl Phillip Emanuel Bach Minuet - Karl Phillip Emanuel Bach Allegretto - Karl Phillip Emanuel Bach Minuet I - Johann Christian Bach Minuet II - Johann Christian Bach Allegro - Karl Phillip Emanuel Bach Allegretto - Karl Phillip Emanuel Bach Allegretto - Karl Phillip Emanuel Bach Minuet - Karl Phillip Emanuel Bach Presto - Karl Phillip Emanuel Bach Minuet - Karl Phillip Emanuel Bach Allegro - Karl Phillip Emanuel Bach Fugue - Wilhem Friedmann Bach Cradle Song - Wilhelm Friedmann Bach Chorale Variations - Johann Michael Bach | |||
Y | Bacharach, Burt; Sager, Carol; Cross, Christopher; Allen, Peter | Burt Bacharach, Carole Bayer Sager, Christopher Cross, Peter Allen | Arthur's Theme (Best That You Can Do) | Stan Ayeroff | 1981, 1984 | Warner Bros. Music Corp. | Solo | Movie, Popular | ||||
Y | Bacheler / Batchelar Daniel (um 1600) | Daniel Batchelar (um 1600) | Monsiers Almaine | Siegfried Behrend | 1970 | Bote & Bock | Solo | |||||
? | Bacheler, Daniel | Daniel Bacheler | Music for the Lute: Daniel Bacheler: Selected Works | Martin Long (David Lumsden) | 1970 | Oxford University Press | Lute | Collection, includes images of original lute tablature | 1. Galliard 2. Galliard 3. Galliard 4. Pavan 5. Pavan 6. Pavan 7. Almain 8. Courante 9. Round (or Ground?) 10. La Jeune Fillette 11. Courante 12. Prelude . . . 13. Pavan 14. Fantasy Catalogue of the works of Daniel Bacheler Original lute tablature | |||
Y | Bakfark, Valentinus (1507-1576) | Valentinus Bakfark (1507-1576) | O Combien Est (Claudin O. Sandrin) | Daniel Benkö | 1976 | Editio Musica Budapest | Solo | |||||
Y | Bakfark, Valentinus (1507-1576) | Valentinus Bakfark (1507-1576) | Si Grand È La Pietà (Jacques Arcadelt) | Daniel Benkö | 1976 | Editio Musica Budapest | Solo | |||||
Y | Balada, Leonard b. 1933 | Leonard Balada b. 1933 | Lento with Variation | Carlos Barbosa-Lima, fingering | 1975 | Columbia Music Co. | Solo | |||||
Y | Barbosa-Lima, Carlos | Carlos Barbosa-Lima | Brazilian Music for Acoustic Guitar | in collaboration with John Griggs | 1993 | Mel Bay Publications | Solo | Collection, CD incuded, Brazil, South American, Jazz, Impressionism, Blues, includes tablature | Mi Bossa Blue Embers Dreams El Robin Willow | |||
Y | Bardi, Agustin | Bardi, Agustin | Album de Tangos (5 tangos) | Agustin Carlevaro | 1986 | Ricordi Americana | Solo | Collection, South American | Nunca tuvo novio La última cita Qué noche Gallo ciego El baquiano | |||
Y | Barrense-Dias, Jose | Jose Barrense-Dias | 9 Danses brésiliennes | 1983 | Editions Musicales Transatlantiques | Solo | Collection, South American, Brazil | 1. Ciranda (Ronde) 2. Dans Do Balaio (Danse du panier) 3. Peixe Vivo - Caterete (Danse du poisson) 4. Zum Zum Zum (Samba Jongo) 5. Tutu Marambaia (Personnage légendaire) 6. Nhazinha - Modinha (Petite madame) 7. Nesta Rua - Modinha 8. Choro Pra Jany 9. Catingas (La Foret) | ||||
? | Barrense-Dias, Jose | Jose Barrense-Dias | Samba do virtuoso V | 1979 | Editions Musicales Transatlantiques | South American | ||||||
Y | Barrientos, Carlos (b. 1954) | Carlos Barrientos (b. 1954) | Bomba Pa' Yo!: Un Xique para Zanon | 2009 | Editions Orphée | |||||||
Y | Barrios Mangoré, Augustin (1885--1944) | Augustín Barrios (1885--1944) | Complete Works of Augustín Barrios Mangoré, The: Vol. 1 | Rico Stover | 2003 | Mel Bay Publications, Inc. | Solo, 2 pieces for 2 guitars | Collection | Abrí la Puerta mi China Aconquija (Aire de Quena) Aire de Zamba (from the "Suite Andina") Aire Popular Paraguayo Aire Sureño Aires Andaluces Aires Criollos Aires Mudéjares (Apuntes) Allegro Sinfónico Altair A mi Madre Arabescos (Estudio No. 4) Armonías de América Canción de la Hilandera Capricho Español (Noches de Andalucia) Choro da Saudade Confesión Contemplación Córdoba (from the "Suite Andina") Cueca (from the "Suite Andina") Danza Danza Guaraní Danza Paraguaya Danza Paraguaya (Guitar Duo, Duet) Diana Guaraní Dinora Divagacion (en Imitación da Violín) Divagaciones Criollas Don Perez Freire (Tango) El Sueńo de la Muńequita Escala y Preludio Estilo Uruguayo (Luz Mala - Poemeto Regional) Estilo (Chinita) ("A la China Borda Sosa, con todo cariño" Estudio de Concierto Estudio de Concierto No. 2 Estudio del Ligado Estudio del Ligado Estudio en Arpegio Estudio en Si Menor (Guitar Duo, Duet) Estudio en Sol Menor Estudio Inconcluso Estudio No. 3 Estudio No. 6 Estudio para Ambas Manos Estudio Vals Fabiniana (Improvisation remembering Eduardo Fabini, Cerro de las Cuentas, Uruguay, 1924) Gavota al Estilo Antiguo Habanera Humoresque Invocación a mi Madre Jha Che Valle Jota Julia Florida (Barcarola) Junto a tu Corazón La Bananita (Tango) La Catedral La Samaritana Las Abejas Leyenda de España London Carapé Luisito (Minueto) Luz Mala Mabelita Madrecita Madrigal (Gavota) Maxixe Mazurka Apassionata | |||
Y | Barrios Mangoré, Augustin (1885--1944) | Augustín Barrios Mangoré | Cueca (Danza Chilena) | Richard D. Stover | 1979 | Belwin Mills Publishing Corporation | Solo | |||||
Y | Barrios Mangoré, Augustin (1885--1944) | Augustín Barrios Mangoré (1885--1944) | Danza Paraguaya (de Las Seis Cuerdas) | Alirio Diaz | 1973 | G. Zanibon | Solo | |||||
Y | Barrios Mangoré, Augustin (1885--1944) | Agustin Barrios Mangore (1885-1944) | El Ultimo Canto per chitarra | Walter Ranalli | 1980 | Bèrben | Solo | |||||
Y | Barrios Mangoré, Augustin (1885--1944) | Augustín Barrios Mangoré (1885--1944) | Estudio en Si Menor for Two Guitars | Richard D. Stover | 1979 | Belwin Mills | 2 guitars | Duet, Parts only | ||||
Y | Barrios Mangoré, Augustin (1885--1944) | Augustín Barrios Mangoré (1885--1944) | Guitar Works of Agustín Barrios Mangoré, The: The First Definitive Collection Agustin Barrios Mangoré, Volume 1 | Richard D. Stover | 1976 | Belwin Mills | Solo | Collection | Minueto en Do (Minuet in C) El Sueño de la Muñequita (The Sleep of the Little Doll) Estudio Inconcluso (Inconclusive Study) Estudio del Ligado (Slur Study) Preludio (Prelude) Mabelita (Little Mabel) Oración por Todos (Prayer for Everyone) Estilo (Argentine Song) Madrecita (Little Mother) Gavota al Estilo Antiguo (Gavotte in the Old Style) Primavera-vals (Springtime Waltz) Estudio para Ambas Manos (Study for Both Hands) Medallón Antiguo (The Old Medallion) Humoresque Luz Mala (Bad Light) Danza Guaraní (Guaraní Dance) La Samaritana (The Samaritan Girl) Villancico de Navidad (Christmas Carol) | |||
Y | Barrios Mangoré, Augustin (1885--1944) | Augustín Barrios Mangoré (1885--1944) | Guitar Works of Agustín Barrios Mangoré, The: The First Definitive Collection Agustin Barrios Mangoré, Volume 2 | Richard D. Stover | 1977 | Belwin Mills | Solo | Collection | Minueto en La (Minuet in A) Estudio No. 3 (Study No. 3) Estudio No. 6 (Study No. 6) Don Perez Freire (Tango) Junto a Tu Corazón-vals (Close to Your Heart Waltz) Preludio (Prelude) Minueto en Si Mayor (Minuet in B Major) Leyenda ed España (Spanish Legend) Escala y Preludio (Scale and Prelude) Minueto en Mi (Minuet in E) Dinora Preludio (Prelude) Danza (Dance) Oración (Prayer) Estudio del Ligado (Slur Study) Estudio Vals (Waltz Study) Canción de la Hilandera (Song of the Thread Spinner) Caazapá-Aire Popular Paraguayo (Caazapá-Popular Paraguayan Song) Romanza en Imitación al Violoncello (Romance in Imitation of the Cello) Canción de Cuna (Cradle Song) | |||
Y | Barrios Mangoré, Augustin (1885--1944) | Augustín Barrios Mangoré (1885--1944) | Guitar Works of Agustín Barrios Mangoré, The: The First Definitive Collection of Agustin Barrios Mangoré, Volume 3 | Richard D. Stover | 1977 | Belwin Mills | Solo | Collection | Madrigal - Gavota (Madrigal Gavotte) Una Limosna por el Amor de Dios (Gran Trémolo) (An Alm for the Love of God) Mazurka Apasionata (Impassioned Mazurka) Estudio de Concierto (Concert Study) Estudio (Study) Las Abejas (The Bees) Minueto en La (Minuet in A) Sarita (Mazurka) Aconquija (from Suite Andina) Córdoba (from Suite Andina) Aire de Zamba (from Suite Andina) Julia Florida - Barcarola Preludio Op. 5, No. 1 Arabescos - Estudio No. 4 (Arabesques - Study No. 4) Vals Op. 8, No. 4 (Waltz) País de Abanico (Country of the Fan) Tua imagem - vals (Your Image - waltz) Confesión - romanza (Confession - romance) Choro da Saudade (Nostalgic Choro) | |||
Y | Barrios Mangoré, Augustin (1885--1944) | Augustín Barrios Mangoré (1885--1944) | Guitar Works of Agustín Barrios Mangoré, The: The First Definitive Collection of Agustin Barrios Mangoré, Volume 4 | Richard D. Stover | 1985 | Belwin Mills | Solo | Collection | Variacion al Estudio No. 3 (de Parras de Moral) Variacion al Estudio No. 6 (de P. del Moral) Estudio (for Op. 38, Nr. 22) Vidalita Divagación (en Imitacion al Violin) Pepita Armonias de America Estilo Uruguayo Tú y yo (Gavotte) - Alphons Czibulka Capricho Español Estudio en Sol menor Serenata Morisca Pericon Tango No. 2 A mi madre (Sonatina) Adagio from Sonata, Op. 27, No. 2 ("Moonlight") - L. van Beethoven Preludio No. 20 - Fryderyk Chopin Minueto en Sol (Minuet in G) Träumerei (Op. 15, Nr. 7) - Robert Schumann ¡Ay, Ay, Ay! . . . - Osman Perez Freyre | |||
Y | Barrios Mangoré, Augustin (1885--1944) | Augustín Barrios Mangoré (1885--1944) | La Catedral (The Cathedral) | Richard D. Stover | 1979 | Belwin-Mills Publishing Cor. | Solo | |||||
Y | Barrios Mangoré, Augustin (1885--1944) | Agustin Barrios Mangore (1885-1944) | Luz Mala | 1976 | PUblicaciones Musicales Tempo | Solo | ||||||
Y | Barrios Mangoré, Augustin (1885--1944) | Augustín Barrios Mangoré (1885--1944) | Maxixe | Richard D. Stover | 1979 | Belwin-Mills Publishing Corporation | Solo | |||||
Y | Barrios Mangoré, Augustin (1885--1944) | Agustin Barrios Mangore (1885-1944) | Medallon Antiguo (de Las Seis Cuerdas) | Alirio Diaz | 1974 | Zanibon | Solo | |||||
Y | Barrios Mangoré, Augustin (1885--1944) | Agustin Barrios Mangore (1885-1944) | Un Sueño en la Floresta | Richard D. Stover | 1979 | Belwin MIlls | Solo | |||||
Y | Barrios Mangoré, Augustin (1885--1944) | Agustin Barrios Mangore (1885-1944) | Valzer N. 3 | Walter Ranalli | 1980 | Bèrben | Solo | |||||
Y | Bartók, Béla | Béla Bartók | Béla Bartók For Children: 25 Pieces for Guitar | Ferenc Brodszky | 1968 | Boosey & Hawkes, Edition Musica | Solo | Collection | 1. Children at Play 2. Children's Song 3. (Untitled) 4. Pillow Dance 5. Play 6. Tralalala Tulipan 7. Play Song 8. Song 9. (Untitled) 10. Ballad 11. (Untitled) 12. Soldier's Song 13. (Untitled) 14. (Untitled) 15. (Untitled) 16. (Untitled) 17. (Untitled) 18. (Untitled) 19. The Prisoner 20. (Untitled) 21. Chorale 22. (Untitled) 23. Pentatonic Tune 24. (Untitled) 25. (Untitled) | |||
Y | Bay, Mel | Mel Bay | Modern Guitar Method, Grade 7 | Mel Bay | 1975 | Mel Bay Publications, Inc. | Method | Harmonics, Chords, Inversions | Harmonics Adelita - Tarrega Sixth Chords Inversions Speed Studies in F Sharp Major Just A-Wearyin' for You - Carrie Jacobs Bond Triplet Etude - Carcassi Minor Sixth Chords Badinage - Victor Herbert I Love You Truly - Bond, arr. Bay Ninth Chords Wondrous Love - Early American Hymn, arr. Bill Bay Blessed Assurance - Fanny Crosby, arr. Bill Bay Eleventh Chords To a Wild Rose - Edward MacDowell, arr. Mel Bay Another Triplet Study - Carcassi Gypsy Love Song - Herbert, arr. Bay Prelude - Bach, arr. Bay Narcissus - Nevin, arr. Bay Etude in D Flat - C. Baermann Allegretto Grazioso - Carcassi Maple Leaf Rag - Joplin, arr. Bay Thirteenth Chords | |||
Y | Bay, William | William Bay | Mel Bay's Complete Book of Guitar Chords, Scales and Arpeggios | 1992 | Mel Bay Publications | Method | Major Scales Minor Scales Rock Scales (Minor Pentatonic) Arpeggio Contents Chord Contents | John Fernando | ||||
Bay, William and Christiansen, Mike | William Bay, Mike Christiansen | Mastering the Guitar Class Method: Level 1/Beginning Elementary through 8th Grade | 2000 | Mel Bay Publications | Method | Instruction, Classroom, contains a few quizzes, worksheets | Types of Guitars Parts of the Guitar Care of the Guitar Holding Position Tuning Reading the Music Diagrams First Warm-Up Solos by Number Simple Chords Learning to Read Tablature Where the Red Fern Grows (3 guitar ensemble, tablature notation) Reading Standard Notation Notes Rests E Note A New Note (F) G Note B and C Notes D Note The Tie Dotted Half Note Notes on the 3rd String A Wrinkle in Time (3 guitar ensemble, standard notation) Shadow of the Bull (ensemble) Em and D Chords Full G, G7, and C Chords Strum Patterns Swing Rhythm Blues Malaga Old Man and the Sea (4 guitar ensemble on four strings, tablature notation) Notes on the 4th String Charlotte's Web (4 guitar ensemble, standard notation) Am and D7 Chords A7 and E7 Chords B7 and Bm Chords Notes on the Fifth String Dotted Quarter Note Notes on the 6th String High A Note Star of the County Down (Irish Ballad) (4 guitar ensemble, standard notation) The C Scale A and E Chords Playing Two Chords per Measure. Sharps Morpheus (4 guitar ensemble) (from "Music in Miniatures", 1779) - William Billings Greensleeves (4 guitar ensemble) Key Signature The Cay (4 guitar ensemble) (Reggae Ensemble) The Blues Progression Writing Blues Lyrics Power Chords Flats and Natural Signs Bridge to Terabithia (4 guitar ensemble) Syncopated Strum Patterns Minor Pentatonic Improvisation Pachelbel's Canon (4 guitar ensemble) - Johann Pachelbel F and C7 Chords Bb and Dm Chords Alternating Bass Acres of Bluegrass (2 or 3 guitar ensemble) Outsiders' Blues (3 guitar ensemble), tablature notation Notation Guide Tempo and Dynamics | |||||
Y | Beaser, Robert | Robert Beaser | Notes on a Southern Sky | Eliot Fisk | 1980 | Helicon Music Corporation | Solo | |||||
Y | Bebey, Francis | Francis Bebey | Clementina de Jesus | 1983 | Editions Transatlantiques | Solo | ||||||
Y | Beethoven, Ludwig van (1770-1827) | Ludwig van Beethoven (1770-1827) | 12 Contredanses for 4 guitars | Jeremy Sparks | 1998 | Les Éditions Doberman-Yypan | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Beethoven, Ludwig van (1770-1827) | Ludwig van Beethoven (1770-1827) | Adagio Aus Sonate Op. 27 Nr. 2 (Mondschein) | José de Azpiazu | 1957 | Symphonia Verlag | Solo | |||||
Beethoven, Ludwig van (1770-1827) | Ludwig van Beethoven (1770-1827) | Troisième Fantaisie Op. 10: sur un Thème de Beethoven (Serenade Op. 8 for strings: Adante quasi allegretto | Matanya Ophee | 2008 | Editions Orphée, Inc. | Solo | Theme and variations, based on Beethoven's Serenade Op. 8 for strings: Adante quasi allegretto | |||||
Y | Beethoven, Ludwig van (1770-1827) | Ludwig van Beethoven (1770-1827) | Duo for Two Guitars (Orig. composed for viola and cello), Wo0 32 | Richard Long, Mark R. Switzer | 1986 | Tuscany Publications | 2 guitars | Duet, Score and parts | ||||
Y | Beethoven, Ludwig van (1770-1827) | Ludwig van Beethoven (1770-1827) | Para Elisa | Antonio Sinopoli | ? | Ricordi | Solo | |||||
Y | Beethoven, Ludwig van (1770-1827) | Ludwig van Beethoven (1770-1827) | Romanza op. 50 per violino e orchestra, transcribed for solo guitar | Miguel Ablóniz | 1975 | Bèrben | Solo | |||||
Y | Beethoven, Ludwig van (1770-1827) | Ludwig van Beethoven (1770-1827) | Two Bagatelles | Sophocles Papas | 1950 | Columbia Music Co. | Solo | |||||
Y | Behrend, Siegfried | Siegfried Behrend | Non te escaparras (Man kann sich nicht entkommen) Capriccio nach Francesco de Goya | 1957 | Bote & Bock | Solo | ||||||
? | Behrend, Siegfried | Siegfried Behrend | Porque fue sensible (Weil sie so empfindsam war) Capriccio nach Francesco de Goya | 1957 | Bote & Bock | Solo | ||||||
Y | Bellanati, Paulo | Paulo Bellinati | A Furiosa | 2000 | Guitar Solo Publications | 4 guitars | Quartet, Ensemble, Score and parts | |||||
Y | Bellanati, Paulo | Paulo Bellinati | Choro Sereno | 1993 | Guitar Solo Publications | Solo | ||||||
Y | Bellanati, Paulo | Paulo Bellinati | Estudos Litorâneos: "No.1 brisa do oceano; No. 2 acalanto das águas; No. 3 chuva e mar" | 1997 | Guitar Solo Publications | Solo | Collection | No.1 brisa do oceano No. 2 acalanto das águas No. 3 chuva e mar | ||||
Y | Bellanati, Paulo | Paulo Bellinati | Pulo do Gato | 1996 | Guitar Solo Publications | Solo | ||||||
Y | Bellanati, Paulo | Paulo Bellinati | Seresteiro Paulistano (Seresta) | 1997 | Guitar Solo Publications | Solo | ||||||
Y | Bellanati, Paulo | Paulo Bellinati | Um Amor de Valsa | 1991 | Guitar Solo Publications | Solo | ||||||
Y | Bellow, Alexander | Alexander Bellow | Four Short Pieces: 1. Prelude; 2. Etude Oriental; 3. Etude in Harmonies; 4. Bolero | 1965 | Franco Columbo, Inc. | Solo | ||||||
Y | Bellow, Alexander | Alexander Bellow | Prelude and Fugue | 1967 | Franco Columbo, Inc. | Solo | ||||||
Y | Bellow, Alexander | Alexander Bellow | Suite Miniature for Solo Guitar | 1961 | Franco Columbo, Inc. | Solo | ||||||
Y | Bellow, Alexander | Alexander Bellow | Tales of the Alhambra _as told by Washington Irving | 1973 | E. C. Kerby ltd. | Solo | ||||||
Y | Bellow, Alexander | Alexander Bellow | Variations on a Theme of Mudarra | 1972 | E. C. Kerby ltd. | Solo | ||||||
Y | Berkeley, Michael | Michael Berkeley | Worry Beads | 1982 | Oxford University Press | Solo | ||||||
Y | Berry, Jacques-Andre | Jacques-Andre Berry | Deux Preludes | 1986 | Bèrben | Solo | ||||||
Y | Beyer, Frank Michael (1979) | Frank Michael Beyer (1979) | Canzonetta | Konrad Ragossnig | 1981 | Schott | Solo | |||||
Y | Bizet, Georges | Georges Bizet | L'Arlesienne: No. 4 Farandole | Manley Mallard | 2008 | Guitar Chamber Music Press | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Bizet, Georges | Georges Bizet | The Ball | Manley Mallard | 2007 | Guitar Chamber Music Press | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Bizet, Jean | Jean Bizet | Triangles pour Guitare Solo | 1970 | Editions Musicales Transatlantiques | Solo | ||||||
Y | Blanchard, Harold | Harold Blanchard | Innocent Meandering for guitar | Stephen Robinson | 1995 | Tuscany Publications | Solo | |||||
Y | Boccherini, Luigi | Luigi Boccherini | Menuett aus dem Quintett in E-Dur für drei Gitarren | Walter Gotze | 1927 | Schott | 3 guitars | Trio, Ensemble, Score only | ||||
Y | Boda, John | John Boda | Introduction and dance | Mario Abril | 1968 | Columbia Music Co. | Solo | |||||
Y | Bogdanović, Dušan | Dušan Bogdanović | 6 Balkan Miniatures | 1993 | Guitar Solo Publications | Solo | I. Jutarnje Kolo (Morning Dance) II. Žalopojka (Lament) III. Vranjanka IV. Makedonsko Kolo (Macedonian Dance) V. Široko (Wide Song) VI. Sitni Vez (Tiny-knit Dance) | |||||
Y | Bogdanović, Dušan | Dušan Bogdanović | Lyric Quartet | 1993 | Bèrben edizioni musicali | 4 guitars | Quartet, Ensemble, Score and parts | |||||
Y | Boieldieu, François-Adrien (1775-1834) | François-Adrien Boieldieu (1775-1834) | Ouverture de l'opéra: Le Calife de Bagdad (Musique de Boieldieu) | François de Fossa, arr. Matanya Ophee, ed. | 2010 | Editions Orphée, Inc. | Solo | |||||
Y | Boismortier, Joseph Bodin de | Joseph Bodin de Boismortier | Twelve Pieces for Guitar | José de Azpiazu | 1978 | Heinrichshofen Edition | Solo | Collection | 1. Prelude 2. Pavane 3. Minuet 4. Gigue 5. Minuet 6. Sarabande 7. Contradance I 8. Contradance II 9. Gavotte 10. Minuet 11. Minuet 12. Gigue | |||
Y | Bolling, Claude; Lagoya, Alexandre | Claude Bolling, Alexandre Lagoya | Concerto for Classic Guitar and Jazz Piano (also drums and bass), 3 books: Guitar and piano; guitar only; drums and bass | 1978 | Jazz International | Jazz Combo: Guitar and piano, drums, bass | Jazz, Quartet, Ensemble, Score and parts | 1. Hispanic Dance (With a Blue Touch) 2. Mexicaine 3. Invention 4. Sérénade 5. Rhapsodic 6. Africaine | ||||
Y | Borges, Raul | Raul Borges | Six Venezuelan Pieces, Vol. I: 1. Valse Venezolano; 2. Estudio; 3. Cancion de Cuna | Sophocles Papas | 1976 | Columbia Music Co. | Solo | |||||
Y | Borsody, Lázló | Borsody Lázló | Snatches: Ten Pieces for Guitar Solo | 1982 | Edition Musica Budapest | Solo | ||||||
Y | Bosman, Lance | Lance Bosman | Harmony for Guitar | Guitar Magazine | 1991 | Musical New Series | Method | Collections | ||||
Y | Bosseur, Jean-Yves | Jean-Yves Bosseur | D'une Rive à L'autre pour Guitare | 1990 | Editions Henry Lemoine | Solo | ||||||
Y | Bournet, Patrick | Patrick Bournet | Guarani Suite | 2012 | Les Producitons D'Oz | 4 guitars | Quartet, Ensemble, Score and parts | I - Introduction II - Danza III - Huaino | ||||
Y | Boutros , Laurent | Laurent Boutros | Les Echelles du Levant: Valse No. 1 | 1997 | Editions Henry Lemoine | Solo | ||||||
Y | Boyce, William (1711-1779) | William Boyce (1711-1779 | Symphony No. 1 & 4 | Manley Mallard | 2009 | Guitar Chamber Music Press | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Boyd, Liona | Liona Boyd | Miniatures for Guitar | 1977 | Hal Leonard Publishing Corp. | Solo | Anthology | |||||
Brace, Tim | Tim Brace | Water Over Glass | 2005 | Tim Brace | 4 guitars | |||||||
Y | Brahms, Johannes (1833-1897) | Johannes Brahms (1833-1897) | Danse Hongroise No 5 | Gaston Martin | 1968 | Georges Delriéu & Co | Solo | |||||
Y | Brahms, Johannes (1833-1897) | Johannes Brahms (1833-1897) | Hungarian Dance no. 5 | David Adele | 1998 | Les Éditions Doberman-Yppan | 4 guitars | Quartet, Ensemble, Score only | ||||
Y | Brahms, Johannes (1833-1897) | Johannes Brahms (1833-1897) | Three Folk Songs from Deutsche Volkslieder for High Voice and Guitar | Allen Krantz | 1977 | International Music Company | treble voice and guitar | Soprano, Duet, Lyric translation from German to English, 1 copy without a cover | 1. Da unten im Tale (In the Valley Down Yonder 2. Feinsliebchen, du sollst... (My Love, Promise...) 3. Schwesterlein (Sister Dear) | |||
Y | Brahms, Johannes (1833-1897) | Johannes Brahms (1833-1897) | Waltz (original in A-flat) | Andres Segovia | 1960 | Columbia Music Co. | Solo | |||||
Y | Branco, Waltel | Waltel Branco | A Obra Para Violáo de Waltel Branco (signed by Branco) | Cláudo Manandro | 2008 | Curitiba | Solo | Collection, Signed copy | Alma de passarinho Areia branca Argamassa As cores do Leme Caprichoso Canto de Opanijé Choro pro Egashira Choro clássico Choro pro Menandro Choro romântico Choro-seresta Divertimento Elegia a Carybé Estudo em forma de choro Fuga No. 1 Fuga No. 2 Giga para Noelle Kazu Madorna Meditação Minueto Minha terra Moda de viola Ninho de cobra Pequenos prelúdios para violão (5) Ponteio e Modinha Prelúdio No. 3 Prelúdo para Jael Rancheira Revelções Saudades do Garoto Seis variações com laços no século XV! Só nata brasileira No. 1: 1. Prelúdio; 2. Acalanto; 3. Ponteio Tema para Pilar Valsa para Radamés Valsa amorosa Valsa choro No. 2 Valsa grega para Eva Valsa para Josephina Valsa para Leide Valsa seresteira Vaneirão Velha valsa. | |||
Y | Bresgen, Cesar | Cesar Bresden | Fioretti für Gitarre Solo | Wolfgang Guttmann ("furnished by") | 1988 | Musikverlag | Solo | |||||
Y | Bridges, Ben | Ben Bridges | Three Melodic Etudes | 1990 | Theodore Presser Co. | Solo | ||||||
Y | Brindle, Reginald Smith | Reginald Smith Brindle | Music for Three Guitars | A. Borghese, R. Frosali, V. Saldarelli, fing. | 1977 | Edizioni Suvini Zerboni | 3 guitars | Trio, Ensemble, Score only | ||||
Y | Britten, Benjamin | Benjamin Britten | Folksong Arrangements Volume 6: England (for High Voice and Guitar) | Julian Bream, ed. | 1961 | Boosey and Hawkes | voice and guitar | Soprano, Duet, English, Folk songs | I will give my love an apple Sailor-boy Master Kilby The Soldier and the Sailor Bonny at Morn The Shooting of his Dear | |||
Y | Britten, Benjamin | Benjamin Britten | Nocturnal Op.70 After John Dowland | Julian Bream | 1965 | Faber Music Ltd. | Solo | |||||
Y | Britten, Benjamin | Benjamin Britten | Songs from the Chinese | Arthur Waley | 1959 | Boosey Hawkes | Solo | Collection | 1. The Big Chariot (from The Book of Songs) 2. The Old Lute (Po Chü-i 3. the Autumn Wind (Wu-ti) 4. The Herd-Boy (Lu Yu) 5. Depression (Po Chü-i) 6. Dance Song (from The Book of Songs) | |||
Y | Brouwer, Léo | Léo Brouwer | Deux Airs Populaires Cubans: 1. Quajira Criolla (sur un thème d'ANCKERMAN; 2. Zapateado | 1972 | Editions Max Eschig | Solo | ||||||
Y | Brouwer, Léo | Léo Brouwer | Dos Canciones (for voice and guitar) | 1993 | Les Éditions Doberman-yppan | voice and guitar | Duet, Collection | I. Poema II. Madrigalillo | ||||
Y | Brouwer, Léo | Léo Brouwer | Études Simples (Estudios Sencillos) 1ère série (n° 1 à 5) | 1972 | Éditions Max Eschig | Solo | John Fernando | |||||
Y | Brouwer, Léo | Léo Brouwer | Études Simples (Estudios Sencillos) 3e série (n° 11 à 15) | 1983 | Éditions Max Eschig | Solo | Collection | Étude No. 11: pour les liés et les positions fixes Étude No. 12: pour les accords brisés en legato Étude No. 13: pour les liés et les postiions fixes Étude No. 14: pour les liés et le pouce Étude No. 15: pour les accords de trois sons | ||||
Y | Brouwer, Léo | Léo Brouwer | La Espiral Eterna | 1973 | Shott | Solo | ||||||
Y | Brouwer, Léo | Léo Brouwer | Pièce Sans Titre (Pieza sin Titulo) No. 1? | 1972 | Max Eschig | Solo | ||||||
Y | Brouwer, Léo | Léo Brouwer | Pièce Sans Titre (Pieza sin Titulo) N°2 et N°3 | 1983 | Max Eschig | Solo | ||||||
Y | Brouwer, Léo | Léo Brouwer | Preludios Epigramaticos | 1984 | Editions Musicales Transatlantiques | Solo | Collection | No. 1 "Desde que el alba quiso ser alba, toda eres madre" No. 2 "Tristes hombres si no mueren de amores" No. 3 "Alrededor de tu piel, ato y desato la mia" No. 4 "Rié, que todo rié: que todo es madre leve" | ||||
Y | Brouwer, Léo | Léo Brouwer | Sonata | 1991 | Opera tres Editiones Musicales | Solo | I. "Fandangos y Boleros" II. "Sarabanda de Scriabin" III. "La Toccata de Pasquini" | |||||
Y | Brouwer, Léo | Léo Brouwer | Toccata | 1994 | Les Éditions Doberman-Yppan | 4 guitars | Quartet, Ensemble, Score and parts | |||||
Y | Brouwer, Léo | Léo Brouwer | Tarantos | 1977 | Max Eschig | Solo | ||||||
Y | Brouwer, Léo | Léo Brouwer | Tres Apuntes (Three Sketches) | 1972 | Shott | Solo | I - De el "Homenaje a Falla" (from "Homenaje a Falla") II - De unfragmento instrumental (from a chamber music piece) III - Sobre un canto de Bulgaria (On a Bulgarian Song) | |||||
Y | Brouwer, Léo | Léo Brouwer | Un Dia de Noviembre | 2000 | Chester Music Limited | Solo | ||||||
Y | Brouwer, Léo | Léo Brouwer | Variations sur en thème de Django Reinhardt | 1985 | Editions Musicales Translatlantlques | Solo | Theme and variations, 6 variations | |||||
Y | Brun, Patrick | Patrick Brun | Autour des Lumières de La Nuit: I. Solitaire; II. Des Lumièrs Crues; III. Évadé | 1989 | Gérard Billaudot Éditeur | Solo | ||||||
Y | Bruser, Madeline | Madeline Bruser | The Art of Practicing: A Guide to Making Music from the Heart | 1997 | Bell Tower | Method | Foreword by Yehudi Menuhin | Part One: The Starting Point 1. Meeting Yourself 2 Struggle and Freedom Part Two: A Ten-Step Approach 3. Stretching 4. Settling In 5. Tuning into Your Heart 6. Basic Mechanics 7. The Spark of Inquisitiveness 8. Three Styles of Strugge 9. Simplicity 10. Pur Perception 11. Spontaneous Insight 12. The Dancing Body Part Three: Natural Command 13. Playing by Heart 14. Generosity | Richard Childress | |||
Buckingham, Jack | Jack Buckingham | El Arte Flamenco: Fundamental Techinique of the Andalusian Style of Guitar Playing | 1957 | Spanish Music Center | Method, Flamenco | Text in both Spanish and English | INTRODUCTION (INTRODUCCION) THE FLAMENCO MUSICAL IDIOM (EL IDIOMA MUSICAL FLAMENCO) WHAT IS “EL ARTE FLAMENCO”? (iQUE ES “EL ARTE FLAMENCO”?) HOLDING THE GUITAR (MANERA DE SUJETAR LA GUITARRA) "FALSETA" “PICADO” “RASGUEADO” “MARTILLO” “TAMBOR” “CEJUELA” “PARADO” DESCRIPTIVE SUPPLEMENT OF STYLES: ALEGRIAS BULERIAS FARRUCA GRANADINAS MALAGUEÑAS SEVILLANAS TARANTAS | |||||
Y | Burdick, David | Dave Burdick | Episode in Compound Meter | 1990 | Guitar Chamber Music Press | 4 guitars | Quartet, Mixed Ensemble, Score and parts, Jazz, Funk | |||||
Y | Burdick, David | David Burdick | Guitars: for Guitar Synth, Guitar Orchestra, and Electric Bass | 1992 | Guitar Chamber Music Press | Jazz Combo: 8 guitars, synth, electric bass | Mixed Ensemble, Score and parts, Jazz | |||||
Y | Buxtehude, Dietrich (1637-1707) | Dietrich Buxtehude (1637-1707) | Organ Chorales | Manley Mallard | 2007 | Guitar Chamber Music Press | 4 guitars | Quartet, Ensemble, Score only | Ach Gott und Herr BuxWV 177 Ach Herr, mich armen Sünder BuxWV 178 Auf meinen lieben Gott BuxWV 179 Courante BuxWV 179 Gigue BuxWV 179 Sarabande | |||
Y | Buzzelli, Chris | Chris Bizzelli | Blues for Jack | ? | Jazz Guitar Ensemble Series | Jazz Combo: 5 guitars, bass, drums | Quintet, Ensemble, Mixed Ensemble, Jazz, Score and parts | |||||
Y | Byrd, Charlie | Charlie Byrd | 3 Blues for Classic Guitar: Spanish Guitar Blues; Blues for Felix; Swing '59 | ? | Columbia Music Co. | Solo | ||||||
Y | Byrd, William (1543-1623) | William Byrd (1543-1623) | Fortune | Lupe de Azpiazu | 1966 | chez Alphonse Leduc | Solo | |||||
Y | Byrd, William (1543-1623) | William Byrd (1543-1623) | Pavana Fantasia & Galliard | Joseph Breznikar | 1978 | Columbia Music Co. | Solo | |||||
Y | Byrd, William (1543-1623) | William Byrd (1543-1623) | Pavana & Galliard | Joseph Breznikar | 1978 | Columbia Music Co. | Solo | |||||
Y | Cabezón, Antonio De (1510-1556) | Antonio De Cabezón (1510-1556) | Tres Composizioni per Chitarra: Para quien crie yo cabellos; Pavana con su glosa; Himno a tres | Javier Hinojosa | 1969 | Edizioni Suvini Zerboni | Solo | |||||
Y | Caggiano, Felice | Felice Caggiano | Plasma | 1984 | Edizioni Bérben | Solo | ||||||
Calatayud, Bartolomé (1882-1973) | Bartolomé Catayud (1882-1973) | Guitar Music of Spain, The. Volume One. (Over 50 traditional pieces graded from simple to advanced) | 1994 | Wise Publications | Solo | Collection | Alegre Campiña (Vals) Alegre Primavera Boceto Andaluz Cuatro Juguetes: 1. Gavota 2. Danza 3. Minueto 4. Mazurka Cuatro Piezas Fáciles Para Guitarra: 1. Vais 2. Romanza 3. Pasodoblillo 4. Cancion De Cuna (Tema Popular Mallorquin) Cubanita (Habanera) Danza Española Danza Popular De Campdevanol (Cataluña - Tema Variado) Dos Piezas Para Guitarra: 1. Bolero 2. El Majo Dos Piezas Para Guitarra 1. Bagatela 2. Gavota Estampa Gitana Galop Gavota Fácil Guajirita (Sobre Temas Populares) Habanera Marcha Húngara Marcha Militar Minueto Nostalgia Pequeña Tarantela Sonatina No.1 Sonatina No. 2 Suite Antigua: Andante Minueto Pavana Rondino Zarabanda Tango Tango Argentino Tres Canciones Populares Catalanas 1. Muntanyes Regalades 2. La Presó De Lleida (Romance) 3. La Pastoreta Tres Piezas Fáciles Para Guitarra 1. Cajita De Musica 2. Divertimento 3. Melodia Tres Piezas Para Guitarra 1. Mazurka 2. ¡Caramba! (Habanera) 3. Cançoneta Tres Piezas Para Guitarra 1. Lamento Gitano (Soleá) 2. Fandanguillo 3. Bulerias Tríptico Para Una Dama 1. Bondad 2. Simpatía 3. Alegría Una Caricia (Serenata) Vals (En Mi Menor) Vals y Mazurka Zambra | |||||
Y | Calvi, Carlo (1646) | Carlo Calvi (1646) | Renaissance and Baroque: A Collection of XVI and XVII Century Compositions, Vol. III | Alexander Bellow | 1964 | Franco Columbu, Inc | Solo | Renaissance, Baroque, Collecton | 1. Spagnoletta 2. Tordiglione 3. Canario 4. Pass'e mezo 5. Balletto 6. Sarabanda 7. Sua Corrente 8. Bertazzina 9. Alemana 10. Corrente 11. La Moda | |||
Y | Cameron, Pedro Bueno b. 1948 | Pedro Bueno Cameron (b. 1948) | Perspectivas | 1976 | Musikverlag Zimmermann | |||||||
Y | Camilleri, Charles | Charles Camilleri | Fantasia Concertante No. 5 | 1978 | Basil Ramsey Publisher of Music | Solo | ||||||
Y | Campian, Thomas (1567-1620) and Philip Rosseter | Thomas Campian (1567-1620), Philip Rosseter | The English Lute-Songs Series I: 4 & 13: Thomas Campian - The Songs from Rosseter's Book of Airs (1601) | Edmund H. Fellows, Thurston Dart, rev. | 1968 | Stainer & Bell, LTD. | Lute, voice and guitar | Collection, Renaissance, includes lute tablature | 1. My sweetest Lesbia 2. Though you are young 3. I care not for these ladies 4. Follow thy fair sun 5. My love hath vow’d 6. When to her lute Corrina sings 7. Turn back, you wanton flyer 8. It fell on a summer’s day 9. The cypress curtain of the night 10. Follow your Saint 11. Fair if you expect admiring 13. See where she flies 12. Thou art not fair 14. Blame not my cheeks 15. When the God of merry love 16. Mistress, since you so much desire 17. Your fair looks 18. The man of life upright 19. Hark all you ladies 20. When thou must home 21. Come let us sound with melody | |||
Y | Campion, Thomas (1567-1620) | Thomas Campion (1567-1620) | Thomas Campion: Twelve Favorite Lute Songs for Voice and Guitar | David Nadal | 2000 | Kithara Editions | voice and guitar | Lute, includes Campion's Original Lute Tablature, copy autographed by David Nadal | I. Beauty, since you so much desire II. Your fair looks III. Never love unless you can IV. If thou longst so much to learn V. It fell on a summer’s day VI. The cypress curtain of the night VII. I care not for these ladies VIII. Fair, if you expect admiring IX. Fain would I wed X. A secret love or two XI. When to her lute Corrina sings. XII. Never weather-beaten sail | |||
Y | Candelario, Chris A. | Chris A. Candelario | Luz Eterna (Eternal Light): Guitar solo for 1st movement Concierto de Luz Vela Musical Scores for the Eternal Light CD | 2005 | New West Entertainment | Solo | Concerto, Includes CD | Luz Eterna (Eternal Light). from 1st movement of Concierto de Luz Vela Florita por mi Amor (Little Flower for my Love) Barbara del Día (Barbara of the Day), from 2nd movement of Concierto de Luz Candelo Austina: Mi Amore Dorado por Dios (My Golden Love for God) Los Caballos Locos (The Crazy Horses) El Alma de Heidelbria (Soul of Heidelberg, from 3rd movement of Concierto de Luz Candelo Lilliana por Mañana (Lilliana of Tomorrow) Jon del Estrellas (Jon of the Stars), from 3rd movement of Concierto Santuario de Chimayo Memory of Genie (for my mom) Mesa Rojo (Red Mesa) Spanish Jade Gambler's Lament, into The House of the Rising Sun (Traditional) Pueblo Bonito (Beautiful Village) Santuario de Chimayo (Little Church at Chimaya) Tres Orquídeas (Three Orchids) Through the Eyes of a Baby | ||||
Capuzzo, Guy | Guy Capuzzo | Theory for the Contemporary Guitarist: The Ultimate Guide to Music for Blues, Rock and Jazz Guitarists | 1996 | Alfred Music Publication Company, Inc. | Method, Theory | includes work sheets | The Basics Introducing Scales and Key Signatures Introducing Chords Pentatonic, Blues and Altered Blues Scales Harmonic and Melodic Minor Scales Modes of the Major Scale Expanding Your Chords Vocabulary Modes of Harmonic and Melodic Minor Scales Symmetrical Scales Altered Dominant Chords Revisiting Slash Chords and Introducing Bichords Chordal Tendencies [Progressions] Twelve-Bar Blues Progression More Progressions Appendix: Scale and Chord Formulas Glossary | |||||
Carcamo, Brandon A. | Brandon A. Carcamo | Solace | 2020 | Brandon A. Carcamo | 4 guitars | Quartet, Ensemble, parts only | ||||||
Y | Carcassi, Matteo (1792-1853) | Matteo Carcassi (1792-1853) | 25 Estudios para Guitarra, Op. 60 | M. Llobet | 1975 | Ricordi | Solo | John Fernando | ||||
Carcassi, Matteo (1792-1853) | Matteo Carcassi (1792-1853) | 25 Melodic and Progressive Studies, Op. 60 | Paul Henry | 1993 | Hal Leonard Publishing Corp. | Solo | ||||||
Y | Carcassi, Matteo (1792-1853) | Matteo Carcassi (1792-1853) | Adieux à la Suisse, Tyrolienne de Bruguière Variée, Op. 56 (2 voices and guitar, plus guitar solo) | Richard M. Long, ed. | 2000 | Tuscany Publications | 2 voices and guitar, guitar solo for Theme & Vars. | Theme and variations | ||||
Y | Carcassi, Matteo (1792-1853) | Matteo Carcassi (1792-1853) | Carcassi Method for the Guitar (English and Spanish text) | G. C. Santisteban | 1906 | Oliver Ditson Company | Method | Several studies by Santisteban; 2 pieces for 2 guitars | Elementary Principles of Music Preliminary Instructions Exercises, 1st Position Chords Arpeggios The Barre Appogiaturas The Grupetto Harmonics Advanced Studies Scales Di Provenza il Mar (Air from Traviata), Duet - G. Verdi Peruvian Air, Duet - G. C. Santisteban Spanish Dance (El Jaleo de Jerez), Solo - Arr. by G. C. Santistban | |||
Y | Carcassi, Matteo (1792-1853) | Matteo Carcassi (1792-1853) | Classical Guitar Method | 1946 | Carl Fischer, Inc. | Method | 7 pieces for 2 guitars, 5 guitar accompaniments | Rudiments of Music Instructions for the Guitar Scale Showing the Notes, and the Extent of the First Position The Chords The Barrer Arpeggios with Three and Four Fingers Scale of C Major Scale of G Major Scale of D Major Scale of A Major. .... Scale of E Major Scale of F Major Scale of A Minor Scale of E Minor Scale of D Minor The Slur The Slide The Appcggiatura The Gruppetto The Trill The Mordente Muffled Notes Scale in the 4th Position Scale in the 5th Position, Scale in the 7th Position Scale in the 9th Position Double Notes Scale in Thirds Scale in Sixths Scale in Octaves Scale in Tenths Scale of B Minor Scale of F Sharp Minor Scale of C Sharp Minor Scale of B Major Scale of G Sharp Minor Scale of F Sharp Major Scale of D Sharp Minor Scale of B Flat Major Scale of G Minor Scale of E Flat Major Scale of C Minor Scale of A Flat Major Scale of F Minor Scale of D Flat Major Scale of B Flat Minor Harmonics Fifty Exercises Progressing in Difficulty Agatha Polka - M. Carcassi Hermose Polka - M. Carcassi Azelia Polka - M. Carcassi Hermina Polka - M. Carcassi Melody - Rubinstein, arr. C. J. Dorn Consolation (Song without words) - F. Mendelssohn, Op. 30, Nr. 3, arr. J. S. Collins Duets: 1. Waltz 2. Waltz 3. Galop 4. Waltz 5. Galop 6. Theme and Variations 7. Polonaise Songs with Guitar accompaniment: Auld Lang Syne (So lang her) - arr. W. J. Kitchener Home, sweet Home (Süsse heimat) - arr. W. J. Kitchener Kate Kearney - arr. W. J. Kitchener Annie Laurie - arr. W. J. Kitchener Hail Columbia - arr. W. J. Kitchener A List of Principal Words Used in | ||||
Y | Carcassi, Matteo (1792-1853) | Matteo Carcassi (1792-1853) | Complete Carcassi Guitar Method: 25 Studies in Spanish and English | Mel Bay | 1979 | Mel Bay Publications Inc. | Method | Elementary Principles of Music Exercises, 1st Position Exercise with Sharps and Flats Scales, Cadences, Exercises, and Pieces (includes Arpeggio Exercises) Caprice in D Minor 25 Studies | ||||
Y | Carcassi, Matteo (1792-1853) | Matteo Carcassi (1792-1853) | Guitar Method Part II (from Complete Guitar Method in 3 parts) | ? | Schott & Co. Ltd. | Method | On the Slurred Notes The Appoggiatura The Turn or Gruppeto The Shake (or Trill) The Mordent Positions: Fourth, Fifth, Seventh, Ninth Double Notes: Thirds, Sixths, Octaves, Tenths Scales, Chords, Exercises, and Preludes | |||||
Y | Carcassi, Matteo (1792-1853) | Matteo Carcassi (1792-1853) | Guitarren Schule, Teil III, Dritter Teil (Third Part): Fünfzig Übungen in fortschreitender Schwierigkeit (Fifty Exercises of Progressive Difficulty) | Hans Ritter | B. Schott's Sohne | Solo | Collection | Fünfzig Übungen in fortschreitender Schwierigkeit (Fifty Exercises of Progressive Difficulty Arie aus Cenerentola von Rossini (Aria from Cenerentola by Rossini Schweizerlied (Swiss Song) Webers letzter Gendanke (Weber's Last Thought) Italienischer Gesang (Italian Singing) | ||||
Y | Carcassi, Matteo (1792-1853) | Matteo Carcassi (1792-1853) | Seis Caprichos Op. 26 | R. Sainz de la Maza | 1962 | Union Ediciones | Solo | John Fernando | ||||
Y | Carcassi, Matteo (1792-1853) | Matteo Carcassi (1792-1853) | Sonatinen und Capricen: Drei Sonatinen, Op. 1; Sechs Capricen, Op. 26 | Ernst Dahlke | B. Schott's Sohne | Solo | Collection | |||||
Y | Cardoso, Jorge | Jorge Cardoso | Liliana: 3 guitars | Antonello Lixi, rev., fing. | 2004 | Les Productions D'Oz | 3 guitars | Trio, Ensemble, Score and parts | ||||
Y | Carfagna, Carlo | Carlo Carfagna | Frammento (per Chitarra Classica) | 1967 | Bérben | Solo | ||||||
Y | Carlevaro, Abel | Abel Carlevaro | Arenguay: Duo Concertante for 2 guitars | 1986 | Chanterelle Verlag | 2 guitars | Duet, Score only | I Encuentro II Impresiones III Lunera) | ||||
Y | Carlevaro, Abel | Abel Carlevaro | Preludios americanos - n. 1 Evocación | 1970 | Barry Editorial | Solo | ||||||
Y | Carlevaro, Abel | Abel Carlevaro | Preludios americanos - n. 3 Campo | 1969 | Barry Editorial | Solo | ||||||
Y | Carolan, Turlough O' Carolan (1670-1738) | Turlough O' Carolan (1670-1738) | 14 Irish Pieces: Irish Pieces for Classical Guitar, Volume 2 | John Loesberg, arr., Simon Taylor, fing. | 1981 | Ossian Publications | Solo | Collection, Irish, most by Turlough O'Carolan, Folk | 1. Planxty McGuire - Carolan 2. Airdí Cuan - Traditional 3. Eileen Aroon - O'Dalaigh 4. Carolan's Concerto - Carolan 5. Morgan Magan - Carolan 6. Did You See the Black Rogue? - Traditional 7. Planxty Irwin - Carolan 8. Huleth's Health - Carolan 9. Planxty Charles Coote - Carolan 10. The Three Seacaptains - Traditional 11. Planxty Connor - Carolan 12. Planxty Judge - Carolan 13. Fanny Power - Carolan 14. Sí Beag Sí Mór - Carolan | |||
Y | Carolan, Turlough O' Carolan (1670-1738) | Turlough O' Carolan (1670-1738) | Songs of the Irish Bard Music of Turlough Carolan | David Asbury | ? | Clear Note Publications | Solo` | Collection, Irish, Carolan | No. 1 - Carolan's Welcome No. 2 - Carolan's Dream No. 3 - Blind Mary No. 4 - Mrs. Power (Carolan's Concerto) No. 5 - Planxty Irwin No. 6 - Eleanor Plunkett No. 7 - Carolan's Quarrel No. 8 - Hewlett No. 9 - Bridget Cruise's 1st Aire No. 10 - Bridget Cruise's 2nd Air No. 11 - Bridget Cruise 3rd Air No. 12 - Bridget Cruise 4th Air No. 13 - George Brabazon 1st Air No. 14 - George Brabazon 2nd Air No. 15 - Carolan's Cup No. 16 - Carolan's Draught No. 17. - Lord Inchiquin No. 18 - Mabel Kelly No. 19 - Colonel O'Hara No. 20 - Fanny Power No. 21 - Sir Festus Burke No. 22 - Carolan's Receipt No. 23 - John Jameson No. 24 - Ode to Whiskey No. 25 - Beauty in Tears No. 26 - Thomas Burke No. 27 - Sí Bheag Sí Mór No. 28 - Luke Dillon No. 29 - Farewell to Music No. 30 - Separation of Soul and Body | |||
Y | Caroso, Marco Fabrizio | Marco Fabrizio Caroso | Sei Danza: I. Villanella; II. Pavaniglia; III. Passemezzo; IV. Bassa Danza; V. Balletto; VI. Cascarda | Collection, Suite | 1976 | Bèrben | Solo | |||||
Y | Carulli, Ferdinando (1770-1841) | Ferdinando Carulli (1770-1841) | 24 Preludes: Guitar Exercises for the Right Hand | Willy Domandl | 1954 | N. Simrock | Solo | Exercises | John Fernando | |||
Y | Carulli, Ferdinando (1770-1841) | Ferdinando Carulli (1770-1841) | 50 Selected Pieces in Three Volumes: II, Nos. 30-50 | Ernst Hülsen | 1926 | B. Schott's Söhne | Solo | Collection, OLD, needs repair | 30. Walzer, Op. 121, Nr 8 31. Andante grazioso, Op. 211, Nr 11 32. Walzer, Op. 121, Nr 16 33. Poco Allegretto, Op. 211, Nr 14 34. Allegretto grazioso, Op. 211, Nr 15 35. Andante, Op. 241, Nr 12 36. Walzer, Op. 211, Nr 16 37. Poco Allegretto, Op. 241, Nr 6 38. Walzer, Op. 211, Nr 17 39. Andantino, Op. 241, Nr 15 40. Alla Polacca, Op. 241, Nr 16 41. Poco Allegretto, Op. 241, Nr 18 42. Allegretto con poco moto, Op. 124, Nr 8 43. Andante Mosso, Op. 211, Nr 13 44. Walzer, Op. 241, Nr 19 45. Allegretto, Op. 124, Nr 13 46. Allegretto con poco moto, Op. 124, Nr 10 47. Walzer, Op. 124, Nr 17 48. Menuett / Trio, Op. 124, Nr 20 49. Rondo, Op. 124, Nr 12 50. Menuett / Trio, | |||
Y | Carulli, Ferdinando (1770-1841) | Ferdinando Carulli (1770-1841) | Ariettes Italiennes para voz y guitarra: Douze Ariettes Italiennes arrangee sur les plus jolis motifs de Rossini, Vol. 1 (Twelve italian ariettes arranged on the most beautiful rossini motifs) | ? | Ediciones Musicales | voice and guitar | Collection, Vol. 1: First 6 Songs | N° 1. Here is that proud moment my dear, dear to god N° 2. I dreamed of my Phyllis in the morning N° 3. O beautiful Phyllis, those tender, serene and placid eyes turn to me N° 4. Come back serene beautiful stars beautiful stars of love N° 5. He has a certain enchantment in his eyes which is completely new to this soul N° 6. If I'm far from my beloved cold suspicion my heart freezes from my beloved | ||||
Y | Carulli, Ferdinando (1770-1841) | Ferdinando Carulli (1770-1841) | Ariettes Italiennes para voz y guitarra: Douze Ariettes Italiennes arrangee sur les plus jolis motifs de Rossini, Vol. 2 (Twelve italian ariettes arranged on the most beautiful rossini motifs) | ? | Ediciones Musicales | voice and guitar | Collection, Vol. 2: Second 6 Songs | N°7. Already the night is approaching come nice beloved well to the placid sea the fresh air to breathe N°8. Pleasant wood friends plant the well-loved faithful lover who can tell me where I'm going N°9. Keep faithful, think that I'm leaving, and I'm suffering and sometimes at least remember me N°10. I love you alone you alone I loved. You were the first...yet you will be the last object that I adore N°11. I'm far away, and you don't long for me, I'm with you, and you don't sigh, I hear you say that you love me, I find love in you, no, no... N°12. Waiting for you already, adored sails, beautiful sails turn your foot to the shore | ||||
Y | Carulli, Ferdinando (1770-1841) | Ferdinando Carulli (1770-1841) | Fantasia Opus 323 | 1977 | Belwin Mills | Solo | ||||||
Y | Carulli, Ferdinando (1770-1841) | Ferdinando Carulli (1770-1841) | Marcia Op. 335 n. 3 | 1983 | Edizioni Bèrben | Solo | ||||||
Y | Carulli, Ferdinando (1770-1841) | Ferdinando Carulli (1770-1841) | Metodo Completo (in 3 Volumi) Vol. 1 | Benvenuto Terzi | 1978 | G. Ricordi & Co. | Method | Entirely in Italian and French | Exercises in 1st Position The Barre Arpeggios Scales and Exercises in C Major, G Major, D Major, A Major, E Major, F Major, A Minor, E Minor, D Minor Appendix of easy pieces in various tonalities | |||
Y | Carulli, Ferdinando (1770-1841) | Ferdinando Carulli (1770-1841) | The Guitarist's Repertoire Vol. 9: Ferdinando Carulli: Raccolta di Sonate Diverse (1805) | Matanya Ophee | 2007 | Editions Orphée, Inc. | Solo | Collection of sonatas from 1805 manuscript | 1. Rondo (C major) 2. Rondo Larghetto (C major) 3. Allegretto (D major) 4. Allegro (A major) 5. Adagio (C major) 6. Rondo Allegretto (A major) 7. Andantino (C major) 8. Largo (D major) 9. Rondo Allegretto (D major) 10. Rondo (C major) | |||
Y | Casséus, Frantz | Frantz Casséus | The Complete Works of Frantz Casséus, Volume I: Music for Solo Guitar | Marc Ribot, ed. | 2003 | Tuscany Publications | Solo | Haitian | Haitian Suite for guitar: 1. Petro 2.Yanvalloux 3. Mascaron 4. Coumbite Deux Pièces Caractéristiques Suite for Guitar: No. 1: Congo No. 2: Rara Simbi Dance of the Hounsies On Sunday (Danse) Prelude [No. 2] Romance Valse Sérénade Lointaine Chanson Improvisation Merengue Prelude No. 1 Romance (1978) Untitled (July 16, 1957) | |||
Y | Castérède, Jacques | Jacques Castérède | Rhapsodie Pour un Jour de Fête pour Guitare et Orchestre | Gérard Billaudot Éditeur | 1991 | Éditions Billaudot | Guitar and piano reduction | Orchestra, Concerto, Score and guitar part | ||||
Y | Cavanaugh, Charles | Charles Cavanaugh | Waves - Six pieces for classical guitar | 1994 | Musikedition Nepomuk | Solo | Collection | 1. Waves 2. Mercy 3. Danza 4. Contemplation 5. Parable 6. Serenade | ||||
Y | Cecconi, Raffaele | Raffaele Cecconi | Esperpentos | Quinze Pièces pour Guitarre | 1981 | Bèrben | Solo | |||||
Y | Chailey, Jacques | Jacques Chailley | Margravia pour Luth Renaissance | Michel Falèze | 1992 | Editions Aug. Zurfluh | 2 guitars | 3 movements, includes lute tablature | ||||
Y | Charlton, Andrew | Andrew Charlton | Rondo Fantasia for solo guitar | 1991 | Columbia Music Co. | Solo | ||||||
Y | Charnasse, E. | E. Charnasse | Six String Guitar (introductory book, entirely in Russian) | 1991 | Moscow "Music" | Introductory Method | Entirely in Russian | I. Structure of the Guitar; Its Origins 1. Countries of the Ancient East 2. Western Europe 3. 13th and 14th Centuries 4. Science 5. Early Guitarists II. Revival 1. First Golden Age 2. Characteristics of Guitars 3. Guitar Masters 4. Repertoire; General Characteristics 5. Publications 6. Lost Repertoire 7. Evolution of the Instrument at the End of the [16th] Century III. 17th Century 1. Transition Design Tools 2. Classical Instrument 3. Masters of Musical Instruments 4. First Half of 17th Century - Period of Decline 5. Compositions 6. Second Half of 17th Century - New Golden Age 7. Guitarists 8. Repertoire; General Characteristics 9. Composers and Their Works IV. 18th Century 1. First Half of 18th Century - Decline 2. Masters of Musical Instruments 3. Second Half of 18th Century - Renewal 4. Guitarists 5. Repertoire 6. Evolution of Playing Technique 7. Masters of Musical Instruments 8. Design Evolution V. 19th Century 1. Classical Guitar: Evolution of Its Structure 2. Guitarists 3. Evolution of Tool Technology 4. Second Half of 19th Century VI. 20th Century 1. Classical Guitar in Europe 2. First Generation of Virtuosos 3. Composers and Their Work 4. Masters of Musical Instruments 5. Classical Guitar Construction VII. Guitar Instrument - Continuous Renewal 1. Composers and Their Works 2. Instrumental and Performance Practice 3. Masters of Musical Instruments VIII. From Professional Practice to Ethnic Expression 1. Guitar in Latin America 2. Flamenco 3. Jazz 4. Electric Guitar 5. Folk Music | ||||
Y | Charnofsky, Jordan | Jordan Charnofsky | Divertimento for Solo Guitar | 1993 | Columbia Music Co. | Solo | ||||||
Y | Chávez, Carlos | Carlos Chávez | Three Pieces for Guitar | 1962 | Mills Music, Inc. | Solo | ||||||
Y | Chiodini, J. | J. Chiodini | For Ruth: Three Moods for Classical Guitar | ? | Providence Music Press | Solo | Collection | 1. Classic 2. Romantic 3. Contemporary | ||||
Y | Chobanian, Loris O. | Loris O. Chobanian | Five Pieces for Guitar | 1980 | Les Editions Doberman, Inc. | Solo | 1. Caccia 2. Ballata 3. Sonaglio 4. Canzona 5. Presto | |||||
Y | Chopin, Fryderyk (1810-1849) | Fryderyk Chopin (1810-1849) | Chopin For Guitar: Famous Transcriptions | Jan Oberbek, others* | 2010 | Polskie Wydawnictwo Muzyczne SA | Solo | Collection, *J.N. Bobrowicz, W. Jacobs, F. Tárrega | Polonaise in B flat major (transcr. in A major) - Jan Oberbek Mazurka in E major Op. 6 No. 3 (transc. in D major) - Jan Nepomucen Bobrowicz Mazurka in C major Op. 7 No. 5 - J. Oberbek Mazurka in C major Op. 17 No. 4 - J. Oberbek Mazurka in D major Op. 33 No. 2 - Walter Jacobs Mazurka in C major -- J. Oberbek Mazurka in A minor - J. Oberbek Mazurka in A minor - J. Oberbek Mazurka in F major - J. Oberbek Prelude in E minor - J. Oberbek Prelude in B minor (transcr. in G sharp minor) - J. Oberbek Prelude in A major - J. Oberbek Prelude in B major (transcr. in E major) - J. Oberbek Prelude in E flat minor (transcr. in E minor) - J. Oberbek Prelude in D flat major (transcr. in A major) - J. Oberbek Prelude in C minor (transcr. in C sharp minor) - J. Oberbek Grande Valse Brillante in A minor (transcr. in E minor) - J. Oberbek Valse in A flat major (transcr. in A major) - J. Oberbek Valse in A minor - J. Oberbek Valse in E flat major (transcr. in E major) - J. Oberbek Largo in E flat major (transcr. in D major) - J. Oberbek Feuille D'Album - J. Oberbek Życzenie: A Young Girl's Wish - J. Oberbek | |||
Y | Chopin, Fryderyk (1810-1849) | Fryderyk Chopin (1810-1849) | Complete Chopin Mazurkas, The: Fifty-one Mazurkas, Newly Arranged for Solo Guitar | Stephen Aron, arr. | 2001 | Mel Bay Publications | Solo | Collection, 3 CD set available | Op. 6, No. 1 (transcr. from F# minor to D minor) Op. 6, No. 2 (transcr. from C# minor to G minor) Op. 6, No. 2 (transcr. from E major to C major) Op. 6, No. 4 (transcr. from Eb minor to E minor) Op. 7, No. 1 (transcr. from Bb major to A major) Op. 7, No. 2 in A minor Op. 7, No. 3 (transcr. from F minor to G minor) Op. 7, No. 4 (transcr. from Ab major to C major) Op. 7, No. 5 (transcr. from C major to A major) Op. 17, No. 2 (transcr. from E minor to G minor) Op. 17, No. 3 (transcr. from Ab major to A major) Op. 17, No. 4 (transcr. from A minor to Bb minor) Op. 24, No. 1 (transcr. from G minor to E minor) Op. 24, No. 2 in C major Op. 24, No. 3 (transcr. from Ab major to D major) Op. 24, No. 4 (transcr. from Bb minor to D minor) Op. 30, No. 1 (transcr. from C minor to A minor) Op. 30, No. 2 (transcr. from B minor to D minor) Op. 30, No. 3 (transcr. from Db major to A major) Op. 30, No. 4 (transcr. from C# minor to G minor) Op. 33, No. 1 (transcr. from G# minor to E minor) Op. 33, No. 2 (transcr. from D major to A major) Op. 33, No. 3 (transcr. from C major to G major) Op. 33, No. 4 (transcr. from B minor to G minor) Op. 41, No. 1 (transcr. from C# minor to G minor) Op. 41, No. 2 in G major Op. 41, No. 3 (transcr. from B major to A major) Op. 41, No. 4 (transcr. from Ab major to G major) Op. 50, No. 1 in G major Op. 50, No. 2 (transcr. from Ab major to A major) Op. 50, No. 3 (transcr. from C# minor to G minor) Op. 56, No. 1 (transcr. from B major to major) Op. 56, No. 2 in C major Op. 56, No. 3 (transcr. from C minor to A minor) Op. 59, No. 1 (transcr. from A minor to D minor) Op. 59, No. 2 (transcr. from Ab major to D major) Op. 63, No. 1 (transcr. from B major to E major) Op. 63, No. 2 (transcr. from F minor to G minor) Op. 67, No. 1 (transcr. from G major to D major) Op. 67, No. 2 (transcr. from G minor to D minor) Op. 67, No. 3 (transcr. from C major to A major) Op. 67, No. 4 (transcr. from A minor to D minor) Op. 68, No. 1 (transcr. from C major to E major) Op. 68, No. 3 (transcr. from F major to A major) Op. 68, No. 4 (transcr. from F minor to A minor) No Opus number (transcr. from A minor to G minor) "Notre Temps" (transcr. from A minor to E minor) | |||
Y | Chopin, Fryderyk (1810-1849) | Fryderyk Chopin (1810-1849) | Studio op. 10 n. 3 | Miguel Ablóniz | 1974 | Bèrben | Solo | |||||
Y | Chopin, Fryderyk (1810-1849) | Fryderyk Chopin (1810-1849) | Two Preludes - no. 7 & no. 20 | 1962 | Columbia Music Co. | Solo | ||||||
Chopin, Fryderyk (1810-1849) | Fryderyk Chopin (1810-1849) | Vals, Op. 64, nº 2 | Fernando Alonso | 1992 | Editorial Boileau | Solo | ||||||
Y | Christiansen, Mike | Mike Christiansen | Guitar Fundamentals: Beginning Guitar COMPLETE Blended Learning Student Workbook | 2012 | Consonus Music Institute LLC | Method | Beginner, Anthology, Traditional, Ensemble | Lesson 1 Walking the Fingerboard Notes by number Lesson 2 Chord Diagram G and G7 Chords Lesson 3 C Chord Lesson 4 Em and D7 Chords Measured Music Lesson 5 Reading Tablature Lesson 6 Songs Using Tablature Lesson 7 Duet and Ensemble Using Tablature Quarter Rest Half Rest Whole Note and Whole Rest Lesson 8 Ensemble (A Minor Thing) Using Whole Notes Dotted Half Notes in Tablature Lesson 9 Songs in Tablature Full G and G7 Half Note and Whole Note Strums Lesson 10 Ensemble (Greensleeves) in Tablature Lesson 11 Strum Pattern for 4/4 Lesson 12 The D Chord Lesson 13 More Eighth Notes Lesson 14 Eighth Rest Lesson 15 Two Strum Patterns for 4/4 Lesson 16 Am and E7 Chords Lesson 17 A7 Chord Lesson 18 Reading Notes Notes on the First String Half Note Lesson 19 Notes on the Second String Whole Note Lesson 20 Two Strum Patterns for 3/4 Lesson 21 The Blues Lesson 22 Guitar Ensemble (Blues For Four) Lesson 23 Two Chords per Measure Lesson 24 Notes on the Third String Dotted Half Note Lesson 25 New Strum Pattern for 4/4 The Dm Chord The Bm Chord Lesson 26 The D Chord The A Chord Lesson 27 Ensemble (Hang Loose) Lesson 28 The F Chord Notes on the Fourth String Lesson 29 Power Chords Lesson 30 The B7 Chord Lesson 31 The E Minor Pentatonic Scale Lesson 32 Sharp and Natural Signs Lesson 33 The Chord Clock Lesson 34 Key Signatures Lesson 35 Notes on the Fifth String One Octave C Major Scale Lesson 36 Notes on the Sixth String Two Octave G Major Scale Lesson 37 Ensemble (Greensleeves) Lesson 38 Eighth Notes in Standard Notation Lesson 39 Ensemble (Swing It) Lesson 40 The C7 Chord The Eighth Rest Lesson 41 Flats Lesson 42 Dotted Quarter Notes Lesson 43 The Am7 and Dm7 Chords Lesson 44 Hammer On Lesson 45 Pull Off Lesson 46 The Slide Chords Index Blank Tablature Blank Staves Blank Chord Diagrams Songs Index: 4 String Tune - Standard Notation 6 Spanish Strings - Tablature, Quartet A Bit of Blues - Chordal Accomp. A Minor Thing - Tablature, Trio A New Day - Tablature, Quartet Add One - Standard Notation Amazing Grace - Folk, Traditional, Spiritual America (My Country 'Tis of Thee) - Patriotic America the Beautiful - Patriotic Another Power Chord Variation - Tablature Bluegrass Blues Blues for Four - Tablature, Chords, Quartet, Rhythm guitar Blues in A - Chords, Blues Blues in E - Tablature Can't Get to Sleep - Blues Caught Up - Pull Off Exercise Cripple Creek (different version) Don Gato - Traditional, Folk, Spanish Down in the Valley - Chordal Accomp., Folk, Traditional Me Too Early Spring - Tablature First Time Around - Tablature Exercise, Duet Flight of the Eagle - Standard Notation G Shuffle - Tablature and Chordal Exercise G Shuffle - Standard Notation God Rest Ye Merry Gentlemen - Traditional, Folk, Christmas Going For It - Tablature Greensleeves - Tablature, Quartet Greensleeves - Standard Notation, Chords Greensleeves - Quartet Groovin' - Quartet Gypsy Waltz - Standard Notation Half a Tab - Tablature Exercise Half Tab - Tablature Exercise Hammer Head Hammer On Hang Loose - Tablature, Quartet He's Got die Whole World in His Hands - Chordal Accomp., Folk, Traditional Me Too Heavy Hammer Hidden Castle - Tablature Hidden Passage - Standard Notation, Quartet Hold It - Tablature Exercise House of the Rising Sun - Traditional, Folk I'm on the First String - Fret and Finger Exercise I’m on the Second String - Fret and Finger Exercise In the Basement In the Mirror - Tablature, Trio Island Fever - Tablature John Henry - Blues, Traditional, Folk Klezmer - Quartet Late Winter - Quartet Lonely Cay Low- Rocker - Tablature Making Time Marianne - Chordal Accomp., Folk, Traditional Me Too - Tablature Exercise Midnight Special - Leadbelly, Blues, Traditional, Folk Molly Malone - Traditional, Folk, Irish Monday Mornin' Blues - Blues Moonset - Tablature, Quartet Nothin' Goin' Right- Tablature, Blues Oh, Sinner Man - Folk, Traditional, Spiritual, Blues Overdrive - Tablature, Power Chords Pentacillon - Tablature, Pentatonic Power Blues - Power chords, Tablature Puerto Escondido - Tablature, Trio Pull Off Raining Outside - Chordal Accomp. Really? - Tablature and Chordal Exercise Rest Stop - Tablature Scarborough Fair - Tablature Scarborough Fair - Standard Notation, Chords Scarborough Fair Secret Passage - Pull Off, Hammer On She'll Be Cornin' Round the Mountain - Folk, Traditional Me Too - Tablature Shenandoah - Folk, Traditional Short and Long - Tablature Silent Night - Franz Gruber, Christmas Simple Gifts - Folk, Traditional Slidin' Home - Slide exercise Something's Out There - Tablature Song ofJoy - Beethoven, Tablature Spanish Trio - Tablature, Trio Swing It - Quartet Tango The Chase - Tablature Exercise, Round The Slide - Slide exercise The Whole Truth - Tablature Third Degree Blues - Standard Notation, Blues This Little Light of Mine - Folk, Traditional This Train - Folk, Traditional, Religious, Spiritual Three to Get Ready - Tablature Exercise Tie - Tablature Exercise Tied Phoon - Tablature Exercise Time Machine Times Five - Tablature, Pentatonic Twice As Much - Tablature Two Bits of Blues - Chordal Accomp. Up All Night - Tablature, Trio, Blues Wait a Second - Tablature Exercise Waiting a Long Time - Tablature Walking the Fingerboard - Fret and Finger Exercise Waltz of the Dinosaurs - Standard Notation Will the Circle Be Unbroken? - Charles H. Gabriel, Ada R. Habershon, Religious Me Too Will the Circle Be Unbroken? Worried Man Blues - Folk, Traditional, Blues Worried Man Blues Ensembles Index 6 Spanish Strings - Quartet A Minor Thing - Trio A New Day - Quartet Blues for Four - Quartet First Time Around - Duet Greensleeves - Quartet, Tablature Greensleeves - Quartet, Standard notation Groovin’ - Quartet Hang Loose - Quartet Hidden Passage - Quartet In the Mirror - Trio Klezmer - Quartet Late Winter - Quartet Moonset - Quartet Puerto Escondido - Trio Spanish Trio - Trio Swing It - Quartet Up All Night - Trio | ||||
Christiansen, Mike | Mike Christiansen | Mastering the Guitar Class Method: Teacher's Supplement | 2000 | Mel Bay Publications | Method | Instruction, Classroom, companion book to Mastering the Guitar: Class Method Level 1/Beginning Elementary through 8th Grade | Foreword Making The Guitar Class Work What Instruments To Use Room Set-Up Tools To Have On Hand Tuning Holding Position Warm-Up Layered Learning Chords or Melody First Quizzes Rounds First Ensemble Piece Rhythms Note Reading vs. Tablature Strumming Techniques Ensembles Application of Cross-Curriculum Material Teaching Improvisation Listening The Guitar Recital Class Outlines Selecting a Teacher Stringing the Guitar Manuscript Paper Tablature Paper Blank Chord Diagrams Seating Chart | |||||
Y | Christiansen, Mike | Mike Christiansen | Mel Bay's Complete Jazz Guitar Method | 1995 | Mel Bay Publications | Method | Includes tablature, CD available but not included | Diagrams Chord Symbols And Abbreviations Time Values Swing Rhythm Strumming Notation Barre Chords Dead-String Chords Bass-String Chords (ala Freddy Green) Comping Chord Inversions (Four-String Chords) Altered Seventh Chords Major Scales Tonal Centers (Major) The m7b5 Chord Minor Scales Tonal Centers Chord Construction Connecting Chord Forms Chord Embellishment How To Transpose Common Chord Progressions Chord Substitution Blues Progression Pentatonic Scales Blues Scale Sequencing Diminished Chords Diminished Scale Augmented Chords Whole Tone Scale Latin Rhythms Dorian Mode Mixolydian Mode Combining Modes Improvising Over The ii-V-I Progression Lydian Mode Aeolian Mode Phrygian Mode Locrian Mode Super Locrian Mode Arpeggios Arpeggio Sequences Targeting Guide Tones Phrasing Constructing A Solo Secondary Arpeggios The Parker Cycle The Coltrane Cycle Improvising Around A Melody Quartal Harmony Playing The Blues Using Quartal Harmony Chord Substitution Using Quartal Harmony Single Note Soloing Using Fourths Geometrical Shapes Table Of Scales And Their Uses | ||||
Y | Clark, Patrick David | Patrick David Clark | The Broidered Axe | 1996 | Self-Published | Guitar and Piano | Suite | I. Abacus II. Interlude I III. Song of T'ang IV. Interlude II V. Fortune Cookie | ||||
Y | Coble, William | William Coble | Autumn Elegy | 1987 | Associated Music Publishers | Solo | ||||||
Coleridge-Taylor, Samuel | Samuel Coleridge-Taylor | Valse Suite, Op. 71 - Vivace | ? | 3 guitars | drop D on 6th string | |||||||
Y | Coorf, G. | G. Coorf | Oriental Guitar: Music of Eastern Countries, A collection of 15 progressive pieces | 1983 | Ricordi | Solo | Collection, Asian, music emulates diff. instruments | 1. Sheng 2. Damnyan 3. Karombi 4. Sadev 5. Kayageum 6. Sarangi 7. Morinxur 8. Shamisten & Tsuzumi 9. Koto & Kane 10. Sitar 11. Veena 12. Gamelan 13. Chapey 14. Santoor 15. P'ip'a | ||||
Y | Corbetta, Francesco (1615-1681) | Francesco Corbetta (1615-1681 | Caprice de Chaconne | Léo Brouwer & Paolo Paolini | 1991 | Ricordi | Solo | |||||
Y | Corbetta, Francesco (1615-1681) | Francesco Corbetta (1620-1681) | Renaissance and Baroque: A Collection of XVI and XVII Century Compositions, Vol. V | Alexander Bellow | 1967 | Franco Colombo | Solo | Anthology, Renaissance, Baroque | "Suite" in E minor: 1. Almanda 2. Sua Corrente 3. Sarabande "Suite" in D: 1. Almanda 2. Sua Corrente 3. Sarabanda "Suite" in G minor: 1. Almanda 2. Corrente 3. Sarabanda "Suite" in C: 1. Almanda 2. Corrente 3. Sarabanda "Suite" in C minor: 1. Almanda 2. Corrente 3. Sarabanda | |||
Y | Cordero, Ernesto b. 1946 | Ernesto Cordero (b. 1946) | 1. Perugia, 2. La Catedral de Taxco for guitar | 2008 | Editions Orphée, Inc. | |||||||
Y | Cordero, Fernando Cruz (1822-1861) | Fernando Cruz Cordero (1822-1861) | Six Divertissements | Matanya Ophee | 2009 | Editions Orphée, Inc. | Solo | The Guitarist's Repertoire Vol. 9 | ||||
Y | Córdoba, Merengue de | Merengue de Córdoba (Rafael Rodriguez Fernández) | La Guitarra Flamenca, Vol. 1 (companion to video) | 1996 | Encuentro Productions | Method | Flamenco, examples of basic flamenco rhythms, includes tablature, companion to video (not in library), in 4 languages | Examples/exercises on Video: Técnica Verdiales Fandango de Huelva Tientos Tanguillos Tangos Rumba Garrotín Seguiriyas Serranas Alegrías Soleá Soleá por Bulerías Guajira y Colombiana Bulerias Farruca Sevillanas Malagueñas Granaína Petenera Taranto y Taranta Fandango personal Solo de Fandango Solo de Alegrías | ||||
Y | Córdoba, Merengue de | Merengue de Córdoba | La Guitarra Flamenca, Vol. 2 con el cante de Churumbaque (accompaniment to singing by Rafael Espejo ("Churumbaque")) | 2000 | Encuentro Productions | Method | Flamenco, includes tablature, companion to video (not in library) | Rondeña Malagueña Fandango de Huelva Fandango de Calaña Fandango natural Granaína Taranta Taranto Tientos Tangos Tangos de Málaga Tanguillo Alegrías 1 Romera Caracoles Alegrías 2 Petenera Sevillanas Rumba Garrotín Guajira Colombiana Soleá Caña Polo Bambera Soleá por Bulerías Bulerías Seguiriya Liviana Serrana Fin de fiesta | ||||
Y | Córdoba, Merengue de | Merengue de Córdoba | La Guitarra Flamenca: con el cante de Churumbaque (chordal accompaniment to singing by Rafael Espejo, "Churumbaque") | 2000 | Encuentro Productions | Method | Flamenco, chord sheets, includes tablaure, accompaniment, companion to video (not in library), chord symbols | |||||
Y | Corea, Chick | Chick Corea | 500 Miles High | Davis Ramsey | ? | ? | Solo | Jazz, Possible photocopy? | ||||
Y | Corelli, Arcangelo (1653-1713) | Arcangelo Corelli (1653-1713) | Corelli (from Opus 6): Allegro; Gavotte; Vivace | Guy Cantwell | 1995 | Tule Fog Music | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Cortes (Hijo), Pedro | Pedro Cortes (Hijo) | Cruzando El Charco (Alegrías) | 1993 | Austin International Guitar Publications | Solo | ||||||
Y | Coste, Napoleon (1806-1883) | Napoleon Coste (1806-1883) | Barcarolle & Rondoletto, Op. 51, No. 14 and Op. 48, No. 3 | Ken Keaton | 1986 | Belwin Mills Publishing Corp. | Solo | Grade 2-Intermediate | ||||
Y | Coste, Napoleon (1806-1883) | Napoleon Coste (1806-1883) | Valzer op. 41 n. 8 | Francesco Tapella, fing. | 1981 | Bèrben | Solo | |||||
Y | Couperin, Louis (1626-1661); Couperin, François (1668-1773) | Louis Couperin (1626-1661) François Couperin (1668-1773) | The Couperins: Seven Pieces by Louis and François Couperin | John W. Duarte, Seppo Siirala | 1973 | Bèrben | Solo | Collection | Chaconne (Bauyn N. 54) - Louis Couperin La Flore (5e Ordre) - François Couperin Les Baricades Mystérieuses (6e Ordre) - François Couperin La Bourbonnoise (Gavotte) (1e Ordre) - François Couperin Volte (Bauyn N. 62) - Louis Couperin L'espérance: Sous le Domino Vert (13 Ordre) - François Couperin Les Coucous Bénévoles: Sous les Dominos Jaunes (13e Ordre) - François Couperin | |||
Y | Croce, Jim | Jim Croce | Time in a Bottle | Stan Ayeroff | 1984 | Denjac Music Company | Solo | Popular | ||||
Y | Croucher, Terence | Terence Croucher | Easy Pieces for Guitar: At the Zoo | 2004 | Clarendon Music | Solo | Cute pics (Not so "easy") | 1. Kangaroo 2. A Cobra 3. Elephants 4. The Leopard 5. A Giant Panda 6. The Turtle 7. Camels 8. The Peacock | Julian Mock | |||
Y | Croucher, Terence | Terence Croucher | Easy Pieces for Guitar: By the Sea | 2003 | Clarendon Music | Solo | Cute pics (Not so "easy") | 1. Moonlight on the Waves 2. An Octopus 3. A Sandcastle 4. Seagulls 5. The Crab 6. Starfish 7. The Little Boat 8. Seahorses | Julian Mock | |||
Y | Croucher, Terence | Terence Croucher | Easy Pieces for Guitar: In the Forest | 2002 | Clarendon Music | Solo | Cute pics (Not so "easy") | 1. Falling Leaves 2. The Secret Pool 3. Hedgehog 4. The Willow 5. The Owl At Night 6. The Great Oak 7. A Birch Grove 8. Bluebells | Julian Mock | |||
Y | Crucianelli, Stefano | Stefano Crucianelli | La Fileuse | 1987 | Bèrben | Solo | ||||||
Cruz, Mark Anthony | Mark Anthony Cruz | Awaken | 2009 | MAC Publications | 4 guitars | Quartet, Ensemble, Score and parts | ||||||
Y | Cruz, Mark Anthony | Mark Anthony Cruz | El Payaso | 2006 | MAC Publications | 4 guitars | Quartet, Ensemble, Score and parts | |||||
Y | Cruz, Mark Anthony | Mark Anthony Cruz | Elegy (for the Victims of Katrina ) | 2005 | MAC Publications | 4 guitars | Quartet, Ensemble, Score and parts | |||||
Cruz, Mark Anthony | Mark Anthony Cruz | Menuet and Trio | 2005 | MAC Publications | 3 guitars | Trio, Score only | ||||||
Y | Cruz, Mark Anthony | Mark Anthony Cruz | Mérida | 2004 | MAC Publications | 4 guitars | Quartet, Ensemble, Score and parts | |||||
Y | Cruz, Mark Anthony | Mark Anthony Cruz | New Settings for Three Classic Hymns: I. Lasst uns Erfreuen; II. Darwall; III. Lobe den Herren | 2006 | MAC Publications | 3 guitars | Trio, Ensemble, Score and parts | I. Lasst uns Erfreuen II. Darwall III. Lobe den Herren | ||||
Cruz, Mark Anthony | Mark Anthony Cruz | November Blues | 2016 | MAC Publications | 4 guitars | Quartet, Ensemble, Score and parts | ||||||
Y | Cruz, Mark Anthony | Mark Anthony Cruz | Pequeñas Piezas para Mi Padre: Twelve Original Compositions for Classical Guitar | 2005 | MAC Publications | Solo | Collection | 1. Florinda 2. Magdalena 3. Triste 4. Plomotor 5. Jardin de Cacto 6. Socorro 7. Danza Para Amparo 8. Herminia 9. Alvarado 10. Dos Cantantes 11. Nona 12. Matehuala | ||||
Cruz, Mark Anthony | Mark Anthony Cruz | Real de Catorce (from Triptych) | 2006 | MAC Publications | 3 guitars | Trio, Ensemble, Score and parts | ||||||
Y | Cruz, Mark Anthony | Mark Anthony Cruz | Spaces | 2008 | MAC Publications | 4 guitars | Quartet, Ensemble, Score only | |||||
Y | Cruz, Mark Anthony | Mark Anthony Cruz | Symphonette in C: I. Fantasia; II. Rondo; III. Serenade; IV. Finale | 2007 | MAC Publications | 3 guitars | Trio, Ensemble, Score and parts | |||||
Y | Cruz, Mark Anthony | Mark Anthony Cruz | Three Vignettes in A Minor for Three Guitars | 2006 | MAC Publications | 3 guitars | Trio, Ensemble, Score only | |||||
Y | Cruz, Mark Anthony | Mark Anthony Cruz | What Would Michael Kelsey Do? | 2007 | MAC Publications | 4 guitars | Quartet, Ensemble, Score and parts | |||||
Y | Cui, Cesar (1835-1918) | Cesar Cui (1835-1918) | Orientale da "Caleidoscopio, op. 50 | Abner Rossi | 1975 | Bèrben | Solo | |||||
Y | Cutting, Francis (1596) | Francis Cutting (1596) | Almayne (Orig. para Laud) | Lupe de Azpiazu | 1963 | Union Musical Espanola | Solo | |||||
Y | Cutting, Francis (1596) | Francis Cutting (1596) | Five Pieces | Brian Jeffery | 1970 | Oxford University Press | Solo | Collection | 1. Galliard 2. Cutting's Comfort 3. Alman 4. Pavane Sans Pair 5. Galliard | |||
Y | Cutting, Francis (1596) | Francis Cutting (1596) | Kemp's Jig (found in Anon: The Sick Tune, etc.) | |||||||||
Y | Cutting, Francis (1596) | Francis Cutting ( 1596) | Walsingham Variations | Paul Hopman | 1966 | Harmonia-Uitgave-Hilversum | Solo | |||||
Y | Dagosta , Sylvain | Sylvain Dagosta | Elude en FA Majeur | 1970 | Editions Musicales Transatlantiques | Solo | ||||||
Y | Darch, Robert R. | Robert R. Darch | Opera House Rag | Marcel Robinson | 1974 | Guitar Workshop Publications | ||||||
Y | Davies, Peter Maxwell | Peter Maxwell Davies | Lullaby for Ilian Rainbow | 1980 | Boosey Hawkes | Solo | ||||||
Y | de Lucia, Paco | Paco de Lucia | Guajiras de Lucia | Michael Haas | 1985 | Gitarren-Studio Musikverlag | Solo | Flamenco, includes tablature | ||||
Y | de Lucia, Paco; Modrego, Ricardo; Jimenez, Ramon | Paco de Lucia, Ricardo Modrego, Ramon Jimenez | Entre Arrayanes | 1995 | Ediciones Quiroga | Solo | Flamenco | |||||
Y | de Lucia, Paco; Modrego, Ricardo; Jimenez, Ramon | Paco de Lucia, Ricardo Modrego, Ramon Jimenez | Taconeo Gitano (Zapateado) | 1993 | Seemsa: Sociedad Española de Ediciones Musicales, S. A. | Solo | Flamenco | |||||
Y | de Lucia, Paco; Torregrosa, José | Paco de Lucia, José Torregrosa | Percusión flamenca (Zapateado) | Michael Haas | 1986 | Gitarren-Studio Musikverlag | Solo | Flamenco, includes tablature | ||||
Y | Debussy, Claude (1862-1918) | Claude Debussy (1862-1918) | Clair de Lune for Two Guitars | Jorge Martinez Zarate | 1970 | Columbia Music Co. | 2 guitars | Duet, Score only | ||||
Y | Debussy, Claude (1862-1918) | Claude Debussy (1862-1918) | Claro de Luna De la "Suite Bergamasca" | M. Parodi | 1950 | Ricordi Americana | ||||||
Y | Debussy, Claude (1862-1918) | Claude Debussy (1862-1918) | Clair de lune, Golliwogg's Cake-Walk | Jeremy Sparks | 2007 | Les Éditions Doberman-Yppan | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Debussy, Claude (1862-1918) | Claude Debussy (1862-1918) | Homage to Pierre Louys | Carlo Pezzimenti | 1988 | Troostwyk Press | Solo | |||||
Y | Debussy, Claude (1862-1918) | Claude Debussy (1862-1918) | La fille aux cheveux de Lin, arranged for flute and guitar | Stefan Nesba | 1984 | Schott & Co Ltd. | flute and guitar | Duet, Score and flute part | ||||
Y | Debussy, Claude (1862-1918) | Claude Debussy (1862-1918) | Le Petit Negre | Jose de Azpiazu | 1959 | Alphonse Leduc & Co. | Solo | |||||
Y | Debussy, Claude (1862-1918) | Claude Debussy (1862-1918) | Tres Composiciones: Doctor Gradus Ad Parnassum; La Fille aux Cheveux de Lin; The Little Shepherd | Mario Parodi | 1955 | Ricordi | Solo | Collection | ||||
Y | Debussy, Claude (1862-1918) | Claude Debussy (1862-1918) | Vier Tänze (Four Dances): Danse bohémienne; Mazurka; Le petit nègre; Golliwogg's cake-walk | Ansgar Krause | 1985 | Shott | Solo | Collection | ||||
Y | Delpriora, Mark | Mark Delpriora | Pocket Sonata | 2005 | Editions Orphée, Inc. | Solo | ||||||
Y | Delpriora, Mark | Mark Delpriora | Variations on a Theme by Sor: Variazioni Attraverso l'Ottocento (14 variations) | 2011 | Editions Orphée, Inc. | Solo | 1. Marcia 2. Sonatinetta 3. Ländler 4. Etude I 5. Nocturne 6. Canon 7. Etude II 8. Ballade 9. Scherzo 10. March Fùnebre 11. Berceuse 12. Prelude 13. Intermezzo 14. Fugue | |||||
Y | Desmond, Paul | Paul Desmond | Take 5 - Jazz Guitar Ensemble Series | Chris Buzzelli | 1988 | Desmond Music Company | Jazz Combo, 5 guitars, Bass, Drums | Popular, Jazz, Quintet, Mixed Ensemble, Score and parts | ||||
Y | Diabelli, Anton (1781-1858) | Anton Diabelli (1781-1858) | 18 Pieces for Guitar and Piano, Easy to Intermediate | ? | Kalmus | Guitar and piano | Anthology | 1. Marcia C dur 2. Allegro moderate 3. Menuetto assai moderatee cantadile 4. Allegretto 5. Allemande 6. Allegro 7. Andante cantadile 8. Allego scherzando 9. Andante cantaGile 10. Allemande 11. Rondo, allegro 12. Marcia, allegro 13. Andante 14. Polonaise 15. Largo (Trauermarsch (Funeral march)) 16. Menuetto, moderato 17. Allemande 18. Allegretto | ||||
Y | Diabelli, Anton (1781-1858) | Anton Diabelli (1781-1858) | Andante Cantabile | Mark Anthony Cruz | 2007 | MAC Publications | 3 guitars | Trio, Ensemble, Score and parts | ||||
Y | Diabelli, Anton (1781-1858) | Anton Diabelli (1781-1858) | Thirty Very Easy Studies | Ursula Peter, fing. | 1991 | Masters Music Publications, Inc. | Solo | John Fernando | ||||
Y | Diesel, Nathanael (1692-1745) | Nathanael Diesel (1692-1745) | Quinze Pièces pour Guitarre | François Castet | 1977 | Alphonse Leduc & Co. | Solo | Collection | 1. Aria 2. Polonese 3. Menuet 4. Menuet 5. Menuet 6. Aria 7. Rondeau 8. Chaconne 9. Gavotte 10. Chaconne 11. Gavotte 12. Bouree 13. Menuet 14. Marsh 15. Gavotte | |||
Y | Digmeloff, Germain | Germain Digmeloff | Les Pièces faciles pour la Guitare: Mélodie Slave; La Source | 1962 | Max Eschig | Solo | ||||||
Y | Dijkstra, Lowell | Lowell Dijkstra | Five Moods for Guitar | 1985 | Broekmans & Van Poppel B.V. | Solo | ||||||
Y | Dineen, Joe; Bridges, Mark | Joe Dineen, Mark Bridges | The Gig Bag Book of Scales for All Guitarists | Joe Dineene, Mark Bridges, eds. | 1977 | Amsco Publications | Method | Notation and diagrams of finger placement on neck | ||||
Y | Domeniconi, Carlo | Carlo Domeniconi | 3 Studies for the Spirit (1985) | 1992 | Edition Margaux | Solo | Suite | |||||
Y | Domeniconi, Carlo | Carlo Domeniconi | Passacaglia und Fuge | 1985 | Bole & Bock | Solo | ||||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | A Dream; Melancholy Galliard; Sir John Smith His Almaine; A Fancy | Johannes Monno | 2010 | Universal Edition, Karl Scheit Guitar Edition | Solo | Collection | ||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | A Fancy | Oscar Cacérès | 1987 | Max Eschig | Solo | |||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Air and Galliard | Karl Scheit | 1955 | Universal Edition | ||||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Collected Lute Music of John Dowland, The | Diana Poulton, Basil Lam | 1978 | Faber Music Ltd. | Lute, piano | Collection, No lyrics, piano reduction, includes lute tablature | Introduction Calendar of Dates in the Life of John Dowland Biographical Notes The Transcriptions Fantasies 1 A Fantasie 1a A Fantasie 2 Forlorn Hope Fancy 3 Farewell 4 Farewell (An ""In Nomine"") 5 A Fancy 6 A Fancy 7 A Fancy Pavans 8 Piper's Pavan 9 Semper Dowland Semper Dolens 10 Solus Cum Sola 11 Mrs. Brigide Fleetwood’s Pavan (alias Solus Sine Sola) 12 Dr. Case’s Pavan 13 Resolution 14 Mr. John Langton’s Pavan 14a Sir John Langton’s Pavan 15 Lachrimae 16 A Pavan 17 The Lady Russell’s Pavan 18 A Pavan Galliards 19 Captain Digorie Piper’s Galliard 20 Dowland’s Galliard 21 John Dowland’s Galliard 22 Dowland’s First Galliard 23T he Frog Galliard 23a The Frog Galliard 24 Galliard 25 Melancholy Galliard 26 Sir John Souch’s Galliard 27 A Galliard 28 A Galliard (on a galliard by Daniel Bacheler) 29 Giles Hobie’s Galliard 30 A Galliard 31 A Galliard (on Walsingham) 32 Mrs. Vaux Galliard 33 Mr. Langton’s Galliard 34 Mignarda 35 A Galliard 36 Mr. Knight's Galliard 37 My Lord Chamberlain, His Galliard (an invention for two to play upon one lute) 38 The Right Honourable The Lord Viscount Lisle, His Galliard 39 Round Battle Galliard 40 The Most High and Mighty Christianus the Fourth, King of Denmark, His Galliard 41 The Most Sacred Queen Elizabeth, Her Galliard 42 Can She Excuse 42a The Right Honourable Robert Earl of Essex, His Galliard 43 The Lady Rich's Galliard 43a The Right Honourable The Lady Rich, Her Galliard 44 The Earl of Derby’s Galliard 44a The Right Honourable Ferdinando Earl of Derby, His Galliard 45 The Right Honourable The Lady Clifton's Spirit 46 Galliard to Lachrimæ Almains 47 Sir John Smith, his Almain 47a Smythes Allmayne 48 Lady Laiton’s Almain 48a Lady Laiton’s Almain 49 An Almain 50 Mrs. White’s Thing 51 A Piece Without Title 52 Mrs. Nichols’ Almain 53 Mrs. Clifton’s Almain 54 Lady Hunsdon’s Puffe Jigs and other pieces in 6/8 rhythm 55 Mrs. Winter's Jump 56 Mrs. White's Nothing 57 Mrs. Vaux's Jig 58 The Shoemaker's Wife 59 Tarleton’s Riserrectione Song Arrangement 60 Come Away Settings of Ballad Tunes 61 Orlando Sleepeth 62 Fortune 63 Complaint 64 Go From My Window 65 Lord Strang’s March 66 My Lord Willoughby's Welcome Home 66a My Lord Willoughby's Welcome Home 67 Walsingham 68 Aloe 69 Loth to Depart 70 Robin Pieces of uncertain ascription (a) Anonymous, but probably by Dowland 71 A Fantasia 72 A Fancy 73 A Fancy 74 A Fancy 75 A Dream 76 A Galliard 77 Mrs. Norrish’s Delight 78 A Piece Without Title 79 What If A Day 80 A Coy Joy 81 Tarleton’s Jig (b) Pieces attributed to Dowland, probably incorrectly 82 A Galliard 83 Dowland’s Galliard 84 Hasellwood’s Galliard 85 Galliarda Dulandi 39 (c) Pieces from foreign MSS, unique, but obviously poor versions 86 Pauana Dulandi 87 Galliarda Dulandi 8 Other Versions 88 Piper’s Galliard 89 Can She Excuse 90 The Frog Galliard 91 Suzanna Galliard 92 Galliard Fr. Cutting From tbe Schele MS 93 Del Excellentissimo Musico Jano Dulando 94 Pavana Johan Douland 95 La Mia Barbara From tbe Margaret Board Lute Book 96 An Almand 97 The Queen’s Galliard 98 Preludium 99 Mr. Dowland’s Midnight 100 Coranto From the Hainhofer MS 101 Phantasia 102 Præambulum 103 Gagliarda List of Sources Editorial Notes Index of Titles " | |||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Dances and Fantasies (Tänze und Fantasien) (14 pieces) | Daniel Benkö | Collection | 1. Piper's Pavan 2. Lachrimæ (Pavan) 3. Dr. Case's Pavan 4. Semper Dowland Semper Dolens (Pavan) 5. Melancholy Galliard 6. The Most Sacred Queen Elizabeth Her Galliard 7. Walsingham (Galliard) 8. Captain Digorie Piper's Galliard 9. Dowland's First Galliard 10. Dir John Souch's Galliard 11. A Fantasy 12. Farewell ("In Nomine") 13. Forlorn Hope Fancy 14. Farewell | ||||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Eight Pieces by John Dowland, Volume 1 (4 pieces): | Brian Jeffery | 1972 | Oxford University Press | Solo | Collection | 1. Fantasia 2. Queen Elizbeth's Galliard 3. Alman 4. Dr. Case's Pavane | |||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | English Lute, The - Songs Series I: 5 & 6: John Dowland - Second Book of Songs (1600) | Edmund H. Fellows; Thurston Dart, rev. | 1977 | Stainer & Bell, LTD. | Lute, voice and guitar / lute | Renaissance, Collection, includes lute tablature | 1. I saw my lady weep 2. Flow my tears (Lacrimæ) 3. Sorrow, stay 4. Die not before thy day 5. Mourn, day is with darkness fled 6. Time’s eldest son, Old Age (The First Part) 7. Then sit thee down and say (The Second Part) 8. When others sing Venite (The Third Part) 9. Praise blindness eyes 10. O sweet woods 11. If floods of tears 12. Fine knacks for ladies 13. Now cease my wand’ring eyes 14. Come ye heavy states of night 15. White as lilies was her face 16. Woeful heart 17. A shepherd in a shade 18. Faction that ever dwells (Words by Fulk (Greville) Lord Brooke) 19. Shall I sue 20. Toss not my soul 21. Clear or cloudy 22. Humour say what mak’st thou here (A Dialogue) Dowland's adieu for Master Oliver Cromwell (for Lute and Bass Viol, no voice; originally for voice, lute, and viol quartet) (Oliver Cromwell, the uncle of the future Lord Protector) | |||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Fantasia No. 7 per Liuto | Javier Hinojosa | 1971 | B.Schott's Söhne | Lute | |||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Frog Galliard, The | Oscar Cacérès | 1987 | Editions Max Eschig | Solo | |||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Frog Galliard, The | Giovanni De Chiaro | 1992 | The Willis Music Co. | Solo | |||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Galliard (sur un Theme de Daniel Batchelar / Bacheler) | Francois Castet | 1966 | Alphonse Leduc & Co. | Solo | |||||
Dowland, John (1563-1626) | John Dowland (1563-1626) | John Dowland The First Booke of Songes or Ayres | Herbert Van Kampen | 1995 | Mel Bay Publications, Inc. | Solo | Renaissance, Collection, Separate guitar tablature provided for all pieces, all but the last piece have 2 scores: 1) Cantus and guitar; 2) Cantus, Altus, Bassus; the last piece is for 2 guitars | I. Unquiet thoughts: Cantus and guitar score; Altus, Tenor, Bassus score II. Who ever thinks or hopes of love for love: Cantus and guitar score; Altus, Tenor, Bassus score III. My thoughts are wingd with hopes: etc.(separate guitar tablature provided) IV. If my complaints could passions move: etc.(separate guitar tablature provided) V. Can she excuse my wrongs with vertues cloake: etc. VI. Now, O now I needs must part: etc. VII. Deare if you change ile never chuse againe: etc. VIII. Burst forth my teares: etc. IX. Go Cristall teares: etc. X. Thinkst thou then by thy faining: etc. XI. Come away, come sweet love: etc. XII. Rest a while you cruell cares: XIII. Sleepe wayward thoughts: XIV. All ye whom love or fortune hath betraide XV. Wilt thou unkind thus reave me of my hart XVI. Would my conceit that first enforst my woes (separate guitar tablature provided) XVII. Come againe: sweet love doth now envite XVIII. His goulden locks time hath to silver tumd XIX. Awake sweet love thou art returnd XX. Come heavy sleepe XXI. Awaie with these selfe loving lads My Lord Chamberlaine his galliard (A Galliard for two to plaie upon one Lute at the end of the booke, i.e., for 2 guitars) | Richard Childress | |||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | John Dowland's Lute Songs: Third and Fourth Books with Original Tablature | David Nadal | 2002 | Dover Publications, Inc. | voice and guitar | Renaissance, Collection, with Lute tablature, Companion volume to Lute songs of John Dowland: The Original First and Second Books | Introduction Instrumentation About the Transcriptions Tuning and Transposition Types of Transcriptions THE THIRD AND LAST BOOKE I. Farewell too fair II. Time stands still III. Behold a wonder here IV. Daphne was not so chaste V. Me, me, and none but me VI. When Phoebus first did Daphne love VII. Say Love if ever thou didst find VIII. Flow not so fast ye fountains IX. What if I never speed? X. Love stood amaz’d XI. Lend your ears to my sorrow XII. By a fountain where I lay XIII. Oh what hath overwrought XIV Farewell unkind farewell XV. Weep you no more, sad fountains XVI. Fie on this feigning XVII. I must complain XVIII. It was a time when silly bees could speak XIX. The lowest trees have tops XX. What poor astronomers are they XXL Come when I call (for two voices and two lutes) A PILGRIMES SOLACE I. Disdain me still II. Sweet stay awhile III. To ask for all thy love IV. Love those beams V. Shall I strive with words to move* * [Mignardzi, a galliard, is Dowland’s title for the solo lute version of the ayre "Shall I strive with words to move"] VI. Were every thought an eye VII. Stay Time awhile thy flying VIII. Tell me true Love (with 4-part chorus) The next three with treble and bass viols or violin and cello: IX. Go nightly cares X. From silent night XI. Lasso vita mia XII. In this trembling shadow XIII. If that a sinner’s sighs A three-part work: XIV. Thou mighty God XV. When David’s life XVI. When the poor cripple _______________________ XVII. Where sin sore wounding XVIII. My heart and tongue were twins XIX. Up merry mates (A Dialogue and 4-part Chorus) XX. Welcome black night (with a 5-part Chorus) XXI. Cease these false sports (with a 5-part Chorus) THREE AYRES FROM “A MUSICALL BANQUET” Far from triumphing Court Lady if you so spite me In darkness let me dwell GALLIARD TO LACHRIMAE A lute solo from A Pilgrimes Solace, transcribed for guitar | |||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Lachrimæ Pavan und Fantasie | Karl Scheit | 1976 | Universal Edition | Solo | |||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Lute Songs of John Dowland: The Original First and Second Books Including Dowland's Original Lute Tablature | David Nadal | 1997 | Dover Publications, Inc. | voice and guitar | Renaissance, Collection, with Lute tablature | THE FIRST BOOK OF SONGS (Originally published in 1597; Transcriptions based on Dowland's revised edition of 1613) I. Unquiet thoughts II. Who ever thinks or hopes of love III. My thoughts are wing’d with hopes IV If my complaints could passions move 10 V Can she excuse my wrongs? VI. Now, O now, I needs must part VII. Dear, if you change VIII. Burst forth, my tears IX. Go crystal tears X. Think’st thou then by thy feigning XL Come away, come sweet love XII. Rest awhile you cruel cares XIII. Sleep, wayward thoughts XIV. All ye, whom Love or Fortune XlVa. All ye, whom Love or Fortune XV. Wilt thou, unkind, thus reave me XVI. Would my conceit XVII. Come again XVIII. His golden locks XIX. Awake, sweet love, thou art return'd XX. Come, heavy Sleep XXL Away with these self-loving lads ------ My Lord Chamberlain his Galliard (For two to play . . .) THE SECOND BOOK OF SONGS (Transcriptions based on the original edition of 1600) I. I saw my Lady weep IL Flow my tears III. Sorrow, stay IV. Die not before thy day V. Mourn, day is with darkness fled VI. Time’s eldest son, Old Age (The first part) VII. Then sit thee down (The second part) VIII. When others sing Venite (The third part) IX. Praise blindness eyes X. O sweet woods XL If floods of tears XII. Fine knacks for ladies XIII. Now cease my wand’ring eyes XIV Come ye heavy states of night XV. White as lilies was her face XVI. Woeful heart XVII. A shepherd in a shade XVIII. Faction that ever dwells XIX. Shall I sue XX. Toss not my soul XXL Clear or cloudy XXIa. Clear or cloudy XXII. Humour say what mak’st thou here (a Dialogue) ------ Dowland’s adieu for Master Oliver Cromwell (no vocal part, solo guitar only) | |||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Mr. Langtons Galliard | Oscar Caceres | 1987 | Max Eschig | Solo | |||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Pavana Lachrimæ Antiquae | Sylvia Thibault | 2005 | Les Productions D'Oz | voice (or melody) and 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Queen Elizabeth's Galliard | Mark Anthony Cruz | 2006 | MAC Publications | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Seven Pieces (Sieben Stücke) | Diana Poulton | 1963 | Shott | Solo | Collection | 1. Mrs. White's Nothing 2. Mrs. Winter's Jump 3. Dowland's Bells 4. A Galliard 5. K. Darcie's Spirit 6. Mrs. Nichols's Almand 7. Can She Excuse | |||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Solowerke I (17 pieces) | Karl Scheit | 1980 | Universal Edition | Solo | Collection | 1. Complaint 2. Galliard 3. Tarleton's Riserrectione 4. Galliard 5. Lord Strange's March 6. Mrs White's Nothinge 7. Galliard 8. Sir John Smith his Almaine 9. The Frog Galliard 10. My Lord Willoughby's Welcome Home 11. Mr. Dowland's Midnight 12. Galliard (Hasellwood's Galliard) 13. A Toy (The Shoemaker's Wife) 14. Lady Laiton's Almaine 15. The Right Honourable the Lady Rich, her Galliard 16. The Right Honourable Robert, Earle of Essex, high Marshall of England, his Galliard 17. Round Battle Galliard | |||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Solowerke II (16 pieces) | Karl Scheit | 1984 | Universal Edition | Solo | Collection | 1. Queen Elizabeth's Galliard 2. What If A Day (Ballad Tune) 3. Mrs. Nichols' Almain 4. Mrs. Winter's Jump 5. Melancholy Galliard 6. Robin (Ballad Tune) 7. Galliard 8. Can She Excuse (Galliard) 9. Faksimile 10. A Fancy (Fantasia) 11. A Fancy (Fantasia) 12. Sir John Souch's Galliard 13. The Earl of Darby His Galliard 14. My Lady Hunsdon's Puffe (Allemande) 15. Captain Digorie Piper's Galliard 16. The King of Denmark His Galliard\ | |||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Twelve Easy Pieces for Guitar | Daniel Benkö | 1978 | Edita Musica Budapest | Solo | Collection | 1. Lady Laiton's Almain 2. Lady Hunsdon's Puffe (Almain) 3. An Almain 4. Mrs. White's Thing (Almain) 5. Mrs. Nichol's Almain 6. Orlando Sleepeth 7. Complaint 8. My Lord Willoughby's Welcome Home 9. Lord Strang's March 10. Robin 11. Go From My Window 12. Aloe | |||
Y | Drogoz, Phillippe | Phillippe Drogoz | Sur Les Routes de Fer | 1992 | Max Eschig | Solo | ||||||
Y | Duarte, Jack (John?) | Jack Duarte | Prelude and Larghetto | 1964 | Columbia Music Co. | Solo | ||||||
Y | Duarte, John W. | John W. Duarte | Variations on a Catalan Folk Song: Canco del Lladre, Op. 25 | John W. Duarte | 1968 | Novello & Company Limited | Solo | Anonymous, Folk | ||||
Y | Dumond, Arnaud | Arnaud Dumond | Cinq Haïkus Atonaux | 1983 | Éditions Musicales Transatlantique | Solo | ||||||
Y | Duncan, Charles | Charles Duncan | A Modern Approach to Classical Guitar: Book One | 1981 | Hal Leonard Publishing Corporation | Method | Anthology, Traditional, Folk, includes floppy 33 vinyl recording | The Classical Guitar Playing Position Tuning The Right Hand The Rest Stroke Right-Hand Fingernails Music Symbols Open Strings 1, 2 and 3 The Musical Alphabet The Open Bass Strings 3/4 Time Signature Combining Thumb and Fingers Review of Music Symbols The Left Hand Notes on the First String Notes on the Second String Combining Strings 1 and 2: Lightly Row Sur le Pont D’Avignon Go Tell Aunt Rhody Notes on the 3rd String: Merrily We Roll Along Yankee Doodle Au Clair de la Lune Pickup Notes: For He’s A Jolly Good Fellow Camptown Races Ties: Down In The Valley When The Saints Go Marching In Shenendoah Eighth Notes 2/4 Time: Bingo The Ash Grove Good King Wenceslas Dotted Quarter Notes: Alouette Blow the Man Down Rests: The Streets of Laredo Notes on the 4th String: The Riddle Song Notes on the 5th String: The Volga Boatman Hymn New World Theme Ode To Joy Shalom Chaverim THE C MAJOR SCALE: Joy To The World Jingle Bells SHARPS AND FLATS THE CHROMATIC SCALE: Aura Lee SYNCOPATION: Miserlou PLAYING CHORDS THE Am AND E CHORDS: Joshua Fought The Battle Of Jericho THE Dm CHORD: Wayfaring Stranger Hava Nagila MUSIC IN TWO PARTS: Folk Song Lullabye MORE ON ACCIDENTALS: Long, Long Ago London Bridge Natural Etude KEY SIGNATURES NOTES ON THE SIXTH STRING: Finlandia Noche en España ACCIDENTALS ON STRINGS 4 and 5: Lullabye - Brahms All Through The Night PLAYING FINGERS AND THUMB TOGETHER: Coventry Carol Au Clair de la Lune ACCIDENTALS ON STRING 6: Deck The Halls Lilliburlero THE FULL CHROMATIC SCALE REVIEW OF MUSIC SYMBOLS NEW FINGER COMBINATIONS: Greensleeves NOTES ON THE FINGERBOARD | ||||
Y | Duncan, Charles | Charles Duncan | Art of Classical Guitar Playing, The | 1980 | Summy-Birchard Inc. | Method | Chapter One The Principle of Functional Tension Dysfunctional Tension; Functional Tension: Lever- age from the Fingers; Seating; Conclusions Chapter Two The Left Hand Mechanics of Left-Hand Position; The Bar (Barré, Capotasto, Cejilla); Principles of Movement (I): The Role of the Arm; Dexterity of the Fingers; Principles of Movement (II): The Role ofAnticipation Chapter Three Right-Hand Position Dysfunctional Tensions of the Hand; Forming the Position; Engaging the Nails; Thumb Position; Engaging the Thumbnail; The Value of Preparation Chapter Four Nail Filing The Thumbnail; The Filing Process; Nail Care Chapter Five Articulation Chapter Six Coordination and Velocity Scales; Velocity in Scales; Chords; Homophonic and Contrapuntal Textures Chapter Seven Expressive Devices Slurs As Accent; Vibrato; Right-Hand Flourishes; Grace, Emphasis, Closure; Rasgueado Chapter Eight The Art of Classical Guitar Playing Refinement of Tone; Contrast of Tone Color; Control of Rhythm; Developing the Line: Thinking Upbeats; Expressive Nuances: Segovia's Example Appendix: A Practice Checklist 119 Selected Bibliography 125 | |||||
Y | Durkó, Zsolt | Zsolt Durkó | Divertimento per chitarra | 1991 | Editio Musica Budapest | Solo | ||||||
Y | Dyens, Roland | Roland Dyens | Austin Tango | 2009 | Les Productions D'Oz | 4 guitars | Quartet, Ensemble, Score and parts | |||||
Y | Dyens, Roland | Roland Dyens | L.B. Story (à Leonard Bernstein et Léo Brouwer) | Roland Dyens | 1994 | Editions Henry Lemoine | Solo | |||||
Y | Dyens, Roland | Roland Dyens | Tango en Skaï: Pour Guitare et Orchestere à cordes | Roland Dyens | 1997 | Editions Henry Lemoine | guitar and strings, violins (2), viola, cello, bass | Sextet, Chamber Ensemble, Strings, Score and parts | ||||
Y | Eben, Petr | Petr Eben | Mare Nigrum 1. Danza; 2. Canto; 3. Toccata | 1985 | Boosey Hawkes | Solo | Danza Canto Toccata | |||||
Y | Economides, George | George Economides | Espinóra Tango | 1963 | Associated Guitar Composers and Publishers | Solo | ||||||
Escudero, Mario | Mario Escudero | Mario Escudero: Flamenco Guitar Solos (How To Series) | Joseph Trotter | 1976 | Hansen House | Method, Solo | Instruction | Piropo a la Solea (Soleares) Sevillanas Escudero (Sevillanas) Para Amina (Guajiras) Repiqueteos Flamincos (Zapateado) Caminos Malagueños (Verdiales & Malagueñas) Falseta al Bordón (Granadinas) Romance Gitano (Seguiriyas) Homenaje a Ramón Montoya (Rondeña) | ||||
Y | Ezaki, Kenjiro | Kenjiro Ezaki | Contention for Female Voice and Guitar | 2021? | Casa de la Guitarra | voice and guitar | ||||||
Y | Falla, Manuel de (1876-1846) | Manuel de Falla (1876 –1946) | La Vie Brève: Première Danse Espagnole | Emilio Pujol | 1957 | Edition Max Eschig | 2 guitars | Duet, Score only | ||||
Y | Falla, Manuel de (1876-1846) | Manuel de Falla (1876 –1946) | Récit du pêcheur (extrait de L'Amour Sorcier) | Emilio Pujol | 1962 | Editions Max Eschig | Solo | John Fernando | ||||
Y | Fampas, Dimitri | Dimitri Fampas | Conte | 1972 | Editions Max Eschig | Solo | ||||||
Y | Fauré, Gabriel | Gabriel Fauré | Pavane et Sicilienne (for 4 guitars) | Jeremy Sparks, arr. | 1998 | Les Éditions Doberman-Yppan | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Fernandez-Lavie, Fernando | Fernando Fernandez-Lavie | Noël Provençal d'après un thème de Henri Bosco | 1994 | Max Eschig | Solo | ||||||
Y | Ferrabosco, Alfonso | Alfonso Ferrabosco | Pavan | Joseph Weidlich | 1976 | DeCamera Publishing Company | Solo | |||||
Y | Ferrara, Lawrence | Lawrence Ferrara | The Student Repertoire Series, Vlume 1: A Graded Anthology... | Lawrence Ferrara | 1994 | Guitar Solo Publications | Solo, CD included | Anthology | John Fernando | |||
Y | Ferrara, Lawrence | Lawrence Ferrara | The Student Repertoire Series, Volume 2: A Graded Anthology... | Lawrence Ferrara | 1997 | Guitar Solo Publications | Solo, CD included | Anthology | coffee spill on p. 10.. | John Fernando | ||
Y | Ferrer, Jose | Jose Ferrer | Three Dances: I. Tango; II. Mazurka; III. Minuet | Betty Dove, ed. | 1962 | Columbia Music Co. | Solo | I.Tango II. Mazurka III. Minuet | ||||
Y | Feuerstein, Robert | Robert Feuerstein | Pieces for Guitar: Transylvanian Song; Variations On Two Yemenite Songs; Icaco | 1984 | Editions Orphée, Inc. | Solo | ||||||
Y | Fink, Michael | Michael Fink | Monteverdiana for Guitar Quartet - Guitar III only | 1992 | Southern Music Company | Quartet, 4 guitars | library has only Guitar III | |||||
Y | Flothuis, Marius | Marius Flothuis | Twee stukken voor gitaar, Op. 20: I. Folia; II. Habanera | 1948 | Donemus Amsterdamz | Solo | ||||||
Y | Foscarini (il Furioso), Giovanni Paulo/ L'Academico Caliginoso detto il Furioso (fl. 1600 – 1647) | Giovanni Paolo Foscarini (fl. 1600 – 1647) | Renaissance and Baroque: A Collection of XVI and XVII Century Compositions Vol. VII (9 compositions selected from "Il Primo, Secundo E Terzo Libro Della Chitarra Spagnola") | Alexander Bellow | 1964 | Franco Colombo | Solo | Collection, Renaissance, Baroque | Tasteggiata Musicale Fantasia Toccata Corrente Tasteggio Musicale Alemanda Corrente conla sua variatione Tasteggiata Soave Corrente Francese | |||
Y | Fossa, François de (1775-1849) | François de Fossa (1775 – 1849) | Cinquième Fantaisie Op. 12: sur l'air des Folies d"Espagne | Matanya Ophee | 2010 | Editions Orphée, Inc. | Solo | Theme and variations | ||||
Y | Fossa, François de (1775-1849) | François de Fossa (1775 – 1849) | La Tyrolienne Variée Op. 1 | Matanya Ophee | 2010 | Editions Orphée, Inc. | Solo | Theme and variations | ||||
Y | Fossa, François de (1775-1849) | François de Fossa (1775 – 1849) | Les Adieux À L'Espagne: Quatrième Fantaisie, Op. 11 | Matanya Ophee | 2009 | Editions Orphée, Inc. | Solo | Theme and variations | ||||
Y | Fossa, François de (1775-1849) | François de Fossa (1775 – 1849) | Première Fantaisie Op. 5 | Matanya Ophee | 2010 | Editions Orphée, Inc. | Solo | |||||
Y | Fossa, François de (1775-1849) | François de Fossa (1775 – 1849) | Quatre Divertissements Op. 13: extraits des Oeuvres de J. Haydn | Matanya Ophee | 2010 | Editions Orphée, Inc. | Solo | Theme and variations | Diverto I: Andante - Symphony No. 63, "La Roxolane" II Allegretto... Menuetto - Allegretto, Symphony No. 85 "La Reine III Menuetto Allegretto Diverto II: Largo Cantaqbile, Rondo Allegretto (not identifiable as Haydn work) Divertimento III: Andante - Symphony No. 85 "La Reine" II "Romanze" Allegretto Menuetto, Allegretto - Symphony No. 86 III: Allegretto Divertimento IV: Andante - Symphony No. 53 "L'Imperiale" II Andant Rondo: Allegro - Symphony No. 85 "La Reine" IV Finale: Presto | |||
Y | Fossa, François de (1775-1849) | François de Fossa (1775 – 1849) | Troisième Fantaisie Op. 10: sur un Thème de Beethoven | Matanya Ophee | 2008 | Editions Orphée, Inc. | Solo | Theme and variations, based on Beethoven's Serenade Op. 8 for strings: Adante quasi allegretto | ||||
Y | Frescobaldi, Girolamo (1583-1644) | Girolamo Frescobaldi (1583-1644) | Aria con Variazioni detta >La Frescobalda< | Andrés Segovia | 1939, 1967 | B. Schott's Söhne | Solo | John Fernando-1 | ||||
Y | Frescobaldi, Girolamo (1583-1644) | Girolamo Frescobaldi (1583-1644) | Fünf Stücke | Andrés Segovia | 1968 | B. Schott's Söhne | Solo | |||||
Y | Frescobaldi, Girolamo (1583-1644) | Girolamo Frescobaldi (1583-1644) | Toccata (per spinettina sola over liuto) | Ruggero Chiesa | 1968 | Edizioni Suvini Zerboni | Solo | |||||
Y | Froberger, Johann Jakob (1616-1667) | Johann Jakob Froberger (1616-1667) | Tombeau pour Mr. Blancrocher | Michael Lorimer | 1976 | Shattinger-International Music | Solo | |||||
Y | Frost, Donald | Donald Frost | Dedication One; Dedication Two | 1976 | Peer International Corp | Solo | ||||||
Y | Fuenllana, Miguel de | Miguel de Fuenllana | Fantasia de Redobles | George Clinton | 1963 | Ricordi | Solo | |||||
Y | Fujii, Shingo | Shingo Fujii | Quatrro Ritornelli | 2011 | Gendai Guitar Co., Ltd. | 4 guitars | Quartet, Ensemble, Score and parts | I. ...verso il mare (to the sea) II. Tarantèlla III. Cantilèna (chanting song) IV. ...la fine e l'inizio (the end is the beginning) | ||||
Y | Galante, Claudio | Claudio Galante | Deux Esquisses: 1. Impromptu; 2. Petite Sérénade | Giovanni Podera | 1994 | Bèrben | Solo | |||||
Y | Gärber, Erich | Erich Gärber | 5 Originalkompositionen für Gitarre-Solo | 1968 | Musikverlag Josef Preissler | Solo | Dämmerstunde Romanze in a-moll Valse melancholique Andalusische Impressionen Zärtlichkeiten | |||||
Y | García, Jeremy S. (b. 1973) | Jeremy S. Garcia (b. 1973) | Una Passeggiata nel Giardino: " Walk in the Park" | 2017 | JSG Publishing 001 | Solo | ||||||
Y | Garcia, Olimpiades | Olimpiades Garcia | Gran Minueto (Las Palmas, 1967) | 1975 | Union Musical Española | Solo | ||||||
Garcia, Olimpiades | Olimpiades Garcia | La Fuga Del Zapatero, Motivo Español No. 2 (1962) | 1975 | Union Musical Española | Solo | |||||||
Y | Garoto (Anibal Augusto Sardinha) | Anibal Augusto Sardinha | Guitar Works of Garoto, Volume 2, The | Paulo Bellinati | 2002 | Guitar Solo Publications | Solo | Tristezas de um Violão (Chôro Triste No. 1) Meditação Naquelas Velhos Tempos Gracioso Vivo Sonhando Enigma Esperança Nosso Chôro Chôro Triste No. 2 Doce Lembrança Jorge do Fusa Gente Humilde (original) Gente Humilde (arrangement) | ||||
Y | Gascon, Leon Vicente | Leon Vicente Gascon | 6 Composiciones Españolas para guitarra - Op. 11 | 1964 | Ricordi Americana | Solo | I. La Maja de la Mantilla: Mazurka II. En Mi Aldea: Noche Buena III. Madrileña: Tonadilla IV. El Gaditano: Tango Flamenco V. Gitanilla: Farruca VI. Ecos de Ronda: Jota Aragonesa | |||||
Y | Gates, David (Bread) | David Gates | If | Stan Ayeroff | 1971 | Warner Bros. Publications Inc. | Solo | Popular, Bread: the band | ||||
Y | Gault, Philippe | Philippe Gault | Espoir pour Guitare (1977) | 1978 | Editions Musicales Transatlantiques | Solo | ||||||
Y | Gaultier, Ennemond; Le Jeune, Du But | Ennemond Gaultier, Du But Le Jeune | Five 17th-Century French Lute Duets | Peter Danner | 1978 | Belwin Mills Publishing Corp. | 2 guitars | Renaissance, Duet, Score only | Les Larmes de Boisset, Courante - E. Gaultier Courant L'Immortelle - E. Gaultier Canaries - E. Gaultier Courante - Le Jeune Courante - Le Jeune | |||
Y | Giacometti, Antonio | Antonio Giacometti | L'Estasi del Moto | Angelo Gilardino | 1989 | Bèrben | Solo | |||||
Y | Girard, Anthony | Anthony Girard | Les Perles du Temps: trois poèmes pour guitare (missing 3rd piece) | 1998 | Gerard Billaudot Editeur | Solo | missing 3rd piece | |||||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829 | 120 Studies for Right Hand Development | Paul Brelinsky | 1983 | Beam Me Up Music | Solo, Method | John Fernando | ||||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829 | Best of Giuliani | Joseph Castle | 1979 | Mel Bay Publications Inc. | Solo | Collection | Preludio Andantino Caprice Tarantella Popular Air Scherzo Waltz Minuet Melodie Larghetto Prelude in E Minor | |||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829) | Centoventi Arpeggi dall'op. 1 per chitarra | Rugerio Chiesa | 1976 | Edizioni Suvini Zerboni | Solo, Method | Rewrite of 120 Studies for Right Hand Development | ||||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829) | Ejercicios de Arpegios [12 Studies] | Isaias Savio | 1957 | Ricordi | Solo, Method | Exercises, Arpeggios, Collection | ||||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829) | Fugue in G Major | Sophocles Papas | 1977 | Columbia Music Co. | Solo | |||||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829 | Giulianate Op. 148 | José Smiroldo | 1972 | Edizioni Bèrben | Solo | Collection | I - La Risoluzione II - Lo Scherzo III - L'Amoroso V - L'Armonia VI - Il Sentimentale VII - La Melanconia VIII - L'Allegria | |||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829) | Giuliani Revisited (Arpeggios) | Christopher Berg | 1997 | Mel Bay | Method | Arpeggio exercises, Technique | ||||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829) | Mauro Giuliani: The Complete Works in Facsimiles of the Original Editions, Volume 37: Ten Works for voice and guitar or piano, Opus numbers 13, 22, 27, 39, 79, 89, 95, 149, 151, 151 bis | Brian Jeffery, ed. | 1986 | Tecla Editions | voice and guitar or piano | Collection | Trois Romances, opus 13: 1. When I saw a young and pretty woman, I instantly gave her my heart 2. Happy is he whom near you sighs, who on himself alone attracts these beautiful eyes 3. Need to love is for us on earth like the pure air that comes to animate us Trois Romances, opus 22: 1. Réponse à la romance de Mr. de Ségur "Ne m'oubliez pas" ( Reply to the romance by M. de Ségur "Do not forget me") 2. L'Illusion (Illusion) 3. Le Premier Momvent (The First Moment) Marie Louise au Berceau de son Fils Romance, opus 27 Sei Cavatine, opus 39: 1. Par che di giubilo l'alma del3ri (It seems tha my soul is delirious) 2. Confuso, smarrito, spiegar ti vorrer che fosti, che sie (Confused, bewildered, I would like to explain to you what you were and what you are) 3. Alle mie tante lagrime, al mio crudel dolore... (At the sight of my many tears, of my cruel pain... 4. Ah! non dir che non t'adoro se finor penai cosí (Don't say that I don't adore you, since I've suffered so much so far) 5. Ch'io sent'amor per femine, No! non sarà mai vero (That I should feel love for a woman - no! it will never be true) 6. Già presso al termine de'suoi martiri, fugge quell'anima (Now near the end of its sufferings, my soul flees) Cavatina "Di tanti palpiti" from Rossini's Tancredi, opus 79: Di tanti palpiti e tante pene, dolce mio ben, spero mercè (From such beating of my heart, from such sufferings, my sweet beloved, I expect your mercy) Sechs Lieder, opus 89: I. Abschied (Farewell) (Goethe) II. Lied aus der Ferne (Song from Far Away) (Matthisson) III. Abschied (Farewell) (maybe Schiller) IV. Lied (Song) (Steigentesch) V. Ständchen (Serenade) (Tiedge) VI. An Das Schicksal (To Fate) (Reissig) Sei Ariette, opus 95 1. Ombre amene, amiche piante... (Pleasant shades, friendly trees,...) 2. Fra tutte la pene, v'è pena maggiiore? (Among all sufferings, is there any suffering greater than this?) 3. Quando sarà quel dì, ch'io non ti senta in sen... (When will the day come. when I do not feel you...) 4. Le dimore amor non ama, presso a lei mi chiama amore... (Love does not like delays. My love cals me to her...) 5. Ad altro laccio vedrsi in braccio in un momento la dolce amica... (To see my sweet love trapped in the arms of another...) 6. De due bell'anime che amor piagò... (Of two beautiful souls whom Love wounded) Pastorale for two voices, flute, and guitar (or piano), opus 149 "Près d'un volcan, sur des bords enchanés" Romance, opus 151 Ode di Anacreonte (Ode to Anacreon), Opus 151 bis | |||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829) | Sei Grandi Variazioni Op. 112 | Paolo Mugga | 1975 | Edizioni G. Zanibon | Solo | Theme and Variations (6) | ||||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829 | Six Variations (sur la chanson nationale "I Bin a Kohlbauern Bub") Op. 49 | Richard M. Long | 1982 | Tuscany Publications | Solo | Theme and Variations | ||||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829) | Studien für Gitarre op. 1b | Dieter Kreidler | 1985 | Shott | Solo, Method | Collection, Instruction, Technique | Studies:1. Sustained notes: Maestoso 2. Stopped notes: Sostenuto 3. Dotted notes: Allegro 4. Grace note from below: Andantino 5. Grace note from above: Grazioso 6. Group of two grace notes: Allegretto 7. The Pralltriller (inverted mordent): Andante mosso 8. Inverted turn: Allegretto 9. Very common short grace note: Allegro spiritoso 10. Legato playing of larger intervals: Vivace 11. Glissando: Allegro moderato Pieces: 1. Maestoso 2. Allegretto grazioso 3. Andantino mosso 4. Allegro grazioso 5. Allegretto 6. Allegretto con moto 7. Allegro maestoso 8. Allegro spiritoso 9. Allegro spiritoso 10. Allegro spiritoso 11. Sostenuto 12. Andantino grazioso | |||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829) | Tíz Könnyu Darab (Ten Easy Pieces) | Daniel Benkö | 1980 | Editio Musica | Solo | Collection | Menuet Divertimento (1) Sonatino I, II Divertimento (2) Walzer (1) Scherzo Walzer (2) Scherzando Divertimento (3) Divertimento (4) | |||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829 | Variationen über eine Romanze aus "La Gloire et l'Amour" op. 105 | 2009 | Universal Edition A.G., Wien | Solo | Theme and Variations | |||||
Y | Giuranna, E. Barbara | E. Barbara Giuranna | incipit | Carlo Carfagna | 1985 | Bèrben | Solo | |||||
Y | Glise, Anthony | Anthony Glise | Classical Guitar Pedagogy: A Handbook for Teachers | 1997 | Mel Bay Publications, Inc. | Method | Classroom Instruction | BOOK I: PRINCIPLES OF TECHNIQUE Chapter One—Sitting Position of the Instrument Position of the Arms Position of the Legs Chapter Two—Anatomical Function ofthe Hands General Anatomical Terms Finger Movement The Thumb The Left Hand Position of the Wrist Guitar-related Injuries General Warning About Injuries Chapter Three—The Right Hand Position and Movement of the Right Hand (Closed and Open Hand Techniques) Position and Movement of the Thumb Shape of the Nails Nails vs. Flesh Chapter Four—The Left Hand Position of the Left Hand (Turned Hand and Flat Hand Positions) Movement of the Left Hand Fingers BOOK II: PRINCIPLES OF PEDAGOGY Chapter Five—The Right Hand Scratching Exercise Moving Exercise Releasing Exercise Additional Exercises Alternation Right Hand Fingering Chapter Six—The Left Hand Left Hand Fingering—"The Fourth-Finger Approach" Chapter Seven—The Right and Left Hands Exercises—"The Basic Seven" Rhythmic Variants of "The Basic Seven" Pulsing Scales Arpeggios (Individual Full Plant, Full Plant, Sequential Plant and Free Arpeggio Techniques) Chapter Eight—The Teacher Teaching (Research, Reading and Memorization) Coaching Chapter Nine—Practicing Practicing Practicing for Performances Chapter Ten—Additional Subjects for Intermediate Students Bars Vibrato (Arm, Wrist and Finger Vibrato) Developing Speed (Right and Left Hand Speed Development) Accuracy in Fast Passages Tremolo Chapter Eleven—Additional Subjects for Advanced Students Advanced Bar Techniques (Hinge Bar and Split Bar) Appagado Arpeggiating Chords Cadential Arpeggiation Harmonics (Natural and Artificial) Left Hand Split Trills Playing with the Flesh Rest Stroke Melodies in Arpeggios Right Hand Cross Alternation Right Hand String Crossing with P Subito Piano Slurs Tamboura Timbre Changes (Opposition and Complementary Movements) Chapter Twelve—Performing Stage Presence Chapter Thirteen—On Stage Stage Etiquette Stage Fright Media Chapter Fourteen—Teaching Children Chapter Fifteen—Arranging A Private Studio BOOK III: MUSICIANSHIP Chapter Sixteen—The Middle-Man—An Introduction to Æsthetics The Artist The Art Chapter Seventeen—Physical Control Over the Sound Dynamics Timbre Articulation Phrasing Chapter Eighteen—Mental Control Over the Sound Singing Mental Dynamics Mental Orchestration Mental Practicing Chapter Nineteen—Phrasing: "The Strong-Weak Maxim" Chapter Twenty—Schenker Analysis for Interpretation Chapter Twenty-One--Temporal Modes in Music Appendix I Trouble-Shooting Checklist for Teachers Appendix II Sample 16-Week Lesson Outline Appendix III Suggested Methods, Studies and Pieces Appendix IV Suggested Magazines Appendix V Selected Research Source Materials | ||||
Y | Gnattali, Radamés (1906-1988) | Radamés Gnattali (1906-1988) | 3 Concert Studies for Guitar | 1990 | Chanterelle Verlag | Solo | Collection, South American, Brazil | Dansa Brasileira Toccata em ritmo de samba Toccata em ritmo de samba No. 2 | ||||
Y | Gnattali, Radamés (1906-1988) | Radamés Gnattali (1906-1988) | 10 Studies for Guitar | Laurindo Almeida, fing. | 1988 | Chanterelle Verlag | Solo | Collection, South American, Brazil | ||||
Y | Gnattali, Radamés (1906-1988) | Radamés Gnattali (1906-1988) | Alma Brasileira | Rafael Rabello, fing. | 1990 | Chanterelle Verlag | Solo | South American, Brazil | ||||
Y | Gnattali, Radamés (1906-1988) | Radamés Gnattali (1906-1988) | Brazilian Soul | Laurindo Almeida | Brazilliance Music | Solo | South American, Brazil | |||||
Y | Gnattali, Radamés (1906-1988) | Radamés Gnattali (1906-1988) | Saudade | Laurindo Almeida | 1991 | Chanterelle Verlag | Solo | South American, Brazil | ||||
Y | Gold, Ernest | Ernest Gold | Exodus (Main Theme) | Dan Fox | 1962 | Chappell & Co., Inc. | Solo, 2 guitars, 3 guitars | Ensemble, Duet. Trio, Rhythm | ||||
Y | Goss, Stephen b. 1964 | Stephen Goss (b. 1964) | Under Milk Wood Variations: for Guitar Quartet and Narrator | 2009 | Editions Orphée, Inc. | 4 guitars and narrator | Quartet, Ensemble, Score and parts (narrator's script taken from "Under Milk Wood" by Dylan Thomas) | I. First Voice II. Mr Mog Edwards and Miss Myfanwy Price - Vals III. Lord Cut-Glass IV. Captain Cat and Rosie Probert V. Mrs Dai Bread Two - Habanera VI. Mr Waldo | ||||
Gounod, Charles | Charles Gounod | Ave Maria (Adapted to the First Prelude of J. S. Bach) | ? | G. Schirmer Inc. | Voice and piano, voice and guitar | Piano part could be played with guitar | Richard Childress | |||||
Y | Gounod, Charles | Charles Gounod | Funeral March of a Marionette for Guitar Quartet | Glenn Caluda | 1987 | Meron Music, Inc. | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Gounod, Charles | Charles Gounod | Pasacalle (from "2 Flamenco Variations" by S. Papas) | Sophocles Papas, rev. | 1960 | Columbia Music Co. | Solo | Flamenco | ||||
Y | Grabowski, Zbigniew | Zbigniew Grabowski | Vier Kleine Solostücke | 1994 | Edition Peters | Solo | Collection | Entrée Etude méditative Valse Impression du sud | ||||
Y | Graf-Martinez, Gerhard | Gerhard Graf-Martinez | Flamenco Guitar Method Volume I: For Teaching and Private Study | 2002 | Schott Music International | Method | Flamenco, Instruction, Standard notation and tablature, CD for Volumes 1 and 2 with Sound Examples | List of Compositions and Music Examples: 1. Sencillos I (Tangos) 2. Sencillos I (simplified notation) 3. 3-Finger-Rasgueo 4. Estudio por Soleá 5. 4-Finger-Rasgueo 6. Sencillos II (Tangos) 7. Naino I (Tangos - Cejilla at 3rd fret) 8. Pulgar Exercise 9. Naino II (Tangos - Cejilla at 3rd fret) 10. Naino III (Tangos - Cejilla at 3rd fret) 11. IV (Tangos - Cejilla at 3rd fret) 12. Mantón I (Soleá) 13. Caí I (Alegrías en Do) 14. Ayudado Exercise I 15. Ayudado Exercise I 16. Rumbita (Rumba) 17. Mantón II (Soleá) 18. i-Downstroke with Golpe (Garrotín) 19. p-Downstroke with Golpe and p-Upstroke (Garrotín) 20. Naino V (Tangos - Cejilla at 3rd fret) 21. m-Golpe 22. a-Golpe 23. Quejío I (Taranto) 24. Rumba-Compás I 25. Rumba-Compás II 26. Rumba-Compás III 27. Rumba-Compás IV 28. Rumba-Compás V 29. Rumba-Compás VI 30. Tresillo I 31. Tresillo II 32. Tresillo III 33. Tresillo IV 34. Tangos-Compás with Tresillos (Cejilla at 3rd fret) 35. Soleá-Compás with Tresillos I 36. Soleá-Compás with Tresillos II 37. Soleá-Compás with Tresillos III 38. Soleá-Compás with Tresillos IV 39. Fandango de Huelva (Intro) 40. Fandango de Huelva (Copla) 41. Sevillanas (Intro) 42. Sevillanas (Coplas) 43. Paso Lento (Alegría) 44. Mantón III (Soleá) | ||||
Y | Graf-Martinez, Gerhard | Gerhard Graf-Martinez | Flamenco Guitar Method Volume II: For Teaching and Private Study | 2003 | Schott Music International | Method | Flamenco, Instruction, Standard notation and tablature, CD with Volume 1 | List of Compositions and Music Examples: 1. Arpegio Exercise I 2. Arpegio Exercise II 3. Arpegio Exercise III 4. Arpegio Exercise IV 5. Quejío II (Taranto) 6. Mantón IV (Soleá) 7. Mantón V (Soleá) 8. Mantón VI (Soleá) 9. Rumbita II (Rumba) 10. Tremolo Exercise I 11. Tremolo Exercise II 12. Quejío III (Taranto) 13. Picado Exercise I 14. Picado Exercise II 15. Picado Exercise III 16. Mi-Dórico 17. La-Dórico 18. Si-Dórico 19. Fa#-Dórico 20. Lérida (Garrotín) 21. Compás Exercise I (Bulerías) 22. Compás Exercise II (Bulerías) 23. Compás Exercise III (Bulerías) 24. Compás Exercise IV (Bulerías) 25. Bulerías-Compás I 26. Bulerías-Compás II 27. Bulerías-Compás III 28. Bulerías-Compás IV 29. Bulerías-Compás V 30. Bulerías-Compás VI 31. Bulerías-Compás VII 32. Bulerías-Compás VIII 33. Bulerías-Compás IX 34. Bulerías-Compás X 35. Bulerías-Compás XI 36. Bulerías-Compás XII 37. Bulerías-Compás XIII 38. Bulerías-Compás XIV 39. Bulerías-Compás XV 40. Bulerias-Compas XVI 41. Bulerías-Compás XVII 42. Bulerías-Compás XVIII 43. Columpio I (Bulerías) 44. Columpio II (Bulerías) 45. Columpio III (Bulerías) 46. Alzapúa I (Exercise) 47. Alzapúa II (Exercise) 48. Alzapúa III (Exercise) 49. Alzapúa IV (Bulerias) 50. Alzapúa V (Bulerias) 51. Alzapúa VI (Bulerias) 52. Mantón VIII (Soleá) 53. Mantón IX (Soleá) 54. Mantón X (Soleá) 55. Mantón XI (Soleá) 56. Alegría en Mi I (Compás Exercise) 57. Alegría en Mi II (Compás Exercise) 58. Alegría en Mi III (Intro) 59. Alegría en Mi IV (Escobilla) 60. Alegría en Mi V (Puente) 61. Caí II (Alegría en Do) 62. Caí III (Alegría en Do) 63. Caí IV (Alegría en Do) 64. Caí V (Alegría en Do) 65. Columpio IV (Bulerías Intro) 66. Columpio V (Bulerías) 67. Quejío IV (Taranto) 68. Naino VI (Tangos) 69. Naino VII (Tangos) 70. Naino VIII (Tangos) | ||||
Y | Granados, Enrique (1867-1916) | Enrique Granados (1867-1916) | Danza Española No. 5 | A. Sinopoli | Ricordi | Solo | ||||||
Y | Granados, Enrique (1867-1916) | Enrique Granados (1867-1916) | Danza Española No. 5 (Andaluza) | M. Llobet | Union Musical Espanola | Solo | ||||||
Y | Granados, Enrique (1867-1916) | Enrique Granados (1867-1916) | Estudio Técnico de la Guitarra Flamenca, Vol. 1 | 2001 | Ventilador Music | Method | Flamenco, studies and exercises for each flamenco technique, includes tablature, CD included | I. Rasgueo II. Arpegios de cuatro notas III. Arpegio abarcando las seis cuerdas IV. Trémolo Flamenco V. Pulgar VI. Alzapúa VII. Picados VIII. Escala de una Octava IX. Escala de dos Octavas X. Escalas y Arpegio en tres octavas XI. Arpegio-Picado XII. Ligados XIII. Notas simultáneas (Acordes) XIV. Cejillas Once Obras de Estudio de Mecanismo (Estudio N°11 de Trémolo Flamenco "Canto Nostálgico" | ||||
Y | Granados, Enrique (1867-1916) | Enrique Granados (1867-1916) | Four Spanish Dances, Op. 37: No. 1, 3, 4, 12 | Manuel Barrueco | 1981 | Belwin Mills | Solo | Collection | Minueto No. 1 Villanesca No. 4 Zarabanda No. 3 Arabesca No. 12 | |||
Y | Granados, Enrique (1867-1916) | Enrique Granados (1867-1916) | La Maja de Goya (Tonadilla) | Miguel Llobet | 1958 | Union Musical Espanola | Solo | OLD, need repair | ||||
Y | Granados, Enrique (1867-1916) | Enrique Granados (1867-1916) | Spanish Dance No. 3, "Fandango" | Elias Barreiro | 1983 | The Willis Music Company | 2 guitars | Duet, Score only | ||||
Y | Granados, Manuel | Manuel Granados | Manual Didactico de la Guitarra Flamenca, Vol. 1 | 2000 | Ventilador Edicions | Method | Flamenco, includes separate tablature | Soleá NIVEL 1 Soleá NIVEL 2 Soleá NIVEL 3 Soleá NIVEL 4 Alegrías NIVEL 1 Alegrías NIVEL 2 Alegrías NIVEL 3 Siguiriyas NIVEL 1 Siguiriyas NIVEL 2 Siguiriyas NIVEL 3 Siguiriyas NIVEL 4 Tientos NIVEL 1 Tientos NIVEL 2 Tientos NIVEL 3 Tangos NIVEL 1 Tangos NIVEL 2 Tangos NIVEL 3 Bulerías NIVEL 1 Bulerías NIVEL 2 Bulerías NIVEL 3 Soleá de Concierto (fragmento) Alegrías de Concierto (fragmento) Siguiriyas de Concierto (fragmento) Tientos de Concierto (fragmento) Tangos de Concierto (fragmento) Bulerías de Concierto (fragmento) | ||||
Y | Granados, Manuel | Manuel Granados | Manual Didactico de la Guitarra Flamenca, Vol. 2 | 2000 | Ventilador Edicions | Method | Flamenco, includes separate tablature | Soleá NIVEL 5 Alegrías NIVEL 4 Alegrías NIVEL 5 Siguiriyas NIVEL 5 Tientos NIVEL 4 Tientos NIVEL 5 Tangos NIVEL 4 Tangos NIVEL 5 Bulerías NIVEL 4 Bulerías NIVEL 5 Soleá por Bulerías NIVEL 1 Soleá por Bulerías NIVEL 2 Soleá por Bulerías NIVEL 3 Soleá por Bulerías NIVEL 4 Estructura ritmica del Fandango y sus derivados (Rhythmic structure ofthe “Fandango” and derived styles) Fandango (Compás) Fandango la VARIACIÓN Granaina la VARIACIÓN Granaina 2a VARIACIÓN Taranta la VARIACIÓN Taranta 2a VARIACIÓN Malagueña la VARIACIÓN Malagueña 2a VARIACIÓN Rondeña (Afinación) Rondeña la VARIACIÓN Rondeña 2a VARIACIÓN Rondeña 3a VARIACIÓN | ||||
Y | Granados, Manuel | Manuel Granados | Manual Didactico de la Guitarra Flamenca, Vol. 3 | 2000 | Ventilador Edicions | Method | Flamenco, includes separate tablature | PICADOS CEJILLA ARPEGIOS LIGADOS Soleá por bulerías NIVEL 5 Fandango 2a- VARIACIÓN Fandango 3a- VARIACIÓN Fandango 4a VARIACIÓN Fandango 5a VARIACIÓN Granaína 3a VARIACIÓN Granaína 4a VARIACIÓN Granaína 5a VARIACIÓN Taranta 3a VARIACIÓN Taranta 4a VARIACIÓN Taranta 5a VARIACIÓN Malagueña 3a VARIACIÓN Malagueña 4a VARIACIÓN Malagueña 5a VARIACIÓN Rondeña 4a VARIACIÓN Rondeña 5a VARIACIÓN Estructura rítmica y acentos I Rhythmic structure and accents Farruca NIVEL 1 Farruca NIVEL 2 Serranas NIVEL 1 Serranas NIVEL 2 Serranas NIVEL 3 Guajiras NIVEL 1 Guajiras NIVEL 2 Guajiras NIVEL 3 | ||||
Y | Granados, Manuel | Manuel Granados | Manual Didactico de la Guitarra Flamenca, Vol. 4 | 2000 | Ventilador Edicions | Method | Flamenco, includes tablature | Farruca (Nivel/Level 3) Farruca (Nivel/Level 4) Farruca (Nivel/Level 5) Serranas (Nivel/Level 4) Serranas (Nivel/Level 5) Guajiras (Nivel/Level 4) Guajiras (Nivel/Level 5) Acompañamiento al Cante Acompañamiento de los estilos a Compas Accompaniment to the Cante Accompaniment to Set Time Signatures Siguiriyas: acompañamiento al Cante Soleá : acompañamiento al Cante Tientos: acompañamiento al Cante Acompanamiento de Jos estilos Libres Esquema armónico de los estilos Libres Accompaniment to Free Time Styles Free Time Styles harmonic diagram Fandango: acompañamiento al Cante Granaína: acompañamiento al Cante Malagueña: acompañamiento al Cante | ||||
Granados, Manuel | Manuel Granados | Tratado Académico de la Guitarra Flamenca (Academic Treatise on Flamenco Guitar) | 2009 | RGB Arte Visual S.L. | Method | Flamenco, instruction, technique, includes Tab, Translated for Spanish, English, Japanese, includes CD | I. La Técnica: 1. Rasgueo Flamenco 2. Pulgar / Thumb 3. Pulgar - Índice / Thumb-Index 4. Alzapúa 5. Arpegios 6. Trémolo Flamenco 7. Picados 8. Ligados / Slurs II. Los Estilos / Styles: Soleá Siguiriya Tientos III. La Teoría Musical del Flamenco / Flamenco Music Theory Formación de las Escalas / Scales Formation Formación de los Acordes Triadas / Triad Chords Formation El Tratamiento Modal / Modal Approach Indicaciones Generales / Key to Notation | |||||
Y | Grieg, Edvard | Edvard Grieg | Danza De Anitra | Julio S. Sagreras | 1959 | Ricordi Americana | Solo | |||||
Y | Grieg, Edvard | Edvard Grieg | Grieg for the Guitar | Leon Block | 1974 | Edward B. Marks Music Corp. | Solo | Collection | Theme from Concerto for Piano and Orchestra Anitra's Dance from "Peer Gynt" Suite No. 1 I Love Thee (Ich liebe dich) Waltz, Op. 12, No.2 Young Lad Solvejg's Song from "Peer Gynt" Suite No. 2 Wedding Day at Troldhaugen Norwegian Dance Ase's Death from "Peer Gynt" Suite No. 1 Morning Mood from "Peer Gynt" Suite No. 1 | |||
Y | Grieg, Edvard | Edvard Grieg | Three Lyric Pieces, Op. 12 | Julian Bream | 1967 | Faber Music Ltd. | Solo | Waltz Watchman's Song (from Macbeth) Fairy Dance | ||||
Y | Grier, Jon | Jon Grier | Swing Shift | ? | UNC Jazz Press | Jazz Combo: 5 guitars, bass, drums | Jazz, Funk, Ensemble, Score and parts | |||||
Y | Griggs, John | John Griggs | Chords, Progressions, Substitutions and Pieces | 2001 | Mel Bay Publications | Method | Includes CD, Folk songs, Traditional, Spiritual Songs include tablature, Accompaniment Styles | Guitar Fingerboard Major Scales Chord Construction Skip To My Lou Rock-A-My Soul Polly Wolly Doodle Oh, My Darlin’ Clementine Oh, Where Has My Little Dog Gone? It Ain’t Gonna Rain No More He’s Got The Whole World Yellow Rose Of Texas Wildwood Flower Standing In The Need Of Prayer Aloha Oe Go Tell It On The Mountain This Little Light Of Mine Wabash Cannonball Down By The Riverside Fascination - Fermo Dante Marchetti, lyrics by Dick Manning Chinatown, My Chinatown - Jean Schwartz, lyrics by William Jerome (made popular by the Mills Brothers) Ida, Sweet As Apple Cider - Eddie Munson, lyrics by Eddie Leonard (also credited to Eddy Cantor) Darktown Strutter’s Ball - Shelton Brooks Bill Bailey, Won’t You Please Come Home! - Hughie Cannon For Me And My Gal - George W. Meyer, lyrics by Edgar Leslie and E. Ray Goetz I Wonder Who’s Kissing Her Now - Harold Orlob, lyrics by Will M. Hough and Frank R. Adams. Melody Of Love - Hans Engelmann, lyrics by Tom Glazer Wabash Blues - Fred Meinken, lyrics by Dave Ringle When You And I Were Young, Maggie - J. A. Butterfield Poor Butterfly - Raymond Hubbell St. Louis Blues - W. C. Handy Frankie And Johnny Wang-Wang Blues - Henry Busse, Gussie Mueller, and Theron E. "Buster" Johnson, lyrics by Leo Wood Ja-da - Bob Carleton Chordendum | ||||
Y | Griggs, John | John Griggs | Guitar Chord Book | 1987 | Griggs Music Co. | Method | Chords, Instruction | Guitar Fingerboard Note Finder Chord Construction — An Introduction Intervals Interval Chart Symbols Explained How to Read the Chord Diagrams in this Book Major Chord Construction Minor Chord Construction Augmented Chord Construction Dominant Seventh Chord Construction Dominant Seventh Augmented Fifth Chord Construction Dominant Seventh Diminished (Flat) Fifth Chord Construction Minor Seventh (Major Sixth) Chord Construction Half Diminished Seventh (Minor Sixth) Chord Construction (m7b5) Diminished Seventh Chord Construction Major Seventh Chord Construction Major Seventh Augmented Fifth Chord Construction Major Seventh Diminished (Flat) Fifth Chord Construction Major Seventh Flat Third (Major-Minor Seventh) Chord Construction Dominant Seventh Add Sharp Ninth Chord Construction Dominant Seventh Add Flat Ninth Chord Construction Six-Nine (Major Sixth Add Major Ninth) Chord Construction Dominant Ninth Chord Construction Dominant Ninth Augmented Fifth Chord Construction Dominant Ninth Flat Fifth Chord Construction Major Ninth Chord Construction Major Ninth Augmented Fifth Chord Construction Major Ninth Flat Fifth Chord Construction Dominant Eleventh Chord Construction Dominant Eleventh Augmented Fifth Chord Construction Dominant Eleventh Flat Fifth Chord Construction Dominant Eleventh Augmented Ninth Chord Construction Dominant Eleventh Flat Ninth Chord Construction Dominant Seventh Suspended Fourth Chord Construction Dominant Thirteenth Chord Construction Dominant Thirteenth Augmented Fifth Chord Construction Dominant Thirteenth Flat Fifth Chord Construction Dominant Thirteenth Augmented Ninth Chord Construction Dominant Thirteenth Flat Ninth Chord Construction Dominant Thirteenth Augmented Eleventh Chord Construction Inversion — Expansion — Octave Doubling — Omitted Tones The Principal Chords in All Keys Circle of Fifths Sharp — Flat Key Signatures How Chords Progress How Chords Connect "Play it by Ear" — Chord Progression Chart Major Chords — (Diagrams) Major Chords — (Diagrams) Cont'd Minor Chords — (Diagrams) Minor Chords — (Diagrams) Cont’d Dominant Seventh Chords — (Diagrams) Dominant Seventh Chords — (Diagrams) Dominant Seventh Augmented Fifth Chords — (Diagrams) Dominant Seventh Flat Fifth Chords — (Diagrams) Augmented Chords — (Diagrams) Diminished Seventh Chords — (Diagrams) Minor Seventh (Major Sixth) Chords — (Diagrams) Half Diminished Seventh (MinorSixth) Chords— (Diagrams) Major Seventh Flat Third Chords (Diagrams) Major Seventh Chords (Diagrams) Major Seventh Augmented Fifth Chords (Diagrams) Major Seventh Flat Fifth Chords (Diagrams) Dominant Seventh Add Flat Ninth Chords (Diagrams) Dominant Seventh Add Sharp Ninth Chords (Diagrams) Six-Nine Chords (Diagrams) Dominant Ninth Chords (Diagrams) Dominant Ninth Augmented Fifth Chords (Diagrams) Dominant Ninth Flat Fifth Chords (Diagrams) Major Ninth Chords (Diagrams) Major Ninth Augmented Fifth Chords (Diagrams) Major Ninth Flat Fifth Chords (Diagrams) Dominant Eleventh Chords (Diagrams) Dominant Eleventh Augmented Fifth Chords (Diagrams) Dominant Eleventh Flat Fifth Chords (Diagrams) Dominant Eleventh Flat Ninth Chords (Diagrams) Dominant Eleventh Augmented Ninth Chords (Diagrams) Dominant Seventh Suspended Fourth Chords (Diagrams) Dominant Thirteenth Chords (Diagrams) Dominant Thirteenth Augmented Fifth Chords (Diagrams) Dominant Thirteenth Flat Fifth Chords (Diagrams) Dominant Thirteenth Flat Ninth Chords (Diagrams) Dominant Thirteenth Augmented Ninth Chords (Diagrams) Dominant Thirteenth Augmented Eleventh Chords (Diagrams) | ||||
Y | Griggs, John | John Griggs | Learning to Play Guitar | 1969 | Griggs Music Co. | Method | Melody with Lettered Chords | Tuning Basic Fundamentals of Music Left Hand Position and Fingering Chord Diagrams - C Chord Reading the Notes on Staff The First Piece (C Chord and Notes HIgh E, F, G) The Second Piece (Adding G7 Chord and B, C, D) Exercise No. 1 Hot Cross Buns Aunt Rhodie Mary's Lamb [Mary Had a Little Lamb] Shoo, Fly The Third Piece (Adding G and D7 Chords and Notes G, A) Exercise No. 2 Roll Along [Lightly Row] Blow the Wind Blow [Blow the Man Down] Chromatic Signs Exercise No. 3 Fee-Neh (Adding Am and E7 chords. introducing Fine, D.C.) Mary Blue [Mary Had a Little Lamb in A minor] The Fourth Piece (Adding Dm and A7 chords, Notes D, E, F) Exercise No. 4 Aura Lee Somewhere (Dal Segno) Dynamic Signs Tempo Terms The Fifth Piece (Adding Notes A, B, middle C) Exercise No. 5 Ties and Slurs Lovers Waltz (Adding High A) The Sixth Piece (Adding Chords Em, B7, Notes low E, F, G) Exercise No. 6 Two Part Writing on One Staff Chords - Arpeggio Style Chromatic Scale (Half Steps) Whole Tone Scale (Whole Steps) Principal Chords in C Major: C, F, G7 The C Major Scale Boogie Woogie Principal Chords in A Minor: Am, Dm, E7 The A Minor Scales (Natural, Harmonic, Melodic) Blues Principal Chords in G Major: G, D7 The G Major Scale Baroque [Minuet from Bach's Anna Magdalen Notebook] Principal Chords in E Minor: Em, Am, B7 The E Minor Scales Classical Dance Principal Chords in F Major: F, Bb, C7 Dance of Romance Principal Chords in D Minor: Dm, Gm, A7 Flamenco Playing Notes by Ear ("Jingle Bells" with missing notes) Playing Chords by EAr ("Silent Night" in C Major) 16 Pieces to Play in All [MAJOR] Keys: Mary Ann (C Major) Swing Low, Sweet Chariot (F Major) Alexander's Ragtime Band (F Major) - Irving Berlin Give My Regards to Broadway (Bb Major) - George M. Cohan Beautiful Brown Eyes (Eb Major) - Alton Delmore Streets of Laredo (Ab Major) Li'l Liza Jane (Db Major) Pretty Baby (Gb Major) - Tony Jackson, Ragtime She Wore a Yellow Ribbon (Cb Major) - George A. Norton When Irish Eyes Are Smiling (C# Major) - Ernest Ball, lyrics by Chauncey Olcott and George Graff, Jr. This Train (F# Major) Alabama Jubilee (B Major) - George L., words by Jack Yellen Goin' Down That Road Feelin' Bad (E Major) Ballin' The Jack (A Major) - Chris Smith, words by Jim Burris Crawdad Song (D Major) Shine On Harvest Moon (G Major) - Nora Bayes, words by Jack Norworth | ||||
Y | Grimoire | Grimoire | Guitar Grimoire, The, Volume I: A Compendium of Formulas for Guitar Scales and Chords | 1994 | Metatron Inc. | Method | Theory, Chords, Chord voicing, Tone Scales | HOW TO USE THIS BOOK • THE BUILDING BLOCKS OF MUSIC • SCALES AND MODES • MODES AND RELATIVE SCALES • CHORDS • CHORD NAMING SYSTEM • POLYCHORDS • COMPATIBILITY • THE PATTERNS • INTERVALS AND INSTRUMENT 7 TONE SCALES • MAJOR • MELODIC • HARMONIC MINOR • HARMONIC MAJOR • HUNGARIAN MINOR • HUNGARIAN MAJOR • NEAPOLITAN MINOR • NEAPOLITAN MAJOR • ENIGMATIC MINOR • ENIGMATIC • COMPOSITE II • IONIAN b5 • LOCRIAN • PERSIAN 5 TONE SCALES • MINOR PENTATONIC (BLUES SCALE) • KUMOI • HIROJOSHI 6 TONE SCALES • WHOLE TONE • AUGMENTED • PELOG • DOMINANT SUS 8 TONE SCALES • DIMINISHED • 8 TONE SPANISH • BEBOP LOCRIAN • BEBOP DOMINANT • BEBOP DORIAN • BEBOP MAJOR | ||||
Y | Grimoire | Grimoire | Guitar Grimoire, The, Volume II: A Workbook of Chord Voicing | 1994 | Metatron Inc. | Method | Theory, Chords, Chord voicing, Tone Scales | HOW TO USE THIS BOOK • VOICING CHORDS • MOVABLE CHORDS • PITCH INDICATOR CHART • ARPEGGIOS • THE EXAMPLE PAGES • INVERSIONS 3 & 4 NOTE CHORDS: M sus2 sus b5 ° + b6 -b6 6 -6 °7.... Q(3) 7 -7 7sus2 7sus 7b5 ø 7+ M7 -M7 M7sus2 M7sus M7b5 M7° M7+ -M7+ POLYCHORDS • SUBSTITUTIONS 5 NOTE CHORDS 9 -9 B9 #9 M7 9 -M7 9 M7 b9 -M7 b9 M7 #9 ALT 6 NOTE CHORDS: 11 -11 #11 -#11 M7 11 -M7 11 M7 #11 -M7 #11 7 NOTE CHORDS: 13 -13 13#11 -13#11 M7 13 -M7 13 M7 13#11 -M7 13#11 CHORD DERIVATIVE CHARTS | ||||
Y | Guerau, Francisco (1649-1722) | Francisco Guerau (1649-1722) | Jácaras: Air de Danse | Emilio Pujol | 1957 | Editions Max Eschig | Solo | John Fernando | ||||
Y | Hamilton, Fred | Fred Hamilton | The Hills of Andelain: A Region of the Land Free of the Sunbane | 1984 | UNC Jazz Press | Jazz Combo: 5 guitars, bass, drums | Jazz, funk, Ensemble, Score and parts | |||||
Y | Hand, Frederic | Frederic Hand | 5 Studies for Solo Guitar | 1979 | G. Schirmer Inc. | Solo | ||||||
Handel, George Fridrich (1685-1759) | Georg Friedrich Handel (1685-1759) | A Tempo Di Gavotti (from Op. 1, No. 7) | Mark Anthony Cruz | 2004 | Mark Anthony Cruz | 4 guitars | Quartet, Ensemble, Score and parts | |||||
Y | Handel, George Fridrich (1685-1759) | Georg Friedrich Handel (1685-1759) | Sinfonia (from the Masque "Acis and Galatea") | Manley Mallard | 2008 | Guitar Chamber Music Press | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Handel, George Fridrich (1685-1759) | Georg Friedrich Handel (1685-1759) | Suite in D Minor: Volume 1 | Carlos Barbosa-Lima | 1977 | Columbia Music Co. | Solo | Prelude Allemande Courante Sarabande | ||||
Y | Handel, George Fridrich (1685-1759) | Georg Friedrich Handel (1685-1759) | Suite No. 8 in D major (original in G major) | William Kanengiser | 1991 | Guitar Solo Publications | Solo | Allemande Allegro Courante Aria Gavotte with Variations | ||||
Y | Hartig , Heinz Friedrich | Heinz Friedrich Hartig | Drei Stucke fur Gitarre; a) Capriccio only | Siegfried Behrend | 1957 | Bote & Bock | Solo | |||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Andante | Francisco Tarrega, Sophocles Papas, ed. | 1962 | Columbia Music Co. | Solo | |||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Andante | Mark Anthony Cruz | 2005 | MAC Publications | 3 guitars | Trio, Ensemble, Score only | ||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Fugue from "The Creation" (Transcribed in the style of Sor) | Mark Delpriora | 2010 | Editions Orhpée, Inc. | Solo | Transcribed in the style of Fernando Sor | ||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Gavota Graciosa | Pedro Baez | 1972 | Randolph | Solo | |||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Menuet from G major Quartet | Andres Segovia | 1935 | Schott | Solo | |||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Quatre Divertissements Op. 13: extraits des Oeuvres de J. Haydn | François de Fossa (1775 – 1849), Matanya Ophee, ed. | 2010 | Editions Orphée, Inc. | Solo | Diverto I: Andante - Symphony No. 63, "La Roxolane" II Allegretto... Menuetto - Allegretto, Symphony No. 85 "La Reine III Menuetto Allegretto Diverto II: Largo Cantaqbile, Rondo Allegretto (not identifiable as Haydn work) Divertimento III: Andante - Symphony No. 85 "La Reine" II "Romanze" Allegretto Menuetto, Allegretto - Symphony No. 86 III: Allegretto Divertimento IV: Andante - Symphony No. 53 "L'Imperiale" II Andant Rondo: Allegro - Symphony No. 85 "La Reine" IV Finale: Presto | ||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Quartet No. 8 in E Major Op. 2, No. 2 | Manley Mallard | 2004 | Guitar Chamber Music Press | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Quartet No. 64 Op.76, No. 5 ("The Lark") | Manley Mallard | 2007 | Guitar Chamber Music Press | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Sérénade (extract from the quartet Op. 3, n°5) | Luc Lévesque | 2002 | Les Productions D'Oz | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Three Grand Duos for two guitars, Volumes II & III Score, Duos 4-9, "Grand duo pour deux guitares tiré de l'œuvre de Haydn" | François de Fossa, Jan de Kloe, ed. | 2009 | Editions Orphée, Inc. | 2 guitars, Score only | Collection, Duet, Score only | ||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Three Grand Duos for two guitars, Volume II: Parts, Duos IV-V-VI, "Grand duo pour deux guitares tiré de l'œuvre de Haydn" | François de Fossa, Jan de Kloe, ed. | 2009 | Editions Orphée, Inc. | 2 guitars, Parts | Collection, Duet, Parts only | ||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Three Grand Duos for two guitars, Volume III: Parts, Duos VII-VIII-IX, "Grand duo pour deux guitares tiré de l'œuvre de Haydn" | François de Fossa, Jan de Kloe, ed. | 2009 | Editions Orphée, Inc. | 2 guitars, Parts | Collection, Duet, Parts only | ||||
Y | Heider , Werner | Werner Heider | Examen für Gitarre solo 1992 (4 parts) | 1994 | Bote & Bock | Solo | ||||||
Y | Hemmo, Philip | Philip Hemmo | Beginning Classroom Guitar: A Musician's Approach | 1998 | Schirmer Books | Method | Classroom Instruction, missing CD | How to Read Music How to Practice Parts of the Guitar Sitting Position The Hands Nail Shape and Care Right-Hand Position Left-Hand Position Rest and Free Strokes Tuning Your Guitar Open String Notes Notes on the First (E) String Chord Break #1 Notes on the Second (B) String First and Second String Exercises Sleep, Sleep, Baby Sleep - French Lullaby Ode to Joy - Beethoven Lightly Row - Traditional Chord Break #2 Notes on the Third (G) String Exercises on the First Three Strings Bye, Baby Bunting - English Lullaby Yankee Doodle - Traditional Red River Valley - Folk, Traditional Clair de Lune (French Folksong) Simple Gifts - Shaker Hymn, Traditional Aura Lee - Traditional Don't You Weep After Me - Folk, Spiritual Chord Break #3 Major Scale (Using 3 Strings) Notes on the Fourth (D) String Exercises on the First Four Strings Amazing Grace - Traditional Spanish Ladies - Sea Shanty? I Gave My Love a Cherry - Folk When the Saints Go Marching In - Spiritual Chord Break #4 Notes on the Fifth (A) String Exercises on the First Five Strings Greensleeves - Folk My Country 'Tis of Thee [America] - Patriotic, Traditional L'Homme Armé - French Renaissance Melody Brahms Lullaby Guitar Ensemble: Are You Sleeping Chord Break #5 Notes on the Sixth (E) String Exercises on all Six Strings: Shenandoah - Traditional The Minstrel Boy Fantasy in A Minor Swing Low, Sweet Chariot - Spiritual Come Again! Sweet Love Doth Now Invite - John Dowland Blue-Tail Fly - Civil War Tune Blow, Ye Winds - Sea Chanty More Guitar Ensemble: Dona Nobis Pacem - Traditional Round Oh, How Lovely Is the Evening - Traditional Round Chord Break #6 Waltz (exerpt) - Matteo Carcassi Compound Meter Row, Row Your Boat - Traditional Round The Darby Ram - Traditional Drink to Me Only with Thine Eyes - Traditional High Barbaree - Sea Chanty Song - Franz Schubert Chord Break #7 Guitar Tablature P-i-m-a Independence The Arpeggio Dynamics Notes Everywhere on the Guitar Sharps and Flats/Accidentals Villano - Gasper Sanz Prelude - Matteo Carcassi Chord Break #8 (Basic Blues) Bar Chords: E-form bar chords A-form bar chords Bar Chords in Classical Music Prelude - Matteo Carcassi More Advanced Scales: 2-Octave C Major Scale Pentatonic Minor in A Blues Scale in A Slurs Chord Break #9 (Rock Pattern) Harmonics: Harmonic Waltz - Philip Hemmo Grace Notes Study - Mauro Giuliano Chord Break #10 (Muting) Musical Symbols and Terms Open Position Chords Chord Charts Musical Anthology: Andantino in C - Matteo Carcassi Caprice - Ferdinando Carulli Prelude in C - Ferdinando Carulli Allegro - Mauro Giuliani Minuet - Robert de Visée Prelude in G - Ferdinando Carulli Prelude in A - Ferdinando Carulli Andantino in G - Ferdinando Carulli Study in A Minor - Mauro Giuliani Andantino - Mauro Giuliani Pavana - Gaspar Sanz Andantino - Fernando Sor Allegretto in A - Matteo Carcassi Andante in C - Fernando Sor Ricercar - Joan Ambrosio Dalza (1508, Venice) Wilson's Wilde - Anonymous Allegretto Moderato - Fernando Sor A Petite Piece - Fernando Sor Adagio - Dionisio Aguado Op. 6, No. 2 - Fernando Sor Pavan - Luis Milan Andantino - Fernando Sor Étude - Mauro Giuliani Works for Guitar Ensemble: Red River Valley, Duet, 2-part - Traditional, arr. P.H. Menuetto and Trio, Duet, 2-part - W. A. Mozart, arr. P.H. In the Shade upon the Grass, Duet, 2-part - Christopher Fishburn, arr. P.H. Fairwell Fair Armida, Duet, 2-part - Robert Smith, arr. P.H. Canzona, Duet, 2-part - Dominico dello Mansaro, arr. P.H. Fine Knacks for Ladies, Trio, 3-part - John Dowland, arr. P.H. Galliard, Trio, 3-part - Orlando Gibbons, arr. P.H. Do You Not Know, Trio, 3-part - Thomas Morley, arr. P.H. Minuet, Trio, 3-parts - J. S. Bach, arr. P.H. Chorale, Quartet, 4-parts - J. S. Bach, arr. P.H. Trio, Quartet, 4-parts - Franz Josef Haydn, arr. P.H. | ||||
Y | Henry, Sonny | Sonny Henry | Evil Ways | Ron Goldsmith, Aaron Stang, ed. | 2002 | Warner Brothers | 5 guitars, optional Bass | Quintet, Ensemble, Score and parts, Popular, includes CD | ||||
Y | Hernandez, Rafael | Rafael Hernandez | Concerto for Guitar: for Guitar and String Orchestra | 2004 | Guitar Masterworks Seres | guitar and strings, string orchestra, violin (2), viola, cello (2), double bass | Septet, Chamber Ensemble, Orchestra, Strings, Score only, King Crimson, Austinite | I. RESPLENDENT CRIMSON II. OBEISANCE III. "ZAPPA"TEADO | ||||
Y | Herrero, Oscar | Oscar Herrero | Torrente: Nine Condert Solos for Flamenco Guitar (1 piece is for 3 guitars) | 2003 | Mel Bay Publications | Solo | Collection, Flamenco, includes tablature, CD | 1. Dos hermanas (Colombiana) 2. Miragua (Alagría) 3. Sombra y Candil (Taranta) 4. Carmen (Sevillanas) 5. Armonía para dos mundos (Trémolo) 6. Paisano (for 3 guitars), 4 movements 7. Torrente (Bulerías) 8. Manantial (Soleá) 9. Tierra Mojada (Guajira) | ||||
Y | Hinsley, Matthew | Matthew Hinsley | Classical Guitar for Young People | 2010 | EnvisionArts LLC | Solo | Anthology, Collection, CD included, Beginner to Intermediate | Daybreak The Elevator Nightfall Moonwalk Reverie Waverunner Imagination Nocturne - J. K. Mertz (Hinsley) G Major Scale Switchbacks Super Stretcher The Hourglass Sand Dunes Pendulum Waltz Camelback Country Dance Legend - I. Albeniz (Hinsley) Every Letter Scale Dervish Upstream Light and Dark Andante - M. Carcassi (Hinsley) Ascending & Descending Slurs Tango Guitarists' DIET Packington's Pound - Anon Study - F. Tarrega Españoleta - G. Sanz Andante in A Minor - F. Carulli Alman - R. Johnson Study No. 7, in A Minor - F. Carulli Study in E Minor - M. Giuliani Lágrima - F. Tarrega Canon - J. Pachelbel Aria, from Partita - J. Logy Capriccio, from Partita - J. Logy Sarabande, from Partita - J. Logy Gigue, from Partita - J. Logy Firefly Nocturne No. 1 in A Minor (Op. 4) - J. K. Mertz Nocturne No. 2 in C Major (Op. 4) - J. K. Mertz Sonata in A Major (L. 238) - D. Scarlatti Introduction, Theme and Variations in A Minor - J. K . Mertz Philosophy Overall Sequence and Technical Approach Thoughts on Teaching Advanced Music Making and Memorization Helpful Hints, Tricks of the Trade, Tools from the Toolbox Notes on Beginning Pieces Rote Tunes | ||||
Y | Holab, William | William Holab | Rhapsody for Guitar | 1990 | Henmar Press Inc. | Solo | ||||||
Y | Holborne, Antony | Antony Holborne | Alman: The Night Watch, from Five Pieces | Brian Jeffery | Oxford Guitar Music | Lute | ||||||
Y | Hollós, Máté | Máté Hollós | Igirc '80: Spielmann '80 Minstrel '80 | Zoltán Tokos, fing. | 1982 | Editio Musica | Solo | |||||
Y | Horvit, Michael | Michael Horvit | Concerto for Guitar and Orchestra (guitar part only) | ? | Valle Music Papers | guitar and orchestra | Guitar part only | |||||
Y | Houghton, Phillip | Phillip Houghton | Five Exotic Studies | 1079 | Boosey & Hawkes Music Publishers Ltd. | Solo | 1. Prelude - Orange Blossom Harvest 2. Romance - Long Deep Waltz 3. Aubade - Kingfisher lake 4. Phantasy - The Good Knight Sir Grimbold's Dream 4. Tremolo Study - Oceana | |||||
Y | Hübner, I. G. H. | I.G.H. Hübner | 12 Variations on God Save the King Op. 6 | John R. King | 1990 | C & E Publishers | Solo | Theme and Variations | ||||
Y | Hunt, Oliver | Oliver Hunt | Storm, The | 1977 | Schott & Co. Ltd. | Solo | ||||||
Y | Hupfeld, Herman | Herman Hupfeld | As Time Goes By | Stan Ayeroff | 1983 | Warner Bros. Inc | Solo | Popular | ||||
Y | Iradier, S. (1809-1865) | S. Iradier (1809-1865) | La Paloma: Habanera | Eduardo S. De La Maza | 1963 | Union Musical Ediciones | Solo | |||||
Iznaola, Ricardo | Ricardo Iznaola | Path to Virtuosity, The: a technical workout manual for all guitarists | 1997 | Mel Bay - Chanterelle | Method | Exercises, Levels I-IX | Level I (Preparatory): Exercises 1 to 20 Basic Positioning & Articulation of Right-Hand Basic Positioning & Articulation of Left-Hand Three Note Chords Preparation of the Left-hand for Scale Playing Introduction to Arpeggio Playing Preparation of the Left-Hand for Chordal Positioning Preparation for the Barré Alternation of p, i, m with a Introduction to Double Notes Introduction to Four-Note Chords Preparation of the Left-hand for Slurs Level II: Exercises 21 to 28 Extension and Contraction of the Right Hand Introduction to the Chromatic Octave Scale Extension of Left-hand Left-hand Shifts Level III: Exercises 29 to 37 Right-hand Arpeggio Technique Chromatic Octaves Two-Octave Major Scale Left-hand Slurs Left-hand Extension Left-hand Shifts Level IV: Exercises 38 to 47 Arpeggio Technique Chromatic 5ths and Minor 3rds Two-Octave Melodic Minor Scales Chromatic Scales Left-hand Slurs, Extension, Shifts Level V: Exercises 48 t0 58 Tremolo Technique Chromatic Major 3rds, 4ths, Augmented 4ths (dim. 5ths) Three-Octave Major Scales (E to G) Three-Octave Minor Scales (e to g) Chromatic Scales (ascending with sharps up to B above high C, flats descending) More Left-hand Slurs, Extension, Shifts Level VI: Exercises 59 to 68 Tremolo Technique Minor and Major 6ths Three-Octave Major Scales (Ab, A, Bb, B) Slurs: Upper Voice Trills above Bass Line) (uses LH fingers 3, 4) More Left-hand Slurs, Extension, Shifts Harmonics Natural Harmonics Chromatic Scale in Artificial Harmonics Level VII: Exercises 69 to 81 Rasgueado Technique Minor and Major 7th and 9ths Three-Octave Melodic Minor Scales (g# to b) Trills in an Upper Voice above a Bass Line Trills and Shifts Left-hand Extensions, Contractions, with Shifts Left-hand Shifts with Octave Jumps Natural Harmonics Diatonic Scales in Artificial Harmonics Violin-Type Harmonics Level VIII: Exercises 82 to 90 Repeated Chords 10ths to minor 13ths Two-Octave Harmonic Minor Scales Double Slurs More Left-hand Slurs, Extension, Shifts (Jumps and Slides) Arpeggios in Artificial Harmonics Level IX: Exercises 91 to 101 Repeated Chords Major 13ths to Double Octaves Three-Octave Harmonic Minor Scales Slurs & Campanella (Double Trills) Left Hand Shifts (One Finger Arpeggios) Artificial Harmonics with Slurs Incorporating Full Use of Right Hand Fingers Co-ordination Exercise in Artificial Harmonics Appendix I: Work-Out Plans for All Levels Appendix II: Special Effects, Use of the Right Hand LIttle Finger and Transcendental Technique I. Special Effects: Pizzicato-Mutes i. Mute-pizzicato with a & e ii. Non-Muted p pizzicato iii. Pizzicato Stridente Percussive Effects i. Right hand a. Tambora b. Special Strumming Effects ii. Left hand a. Tabalet b. Pizzicato c. Villa-Lobos Partials and Multiphones II. Uses of the Right Hand Litle Finger III. On Achieving "Virtuoso" Speed In Scales IV. Left-Hand Technique Beyond the 12th Position | |||||
Y | Jarrett, Keith | K. (Keith) Jarrett | Lucky Southern | Davis Ramey, arr. | ? | ? | Solo | Bossa nova, possibly photocopied | ||||
Y | Jelinek, Ivan (1683-1759) | Ivan Jelinek (1683-1759) | Suite en La Majeur | Vladimir Mikula | 1989 | Editions Henry Lemoine | Solo | Ouverture (grave) Gavotte Air Courante II Sarabande Menuet I Menuet II Allegro | ||||
Y | Jenkins, Karl | Karl Jenkins | Palladio (for four guitars) | Gary Spolding | 2000 | Lathkill Music Publishers | 4 guitars | Quartet, Ensemble, Score only | ||||
Y | Johnson, Robert (1583-1633) | Robert Johnson (1583-1633) | Carman's Whistle | Lupe de Azpiazu | 1966 | Alphonse Leduc & Co. | Solo | Orig. for Lute | ||||
Y | Joplin, Scott | Scott Joplin | Classical Guitar: Scott Joplin | Mario Abril | 1974 | Charles Hansen | Solo | Popular | ` | |||
Y | Joplin, Scott | Scott Joplin | Entertainer, The | Marcel Robinson | 1981 | Cambium Music Publications | Solo | Ragtime | ||||
Y | Joplin, Scott | Scott Joplin | Entertainer, The | Fernando Alonso | 1992 | Editorial Boileau | Solo | Ragtime | ||||
Y | Joplin, Scott | Scott Joplin | Maple Leaf Rag | Marcel Robinson | 1981 | Cambium Music Publications | Solo | Ragtime | ||||
Y | Joplin, Scott | Scott Joplin | Scott Joplin for Guitar | Carlos Barbosa-Lima | 1986 | Belwin Mills | Solo | Ragtime | The Cascades The Chyrsanthemum The Easy Winners The Entertainer Eugenia Gladiolus Rag Heliotrope Bouquet Maple Leaf Rag Pleasant Moments Weeping Willow | |||
Y | Joplin, Scott | Scott Joplin | Weeping Willow | Marcel Robinson | 1974 | Guitar Workshop Publications | Solo | Ragtime | ||||
Y | Joplin, Scott; Hayden, Scott | Scott Joplin and Scott Hayden | Sunflower Slow Drag | Marcel Robinson | 1974 | Guitar Workshop Publications | Solo | Ragtime | ||||
Y | Kabalevsky, Dmitir | Dmitri Kabalevsky | Kabalevsky for Guitar: Ten Easy Pieces from Op. 27 & Op. 39 (Pieces for Children Op. 39; Easy Pieces Op. 27) | John Ellinger | 1980 | Associated Music Publishers, Inc. | Solo | 1. Melody 2. Polka 3. Rambling 4. Funny Event 5. A Little Joke 6. A Sad Story 7. Playing 8. Jumping 9. Scherzo 10. A Little Fun | ||||
Y | Kaps, Hansjoachim | Hansjoachim Kaps | Folklore-Klänge aus aller Welt (Folklore Sounds from Around the World) | 1974 | Robert Lienau | 3 guitars, guitar choir | Collection, Trio, Ensemble, Score only, Folk | 1. Taiga (Russia) 2. Old long signe (Scotland) 3. Greensleeves (Ireland) ? 4. Errinnerung an Nagasaki (Remembrance of Nagasaki) (Japan) 5. Kleine Serenade (Little Serenade) (Spain) 6. Tanz aus Thessalien (Dance from Thessaly) (Greece) 7. Ungarischer Tanz (Hungarian Dance) 8. Palito (Argentina) | Julian Mock | |||
Y | Karjalainen, Kari | Kari Karjalainen | Three Equal Thoughts | 1979 | Chorus Publications | Solo | ||||||
Y | Karmon, Michael | Michael Karmon | When the Sheep Won't Come: A Sleepless Nocturne for Guitar | 1998 | Michael Karmon | Solo | 5 movements | I. 11:47 p.m. II. 2:21 a.m. III. 3:59 a.m. IV. 4:33 a.m. V. 5:46 a.m. | ||||
Y | Kelterborn, Rudolf | Rudolf Kelterborn | 5 Monologe für Gitarre solo | Christoph Jaggin | 1987 | Hug & Co. | Solo | |||||
Y | Kennedy, Jimmy; Carr, Michael | Jimmy Kennedy and Michael Carr | South of the Border (Down Mexico Way) (Solo-Duet-Trio-Ensemble) | Dan Fox | 1961 | Shapiro, Bernstein & Co. Inc. | Solo, 2 guitars, 3 guitars | Popular, Duet, Trio, Ensemble, Score only | ||||
Y | Kern, Jerome | Jerome Kern | All the Things You Are | Pete Hankinson, Mundell Lowe | ? | UNC Jazz Press | Jazz Combo: 6 guitars, bass, drums | Ensemble, Jazz, Popular, Score and parts | ||||
Y | Kiefer, John | John Kiefer | Five Animations for Guitar Solo, Series Two: 6-10 | 1996 | John Kiefer | Solo | ||||||
Y | Kiefer, John | John Kiefer | Five Movements for Guitar | 1996 | John Kiefer | Solo | Duration 6 min. | 1-Choral 2-Dance 3-Sprituoso 4-Grave 5-Animato | ||||
Y | Kiefer, John | John Kiefer | Gestalt for solo guitar: 3 movements | 1996 | John Kiefer | Solo | 3 movements | 1. Diversion 2. Tranquil 3. Ether | ||||
Y | Kiefer, John | John Kiefer | Halloween Suite for guitar | 1996 | John Kiefer | Solo | 1. Entrance 2. Marche Macabre 3. Dies Irae 4. Interlude 5. Midnight 6. Shadowround | |||||
Y | Kiefer, John | John Kiefer | Prelude, Canon & Allegro for Guitar solo | 1996 | John Kiefer | Solo | ||||||
Y | Kindle, Jürg | Jürg Kindle | Flow (guitar orchestra) | 2012 | Les Productions D'Oz | 4 guitars, bass | Quartet, Mixed Ensemble, Score and parts | |||||
Y | Kindle, Jürg | Jürg Kindle | Kalimba: Percussion Guitar Music No. 1 Quartet No. 1 | 2001 | Les Productions D'Oz | 4 guitars | Quartet, Ensemble, Score and parts | |||||
Y | Kingsley, Gershon | Gershon Kingsley | Popcorn | Mel Bay | 1969 | Bourne Co. | 2 guitars | Duet, Popular, Solo with Accompaniment | ||||
Kleynjans, Francis | Francis Kleynjans | Arie et trois petites Chorales, Op. 163 | 2001 | Edition Margaux | 3 guitars | Trio, Ensemble, Score and parts, not original copy | ||||||
Y | Kleynjans, Francis | Francis Kleynjans | Deux Pièces En Ré | 1982 | Editions Henry Lemoine | Solo | 1. Comme une Berceuse 2. Choro | |||||
Kleynjans, Francis | Francis Kleynjans | Imagerie, Op. 43 | Annette Kruisbrink | 2002 | Les Productions D'Oz | 3 guitars | Trio, Ensemble, Score and parts, missing original copy | |||||
Y | Kleynjans, Francis | Francis Kleynjans | Les 4 Points cardinaux | 1997 | Edition Margaux | 4 guitars | Quartet, Ensemble, Score and parts | 1. Nord (Mélodie Scandinave) 2. Sud (Habanera) 3. Est (Valse Viennoise) 4. Ouest (Ragtime) | ||||
Y | Klickstein, Gerald | Gerald Klickstein | Tuning the Guitar by Ear: a practical new approach for the uncompromising musician | 1968 | Mel Bay Publications, Inc. | Method | Introduction How to Use this Book Symbols and Terms Guitar Fitness Guitar Setup Getting Started Playing Harmonics Listening for Beats Exercises 1-5 Learning to Tune Tuning the Fifth String Tuning and Testing the Fourth String Tuning and Testing the Third String Tuning and Testing the Sixth String Tuning and Testing the Second String Tuning and Testing the First String Test Chords Tuning Summary Tuning Two or More Guitars Tuning on Stage Alternate Tunings Low-D Tuning ®=F# Tuning Low-G Tuning Conclusion Why this Tuning System Works Questions and Answers Additional Reading About the Author Appendix: To the Teacher Tuning for Beginning Guitarists | |||||
Y | Kocsár, Miklós (* 1933) | Kocsár Miklós (1933-2019) | Suite per Chitarra | 1989 | Editio Musica Budapest | Solo | Hungarian | 1. Allegro 2. Vivace 3. Sostenuto 4. Andante, con moto 5. Molto Capriccioso 6. Agitato 7. Lento | ||||
Y | Kolanian, Iakovos | Iakovos Kolanian | Arpeggios for Classical Guitar (260 Modes Based on Études: Pujol; Aguado; Tárrega) | Iakovos Kolanian | 2011 | Philippos Nakas Myusic House | Solo | Method, Anthology, Studies and exercises for each piece | El Abejorro - Emilio Pujol Étude in E - Dionisio Aguado Recuerdos de la Alhamba | |||
Y | Kolb, Barbara | Barbara Kolb | Looking for Claudio: Solo Guitar and Tape | 1978 | Boosey & Hawkes | Solo | missing tape written into score | |||||
Kolb, Tom | Tom Kolb | Music Theory: Everything You Ever Wanted to Know But Were Afraid to Ask | 2005 | Hal Leonard Corp. | Method | missing CD | CHAPTER 1: The Fretboard CHAPTER 2: Theory Basics CHAPTER 3: Scales and Key Signatures CHAPTER 4: Intervals CHAPTER 5: Triads CHAPTER 6: Harmonizing the Major Scale CHAPTER 7: Chord Construction CHAPTER 8: Harmonizing the Minor Scale CHAPTER 9: Determining Key Centers CHAPTER 10: Blues Harmony and Pentatonic Scales CHAPTER 11: Modes and Modal Harmony CHAPTER 12: Other Scales and Modes: Chord/Scale Relationships: Arpeggios CHAPTER 13: Chord Substitution and Reharmonization Index of Musical Terms Answer Keys for Quizzes and Ear Training Drdls Guitar Notation Legend | |||||
Y | Koshkin, Nikita | Nikita Koshkin | Changing the Guard: Guitar Quartet | 1994 | Corda Music Publications | 4 guitars | Quartet, Ensemble, Score and parts | |||||
Koster, Dennis | Dennis Koster | Advanced Flamenco Guitar: The Keys to Flamenco Guitar, Part I | Jared Walker | 1994 | PJN Productions | Method | Flamenco, Instruction, Includes Tablature, missing CD | PREFACE INTRODUCTION About These Books Using “The Keys” A Note to Teachers The Notation System The Flamenco Guitar Flamenco Playing Position Fingernails Flamenco “Keys” and the Cejilla Flamenco Composers TABLE OF SYMBOLS CHAPTER I — COMPAS and RASGUEADO LESSON ONE: RASGUEADO with the INDEX FINGER FARRUCA - Ex. 1,2 - por Farruca SOLEARES Ex. 3 - The Compás of Soleares Ex. 4 - por Soleares ALEGRÍAS Ex. 5 - por Alegrías TANGOS Ex. 6 - por Tangos LESSON TWO: FIVE-STROKE RASGUEADO Ex. 7 - por Farruca Ex. 8 - por Tangos Ex. 9 - por Soleares Ex. 10 - por Alegrías THE LLAMADA Ex. 11 - Llamada por Soleares Ex. 12, 13 - Llamada por Alegrias Ex. 13 - Llamada por Alegrias COMPAS SEQUENCE por SOLEARES COMPAS SEQUENCE por ALEGRIAS CHAPTER II — The FALSETA LESSON THREE: THUMB FALSETAS Ex. 14 - Llamada por Soleares Ex. 15 - Falseta por Soleares Ex. 16a-c - por Soleares Ex. 17 - por Soleares Ex. 18 - por Alegrias Ex. 19 - por Tangos Ex. 20 - por Soleares Ex. 21 - por Soleares Ex. 22 - por Alegrías COMPAS SEQUENCE por TANGOS LESSON FOUR: ARPEGIO FALSETAS Ex. 23 - por Soleares ESCOBILLAS Ex. 24 - Escobillas por Alegrias Ex. 25 - por Farruca Ex. 26, 27 - por Soleares FLAMENCO GUITAR SOLOS SOLO por SOLEARES SOLO por FARRUCA SOLO por ALEGRIAS CHAPTER III -- COMPAS and GOLPE GOLPE LESSON FIVE: BULERÍAS Ex. 28 - Compas of Bulerías Ex. 29-31Por Bulerías Ex. 32-34Por Bulerías LESSON SIX: THUMB STROKES with GOLPE Ex. 35 - Llamada por Soleares VERDIALES Ex. 36 - por Verdiales Ex. 37 - por Soleares ALZAPUA Ex. 38 - Alzapúa por Soleares Ex. 39 - Alzapúa por Tangos TIENTOS Ex. 40 - por Tientos LESSON SEVEN: INDES DOWNSTROKES with GOLPE Ex. 41 - por Farruca Ex. 42 - por Soleares ROSAS Ex. 43 - por Rosas Ex. 44-46 - por Bulerfas COMPAS SEQUENCE por BULERIAS CHAPTER IV — SIGUIRIYAS LESSON EIGHT: SIGUIRIYAS COMPAS Ex. 47 - The Compás of Siguiriyas Ex. 48-50 - por Siguiriyas Ex. 51 - por Siguiriyas LESSON NINE: SIGUIRIYAS FALSETAS Ex. 52-55 - por Siguiriyas Ex. 56 - por Siguiriyas Ex. 57 - Falseta por Siguiriyas Ex. 58 - Alzapúa Falseta por Siguiriyas SOLO por SIGUIRIYAS CHAPTER V -- PICADO LESSON TEN: DEVELOPING PICADO TECHNIQUE Ex. 59 - Alternation Exercise Ex. 60-61 - Open Position Phrygian Scales Ex. 62 - Movable Phrygian Scale Ex. 63-65 - por Soleares LESSON ELEVEN: PICADO FALSETAS Ex. 66 - por Alegrias (Mario Escudero) Ex. 67 - por Farruca (Niño Ricardo) Ex. 68 - por Soleares (Sabicas) Ex. 69,70 - por Soleares Ex. 71 - por Alegrías (Paco de Lucía) CHAPTER VI -- CONCERT FLAMENCO GUITAR LESSON TWELVE: DEVELOPING BULERIAS FALSETAS Ex. 72 - por Bulerías Ex. 73 - por Bulerías Ex. 74 - por Bulerías(Diego del Gastor) Ex. 75 - por Bulerías Ex. 76 - por Bulerías CONCERT FLAMENCO GUITAR CONCERT SOLO por BULERIAS APPENDIX A - HEMIOLA and FLAMENCO APPENDIX B - The PHRYGIAN MODE and FLAMENCO INDEX OF FORMS | ||||
Koster, Dennis | Dennis Koster | Advanced Flamenco Guitar: The Keys to Flamenco Guitar, Part II | Jared Walker | 1994 | PJN Productions | Method | Flamenco, Instruction, Includes Tablature, missing CD | INTRODUCTION CHAPTER I — REFINING RASGUEADO TECHNIQUE THEORY INTO PRACTICE CHAPTER II — THE COPLA LESSON ONE FANDANGOS DE HUELVA LESSON TWO FANDANGOS COPLAS LESSON THREE SEVILLANAS LESSON FOUR VERDIALES CHAPTER III — VIRTUOSO FALSETAS & THE TOQUE LIBRE LESSON FIVE ADVANCED ARPEGIO & LIGADO FALSETAS LESSON SIX THE DEVELOPMENT OF VIRTUOSO VARIATIONS LESSON SEVEN INDIVIDUAL VIEWPOINTS LESSON EIGHT FANDANGOS GRANDES & THE TOQUE LIBRE SOLO por TARANTAS CHAPTER IV — TREMOLO LESSON NINE TREMOLO TECHNIQUE LESSON TEN TREMOLO FALSETAS LESSON ELEVEN TREMOLO IN OTHER CONTEXTS SOLO por GRANADINAS CHAPTER V — ADVANCED ALZAPUA LESSON TWELVE ALZAPUA FALSETAS LESSON THIRTEEN ALTERNATIVE USES OF ALZAPUA TECHNIQUE CHAPTER VI —ADVANCED RASGUEADO TECHNIQUE LESSON FOURTEEN THE THUMB IN RASGUEADO LESSON FIFTEEN CONTINUOUS RASGUEADOS LESSON SIXTEEN TRIPLET RASGUEADOS LESSON SEVENTEEN MULTIPLE RASGUEADOS CHAPTER VII — CREATING FLAMENCO SOLOS SOLO por ALEGRIAS SOLO por SOLEARES CREATING YOUR OWN SOLOS INTRODUCTION TO PART III: CONCERT FLAMENCO SOLOS SOLO FANDANGOS de DOS GENERACIONES INDEX OF FORMS ABOUT FLAMENCO FORMS | ||||
Krishnan, Stephen | Stephen Krishnan | Songs of the Open Road: Early Sight Reading on Guitar | 2023 | Les Productions D'Oz | Method | Sight-reading, Beginner, Level I, Staff Notation, Beautiful illustrations | Notes G (2nd line) and A (2nd space): The Bear is Here Strawberry Picking B (3rd line): New Kicks The Harmonica Campfire Song Hop Right in D (4th Line): Bass Fishin' Blackberry Pie Rise and Shine Bob's Banjo Dvorak's New World Theme E (4th space): Trumpet Call Thursday Morning McKinney Falls C (3rd space): Hey, It's a Ghost! River, It Flows High G (space above staff): Prickly Cactus Sunrise Garden Veggies Breakfast for Two Hello Little Puppy (dynamics: p and f) When We Were Young On the Prairie Ancestor Song High F (5th line): Who Ate the Cake? Strawberries and Cream Let's Rock, Today Country Tune D (space below the staff): The Grand Canyon Dip Dip Swing Down at the Ranch Show Me the Way E (1st line): Wagon Wheel Violin Tune The Rainbow Trout F (1st space): Autumn Night Ghost Story Don't Tell Mom! Waltz of ice Misty Mountains Jim and Nancy's Boat Old MadDonald - American Folk Song A (ledger line below staff): Desert Sunset Mystic Lake B (2nd space below staff): Echo! (echo, echo) Dusty Trail Robot Music (Beep Beep Boop) C (ledger line below staff): Sasara - Filipino Folk Song Polka Lament of the Cello Clouds Au Clair de la Luna - French Folk Song Petzold Minuet Hay Bale G (3rd space below staff): Are You Sleeping Duet - French Folk Song Bluebonnets Got Groove? Me, too. Low E, F (ledger lines below staff): Dance of Ancient Spirits Heavy Metal Solo The Old Oak Tree Shadows Beethoven's "Ode to Joy" Carnival Northern Lights Lil' Liza Jane - American Folk Song Gom Se Mari (Three Bears) - Korean Folk Song Winds of November Hummingbird Ranch on the River The Duomo of Florence Mozart's Sonata in C, K. 545 | |||||
Y | Krouse, Ian | Ian Krouse | Dror Yikro (Chassidic Song) | 1995 | Peer International Corp. | Solo | ||||||
Y | Kubo, Mayaka | Mayako Kubo | Le mie passacaglie for two guitars - Performance Score only | 1984 | Breitkopf & Härtek | 2 guitars | Duet, Score only | |||||
Y | Küffner, Josef | Josef Küffner | Leichte Sonatinen/Sonatine faciles, Op. 80 (25 Easy Sonatinas) | Walter Götze | ? | Schott & Co. Ltd. | Solo | |||||
Y | Küffner, Josef | Josef Küffner | Leichte Sonatinen für zwei Gitarren/Easy Sonatinas for two guitarsk558 | Walter Götze | 1923 | B. Schott's Söhn | 2 guitars | Duet, Score only | 1. Andantino 2. Andantino 3. Andantino 4. Allegretto 5. Walzer 6. Allegretto 7. Andantino 8. Ländler 9. Ländler 10. Andante poco Adagio 11. Allegretto 12. Andante 13. Andante 14. Ländler 15. Ländler 16. Ländler 17. Andante 18. Ländler 19. Rondo 20. Walzer 21. Ländler 22. Cosacca 23. Marcia 24. Andantino 25. Andante mit Variationen | John Fernando | ||
Y | Kumok, Jorge | Jorge Kumok | Preludio Para Guitarra | 1979 | Barry | Solo | ||||||
Y | Lagoya, Alexandre; Bolling, Claude | Alexandre Lagoya, Claude Bolling | Concerto for Classic Guitar and Jazz Piano (also drums and bass) | Jazz International | 4 guitars, piano, drums, bass | |||||||
Y | Lamb, Joseph F. | Joseph F. Lamb | Reindeer (Rag) | Marcel Robinson | 1974 | Guitar Workshop Publications | Solo | Ragtime, Holiday, Christmas | ||||
Y | Langer, Michael | Michael Langer | Suite Latina: South American Dances for Solo Guitar | 1990 | Ludwig Doblinger | Solo | 8 different damce rhythms w/expanations of each | Danza Colombiana Vals Venezolano Milonga Choro | John Fernando | |||
Y | Lara, Augustin | Augustin Lara | Granada: Fantasía Española | Vahdah Olcott Rickford | 1959 | Southern Music Publishing Co. inc. | Solo | |||||
Y | László, Borsody | Borsody László | Snatches: Ten Pieces for Guitar Solo | 1982 | Editio Musica Budapest | Solo | Hungarian | 1. Presto ma non superficiale 2. Calmo Intimo 3. Animato 4. Lento 5. Tranquillo molot 6. Calmo / eccitato 7. Urgente, ma deciso 8. Veloce 9. Con slancio, ma rigoroso 10. Lento, ma non troppo, poco liberamente | ||||
Y | Lateef, A. Lateef | Yusef A. Lateef | Prelude no. 1 | 1989 | Lateef | Solo | ||||||
Y | Latorre, Marie-Jose | Marie-Jose Latorre | Novelette (Hommage à Robert Schumann) | 1992 | Gerard Billaudot Editeur | Solo | ||||||
Y | Lauridsen, Morten | Morten Lauridsen | Dirait-on (for guitar quartet) | Scott Tennant | 2007 | Southern Music Publishing Co. inc. | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Lauro, Antonio | Antonio Lauro | Angostura Valse Venezolano | Alirio Diaz | 1968 | Broekmans & van Poppel | Solo | South American, Venezuela | ||||
Y | Lauro, Antonio | Antonio Lauro | Seis Por Derecho: Joropo, Al Estilo Del Arpa Venezolana | 1977 | G. Zanibon | Solo | South American, Venezuela | |||||
Y | Lawry, Walt | Walt Lawry | Left Hand Studies for Classical Guitar | 1983 | Mel Bay Publications | Method | Left Hand exercises, Anthology, each piece emphasizes different Study Area | Left Hand Position Exercises [Study Areas]: String Crossing and Chord Change Exercises Barre Exercises Shifting Exercises Slur Exercises Scale Exercises Interval Exercises Extension Exercises Harmonic Exercises Study Pieces [for each Study Area]: Andantino - F. Sor, Op. 35, No. 18 Grazioso - M. Giuliani, Op. 100, No. 2 Allegro - M. Giuliani ,Op. 100, No. 22 Prelude [E Major] - F. Tarrega Grazioso - M. Giuliani, Op. 100, No. 8 Andantino - M. Giuliani, Op. 100, No. 5 Moderato [C Major] - F. Sor, Op. 25 Moderato [A Major] - F. Carulli Andante [C Major] - L. Beethoven (Trans. N. Coste) Andante Mosso - M Carcassi, Op. 60 Folia de España [D Minor] - F. Tarrega Vivace - M. Giuliani, Op. 48 Prelude No. 20 [C# Minor] - F. Chopin (Trans. F. Tarraga) Prayer - F. Sor, Op. 31, No. 22 Sarabande [B Minor] - J. S. Bach Bourrée [E Minor] - J. S. Bach Andantino - M. Giulilani, Op. 45 Moderato [A Major] - D. Aguado Doce Espressivo - M. Giuliani, Op. 9 Andante - M. Carcassi, Op. 7 Largo - F Sor, Op. 3 Canarios - G. Sanz Valse - F. Sor, Op. 23 Study [E Minor] - F. Tarrega Allegro - M. Carcassi, Op. 68 Allegretto - M. Carcassi, Op. 60 Allegro [E Major] - F. Tarrega Minuet [C Major] - J. S. Bach Minuet in A - F. Tarrega March [D Major] - J. S. Bach Allegro [C Major] - F. Sor Exercise [G Major] - F. Carulli Allegretto [A Major] - N. Coste Andante [G Major] - F. Sor Musette [D Major] - J. S. Bach Prestissimo - M. Giuliani, Op. 48, No. 3 Study [G Major] - D. Aguado Endecha-Oremus - F. Tarrega Prelude [D Minor] - J. S. Bach Variation on Au Clair de La Lune - M. Carcassi, Op. 7 Marche - F. Sor, Op. 45, No. 18 Menuet - F. Sor, Op. 3 Marche - F. Sor, Op. 34 Andantino Grazioso - M. Carcassi, Op. 5 Moderato - F. Sor, Op. 31 | ||||
Y | Lawry, Walt | Walt Lawry | Right Hand Studies for Classical Guitar | 1983 | Mel Bay Publications | Method | Anthology | RIGHT-HAND POSITION FINGERNAILS REFINING REST STROKES AND FREE STROKES Allegretto - M. Carcassi Allegretto - F. Sor Op. 35 Lagrima - F. Tarrega FINGER ALTERNATION Allegro Moderato - M. Carcassi Op. 60 Guardame Las Vacas - Luys de Narvaez Bouree - J. S. Bach ARPEGGIOS Allegro - M. Giuliani, Op. 48 Prelude I - F. Carulli, Op. 114 Prelude II - F. Carulli, Op. 114 Prelude III - F. Carulli, Op. 114 Allegro Con Brio - M. Giuliani, Op. 83 Allegretto and Trio - M. Giuliani, Op. 147 Allegro Moderato - F. Sor, Op. 6 Andante Sostenuto - F. Tarrega Allegro - D. Aguado Allegro - M. Giuliani, Op. 100 Allegro Brillante - M. Carcassi, Op. 60 Allegretto - M. Giuliani, Op. 48 Study - F. Tarrega THUMB AND FINGER PATTERNS Courante - G. Fuhrmann Saltarello - Anon Moderato - D. Aguado Andante - D. Aguado TIMBRE—“DOLCE" AND“SUL PONTICELLO" Allegretto - M. Giuliani, Op. 30 Andante - Anon Moderato - Anon Gavotte - J. S. Bach Minuetto - F. Sor, Op. 22 PIZZICATO Allegro - Arrieta (trans. Tarrega) Waltz - F. Sor, Op. 32 Fantasie Villageoise (excerpt) - F. Sor, Op. 52 Fourth Fantasie (excerpt) - F. Sor, Op. 12 RIGHT-HAND HARMONICS Silent Night - F. Gruber Lullaby - J. Brahms El Testamento de Amelia - M. Llobet The Brook - W. Lawry TREMOLO Malaguena - Anon Asturias (excerpt) - I. Albeniz Allegro - M. Carcassi, Op. 60 Moderato Espressivo - M. Carcassi, Op. 60 Recuerdos de La Alhambra - F. Tarrega | ||||
Y | Lawry, Walt | Walt Lawry | Classical Guitar Position Studies | 1982 | Mel Bay Publications | Method | Anthology | Positions Shifting SECOND POSITION Notes in Second Position Exercise - M. Carcassi, Op. 59 Valse - F. Sor, Op. 48, No. 4 Minuetto - F. Sor, Op. 44, No. 14 Minuet - F. Sor, Op. 48 Allegretto - M. Giuliani, Op. 9 THIRD POSITION Notes in Third Position Exercise - F. Sor, Op. 60 Minuet, Variation II - F. Sor, Op. 48 Valse - F. Sor, Op. 51, No. 5 Larghetto - M. Giuliani, Op. 30, No. 17 Andante - F. Sor, Op. 57 Allegretto - F. Sor, Op.1, No.2 FOURTH POSITION Notes in Fourth Position Exercise - M. Carcassi, Op. 59 Waltz - M. Carcassi, Op. 59 Theme & Variation - M. Carcassi, Op. 11, No. 10 Valzer - F. Carulli, Op. 80, No. 5 Valse - F. Sor, Op. 57, No. 1 FIFTH POSITION Notes in Fifth Position Exercise - M. Carcassi, Op. 59 Poco Allegretto - F. Carulli Valse - M. Carcassi, Op.3, No.2 Andante Agitato - F. Carulli, Op. 211, No. 12 Minuet, Variation I - F. Sor, Op. 48 Allegretto - F. Sor, Op. 35, No. 11 SIXTH POSITION Notes in Sixth Position Exercise Allegretto - M. Giuliani, Op. 147 No. 6 Waltz - F. Sor, Op. 13 No. 2 Lesson XXII - F. Sor, Op. 31 SEVENTH POSITION Notes in Seventh Position Exercise - M. Carcassi, Op. 59 Allegretto - M. Carcassi, Op. 59 Vivace - M. Giuliani, Op. 100 No. 19 Allegretto - M. Carcassi, Op. 59 Allegretto - M. Carcassi, Op. 36 Minuetto - F. Sor, Op. 25 EIGHTH POSITION.. Notes in Eighth Position Exercise Adagio - M. Giuliani, Op. 7 Moderato - N. Coste Allegro - N. Coste Waltz - F. Sor, Op. 17, No. 6 NINTH POSITION.... Notes in Ninth Position. Exercise - M. Carcassi, Op. 59 Allegretto - M. Giuliani, Op. 147, No. 11 Moderate - M. Giuliani, Op. 38 Minuet, Variation III - F. Sor, Op. 48 Allegretto - M. Giuliani, Op. 147, No. 5 Allegro - M. Carcassi, Op. 36 Andantino Grazioso - M. Carcassi, Op. 59, No. 40 Andantino - M. Carcassi, Op. 60, No. 3" | ||||
Y | Le Roy, Adrian (1520-1598) | Adrian Le Roy (1520-1598) | French Renaissance Guitar Songs | Charles Wolzien | 2002 | Les Éditions Doberman-Yppan | voice and guitar | Anthology, Collection, Renaissance, Titles in Old French, Extensive notes on the poems/texts | 1. Laissez la verte couleur (Cast off your green shade) (Chanson a plaisir) 2. I'ay (Je) le rebours de ce que ie (je) souhaitte (I have the opposite of what I desire) (Pavanne) 3. Puis que viure (vivre) en seruitute (servitude) (Since I once had to live in servitude) (Gaillarde) 4. Pour m’eslongner (m'éloigner) (Even having gone away) (Chanson a plaisir) 5. O combien est heureuse (O how blissful) (Branle gay) 6. le (Je) ne suis moins aimable (I am no less loveable) (Branle gay) 7. Mes pas seméz (My steps long [and far]) (Chanson a plaisir) 8. Quand i’entens (j'entends) le perdu temps (When I think of the time lost) (Branle gay) 9. le (Je)ne veux plus à mon mal consentir (I no longer wish to give in to my affliction) (Trio) 10. Plus ne veux estre à la suite (No longer do I wish to follow) (Branle gay) 11. L’ennuy (L'ennui) qui me tourmente (The grief which vexes me) (Gaillarde) 12. C’est de la peine dure (It is a harsh pain) (Branle gay) 13. Hélas mon dieu y ha il (atil) en ce monde (Alas, my god! Is there in this world) (Branle gay) 14. À mes peines & ennuits (ennuis) (Amidst all my pains and troubles) (Branle gay) 15. Puis que nouuelle (nouvelle) affection (Since a new love) (Gaillarde) 16. I'ay (J'ai) cherché la science (I learned how) (Chanson a plaisir) 17. Vous estes (êtes) la personne (You are the one) (Chanson a plaisir) 18. Vne Une) m’auoit (m'avait) promis (A lady promised me) (Padvane?) 19. Ô la mal assignée (O how untimely) (Gaillarde) 20. Oyez tous amoureux (O hear all you lovers) (Chanson a plaisir) 21. Maintenant c’est vn (un) cas estrange (It is now a rare thing) (Branle gay) 22. Ô madame, perds-ie (perds-je) mon temps (O my Lady, am I wasting my time?) (Bransle de Poitov) 23. Mon dieu vostre pitié (My god, let your pity) (Chanson a plaisir) Introduction Adrian Le Roy and the Guitar The Vbix de Ville for Voice and Guitar The Poems and Mellin de Saint-Gelais Performance Practices Critical Commentary | |||
Y | Le Roy, Adrian (1520-1598) | Adrian Le Roy (1520-1598) | Pavane (Si je me vois) & Bransle Poictou | Emilio Pujol | 1959 | Editions Max Eschig | Solo | |||||
Y | Leavitt, William G. | William G. Leavitt | A Modem Method for Guitar: Volume 2 | 1968 | Berklee Press Pubications | Method | Section I Four Basic Major Scale Fingering Patterns (Explanation) C Major Scale - Ascending - 5 Positions C Major Scale - Descending - 5 Positions "Getting Up There" (Duet) "Chord Etude No. 6" (Solo) Melodic Rhythm Study No. 2 ( 2/2 and 2/4 ) Triads (3 Note C Chords Maj. Min. Dim. Aug. ) F Major Scale - Ascending - 5 Positions F Major Scale - Descending - 5 Positions "Another Waltz for Two" (Duet) Chord Forms and Speed Study Triads (F Chords Maj. Min. Dim. Aug. ) Rhythm Guitar - The Right Hand ( 4/4 and 2 beat) "Chord Etude No. 7" (Solo) G Major Scale - Ascending - 5 Positions G Major Scale - Descending - 5 Positions "Sea-See-Si" (Duet) Chord Forms Triads (G Chords) and Finger Stretching Exercises D Major Scale - Ascending - 5 Positions D Major Scale - Descending - 5 Positions "Melodic Rhythm Study No. 3" (Duet) Intervals Triads ( D Chords... across and up the fingerboard) A Major Scale - Ascending - 5 Positions A Major Scale - Descending - 5 Positions "Chord Etude No. 8" (Solo) Rhythm Guitar - The Right Hand (Rock Style Ballad) Chord Forms "Tranquility" (Duet) Triads (A Chords. .. across and up the fingerboard) Bb Major Scale - Ascending - 5 Positions Bb Major Scale - Descending - 5 Positions "Waltz in Bl>" (Duet) Melodic Rhythm Study No. 4 ( 6/8 ) and Finger Stretching Exercises Triads (Bb Chords. .. across and up the fingerboard) Pentatonic Scales Tremolo Study Eb Major Scale - Ascending - 5 Positions Eb Major Scale - Descending - 5 Positions Chord Forms Major Scale Review - Positions II, III, V Major Scale Construction (Explanation) Triads (Eb Chords...across and up the fingerboard) Theory - Diatonic Triads in Major Keys (Explanation) Diatonic Triads - Key of G Maj. (Arpeggios and Scales)b Diatonic Triads - Key of F Maj. (Arpeggios and Scales)b Diatonic Triads - Key of Bb Maj. (Arpeggios and Scales) Diatonic Triads - Key of Eb Maj. (Arpeggios and Scales) "5th Position Study" (Duet) Major Triads Exercise (up the fingerboard - all strings) . Minor Triads Exercise (up the fingerboard - all strings). Section II One Octave Arpeggios - Triads (In G) and "Glissando" (Expl. ) Real Melodic (Or Jazz) Minor Scale (Explanation) C Real Melodic Minor - 5 Positions Rhythm Guitar - The Right Hand (Shuffle Rhythm) Speed Study Chord Forms "Melodic Rhythm Study No. 5" (Duet) One Octave Arpeggios - Triads ( in D and C) F Real Melodic Minor - 5 Positions "5th Position Study No. 2" (Duet) One Octave Arpeggios - Triads (In A and F) Chord Forms and "Slur" (Explanation) "Trill" (Expl. ) Theory - Diatonic 7th Chords in Major Keys (Explanation) Arpeggios - Diatonic Sevenths (In G) Arpeggios - Diatonic Sevenths (In C) G Real Melodic Minor - 5 Positions Chord Forms Two Octave Arpeggios - C Maj. Triad from the Root "Chord Etude No. 9" (Solo) "The Wanderer" (Duet) Rhythm Guitar - The Right Hand (Waltz) Arpeggios - Diatonic Sevenths (In F) Theory - Chord Scale Relationships - Diatonic Str's (Expl) D Real Melodic Minor - 5 Positions Chord Forms - 3rd in the Bass Two Octave Arpeggios - G Maj. Triad from the 3rd Two Octave Arpeggios - F Maj. Triad from the 5th Rhythm Guitar - The Right. Hand (jazz Waltz) "Inverted Mordent" and "Mordent" (Explanation) Arpeggios - Diatonic Sevenths (In Bb) A Real Melodic Minor - 5 Positions Chord Forms Two Octave Arpeggios - C Minor Triad from the Root "Appoggiatura" and "Turn" or "Grupeto" (Expl. ) "Melodic Rhythm Study No. 6" (Duet) Rhythm Guitar - The Right Hand (Cha Cha and Beguine) Arpeggios - Diatonic Sevenths (In Eb) Theory - Chord Scale Relationships (Non-Diat. Min. 7 and Maj. ) "7th Position Study" (Duet) "Solo in G" Bb Real Melodic Minor - 5 Positions Chord Forms - 7th in the Bass "Chord Etude No. 11" (Solo) Two Octave Arpeggios - G Minor Triad from the 3rd Two Octave Arpeggios - F Minor Triad from the 5th Key Signatures (Explanation) Theory - Chord to Chord Motion ( A Brief Discussion) Chromatic Scale Eb Real Melodic Minor - 5 Positions Chord Forms and "Chord Etude No. 12" (Solo) Speed Study Two Octave Arpeggios - C Diminished Triad from the Root G Dim. Triad from the 3rd, F Dim. Triad from the 5th "Melodic Rhythm Study No. 7" (Duet) Whole Tone Scales Rhythm Guitar - The Right Hand (Bossa Nova) Two Octave Arpeggios - Bb, F# and D Augmented Triads Chord Scale Relationships - (Theory) - Non-Diatonic Minor 6th and (unaltered) Dom.7 chords "Solo in D" Index | |||||
Y | Leavitt, William G. | William G. Leavitt | A Modem Method for Guitar: Volume 3 | 1971 | Berklee Press Pubications | Method | Evolution of (12 ) Major Scale Fingering Patterns Definition Of Position Speed Study "Solo In B" Rhythm Guitar - The Right Hand - "RHUMBA" Explanation of "Voices" in chords Triad Studies.. Chords in C Maj. - Close and Open Voicings Adjacent String - Common Finger Exercises Major Scales - Position II (12 Keys Ascending Chromatically) Principal Real Melodic Minor Scales - Pos.II (9 Practical Fingerings) Triad Studies - Chords In G Major (Close and Open Voicings ) Arpeggios - 3 Note Chords - Major Triads Arpeggios - 3 Note Chords - Minor Triads About Chord Symbols Reference Chart For Major Scale Fingering Types Major Scales - Position III (12 Keys Descending Chromatically) "MelodicRhythm Study No. 8" (Duet) About Practicing Triad Studies - Chords In F Major (Close and Open Voicings) Technical Study About Chord Construction Major Scales - Position IV (12 Keys Thru - Cycle 5) Principal Real Melodic Minor Scales - Pos.IV (9 Practical Fingerings) Chord Construction - 4 Part Harmony Chord Spelling - Arpeggios - 4 Note C Chords Rhythm Guitar - The Right Hand - "TANGO" "MERENGUE" C Major Scale - 12 Positions Natural Minor Scales ( Construction of) Modes - A Brief Discussion Automatic Modal Transposition Harmonic Minor Scales (Construction of) A Harmonic Minor - 9 Positions "A Minor Etude" (Solo) Melodization Of Triads (Explanation of) Recognition of Melodic Degrees - Maj. Chords Recognition of Melodic Degrees - Alt. 5 and #4 About Chord Voicings Chord Spelling - Arpeggios - 4 Note F Chords Chord Spelling - Arpeggios - 4 Note G Chords Chord-Scale Relationships -Dom 7th Chords (Expl. of basic idea) Major Scales - Position V (12 Keys Descending Chromatically) Principal Real Melodic Minor Scales - Pos. V Chord Construction ( 3 Note Voicings) Melodization Of Tonic Maj. Chords Melodization Of Tonic & Sub-Dom Minor Chords Diminished Scales (Incl. examples of application for improvization) Chord Constr. (3 notes) - Dom7th Chords (Preparation of Close Voicings) Recognition Of Melodic Degrees - Dom 7th Chords Speed Study. Chord Spelling - Arpeggios - 4 Note Bb Chords Chord Spelling - Arpeggios - 4 Note D Chords ’’Melodic Rhythm Study No. 9" (Duet incl. 5/4 4/4 3/4 2/4 Rhythm Guitar - The Right Hand - "MAMBO" "BOLERO" "CONGA Legato-Staccato (Expl. of PORTATO) F Major Scale - 12 Positions D Harmonic Minor - 9 Positions "Etude In D Minor" (Solo) Melodic Embellishment (The Appogiatura) Rhythm Guitar - The Right Hand - "5/4 SWING" About Altered Chords (and Chord Degrees - expl. Chord Spelling - Arpeggios - 4 Note Eb Chords Chord Spelling - Arpeggios - 4 Note A Chords Chord Constr. (3 notes) - Melodization Of Dom7ths Melodization Of I Chord With Harmonic Minor Scale Arpeggio Study - 7th Chords "Melodic Rhythm Study No. 10" (Duet) Major Scales - Position VII (12 Keys Ascending Chromatically) Principal Melodic Minor Scales - Pos. VII Chords (3 notes) Melodization Of Diminished Triads (incl. open voicings) Chords (3 notes) Melodization Of Augmented Triads (incl. open voicings) Chord Spelling - Arpeggios - 4 Note Ab Chords Chord Spelling - Arpeggios - 4 Note E Chords G Major Scale - 12 Positions E Harmonic Minor - 9 Positions "E Minor Etude" (Solo) Chord-Scale Relationships - Dom 7th Chords Practical Fingerings For Moving From Position To Position Chord Const. (3 notes) Dom 7th Chords - Prep. Of Close & Open Voicings Chord Spelling - Arpeggios - 4 Note Db Chords Chord Spelling - Arpeggios - 4 Note B Chords Rhythm Guitar - The Right Hand - "SAMBA" "Polka Dot" (Polka-Duet) Major Scales - Position VIII (12 Keys Thru- Cycle 5) Chords (3 notes) Melodization Of Tonic Major Chords Melodization Of Min7th Chords As VIm7 (Diatonic Substitution expl.) Melodization Of Sub-Dom Major Chords 88 Melodization Of Min7th Chords As IIm7 88 Chord Spelling - Arpeggios - 4 Note F# Chords Chord Spelling - Arpeggios - 4 Note Gb and C# Chords Chord Spelling - Arpeggios - 4 Note C Chords Chord (3 notes) Dom7th Chords - Open Voicings - All Inversions B Major Scale - 12 Positions G Harmonic Minor - 9 Positions "Etude In G Minor" (Solo) Arpeggios - Diminished 7th Chords (Spelling Most Used) Arpeggios - Dom7th b5 Chords Theory - Diatonic 7th Chords - Harmonic Minor (Incl. Diatonic Sub’s.) Arpeggio and Scale Study Chords (3 notes) Melodization Of Sub-Dom Minor 6th Chords Melodization Of Min7 b5 As Altered IIm7 Chords Melodization Of Dom7th Chords As IV7 & bVII7 Melodization Of Dom7th Chords As VI7 Major Scales - Position X (12 Keys Thru- Cycle 5) Principal Real Melodic Minor Scales - Pos. X Chords (3 notes) Maj. 6th & Maj. 7th Chords - Close and Open Voicings Maj. 6th & 7th Chords - Open Voicings - All Inversions Chord Construction - 5 Part Harmony Chord Spelling - 5 Note Arpeggios Maj. 7 /9 & Dom9th Chords "DAYDREAMS” (Duet) Chord Spelling - 5 Note Arpeggios - Min9 & Dim9 Chords D Major Scale - 12 Positions B Harmonic Minor - 9 Positions "B Minor Etude” (Solo) Chords (3 notes) Dom7th Chord Study With b5 (Chro. App.) In The Bass About Chord Progressions (Cycle 5) Theory - Interchangeable Chord Structures Rhythm Guitar - The Right Hand - "JOROPO" (and "NANIGO”) Arpeggio Study - 7th Chords Chords (3 notes) Melodization Of Minor 7th Chords As IIIm7 Melodization Of Min7 b5 Chords As VIIm7 b5 Chromatic Melodization Of Dom 7th Chords (Close & Open Voicings) "Melodic Rhythm Study No. 11 (Opt. duet with Rhy. Gtr.) Chord Spelling - 5 Note Arpeggios - Min6/9 Dom9sus4 & Dom7b 9 Chords Chords (3 notes) Min7th & Min6th Chords - Close and Open Voicings Min7th Chords - Open Voicings - All Inversions IIm7 V7 I Chord Study Chord-Scale Relationships - Special Alterations On Dom7th Chords "PRETTY PLEASE" (Duet) Chord Spelling - 5 Note Arpeggios - Dom7(aug9) Chords Harmonizing A Melody - From A Lead Sheet With Chords Indicated Eb Major Scale - 12 Positions C Harmonic Minor - 9 Positions "Etude In C Minor" (Solo) Chord-Scale Relationships - Major Chords - Minor7th Chords Chords (3 notes) Min7th and Min6th Chords - Close & Open Voicings Min6th - Min7th Chords - Open Voicings - All Inversions Chord Spelling - 5 Note Arpeggios - Dom7+5+9 Dom9+5 & Dom7+5b 9 Chords Chords (3 notes) Melodization Of I Minor Chords With Harm.Min.Scale Melodization Of IIm7 b5 Chords With Harm. Min. Scale Melodization Of Dom7th Chords With Harm. Min. Scale "TEEAH-WANNA" (Opt. duet with Rhy. Gtr.) Rhythm Guitar - The Right Hand - "PASO DOBLE" Chord Study - Min7th With b5 (Chro.App.) In The Bass Chord Spelling - 5 Note Arpeggios - Min(ma7/9) & Dom7 b5 b9 Chords Chord-Scale Relationships - Minor 6th Chords - Minor7 b5 Chords A Major Scale - 12 Positions F# Harmonic Minor - 9 Positions "F# Minor Etude" (Solo) Chord Spelling - 5 Note Arpeggios - Dom7 b9sus4 & Dom9 b5 Chords Chord (3 notes) - Study In F Major & Study In F Harmonic Minor Chord Spelling - 5 Note Arpeggios - Dom7+9sus4 & Dom7 b5+9 Additional Fingerings For Minor Scales Chord-Scale Relationships - Diminished 7th Chords - Augmented Triads Chords - Preparation Of 4 Part Open Voicings - Adding the 5th Degree Preparation Of 4 Part Open Voicings - Adding The Root Chord Spelling - 5 Note Arpeggios - Min9 b5 Chords About Improvization "IT'S LATE" (Duet) Chords - Preparation Of 4 Part Open Voicings - Adding The 3rd Degree Preparation Of 4 Part Open Voicings - Adding The 7th Degree Scale-Chord Relationships - Major, Harmonic Minor, Real Melodic Minor, Whole Tone and Diminished Scales as related to chords | |||||
Y | Lecuona, Ernesto | Ernesto Lecuona | Malaguena from "Andalucia (Suite Espagnole)" | Vicente Gomez, arr. | 1956 | Edward B. Marks Music Company | Solo | |||||
Y | Lecuona, Ernesto | Ernesto Lecuona | Malaguena from "Andalucia (Suite Espagnole)" | Leon Block, arr. | 1959 | Hal Leonard Corp. | Solo | |||||
Y | Lecuona, Ernesto | Ernesto Lecuona | Malaguena from "Andalucia (Suite Espagnole)" | Leon Block, arr. | 1959 | Edward B. Marks Music Corp. | Solo | |||||
Y | Lee, Andrew McKenna | Andrew McKenna Lee | Five Refractions of a Prelude by Bach (Prelude in D minor, BWV 999) | 2008 | Wounded Knee Music | Solo | Theme and Variations | |||||
Y | Lee, Andrew McKenna | Andrew McKenna Lee | the dark out of the nighttime (for flute, viola, guitar, and harp) | 2006 | Wounded Knee Music | guitar, flute, viola, harp | Quartet, Chamber Ensemble, Mixed Ensemble | |||||
Y | Leisner, David | David Leisner | "Billy Boy" Variations | 1985 | Theodore Presser Company | Solo | Folk | |||||
Y | Leisner, David | David Leisner | Four Pieces for Guitar | 2011 | Theodore Presser | Solo | I. Prelude II. Episode III. Ritual IV. Dance | |||||
Y | Leisner, David | David Leisner | Labyrinths for solo guitar | 2011 | Theodore Presser | Solo | I. Shimmer II. Shadow III. Shiver IV. Shatter V. Shelter | |||||
Y | Lejet, Edith | Edith Lejet | La Voix des voiles | Betha Davezac | 1992 | Editions Max Eschig | Solo | |||||
Y | Lemaigre, Phillippe | Phillippe Lemaigre | Esquisses | 1984 | Gerard Billaudot Editeur | Solo | ||||||
Y | Lemeland, Aubert | Aubert Lemeland | Hommage à Albert Roussel (opus. 16) | R. de Herrera, fing. | 1973 | Gerard Billaudot Editeur | Solo | |||||
Lennon, John; McCartney, Paul | John Lennon, Paul McCartney | Because | Jürg Kindle | www.juergkindle.ch | 4 guitars, plus bass | Quartet, Ensemble, popular, parts only, missing Guitar Part 5?, missing original copy | ||||||
Y | Lennon, John; McCartney, Paul | John Lennon, Paul McCartney | The Beatles for Classical Guitar, Book II | Joe Washington | 1977 | Amsco/Wise Publications | Solo | Collection, Popular, instructions on how to play each piece, 1 piece by Richard Starkey (Ringo) | From Me to You - Lennon/McCartney Octopus's Garden - Richard Starkey (Ringo) Here, There and Everywhere - Lennon/McCartney Girl - Lennon/McCartney For No One - Lennon/McCartney It's All Too Much - Lennon/McCartney Mother Nature's Son - Lennon/McCartney Julia - Lennon/McCartney Dear Prudence - Lennon/McCartney Blackbird - Lennon/McCartney | |||
Y | Léon, Tania | Tania León | Paisanos Semos! (We's Hillbilles!) | Ana Maria Rosado, fing. | 1986 | Southern Music Company | Solo | |||||
Leontovich, Mykola | Mykola Leontovich | Carol of the Bells | C. Castill-Wilson | ? | ? | 4 guitars | Quartet, Ensemble, Christmas, Holiday, Score only, missing original copy | |||||
Y | Lhoyer, Antoine de (1768-1852) | Antoine de Lhoyer (1768-1852) | Trio for guitar, violin and viola Op. 38 | Matanya Ophee | 2010 | Editions Orphée, Inc. | guitar and strings, violin, viola | Trio, Chamber Ensemble, Strings, Score and violin and viola parts, guitar and violin, guitar and strings | Nº 1. March Nº 2. Valze Nº 3. Andante con variazioni Nº 4. Polonaise Nº 5. Romance | |||
Y | Lilienfeld, Robert; Cimino, Basil | Robert Lilienfeld, Basil Cimino | Guitarist's Harmony, The | 1965 | Franco Colombo, Inc. | Method | Chords | Introduction Part I; FUNDAMENTALS OF MUSIC THEORY 1 Preliminary Section 2 Contrapuntal Rules Part II: THE TRIAD 3 Triads 4 The Principal Chords in Major and Minor 5 The Secondary Chords 6 The Inversions of Triads 7 Figured Bass 8 The Cadential Six-Four Chord Part III: FUNCTIONAL HARMONY 9 The Dominant Seventh Chord 10 The Diminished Triad 11 Non-Harmonic Tones 12 Seventh Chords Chords with Added Sixth The Dominant Ninth Chord 13 Secondary Dominants Part IV: HARMONIC PRACTICE 14 Harmony and Melody 15 Cadential Modulation 16 Direct Modulations 17 Chromatic Harmonies APPENDIX | ||||
Y | liriti (l is lower case), Mauro | Mauro liriti | Plainte Élégiaque Reverie | 1986 | Bèrben | Solo | ||||||
Y | Llobet, Miguel | Miguel Llobet | Estilo popular argentino n. 2 | 1969 | Union Musical Espanola | Solo | South America, Argentina | |||||
Y | Lloyd Webber, Andrew | Andrew Lloyd Webber | The Classical Guitar Collection | John Zaradin, Tim Phillips | 1992 | Hal Leonard. Publishing Corporation | Solo | Collection, Popular, Musical | All I Ask of You Another Suitcase in Another Hall Close Every Door Don't Cry for Me Argentina Gus: The Theatre Cat I Don't Know How to Love Him Jesus Christ Superstar Make Up My Heart Memory Mr. Mistoffelees Last Man In My Life, The Love Changes Everything Music of the Night, The Only You Phantom of the Opera, The Pie Jesu Starlight Express Take That Look Off Your Face Tell Me On A Sunday There's Me Unexpected Song Wishing You Were Somehow Here Again | |||
Y | Lluquet, G. | G. Lluquet | Nuevo Metodo Para El Arte de Acompañar en La Guitarra: Compuesto con Música y cifra por G. Lluquet | 1940 | Impreso en la Litografía | Method | Written completely in Spanish, Pages out of order, Examples of | Origen de la Guitarra Escuelas y Maestros Chord Diagrams with Fingers on Fretboards, based on Fixed Do, i.e., DO.M = C Major; LA.m = A minor A La Memoria de Francisco Tarrega Nociones Elementales de Musica Compas [Time Signatures] Tiempo, Aire O Movimiento [Tempo markings] Ritmo: Variaciones de Movimiento y Matices del Sonido Alteraciones De Los Acordes De Los Arpeios con Posicion Fija De Las Tonalidades Posicion de La Guitarra Posicion de La Mano Izquierda Posicion de la Mano Derecha Modo de Templar o Afinar La Guitarra El Diapason de La Guitarra De Las Cuerdas de la guitarra Diapason de La Guitarra [Notes on Fretboard coupled with Staff Notation] Exercises with the 4th, 5th, and 6th strings that have to be plucked with the thumb: whole notes, half notes, quarter notes (pages skip) Preparacion Para la Practica de los Acordes De la Posicion del Acorde con Cejilla Acordes del tono de DO Mayor (C), con Tpo. de Mazurka Acordes del tono de LA menor (Am), con Tpo. de Vals Acordes del tono de SOL Mayor (G), con Tpo. de Polka Acordes del tono de MI menor (Em), con Tpo. de Fox-Trot Acordes del tono de RE Mayor (D), con Tpo. de Jota Acordes del tono de SI menor (Bm), con Tpo. de Danzon Acordes del tono de LA Mayor (A), con Tpo. de Perichon Acordes del tono de FA# menor (F#m), con Tpo. de Marcha Acordes del tono de MI Mayor (E), con Tpo. de Pasodoble Acordes del tono de DO# menor (C#m), con Tpo. de Vals Lento Acordes del tono de FA Major (F), con Tpo. de Schotis Acordes del tono de RE menor (Dm), con Tpo. de Tango Acordes del tono de SIb Mayor (Bb), con Tpo. de Onestep Acordes del tono de SOL menor (Gm), con Tpo. de Habanera Acordes del tono de MIb Mayor (Eb), con Tpo. de Galop Acordes del tono de DO menor (Cm), con Tpo. de Sardana Acordes del tono de SI Mayor (B), con Tpo. de Bolero Acordes del tono de SOL# menor (G#m), con Tpo. de Carioca Acordes del tono de LAb Mayor (Ab), con Tpo. de Pavana Acordes del tono de FA menor (Fm), con Tpo. de Fado Acordes del tono de FA# Mayor (F#), con Tpo. de Minué Acordes del tono de RE# menor (D#m), con Tpo. de Zortziko Acordes del tono de REb Mayor (Db), con Tpo. de Slow Acordes del tono de SIb menor (Bbm) con Tpo. de Java Ejercicios de la Mano Derecha Escala Cromatica, ascendente y descendente Escalas Diatonicas en Modo Mayor Escalas Diatonicas en Modo Menor Ejercicios en Modo Mayor Ejercicios en Terceras, Cuartas y Quintas Ejercicios en Octavas Separadas y Simultaneas Arpegios del Modo Mayor con Posicion Fija Arpegios del Modo Menor con Posicion Fija Arpegios de Modo Mayor con Posicion Libre Ejercicio para Pulsar Todas las Cuerdas con El Dedo Pulgar Ejercicios-Resumen de los Acordes que Hemos Practicado Recreacion (solo review) Del Ligado Del Arrastre O Portamento Del Tremolo Tabla de Todos Los Acordes Consonantes con Otras Posiciones Acordes Disonantes de 7th Disminuida Acordes de 6th Mayor Acordes de 5th Aumentada Acordes Disonantes de 7th Sensible Acordes Disonantes de 7th Mayor Acordes Disonantes de 9th Mayor Acordes Disonantes de 9th Menor Ejercicios Con Ritmos del Tonos Diferencias, con Tónica, 7th Dominante, Subdominante, y para Canto vocal y Guitarra: Bolero Beguin Mambo Fox Baiao Tango Samba Tango Corrido Slow | ||||
Y | Logy, Joh. Anton (1650-1721) | Joh. Anton Logy (1650-1721) | Partita A-Moll | Karl Scheit | 1952 | Universal Edition | Solo | Aria Capriccio Sarabande Gavotte Gigue | John Fernando | |||
Y | Lopes-Graça, Fernando | Fernando Lopes-Graça | Partita per chitarra | 1973 | Edizioni Suvini Zerboni | Solo | Preludio Passeio Vilanela Intermezzo Balada Jota | |||||
Y | Lorblanchet, Phillippe | Phillippe Lorblanchet | Valse Mélancolique | Francis Verba | 1991 | Editions Robert Martin | Solo | |||||
Lorenzo, Juan | Juan Lorenzo | 200 Ejercicios para Guitarra Flamenca | 2008, 2011 | OH - Oscar Herrero | Method | Includes tablature, English and Spanish, includes CD | 1) Uso del pulgar 1) Using the thumb I) Estudio de tresillos, semicorcheas, cinquillos y dobles tresillos o seisillos Studies of triplets, sixteenths, quintuplets and sextuplets II) Estudio del arpegio con el pulgar Arpeggio studies with the thumb III) Técnica del pulgar repetido Repeating thumb stroke IV) Técnica del pulgar/índice Thumb-index technique V) Técnica del alzapúa Alzapua technique VI) Estudio del alzapúa Alzapua Studies 2) Arpegios 2) Arpeggios I) Acordes Chords II) Fórmulas de arpegios fundamentales de la guitarra flamenca Basic arpeggio patterns for flamenco guitar III) Arpegios con apertura del índice / medio y medio / anular Arpeggios with opening index-middle fingers and middle-ring fingers 3) Trémolo 3) Tremolo I) Estudio del trémolo con p i a m i sobre una cuerda Tremolo exercises with p i a m i on one string II) Trémolo con p i a m i sobre cuerdas cercanas Tremolo exercises with p i a m i on adjacent strings III) Otros ejercicios de trémolo More tremolo exercises IV) Ejercicios con digitaciones para desarrollar el trémolo Fingering exercises to improve tremolo 4) Picado 4) Picado I) Ejercicio cromático en todo el diapasón Chromatic exercise over the entire neck II) Picado en tresillos, semicorcheas y cinquillos Picado in triplets, sixteenths and quintuplets III) Ejercicios de picado a 2 y 3 dedos Picado exercises with 2 and 3 fingers Otras variantes 1 More variations 1 Otras variantes 2 More variations 2 IV) Picado con digitación a m i, i m a con el toque apoyado Picado using a m i, i m a fingering with rest stroke V) Arpegio de picado Picado arpeggios Más estudios de arpegios de picado útiles para la mano izquierda More picado arpeggio exercises for the left hand VI) Fórmulas de ejercicios para el picado y para la mano izquierda Exercise patterns for picado and left hand VII) Ejercicio cromático Chromatic exercise Pulgar - picado Thumb - picado VIII) Combinación de pulgar - picado Thumb-picado combination IX) Técnica del arpegio / picado Arpeggio-picado technique 5) Rasgueados 5) Rasgueados (Flamenco strumming) I) Tipos de rasgueados Types of rasgueados II) Estudio básico Basic study III) Ejercicios con semicorcheas, cinquillos y tresillos Exercises with sixteenths, quintuplets and triplets IV) Ejercicios en compás de 12/4 con distintas digitaciones Exercises in 12/4 time with different fingerings V) Ejercicios varios Miscellaneous exercises 6) Golpe 6) Finger taps I) Ejercicios con el golpe Exercises with finger taps II) Ligados con abertura de los dedos de la mano izquierda Slurs with the fingers of the left hand opening 7) Estudios 7) Studies El martillo Paseo Virtuoso Picando Ritmo en doce | |||||
Y | Lyon, Leslie | Leslie Lyon | Summer Suite | 1982 | Southern Music Company | Solo | I Undulations (June) II Desert Travel (July) III Etching (August) | |||||
Y | MacCombie, Bruce | Bruce MacCombie | Nightshade Rounds | 1982 | Associated Music Publisher, Inc. | Solo | commissioned by Sharon Isbin | |||||
MacDowell, Edward (1860-1908) | Edward MacDowell (1860-1908) | Woodland Sketches | Richard Yates | 2004 | Mel Bay Publications, Inc. | Solo | CD included, includes tablature notation separately in second half of book | To a Wild Rose, Op. 51, No. 1 At an Old Trysting Place, Op. 51, No. 3 Sung Outside the Prince's Door, Op. 4, No. 1 Soubrette, Op. 38, No. 2 From an Indian Lodge, Op. 51, No. 5 A Deserted Farm, Op. 51, No. 8 To a Water Lily, Op. 51, No. 6 Song, Op. 55, No. 5 Hunting Song, Op. 39, No. 1 The Song of the Shepherdess, Op. 42, No. 4 In Autumn, Op. 51, No. 4 | Richard Childress | |||
Y | Mallamud, David | David Mallamud | Spatula | 2008 | Les Productions d'OZ | Solo | ||||||
Y | Mallard, Manley | Manley Mallard | Improvisation No. 1 for Guitar Ensemble | 2003 | Guitar Chamber Music Press | 4 guitars, bass | Quartet, Ensemble, Score and parts | Time Signatures | ||||
Y | Manus, Monty and Robert Manus | Morty Manus, Robert Manus | Basix Guitar Theory | 1996 | Alfred Publishing Co., Inc. | Method | Theory, workbook format, includes CD accompaniments, Pictures and info of Rock Guitar Legends | How Sounds Are Produced on the Guitar Pitch Notes Naming the Notes Notes on the First String—the E String Rhythm: Quarter, Half, Dotted Half and Whole Notes Time Signature Notes on the Second String--the B String 4/4 and 3/4 Time Stemming Notes on the Third String—the G String Recognizing the Three-String C Chord Arpeggios Broken Chords Recognizing the Three-String G7 Chord Recognizing the Three-String G Chord Reviewing the C, G7 and G Chords Notes on the Fourth String—the D String Octaves Recognizing Four-String Chords (G & G7) Notes on the Fifth String--the A String Incomplete Measures Notes on the Sixth String—the Low E String Rests Ties Eighth Notes Half Steps and Whole Steps Sharps and Naturals Flats and Naturals How to Flat Open Strings Enharmonics The Four-String D7 Chord Building the C Major Scale Tetrachords Building the G Major Scale Building the F Major Scale Key Signatures Eighth Rests The Dotted Quarter Note The First Position Reviewing Four-String Chords Understanding Cut Time Understanding Repeat Signs The Key of C Major The I, IV and V7 Chords in the Key of C Major The Key of G Major The I, IV and V7 Chords in the Key of G Major Alternate Fingerings The Key of A Minor The i, iv and V7 Chords in the Key of A Minor 6/8 Time The Key of D Major The I, IV and V7 Chords in the Key of D Major Finding the Root Bass Dotted Notes Alternate Bass Notes Triplets The Key of E Minor The i, iv and V7 Chords in the Key of E Minor The Key of F Major The I, IV and V7 Chords in the Key of F Major Music Reference Guitar Fingerboard Chart 64 | ||||
Y | Marchelie, Erik | Erik Marchelie | Ballade No. 1 | 1997 | Gerard Billaudot Editeur | Solo | ||||||
Y | Marco, Tomás | Tomás Marco | Fantasia Sobre Fantasia | Gabriel Estarellas, fing. | 1989 | Bèrben | Solo | |||||
Marcum, Travis, et al | Travis Marcum, et al | Guitar Ensemble Method Book, Level 1-4, Teacher Manual | Travis Marcum | 2023 | guitarcurriculum.com / Austin Classical Guitar | Method | Technique, lesson plans, original pieces, solos, ensembles, perfect companion with guitarcurriculum.com | TEACHER MANUAL Introduction The 5 Elements Overview of Levels 1-4 Performance Checklist Classroom Setup Rehearsal Technique - Management through Music SKILL LEVEL 1 Overview Blue Magic - Holistic Lesson Plan - Travis Marcum Warm-Up - Four, Four and Four The Violet Crown - Travis Marcum LoFi - Travis Marcum Open-String Note Chart Meditation No. 1 - HLP - Travis Marcum Sight Reading SKILL LEVEL 2 Warm-Ups Note-Chart (1st 3 Strings) Scale Sheet (C Major and G Major) Chord Chart (Easy Chords) Neptune Run - HLP - Eric Pearson Battle's End - HLP - Travis Marcum (+2 students, K & C) Night Ride - Phil Swasey, Travis Marcum Ode to Joy - HLP - Ludwig van Beethoven, arr. Chris Lee, Aguilar? Found a Friend - HLP - Travis Marcum Koi Under the Moon Bridge - Travis Marcum Sundance (Solo) - Joseph Palmer A Distant Landscape (Solo) - Joseph Palmer Sight Reading SKILL LEVEL 3 Overview Note Chart (1st 3 Strings) Scale Sheet (C Major and G Major - Alternation) January Embers - HLP - Tony Mariano Intersection - HLP - Travis Marcum, Jeremy Osborne The Bending River - HLP - Phil Swasey The Yellow Dress - Travis Marcum Sight-Reading SKILL LEVEL 4 Overview Note-Chart (Strings 4, 5 and 6) Scale Sheet (C Major, G Major and D Major) Chord Chart (Full Chords) Back In My Day - Bedichek Middle School Students Sandías - Tony Mariano Transylvanian Folk Song - Traditional, arr. Chris Lee Leap of Leaps - Toby Rodriguez Malagueña - Traditional, arr. Travis Marcum Hush You Bye - Traditional, arr. Matthew Hinsley Camelback (Solo) - Matthew Hinsley Contemplación (Solo) - Mario Quintanilla Sight Reading RESOURCES Additional GuitarCurriculum.com Content Spanish Language Support | ||||
Marcum, Travis, et al | Travis Marcum, et al | Guitar Ensemble Method Book, Level 1-4, Student Manual | Travis Marcum | 2023 | guitarcurriculum.com / Austin Classical Guitar | Method | Technique, solos, ensembles, original pieces, perfect companion with guitarcurriculum.com | STUDENT MANUAL SKILL LEVEL 1 Student Goals Getting Started Student Warm-Up Open-String Note Chart Meditation No. 1 Sight Reading SKILL LEVEL 2 Student Goals Left-Hand Warm-Up Note-Chart (1st 3 Strings) Scale Sheet (C Major and G Major) Chord Chart (Easy Chords) Neptune Run Battle's End Night Ride Ode to Joy Found a Friend Koi Under the Moon Bridge Sundance (Solo) A Distant Landscape (Solo) Sight Reading SKILL LEVEL 3 Overview Note Chart (1st 3 Strings) Scale Sheet (C Major and G Major - Alternation) January Embers Intersection The Bending River The Yellow Dress Sight-Reading SKILL LEVEL 4 Note-Chart (Strings 4, 5 and 6) Scale Sheet (C Major, G Major and D Major) Chord Chart (Full Chords) Back In My Day Sandias Transylvanian Folk Song Leap of Leaps Malagueha Hush You Bye Camelback (Solo) Contemplacion (Solo) Sight Reading | ||||
Marcum, Travis, et al | Travis Marcum, et al | Guitar Ensemble Method Book, Level 1-4, Teacher Manual | Travis Marcum | 2024 | guitarcurriculum.com / Austin Classical Guitar | Method | Technique, lesson plans, original pieces, solos, ensembles, perfect companion with guitarcurriculum.com | TEACHER MANUAL Introduction The 5 Elements Overview of Levels 1-4 Performance Checklist Classroom Setup Rehearsal Technique - Management through Music SKILL LEVEL 1 Overview Parts of the Guitar/Fingering Diagram Blue Magic - Holistic Lesson Plan Warm-Up - Four, Four and Four The Violet Crown LoFi Open-String Note Chart Meditation No. 1 - HLP Sight Reading SKILL LEVEL 2 Overview Warm-Ups Note-Chart (1st 3 Strings) Scale Sheet (C Major and G Major) Chord Chart (Easy Chords) Neptune Run - HLP Battle's End - HLP Night Ride Ode to Joy - HLP Found a Friend - HLP Koi Under the Moon Bridge - HLP Sight-Reading SKILL LEVEL 3 Overview Note Chart (1st 3 Strings) Scale Sheet (C Major and G Major - Alternation) January Embers - HLP Intersection - HLP The Bending River - HLP The Yellow Dress Sight-Reading SKILL LEVEL 4 Overview Note-Chart (Strings 4, 5 and 6) Scale Sheet (C Major, G Major and D Major) Chord Chart (Full Chords) Back In My Day - HLP Leap of Leaps Transylvanian Folk Song - HLP Sandias - HLP Hush You Bye Sight Reading RESOURCES o Additional GuitarCurriculum.com Content o Spanish Language Support | ||||
Marcum, Travis, et al | Travis Marcum, et al | Guitar Ensemble Method Book, Level 1-4, Student Manual | Travis Marcum | 2024 | guitarcurriculum.com / Austin Classical Guitar | Method | Technique, solos, ensembles, original pieces, perfect companion with guitarcurriculum.com | STUDENT MANUAL SKILL LEVEL 1 Overview Parts of the Guitar/Fingering Diagram Warm-Up - Four, Four and Four Open-String Note Chart Meditation No. 1 Sight Reading SKILL LEVEL 2 Overview Warm-Ups Note-Chart (1st 3 Strings) Scale Sheet (C Major and G Major) Chord Chart (Easy Chords) Neptune Run Battle's End Night Ride Ode to Joy Found a Friend Koi Under the Moon Bridge Sight-Reading SKILL LEVEL 3 Overview Note Chart (1 st 3 Strings) Scale Sheet (C Major and G Major - Alternation) January Embers Intersection The Bending River The Yellow Dress Sight-Reading SKILL LEVEL 4 Overview Note-Chart (Strings 4, 5 and 6) Scale Sheet (C Major, G Major and D Major) Chord Chart (Full Chords) Back In My Day Leap of Leaps Transylvanian Folk Song Sandias Hush You Bye Sight Reading | ||||
Y | Marsters, Nancy Lee | Nancy Lee Marsters | H.O.T. Hands-On-Training: First Year Guitar Teacher Manual including Materials for Duplication, Rubrics by Virginia I. Boyle | 1998 | Class Guitar Resources | Method | Classroom instruction, Lesson plans, Teacher, Handbook | Overview | ||||
Y | Martín Y Soler, Vicente (Martini, Vincenzio) | Vicente Martín Y Soler (Vincenzio Martini) | 12 Canzonette Italiane | John McCormick | 1998 | Editions Orphée, Inc. | voice and guitar | Collection | Parts of the Guitar/Fingering Diagram | |||
Martin, Hugh and Blane, Ralph | Hugh Martin and Ralph Blane | Have Yourself a Merry Little Christmas | Mark Anthony Cruz | 2007 | MAC Publications | 4 guitars | Quartet, Ensemble, Christmas, popular, missing original copy | Warm-Up - Four, Four and Four | ||||
Y | Martin, Robert | Robert Martin | Diary of a Seducer Volume 1 (15 short pieces) | 1998 | Merion Music, Inc | Solo | Open-String Note Chart | |||||
Y | Martinez, Gilberto | Gilberto Martinez | Guitar Moods: A Collection of Original Compositions and Transcriptions for Classical Guitar | Gilberto Martinez | 1974 | Charles Hansen Music & Books, Inc. | Solo | Anthology, Collection | Meditation No. 1 | |||
Martinez, Paul | Paul Martinez | 101 Ejercicios de técnic flamenca: Picado Arpeggio Pulgar Alzapúa Trémolo Rasgueado (from Escuela de la Guitarra Flamenca) | 2012 | Apmusica | Method | Instruction, Flamenco, Includes tablature, all in Spanish | ||||||
Y | Massenet, Jules (1842-1912) | Jules Massenet (1842-1912) | Mélodie-Elégie Op. 10 No. 5 (Chantée dans Les Erynnies de J. Massenet) | Jaime Bosch (1826-1895) Matanya Ophee, ed. | 2006 | Editions Orphée, Inc. | Solo | Edited by Matanya Ophee | Sight Reading | |||
Y | Masters, Martha and Tom Dempsey | Martha Masters, Tom Dempsey | Guitar 101: Teacher's Handbook, Books 1 & 2, "An Exciting Group Course for Adults Who Want to Play Guitar for Fun!" | 2015 | Alfred Music | Handbook | Teacher's Handbook, Adult Class guitar, Instruction, Lesson plans | About Guitar 101, Book 1 About Guitar 101 Teachers's Handbook, Book 1 Student Motivations and Obstacles The Role of the Teacher The Curriculum Lesson Plans: Guitar 101, Book 1 Week 1: Units 1 and 2 Fundamentals of Reading Music: Pitch Rhythm: Basic Note Values Time Signatures Reading Rhythm Terminology Open Strings on the Guitar Fingerings Tuning Sitting Position Right-Hand Position: Fingerstyle Free Stroke with the Thumb Right-Hand Position: Using a Pick Notes on the Open Bass Strings Tips for Learning New Exercises Pickup Notes Theory: Intervals on Open Strings 4-6 Guitar Legends: Jimi Hendrix Week 2: Units 3 and 4 Notes on the Open Treble Strings Free Stroke with the Fingers Arpeggios Dynamics Theory: Intervals on Open Strings 1-6 Guitar Legends: Michael Hedges Reading and Playing More Than One Note at a Time Using Multiple Fingers Simultaneously Using the Thumb and Fingers Together Guitar Legends: Wes Montgomery Week 3: Units 5 and 14 Left-Hand Position and Technique Natural Notes on the 1st String Natural Notes on the 2nd String Sitting Position Strumming and Pick Technique Reading Chord Charts Tips for Playing Chords Three-note versions and full versions of the G and C chords Slash notation and ghost strokes Strumming Patterns Playing on Adjacent Strings Guitar Legends: Joni Mitchell Week 4: Units 6 and 15 Natural Notes on the 3rd String Chords Strumming Patterns America: A Horse with No Name Theory: Building Chords Guitar Legends: Django Reinhardt Blues Chord Progression for Blues for Three Week 5: Units 7, 15, and 16 Whole Steps and Half Steps Sharps and Flats Enharmonic Equivalents Rules ofAccidentals Bob Marley: Stir It Up Guitar Legends: Paco de Lucía Blues Chord Progression Week 6: Units 8, 15, and 16 Reading Tablature Playing in Higher Positions Shfting New and Duplicate Notes on the First Three Strings Guitar Legends: Leo Kottke Snow Patrol : Run Arpeggiated Bass Line Week 7: Units 9, 15, and 16 Rest Stroke with the Fingers Alternative Left-Hand Fingering Choices Theory : Major Scales Guitar Legends: Chet Atkins The Eagles: Take It Easy Week 8: Units 10, 15, and 16 Fretted Notes on the 4th String Using a Capo Guitar Legends: Andrés Segovia Tom Petty: Free Fallin' Week 9: Units 11, 15, and 16 Key Signatures Guitar Legends: Stevie Ray Vaughan Maroon 5: Payphone Week 10: Units 12, 15, and 16 Fretted Notes on the 6th String Learning to Play and Sing Fleetwood Mac / Dixie Chicks: Landslide Improvisation Week 11: Units 12, 15, and 16 Theory: Minor Scales Guitar Legends: B. B. King Introduce Lynyrd Skynyrd: Sweet Home Alabama Barre Chords Ben E. King: Stand By Me Week 12: Units 12, 15, and 16 Sheryl Crow: Strong Enough Week 13: Units 13, 15, and 16 Descending Slurs Theory: Major and Minor Chords Ascending Slurs Guitar Legends: Eric Clapton Week 14: Units 13, 15, and 16 Coldplay: Viva la Vida Rhythmic Variations for Improvisation Line Shifting Tips Week 15: Units 15 and 16 John Lennon: Imagine Exams for Duplication About Guitar 101, Book 2 About Guitar 101 Teachers's Handbook, Book 2 Student Motivations and Obstacles The Curriculum Lesson Plans: Guitar 101, Book 2 Week 1: Unit 1 Knoxville Dance Yankee Doodle Dandy Home on the Range Ride the C Train Guitar Legends: Jimmy Page Week 2: Unit2 Notes in 2nd and 3rd Position Major Scales in 2nd and 3rd Position Etudes in Sharp and Flat Keys Fingerstyle Pieces in 2nd and 3rd Positions Blues in the Beginning Etude in G Major and minor Triads in 2nd and 3rd Position John Denver: Take Me Home, Country Roads Guitar Legends: Tommy Emmanuel Week 3: Units 5 and 15 Blues in A - Switching Positions Sample Blues Progressions Minor Pentatonic Scale Fingerstyle Blues R.E.M.: Losing My Religion Green Day: Brain Stew Blues Scale A Blues Scale in the Open and 2nd Positions Blues Scale Licks Guitar Legends: Muddy Waters Week 4: Units 6 and 15 Barre Chords Major and Minor Barre-Chord Form The Kingsmen: Louie, Louie Major and Minor Barre Chords in a Song Pink Floyd: Another Brick in the Wall Switching Between Major and Minor Barre Chords on the Same String Bob Dylan: Knockin' on Heaven's Door Eric Clapton: I Shot the Sheriff Guitar Legends: Charlie Christian Week 5: Units 7 and 15 Power Chords Songs with Power Chords The Who: Baba O'Riley Power Chord Inversions / Slash Chords Guitar Legends: Ritchie Blackmore Week 6: Units 6 and 15 Fingerstyle Accompaniment Basic Patterns with p, i, m, a Alternating Bass The Who: Behind Blue Eyes Guitar Legends: Alex DeGrassi Week 7: Units 7 and 15 5th Position Major Scales in 5th Position Etudes in Sharp and Flat Keys Lou Reed: Walk on the Wild Side Major and Minor Triads in 5th Position Guitar Legends: Jeff Beck Week 8: Units 8 and 15 7th Chords 7th Chords as Barre Chords The Rolling Stones: Everybody Needs Somebody to Love Guitar Legends: John McLaughlin Week 9: Units 9, 15, and 16 More Blues Blues Patterns Up the Neck Straight 8th vs shuffle Minor Blues A Minor Pentatonic Ideas A Blues Scale Ideas Improvisation Using the Minor Pentatonic Scale The Rolling Stones: Midnight Rambler Guitar Legends: Buddy Guy Week 10: Units 10 and 16 7th Position Scales in the 7th Position Major Scales in 7th Position Melodic Etudes Improvisation Using the Major Pentatonic Scale Major and Minor Triads in 7th and 8th Position Stumming Etudes Guitar Legends: Ernest Ranglin Week 11: Units 11 and 15 Minor Pentatonic and Blues Scales - 7th Position and Multiple-Position Fingerings A Minor Pentatonic Ideas A Blues Scale Ideas Green Day: Holiday A Minor Pentatonic Scale Melody A Blues Scale Melody Multiple-Position A Minor Pentatonic Scale Multiple-Position A Blues Scale Multiple-Position Blues Melody Guitar Legends: Kenny Burrell Week 12: Units 12 and 15 9th and 10th Position Scales in 9th and 10th Position Chromatic Notes in 9th and 10th Position Major Scales in 9th and 10th Position Melodic Etudes Eagles: Desperado Fingerstyle Etude in 9th and 10th Position Major and Minor Triads in 9th and 10th Position Strumming Etudes Guitar Legends: Eddie Van Halen Week 13: Units 13 and 15 Minor Pentatonic and Blues Scales - 9th/10th Position and Multiple-Position Fingerings A Minor Pentatonic Scale Ideas in 9th/10th Position A Blues Scale ideas in 9th/10th Position Chicago: 25 or 6 to 4 Blues Melody Using the A Minor Pentatonic Scale Blues Melody Using the A Blues Scale Multiple-Position Fingerings for A Minor Pentatonic and A Blues Scales Multiple-Position Fingerings for A Minor Pentatonic and A Blues Scales Multiple-Position Blues Melody Guitar Legends: Bonnie Raitt Week 14: Units 14 and 16 Major Scale Minor Pentatonic Scale Combining the Major Scale and Minor Pentatonic Scale in Improvisation Blues Scale Week 15: Units 14 and 16 Major and Minor Triads Fingerings Dominant 7th and Minor 7th Chord Exams for Duplication Guitar Fingerboard Chart | ||||
Y | Matallana, Eustasio | Eustasio Matallana | Guajiras: Bailes Populares Españoles No. 5 | 1956 | Union Musical España | Solo | Theme and Variations | |||||
Mattheson, Johann (1681-1764) | Johann Mattheson (1681-1764) | Guitar Trio: Lento, Allegro, Loure, Gigue | Eythor Thorlaksson | The Guitar School - Iceland www.eythorsson.com | 3 guitars | Trio, Ensemble, parts only, not original copy | ||||||
Y | Maw, Nicholas | Nicholas Maw | Little Suite for Guitar | Simon Wynberg | 1985 | Faber Music Ltd. | Solo | Reflection Song A Winter Landscape Stamping Dance | ||||
Y | Maza, Eduardo S. De la | Eduardo S. De La Maza | Platero Y Yo Suite | 1972 | Union Musical Espanola | Solo | I. Platero II. El Loco III. La Azotea IV. Darbon V. Paseo VI. La Tortuga VII. La Muerte VIII. A Platero en su Tierra | |||||
Y | Maza, Regino Sainz de la | Regino Sainz de la Maza | El Vito (Nueva Version) | 1962 | Union Musical Ediciones | Solo | ||||||
Y | Maza, Regino Sainz de la | Regino Sainz de la Maza | Soleá | 1976 | Union Musical Espanola | Solo | ||||||
Y | McBroom, Amanda | Amanda McBroom | The Rose | Stan Ayeroff | 1984 | Warner-Tamerlane Publishing Corp. | Solo | Popular, Movie Theme, Bette Midler | ||||
Y | McCabe, John | John McCabe | Canto for Guitar (1968) | 1970 | Novello & Company Limited | Solo | ||||||
Y | Mendelssohn, Felix (1809-1847) | Felix Mendelssohn (1809-1847) | Songs without Words, Op. 30 Nos. 1, 2, & 3 | Manley Mallard | 1995 | Guitar Chamber Music Press | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Méneret, Laurent | Laurent Méneret | Maria Dolores: 1. Calle de la tiendas; 2. Maria Dolores | 2015 | Les Productions d'OZ | 4 guitars | Quartet, Ensemble, Score only | ||||||
Y | Mercader, Nan | Nan Mercader | la percusión en el flamenco | 2001 | Nueva Carisch España, S. L. | el cajón, palos, palmas, la tinaja, congas, el bongó | Includes photographs of instruments and playing positions, all in Spanish, CD included | El cajón Palos de 12 tiempos Palos Binarios Palos Ternarios Polirrítmico La Tinaja Batería Tambores de Bata Congas El Bongó | ||||
Mercer, Johnny | Johnny Mercer | Autumn Leaves | Brent Ferguson | 4 guitars | Quartet, Ensemble, Score only, missing Guitar parts 2 and 3, missing original | |||||||
Y | Mertz, Johann Kaspar (1806-1856) | Johann Kaspar Mertz (1806-1856) | Didactic & Easy Pieces (Guitar Works, Volume V) | Simon Wynberg, ed. | 1999 | Chanterelle Verlag | Solo | Collection, 1 piece by Albrechtsberger, Mertz, arr. | Præludium in D dur WoO Orgelfuge von Albrechtsberger (arr. Mertz) WoO Walzer WoO Trois Nocturnes op.4 | |||
Y | Mertz, Johann Kaspar (1806-1856) | Johann Kaspar Mertz (1806-1856) | Elegy for Guitar | David Leisner | 1985 | Merion Music, Inc | Solo | |||||
Y | Mertz, Johann Kaspar (1806-1856) | Johann Kaspar Mertz (1806-1856) | Trois Morceaux Op. 65 (Guitar Works, Volume IX) | Simon Wynberg, ed. | 1999 | Chanterelle Verlag | Solo | Collection | Fantaisie Hongroise, op. 65 No. 1 Fantaisie Originale op. 65 No.2 Le Gondolier op. 65 No. 3 | |||
Methany, Pat | Pat Methany | James | Pete Hankiinson | UNC Jazzpress | Mixed Ensemble, 5 guitars, Rhythm guitar, Bass, Drums | Jazz ensemble, score and parts, missing Guitar part 3 | ||||||
Y | Middlebrook, Ron | Ron Middlebrook | Guitar Chords Plus | 1996 | Centerstream Publishing | Method | FOREWORD REVIEW OF CONTENTS THE BASIC GUITAR TUNING THE GUITAR CHORDS AND THEIR MATCHING SYMBOLS ENHARMONIC EQUIVALENTS CHORD DIAGRAM GUIDE A CHORDS Bb/A# CHORDS B CHORDS C CHORDS C#/Db CHORDS. D CHORDS Eb-D# CHORDS E CHORDS F CHORDS F#/Gb CHORDS G CHORDS G#/Ab CHORDS EXTENDED CHORDS EXTENDED CHORDS (PHOTO & DIAGRAM) GUITAR FINGERBOARD CHART KEYS PRINCIPLE CHORDS THE CYCLE OF FIFTHS (FOURTHS) TRANSPOSING THE CAPO GUITAR SYMBOLS GLOSSARY OF GUITAR TERMS | |||||
Y | Milán, Luis (c. 1500 – c. 1561) | Luis Milán (c. 1500 – c. 1561) | 6 Pavanas | Leo Welch, et. al. | 2001 | The FJH Music Co., Inc. | Solo | Collection | ||||
Y | Milán, Luis (c. 1500 – c. 1561) | Luis Milán (c. 1500 – c. 1561) | Fantasia XVI | Julio Prol | 1968 | O. Pagani & Bro. Inc. | Solo | Originally for Vihuela | ||||
Y | Milán, Luis (c. 1500 – c. 1561) | Luis Milán (c. 1500 – c. 1561) | Pavane II | Emilio Pujol | 1960 | Editions Max Eschig | Solo | |||||
Y | Milán, Luis (c. 1500 – c. 1561) | Luis Milán (c. 1500 – c. 1561) | Pavana V | Emilio Pujol | 1931 | Editions Max Eschig | Solo | |||||
Y | Milán, Luis (c. 1500 – c. 1561) | Luis Milán (c. 1500 – c. 1561) | Six Pavanas and a Fantasia | Alexander Bellow | 1969 | Belwin Mills | Solo | |||||
Y | Milano, Francesco da (1497-1543) | Francesco da Milano (1497-1543) | 3 Fantasien | Siegfried Behrend | 1960 | Otto Heinrich Noetzel Verlag | Solo | |||||
Y | Milano, Francesco da (1497-1543) | Francesco da Milano (1497-1543) | Ricercari und Fantasien (5 Ricercari, 4 Fantasien) | Karl Scheit | 1982 | Universal Edition | Solo | John Fernando | ||||
Y | Milhaud, Darius | Darius Milhaud | Brazileria from "Scaramouche" (Rumba d'apres le No. 3 de Scaramouche) | Francis | 1951 | Editions Salabert | Solo | |||||
Y | Milhaud, Darius | Darius Milhaud | Segoviana | 1959 | Heugel et Cie | Solo | ||||||
Mills, Frank | Frank Mills | Music Box Dancer | Harry Volpe | 1974 | Music Box Dancer Publications Ltd. | Solo | ||||||
Y | Mills, John | John Mills | Guitar Music from the Student Repertoire | John Mills | 1974 | Musical New Services Ltd. | Solo | Anthology | John Fernando | |||
Y | Miranda, Eduardo | Eduardo Miranda | La Guitarra!: A Beginning Classical Guitar Method for Group Instruction, Teacher Edition | 2005 | Eduardo Miranda/Guitars Galore | Method, 4 guitars, Ensemble | Classroom instruction, Folk, Traditional, All exercises and songs written in Standard plus tablature notation | Introduction Dedication Parts ofthe Guitar Guitar Sizes About the Method Technical Concerns Classical Guitar Fingering Part 1 Exercises and Warm-ups Part 2 Children's Songs Hot Cross Buns - Quartet and Accompaniment See Saw - Quartet and Accompaniment Twinkle, Twinkle - Quartet and Accompaniment Lady, Lady - Voice/Melody plus Quartet and Accompaniment Up, Down. All Through the Town - Voice/Melody plus Quartet and Accompaniment Old McDonald - Voice/Melody plus Quartet and Accompaniment Part 3 Patriotic Songs America - Voice/Melody plus Quartet and Accompaniment America, the Beautiful - Voice/Melody plus Quartet and Accompaniment Battle Hymn of the Republic - Voice/Melody plus Quartet and Accompaniment | ||||
Y | Miranda, Eduardo | Eduardo Miranda | La Guitarra!: A Classical Guitar Method for Group Instruction, Sight Reading Book, Level I | 2006 | Eduardo Miranda/Guitars Galore | Method, Solo w/accompaniment, 2 guitars | Classroom instruction, Student Edition, Companion to La Guitarra Level I, Folk, Traditional, Standard and Rhythmic notation, Exercises for Teacher and Student in 2-part notation | Introduction Dedication Unit 1 Section 1 - Reading Basics Section 2 - Notes on the Staff Section 3 - Pitch Section 4 - Notational Values Unit 2 Notes on the First String Unit 3 Notes on the Second String Unit 4 Notes on the First and Second String Combined Mary Had a Little Lamb Oh When the Saints Go Marching In Unit 5 Notes on the Third String Twinkle, Twinkle Little Star Unit 6 Notes on the First, Second and Third String Combined Unit 7 Section 1 - Eighth Notes Section 2 - Clapping Eighth Notes Section 3 - Playing Eighth Notes on the Guitar Section 4 -Eighth notes on the First, Second and Third Strings Unit 8 Putting it all Together: Eighth Notes on the First, Second and Third Strings with Accompaniment Pieces by: Dowland, Pachelbel, Küffner, and Jason H. Mitchell | ||||
Y | Miranda, Eduardo | Eduardo Miranda | La Guitarra!: A Classical Guitar Method for Group Instruction, Level 2, Teacher Edition | 2006 | Eduardo Miranda/Guitars Galore | Method, Solo, 4 guitars, 2 guitars, 3 guitars | Classroom instruction, 4-part and 2-part arrangements, Folk, Traditional, Classical | Introduction II. Dedication III.Technical Concerns A. Free Stroke or Tirando B. Chords C. Ligados 1. Ascending (Hammer-ons) 2. Descending (Pull-offs) IV. Tuning A. String Matching B. Tuning Procedure C. Using a Tuner D. D Tuning V. Nail Care Part 1 VI. Technical Exercises A. Scales 1. Major 2. Minor B. Arpeggios 1. Secondary Arpeggio Position 2. Primary Arpeggio Position C. Ligados 1. Ascending 2. Descending Part 2 VII. Ensemble Pieces Quartets A. Music from Mexico 1. Cielito Lindo Quartet - Traditional Mexican Song 2. De Colores Quartet - Traditional Mexican Song B. The Western Tradition 1. Missa Ascendo ad Patrem Benedictus Quartet - Palestrina 3. Eine Kleine Nachtmusick Menuetto (Third Movement) Quartet - W. A. Mozart Part 3 VIII. Duos A. Bourree - Johann Sebastian Bach B. Invention #1 - Johann Sebastian Bach Part 4 IX. Solos Country Dance - Carulli Leccion 19 - D. Aguado Op. 44, No.2 - F. Sor Andantino - Carulli Study in a-Minor - Giuliani Glossary of Terms | ||||
Y | Miranda, Eduardo | Eduardo Miranda | La Guitarra!: A Classical Guitar Method for Group Instruction, Sight Reading Book, Level II | 2006 | Eduardo Miranda/Guitars Galore | Method, Solo w/accompaniment | Classroom instruction, Student Edition, Companion to La Guitarra Level 2, Folk, Traditional, Standard and rhythmic (non-pitched) notation, Exercises for Teacher and Student in 2-part notation | I. Introduction II. Dedication III. Review A. Music Symbols B. Note Values and Rests C. Notes on the First, Second and Third Strings IV. Unit 1 Notes on the Fourth String 2-part Exercises Amazing Grace - Traditional V. Unit 2 A. C on the Fifth String B. Drills C. Identifying Notes Below the Staff D. 2-part Exercises Pin Pon - Folk Song from Latin America Sweet Betsy from Pike - Folk Tune VI. Unit 3 The Dotted Quarter Note Rhythmic Drills Can't You Dance the Polka - Capstan Shanty Sarasponda - Anonymous VII.Unit 4 A and B on the Fifth String The Girl I Left Behind Me - Irish Reel Tune Unit 5 G on the Sixth String Cindy - Appalachian Follk Tune Blue Tail Fly IX. Unit 6 E and F on the Sixth String The Yellow Rose of Texas - Traditional X. Unit 7 Sharps and Flats Chromatic Scale English Melody - Anonymous Melody from Costa Rica Hawaiian Rainbows - Folk Song from Hawaii XI. Unit 8 Key Signatures The Whale - Old Whaling Song Canon for Two Guitars - Germany Minuet in A (from A. Magdalena's Notebook) - J. S. Bach Exercise - Ferdinando Carulli Canon for 4 guitars - Germany Canon for 4 guitars - England Canon for 3 guitars - England Canon for 2 guitars - Joseph Haydn XII. Unit 9 More Complex Rhythms [Syncopation] Mango Walk - Jamaican Calypso Two Wings - Black Spiritual Open the Window, Noah - Black Spiritual Shenandoah - American Sea Chantey List of Folk Songs and Classical Excerpts: Amazing Grace Pin Pon Sweet Betsy from Pike Can't You Dance the Polka - Capstan Shanty Sarasponda The Girl I Left Behind Me Cindy Blue Tail Fly The Yellow Rose of Texas Hawaiian Rainbows The Whale Minuet in A - J. S. Bach Exercise by Carulli Canon by Haydn Mango Walk - Jamaican Calypso Two Wings - Black Spiritual Open the Window, Noah - Black Spiritural Shenandoah - American Sea Chantey | ||||
Y | Mock, Julian | Julian Mock | Reynosa | 2004 | Julian Mock | Solo | Julian Mock | |||||
Y | Mock, Julian | Julian Mock | Spaceship Earth | 2013 | Julian Mock | Solo | Julian Mock | |||||
S | Mock, Julian | Julian Mock | Sweetbitter | 2008 | Julian Mock | Solo | Julian Mock | |||||
Y | Mock, Ruth and Jerry Mock | Ruth and Jerry Mock | Creative Guitar International: Classic Guitar Magazine, Vol. 1, no. 1 | 1973 | Mockingbird Press | Family-published Journal: Interviews; Instruction; Pedagogy; Reviews; Sources of Guitar Literature; etc. | Archives, Article on Costero-Beltran Duo | Julian Mock | ||||
Y | Mock, Ruth and Jerry Mock | Ruth and Jerry Mock | Creative Guitar International: Classic Guitar Magazine, Vol. 1, no. 2 | 1974 | Mockingbird Press | Journal | Guitar in Mexico | Julian Mock | ||||
Y | Mock, Ruth and Jerry Mock | Ruth and Jerry Mock | Creative Guitar International: Classic Guitar Magazine, Vol. 1, no. 3 | 1974 | Mockingbird Press | Journal | Guitar in Mexico Part II | Julian Mock | ||||
Y | Mock, Ruth and Jerry Mock | Ruth and Jerry Mock | Creative Guitar International: Classic Guitar Magazine, Vol. 2, no. 1 | 1974 | Mockingbird Press | Journal | Article with Scott Tenant at 12 years old | Julian Mock | ||||
Y | Mock, Ruth and Jerry Mock | Ruth and Jerry Mock | Creative Guitar International: Classic Guitar Magazine, Vol. 2, no. 2 | 1975 | Mockingbird Press | Journal | History of Nylon Strings | Julian Mock | ||||
Y | Mock, Ruth and Jerry Mock | Ruth and Jerry Mock | Creative Guitar International: Classic Guitar Magazine, Vol. 2, no. 3 | 1975 | Mockingbird Press | Journal | More on Strings | Julian Mock | ||||
Y | Mock, Ruth and Jerry Mock | Ruth and Jerry Mock | Creative Guitar International: Classic Guitar Magazine, Vol. 3, no. 1 | 1975 | Mockingbird Press | Journal | Barrios, Carrillo | Julian Mock | ||||
Y | Mock, Ruth and Jerry Mock | Ruth and Jerry Mock | Creative Guitar International: Classic Guitar Magazine, Vol. 3, no. 2 | 1976 | Mockingbird Press | Journal | Alirio Diaz, Duarte, More on Strings | Julian Mock | ||||
Y | Mock, Ruth and Jerry Mock | Ruth and Jerry Mock | Creative Guitar International: Classic Guitar Magazine, Vol. 3, no. 3 | 1976 | Mockingbird Press | Journal | Syllabuses Grades I and II, Sight-Reading | Julian Mock | ||||
Y | Mock, Ruth and Jerry Mock | Ruth and Jerry Mock | Creative Guitar International: Classic Guitar Magazine, Vol. 4, no. 1, No. 10 | 1975 | Mockingbird Press | Journal | Syllabuses Grades III and IV, Scott Tenant | Julian Mock | ||||
Y | Mock, Ruth and Jerry Mock | Ruth and Jerry Mock | Creative Guitar International: Classic Guitar Magazine, Vol. 4, no. 2, No. 11 | 1977 | Mockingbird Press | Journal | Behrend, Lutes, Syllabus Grade V | Julian Mock | ||||
Y | Mock, Ruth and Jerry Mock | Ruth and Jerry Mock | Creative Guitar International: Classic Guitar Magazine, Vol. 4, no. 3, No. 12 | 1977 | Mockingbird Press | Journal | Ensembles, Syllabus Grade VI | Julian Mock | ||||
Y | Mock, Ruth and Jerry Mock | Ruth and Jerry Mock | Creative Guitar International: Classic Guitar Magazine, Vol. 5, no. 1, No. 13 | 1977 | Mockingbird Press | Journal | Laval Trio, Old Fretted Instruments, Syllabus Grade VII, Austin Guitar Society mentioned | Julian Mock | ||||
Y | Mock, Ruth and Jerry Mock | Ruth and Jerry Mock | Creative Guitar International: Classic Guitar Magazine, Vol. 5, no. 2, No. 14 | 1978 | Mockingbird Press | Journal | Improvising, Syllabus Grade VIII, Alpine Regional Choir: First in U.S.? | Julian Mock | ||||
Y | Mock, Ruth and Jerry Mock | Ruth and Jerry Mock | Creative Guitar International: Classic Guitar Magazine, Vol. 5, no. 3, No. 15 | 1978 | Mockingbird Press | Journal | Tuning Methods, Improvisation, Vihuela | Julian Mock | ||||
Y | Mock, Ruth and Jerry Mock | Ruth and Jerry Mock | Creative Guitar International: Classic Guitar Magazine, No. 16 | 1978-79 | Mockingbird Press | Journal | Swedish altguitar, contraguitar; Recordações by Norberto Macedo, Improvisation | Julian Mock | ||||
Y | Mock, Ruth and Jerry Mock | Ruth and Jerry Mock | Creative Guitar International: Classic Guitar Magazine, No. 17 | 1979 | Mockingbird Press | Journal | Interview with Biberian, Mock family in Germany, Improvisation, Old guitar in Berlin Museum | Julian Mock | ||||
Y | Mock, Ruth and Jerry Mock | Ruth and Jerry Mock | The Mock Family Classic Guitar Method (Volume 1, age 3 - adult) | 1972 | Mockingbird Press | Method, Solo, 2 guitars, 3 guitars | Classroom Instruction, 2-part and 3-part arrangements, Folk, Traditional | Introduction Parts of the Guitar Holding the Guitar Tuning Free Stroke Free Stroke with Thumb Black Is the Color (Baa Baa Black Sheep variant): Open string accompaniment "Home Base" Note Black Is the Color / Baa Baa Black Sheep Solo Black Is the Color / Baa Baa Black Sheep Duo Black Is the Color / Baa Baa Black Sheep Variation Rest Stroke Black Is the Color / Baa Baa Black Sheep Trio Campanas (Jingle Bells) Solo, Duo and Trio Brother John Ostinato Accompaniment Brother John Solo, Duo Sister Mary Solo, Duo Hush Little Baby Solo, Duo Arroz con Leche Solo, Duo, Trio Life Is But a Dream (Row, Row, Row Your Boat) Solo, Duo A Mouse in the House (Three Blind Mice) Solo, Duo Sugar Road (?) Solo, Duo, Trio Down in the Rio Grande Valley (Down in the Valley) Solo, Duo, Trio Danza Del Viejecito (Little Old Man) Solo - RJM Solo El Baliana Solo - RJM Bar / Barre Chords Bachas Tejas Solo - RJM The Shores of Padre Solo - RJM Sunrise at Roma Solo - RJM Swaying Mesquite Solo - RJM Lights of Reynosa Solo - RJM Los Ebanos Ferry Solo - RJM Notation Chart of Strigns and Frets | ||||
Mohagheghi, Mehdi | Mehdi Mohagheghi | Tangos: Estudios progresivos Progressive studies | 2010 | RGB Arte Visual S.L. Madrid | Method, Solo | Instruction, Tango, Spanish and English,Standard and Tab Notation, short examples and variations | Introducción Notas del autor - includes definitions Simbolos (Symbols) Llamadas (Calling) Falsetas | |||||
Y | Mokotoff, Eric Charles | Eric Charles Mokotoff | Hatikvah (Hope) | 1989 | Eigelstadt Music Publications | Solo | ||||||
Y | Mompou, Federico | Federico Mompou | Suite Compostelan | Andres Segovia | 1964 | Musique Contemporaine | Solo | 2 copies are not identical: one is older | I. Preludio II. Coral III. Cuna IV. Recitativo V. Cancion VI. Muñeira | |||
Monteverdi, Claudio | Claudio Monteverdi | Orfeo Suite | Jürg Kindle | 2002 | Les Productions d'Oz | 5 guitars | Quintet, Ensemble, Score and parts, missing original copy | |||||
Y | Montoya, José Manual | José Manual Montoya | Guitarra Flamenca "Bulerías paso q paso I" (Yaiza y Bajo) | 2005 | Libor de Partituras | 2 guitars | Flamenco, includes tablature for Guitar 1 | |||||
Mor, Bernard | Bernard Mor | Ballade | 1982 | Alphonse Leduc & Cie | Solo | |||||||
Y | Morel, François | François Morel | "Me duele España": Tropes (7) pour guitare | 1980 | Les Editions Quebec-Musique | Solo | ||||||
Y | Morel, Jorge | Jorge Morel | Classical Guitar Solos (includes original and arranged pieces) | Jorge Morel, arr. | 1981 | Ashley Mark Publishing Company | Solo | Collection, Anthology | 1 Peruvian Folk Song (Traditional) 2 Misionera (Fernando Bustamante) 3 Carnavalito (El Humahuaqueno) (E. Zaldivar) 4 Danza Brasilera 5 Romance Criollo 6 Danza in E Minor | |||
Y | Morel, Jorge | Jorge Morel | Four Pieces: Bossa in Re; Pampero; Gato; Zambeando | ? | Chorus Publications | Solo | 1. Bossa in Re 2. Pampero 3. Gato 4. Zambeando | |||||
Y | Morel, Jorge | Jorge Morel | Magnificent Guitar, The: Jorge Morel, A Life of Music (bio plus 21 pieces) | 2007 | Mel Bay Publications, Inc. | Solo | Book, Collection, Biography | Little Fantasy Staccato Dance Danza de Mayol Jugueteando American Fantasy Misionera (from "The Magnifecent Guitar of Jorge Morel Misionera (from "The Artistry of Jorge Morel") Run Away Guitar ("Guitarreando" Olga: I. Cancion II. Fughetta III. Giga Cancion del Viento, arr. (Traditional Argentinian Lullaby) Yellow Bird, arr. (Ortelou Bayard) Scherzino del Norta Danza de Un Recuerdo Greensleeves (Traditional) Cancion del Recuerdo Aire de Malambo Brazilian Sunrise Barcarole Campanas Homage to a Dance: Choro Sevilla: Sevillanas, arr. (Isaac Albéniz) | ||||
Morel, Jorge | Jorge Morel | Four Pieces | ? | Chorus Publications | Solo | Bossa in Re Pampero Gato Zambeando | ||||||
Y | Morley, Thomas | Thomas Morley | The English Lute - Songs Series I: 16: Thomas Morley - The First Booke of Ayres (1600) | Edmund H. Fellows | 1968 | Stainer & Bell, LTD. | Lute, voice and guitar | Renaissance, Collection,includes lute tablature, some songs missing | I. A painted tale II. Thirsis and Milla (first part) III. She straight her light green silken coats (second part) IV. With my love my life was nestled V. I saw my lady weeping VI. It was a lover and his lass VII. Who is it that this dark night ? VIII. Mistress mine well may you fare IX. Can I forget what reason’s force X. Love wing’d my hopes XI. What if my mistress now XII. Come, sorrow, come XIII. Fair in a morn XIV. Absence, hear thou my protestation XVII. Will you buy a fine dog ? XVIII. Sleep, slumb’ring eyes MISSING: XV. White as Lillies XVI. What lack ye Sir XIX. Much have I loved XX. Fatastic love (first part) XXI. Poor soul (second part) XXII. Pavane XXIII. Galliard APPENDIX Ornamented version of the tune of no. IV ("With my love") as found in Ch. Ch. Mus. MS 439, p. 37 | |||
Y | Mosso, Carlos | Carlo Mosso | Forskalia (1972) | 1973 | Bèrben | Solo | ||||||
Y | Mourat, J. M. | J.M. Mourat | Coucher de Soleil | 1975 | Gérard Billaudot Editeur | Solo | ||||||
Y | Mourat, J. M. | J. M Mourat | Melancole | 1973 | Gérard Billaudot Editeur | Solo | Theme and Variations | |||||
Y | Mourat, J. M. | J.M. Mourat | Suite Vendèenne | 1975 | Gérard Billaudot Editeur | Solo | Prélude Allemande Sarabande Menuet Gigue | |||||
Y | Mouret, Jean Joseph (1681-1738) | Jean Joseph Mouret (1681-1738) | Rondeau (Theme from "Masterpiece Theater") | Giovanni de Chiaro | 1989 | The Willis Music Co. | Solo | |||||
Y | Mozart, Wolfgang Amadeus (1756-1791) | Wolfgang Amadeus Mozart (1756-1791) | Fugue K 401 / 375 E | (competed by Maximilaian Stadler) Mark Anthony Cruz | 2006 | MAC Publications | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Mozart, Wolfgang Amadeus (1756-1791) | Wolfgang Amadeus Mozart (1756-1791) | Les petiis riens KV 299b | Jeremy Sparks | 1997 | Les Éditions Doberman-Yppan | 4 guitars | Quartet, Ensemble, Score and parts | Ouverture I - Largo II - Gavotte III - Andantino IV - Allegro V - Larghetto VI - Gavotte VII - Adagio VIII - no title IX - Gavotte Gracieuse X - Pantomime XI - Passepied XII - Gavotte | |||
Y | Mozart, Wolfgang Amadeus (1756-1791) | Wolfgang Amadeus Mozart (1756-1791) | Symphony No. 40, K. 550, First Movement | Robert Gordon Mayeur | 1996 | The Guitar Ensemble Mayeur Publications | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Mozart, Wolfgang Amadeus (1756-1791) | Wolfgang Amadeus Mozart (1756-1791) | Symphony No. 40, K. 550, SecondMovement | Robert Gordon Mayeur | 1996 | The Guitar Ensemble Mayeur Publications | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Mozart, Wolfgang Amadeus (1756-1791) | Wolfgang Amadeus Mozart (1756-1791) | Symphony No. 40, K. 550, Third Movement | Robert Gordon Mayeur | 1996 | The Guitar Ensemble Mayeur Publications | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Mozart, Wolfgang Amadeus (1756-1791) | Wolfgang Amadeus Mozart (1756-1791) | Symphony No. 40, K. 550, Fourth Movement | Robert Gordon Mayeur | 1996 | The Guitar Ensemble Mayeur Publications | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Mudarra, Alonso de (1510-1580) | Alonso de Mudarra (1510-1580) | Fantasia n. 10 | Miguel Ablóniz | 1977 | Edizioni Bèrben | Solo | "que contrahaze la harpa en la manera de Ludovico" | ||||
Y | Mudarra, Alonso de (1510-1580) | Alonso de Mudarra (1510-1580) | Fantaisies V et VI | Lupe de Azpiazu | 1966 | Alphonse Leduc | ||||||
Y | Murcia, Santiago de (1673-1739) | Santiago de Murcia (1673-1739) | Prélude et Allegro | Emilio Pujol | 1955 | Editions Max Eschig | Solo | |||||
Y | Murcia, Santiago de (1673-1739) | Santiago de Murcia (1673-1739) | Suite en Ré Majeur | Emilio Pujol | 1965 | Editions Max Eschig | Solo | Allemanda (Allemande) Allegro Rondó (Rondeau) Giga I (Gigue I) Giga II (Gigue II) Gavotta (Gavotte) La Burlesca (La Burlesque)\ | ||||
Y | Murcia, Santiago de (1673-1739) | Santiago de Murcia (1673-1739) | Suite en ré mineur | Olaf van Gonnissen | 2009 | Universal Edition A. G. | Solo | New Karl Scheit Guitar Edition | ||||
Muska, Terry | Terry Muska | Introduction to Classical Guitar: A Method for First Semester Guitar Students | ? | San Antonio College | Method | Student Workbook, Exercises, Technique, Solos, Duos, Trios, Quartets | PART I: Introduction to Guitar Introduction Syllabus Unit One - Terminiology and Musical Notation Parts of Guitar Playing Position Right Hand Rest Stroke Free Stroke Fingerboard Diagram Left Hand Position Tuning Open Strings Musical Notation Time Signatures Rhythmic Notation Rhythm Exercises Unit Two - Note Reading on Strings 1, 2, 3 Accidentals El Noy di la Mare - Traditional Spanish Folk Song, arr. for 3 guitars Arpeggios and Patterns Ode to Joy, arr. for 2 guitars - Beethoven Farruca Unit Three - Note Reading on Strings 4, 5, 6 Amazing Grace The Tartan Kiltie The Cambric Shirt (Scarborough Faire) Arpeggios Study Scale Study Unit Four - Chords and Accompaniment Techniques Unit Five - Major Scales and Learning the Fingerboard Whole Steps and Half Steps Technique Studies and Repertoire Daily Guitar Practice Daily Technique for Classical Guitar Right Hand, Left Hand Theme from "Leyenda" - Isaac Albeniz Malagueña - Traditional Spanish Note Reading Supplements PART II: Intermediate Class Guitar Syllabus Technique Studies 5th Position Andantino - Matteo Carcassi Incomparable - Anonymous Soalin' - Traditional English Carcassi Arpeggio Studies Estudio - Dionisio Aguado Allegro - Mauro Giuliani Prelude - Matteo Carcassi Etude - Francisco Tárrega Major Scales. Allegro Trio - Ferdinand Carulli Pavan I Quartet- Luis Milan Pavane Trio - Anonymous, arr. Muska Andante - Ferdinando Carulli Andante, Part 2, - F. Carulli Sevillanas, pt. 1 - Traditional Flamenco Sevillanas, pt. 2 - Traditional Flamenco Scaling Mt. Everfrets Galliard Quartet- Anonymous, arr. Muska for 4 guitars PART III: Advanced Class Guitar Syllabus Technique Studies Greensleeves - Anonymous 16th century Packington's Pound - Anonymous 16th century Carcassi - Right Hand Studies "Extended Chords" The ii7 - V7 Progression My Lady Carey's Dompe - Traditional English Dance Tune, c. 1600, Baroque Turkish March (Alla Turka) Duo - Wolfgang Amadeus Mozart, arr. for 2 guitars Minuet in B Minor - Johann Krieger Bourée - Johann Philippe Krieger, arr. Muska Romanza - Anonymous Romanza (tremolo version) Estudio in Em - Francisco Tárrega, ed. Muska Largo Duo - Antonio Vivaldi, arr. for 2 guitars Study No. 7 - Matteo Carcassi Study in E minor - Dionisio Aguado Chromatic Octaves Lagrima - Francisco Tárrega Adelita - Francisco Tárrega Bourée in Em (from Lute Suite No. 1) - J. S. Bach, trans. Muska Chord Diagrams Manuscript Paper Music Dictionary | |||||
Y | Mussorgsky, Modest | Modest Mussorgsky | Pictures at an Exhibition | Jeremy Sparks | 2002 | Les Éditions Doberman-Yppan | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Myers, Stanley | Stanley Myers | Cavatina | 1995 | EMI Music Publishing | Solo | Movie, "The Deer Hunter", Tablature | |||||
Y | Myers, Stanley | Stanley Myers | Cavatina | 1986 | Glenwood Music Corp | Solo | Movie, "The Deer Hunter" | |||||
Y | Nakabayashi, Atsumasa | Atsumasa Nakabayashi | Viento Mordaz | 1975 | Union Musical Española | Solo | ||||||
Y | Nakada, Akira | Akira Nakada | A Song of Early Spring, (from "12 Songs for Guitar") | Toru Takemitsu | 1977 | Zen-On Music Co., Ltd. | Solo | |||||
Y | Nance, Fred and Mary Ann Godla | Fred Nance and Mary Ann Godla | Solo Guitarist Book One | 1973 | General Words and Music Co. | Method | Collections | |||||
Y | Narvaez, José-Luis | José-Luis Narvaez | Cerro de La Luna (homenaje Manuel de Falla) | 1997 | Editions Transatlantiques | Solo | ||||||
Y | Narvaez, José-Luis | José-Luis Narvaez | Mecanic Dance Op. 18: Petite suite en quatre mouvements | 1989 | Editions Robert Martin | Solo | 1) Staccato 2) Marcato 3) Ostinato 4) Attacca | |||||
Y | Neusiedler/Newsidler, Hans (1508-1563) | Hans Newsidler/Neusiedler (1508-1563) | Four Pieces | Joseph Weidlich | 1976 | DeCamera Publishing Company | Solo | Mein Hertz Hat Sich Mit Lieb Verpflicht Hie Folget Ein Welsher Tantz Ich Klag Den Tag Hie Volget Der Juden Tantz | ||||
Y | Nikiprowetzky, Tolia | Tolia Nikiprowetzky | La Vie Fragile (d'apres le poème de Pierre Reverdy | Betho Davezac | 1992 | Éditions Max Eschig | Solo | |||||
Y | Nin-Culmell, Joaquin | Joaquin Nin-Culmell | La Matilde Y El Emilio | Marc Régnier, fing. | 1991 | Éditions Max Eschig | Solo | |||||
Y | Noad, Frederick M. Noad | Frederick M. Noad | First Book for the Guitar Part Three | 1981 | G. Schirmer | Instruction, Technique, Duets, Solos | A PRACTICAL WARM-UP ROUTINE MORE ADVANCED COUNTING The dotted eighth note Grace notes ANDANTE Op. 35, No. 14 - Fernando Sor Syncopation EXERCISE 1 (The Entertainer) - Scott Joplin THE HALF BAR ANDANTINO (Op. 241, No. 15) - Ferdinando Carulli MORE ABOUT CHORDS EXERCISE 2 (Study in Chords - F.N.) ARPEGGIATED CHORDS WHEN TO ARPEGGIATE AMUSEMENT(Op. 18, No. 3) - Felix Horetzky SHORTHAND SYSTEMS FOR CHORDS Components of a Major Chord The Right Hand Breaking up the Chords Formation of More Complex Chords ON TOP OF OLD SMOKEY EXPLORING NEW KEYS Flat Keys EXERCISE 3 (from the opera Jocelyn - Benjamin Godard) STUDY IN F (Op. 31, No. 1) - Fernando Sor Keys With more Sharps Scale of A Major EXERCISE 4 (The St. Catherine - John Barrett) ANDANTE (from Op. 6) - Francois Molino ALMAN - Anon. (16th Century) Scale of E Major EXERCISE 5 (Pastoral—F.N.) LITTLE RONDO - A. Meissonier TECHNIQUE DEVELOPMENT Movements in Thirds and Sixths EXERCISE 6 (Study in Sixths) - Fernando Sor, Arr. F.N. EXERCISE 7 (Study inThirds) - Fernando Sor, Arr. F.N ALLEGRETTO (Op. 44, No. 8) - Fernando Sor ANDANTlNO (Op. 139, No. 1) - Mauro Giuliani MINOR SCALES Natural Minor Melodic Minor Scales Scale of D Minor Scale of A Minor Scale of E Minor Minor Chords STUDY IN D MINOR - Napoleon Coste BOURREE IN A MINOR - Leopold Mozart PETENERA - Traditional SICILIENNE HOW TO GETTHE MOST FROM YOUR MUSIC Dynamics Tonal Variety Vibrato The Importance ofTempo Markings Rallentando Other Changes in Tempo Other Italian Terms Conclusion RONDO (from the Sonatina, Op. 71) - Mauro Giuliani SELF TEST GOING ON FROM HERE | |||||
Y | Noad, Frederick M. Noad | Frederick M. Noad | First Book for the Guitar Part One | 1978 | G. Schirmer | Method | Instruction, Technique, 2-part exercises for Teacher and Student, Solos | NOTE TO THE READER NOTE TO THE TEACHER ABOUT THE GUITAR HOW GUITAR MUSIC IS WRITTEN NOTES AND RESTS TUNING SPECIAL TUNING TIPS BEGINNING TO PLAY THE SITTING POSITION THE RIGHT HAND THE REST STROKE TONE QUALITY THE SHAPE OF THE NAILS FINGER IDENTIFICATION FIRST PRACTICE OF THE REST STROKE ALTERNATION THE LEFT HAND FIRST LEFT-HAND EXERCISE PUTTING BOTH HANDS TOGETHER FURTHER DEVELOPMENT THE FREE STROKE NOTES ON THE FIRST STRING COUNTING EXERCISE 1 EXERCISE 2 EXERCISE 3 EXERCISE 4 NOTES ON THE SECOND STRING RESTS AND DAMPING EXERCISE 5 EXERCISE 6 EXERCISE 7 PICK-UP NOTES BANKS OF THE OHIO (Duet) - Traditional NOTES ON THE THIRD STRING COUNTING EIGHTH NOTES EXERCISE 8 EXERCISE 9 EXERCISE 10 AURA LEE (Duet) - George R. Poulton THUMB TECHNIQUE NOTES ON THE FOURTH STRING EXERCISE 11 EXERCISE 12 EXERCISE 13 NOTES OF THE FIFTH AND SIXTH STRINGS EXERCISE 14 FANDANGO (Duet) - Traditional EXERCISE 15 TIES EXERCISE 16 SHARPS AND FLATS EXERCISE 17 EXERCISE 18 MINUET (Duet) - Henry Purcell CHORD TECHNIQUE EXERCISE 19 EXERCISE 20 CHERRY SONG (Solo) EXERCISE 21 ARPEGGIOS AND TRIPLETS TECHNIQUE OF THE ARPEGGIO THE UPWARD ARPEGGIO THE DOWNWARD ARPEGGIO EXERCISE 22 EXERCISE 23 EXERCISE 24 COMBINING CHORDS AND MELODY EXERCISE 25 EXERCISE 26 LA VOLTA (Solo)- 16th Century Dance PRACTICE SUGGESTIONS THE MOORISH DANCE (Solo) - Traditional EVENING BREEZE (Solo) - F. M. Noad ETUDE (Solo) - Ferdinando Carulli MINUET THEME (Solo) - Wolfgang Amadeus Mozart FLAMENCO STUDY (Solo) - Traditional SONG AT NIGHTFALL (Solo) - C. M. Bellman | ||||
Y | Noad, Frederick M. Noad | Frederick M. Noad | Solo Guitar Playing 1: A Complete course of instruction in the techniques of guitar performance | 2009 | Amsco Publications | Method, Solo, 2 guitars, 3 guitars, 4 guitars | Instruction, Technique, 2-part exercises for Teacher and Student, Duets, Trios, Quartets | Preface to the Fourth Edition Preface to the Third Edition Preface to the Second Edition Preface to the First Edition Introduction How to Use This Book A Note to the Teacher Principal Parts ofthe Classical Guitar Complete Notes ofthe Guitar LESSON ONE: Basic Technique Playing Position Tuning Relative Tuning Electronic Tuners Beginning to Play The Rest Stroke Alternation Naming the Fingers The Left Hand Preparation for the Next Lesson LESSON TWO: Right Hand Techniques Chords Arpeggios Rules of Placement Identification of Strokes Rest Stroke (Thumb) Free Stroke (Thumb) Free Stroke (Fingers) TEST NUMBER ONE LESSON THREE: Beginning to Read Music Two Rules Musical Notation Time and Counting Notes on Open Strings The Upper Three Strings The Lower Three Strings Arpeggio Exercises for Daily Practice LESSON FOUR: Notes on the Frets Fingering Notes on the First String Common Time and Incomplete Measures Notes on the Second String Exercises for Daily Technique Practice Arpeggios Alternation and Scales LESSON FIVE: Notes, Rests, and Ties Notes on the Third String Notes on the Fourth String Rests Ties Arpeggio Practice LESSON SIX: More Advanced Counting Faster Notes Counting Eighth Technique Practice LESSON SEVEN: Notes and Review Notes on the Fifth String Notes on the Sixth String Technique and Position Music Reading Study Notes for Spanish Study Spanish Study LESSON EIGHT: Completion of the First Position Sharps and Flats Natural Signs Key Signatures Notes in the First Position Technique Practice Study Notes for Malaguena Malaguena Study Notes for Waltz and Andantino Waltz - F. Carulli Adantino - F. Carulli LESSON NINE: Introduction to Chords LESSON TEN: Music in Two Lines The Concept of Voices Counting Two Lines Minimum Movement Principle LESSON ELEVEN: Ligado Techniques Ascending Ligado Descending Ligado Patterns for Daily Practice LESSON TWELVE: Dotted Notes Counting Dotted Notes The Dotted Quarter Note TEST NUMBER TWO Five Pieces with Study Notes Greensleeves - Traditional Etude - F. Carullli Allegretto - F. M. Noad Study in Ligados - F. M. Noad Saraband - Robert de Visée Memorization: When to Memorize How to Memorize Daily Exercises Coordination and Practice of Rest and Free Strokes Ascending Ligado (Slur) Descending Ligado Arpeggios Scales LESSON THIRTEEN: The Second Position Learning the Second Position Guide Fingers Study Notes for Sonatina Sonatina (duet) - Thomas Attwood LESSON FOURTEEN: Musical Indications Dynamic Markings Tempo Indications Counting Sixteenth Notes Damping LESSON FIFTEEN: The Third Position The Half Bar Exercise Notes LESSON SIXTEEN: New Time Signatures Counting in Eighth Notes Six-Eight Time Eighth Note Counting Study Notes for Rondo Rondo - Ferdinando Carulli TEST NUMBER THREE Nine Pieces with Study Notes: Canary Jig (Canarios) Minuet - Robert de Visee Bourrée - Robert de Visée Theme (Harmonious Blacksmith) - G. F. Handel Bourrée - J. S. Bach Pezzo - Tedesco - Anonymous Orlando Sleepeth - John Dowland Mrs. Winter’s Jump - John Dowland Air - Thomas Robinson Musicianship LESSON SEVENTEEN: The Fifth Position Notes in the Fifth Position Exercise Notes Exercise 138 (El Noi de la Mare) Exercise 139 ("Lilliburlero" - Irish Tune) LESSON EIGHTEEN: The Full Bar Rules for Forming the Full Bar First Exercise for the Full Bar (La Caña) Five Pieces with Study Notes: Dove Son Quei Fieri Occhi - Anonymous Se Io M'accorgo - Anonymous Italiana - Anonymous Pavane - Luis Milan Etude in D - F. Sor Tone Production Vibrato: Frets 1-4 and 13-19 Frets 5-12 Using Vibrato Other Left Hand Techniques: The Portamento The Slide Right Hand Techniques Continuity of Sound Tone Contrasts Conclusion LESSON NINETEEN: Scales The Chromatic Scale The Major Scale Scales and Keys The Minor Scales Extended Scales Making the Best Use of Scales Scale Fingerings Three String Scales LESSON TWENTY: Melody and Arpeggio Recognition of Melody in Arpeggio Technique for Emphasis of Melody Study Notes for Etude in B Minor Etude ini B Minor - F. Sor LESSON TWENTY-ONE: Ornamentation The Trilil Technique of the Trill The Mordent The Reverse Mordent The Appoggiatura Conclusion Study Notes for Pavane in A Minor Pavane in A Minor - Gaspar Sanz LESSON TWENTY-TWO: The Seventh Position The Importance of Higher Positions Notes in the Seventh Position Exercise Notes Exercise 142 (Elizabethan air - P. Rosseter) Allegro - Franz Joseph Haydn Nine Pieces with Study Notes: Prelude - Robert de Visée Allemand - Robert de Visée Saraband - Robert de Visée Gigue - Robert de Visée Etude in A - Matteo Carcassi Etude in F - Matteo Carcassi Minuet in C - F. Sor Andantino - Mauro Giuliani Andante - Dionisio Aguado LESSON TWENTY-THREE: Contrapuntal Music Contrapuntal Music Study Notes for Etude in C Etude in C - Fernando Sor LESSON TWENTY-FOUR: Harmonics Natural Harmonics Octave Harmonics Harmonics with Chords LESSON TWENTY-FIVE: Advanced Techniques and Effects The Tremolo Technique for Tremolo Increasing Speed Slow Practice Overemphasis ofStrokes Use ofthe Metronome Pizzicato Tambor LESSON TWENTY-SIX: Completion of the Fingerboard Learning by Equivalent Notes Learning by Fret Transfer of Position Varied Reading Aria (duet) - Domenico Scarlatti Conclusion Four Pieces with Study Notes: Adelita - Francisco Tárrega Lágrima - Francisco Tárrega Romance - Anonymous El Testamen De N'amella - Miguel Llobet APPENDIX: Music for Guitar Ensemble A Note to the Teacher Song Tune, Trio - Thomas Campian Bourrée, Trio - G. F. Handel Minuet, Trio - G. F. Handel Gavot, Trio - G. F. Handel Awake Sweet Love, Trio - John Dowland Mrs. Nichols' Almain, Quartet - Dowland Courant, Quartet - Anonymous Ballet, Quartet - Anonymous Largo, Trio - Antonio Vivaldi Minuet, Trio- Josef Haydn Grave, Quartet - G. P. Telemann Chorale, Trio - J. S. Bach Trio Facile Pour Trois Guitares - Leonhard von Call: Adagio I Minuet and Trio Adagio II Rondo ADDITIONAL REPERTOIRE Wilson's Wilde, Solo - Anonymous Lesson for Two Lutes, Duet - Anonymous Alman, Solo - Robert Johnson Bourrée (from Suite in EMinor, BWV 996), Solo - J. S. Bach Canarios, Solo - Gaspar Sanz Theme from Op. 102, Solo - Mauro Giuliani Caprice Op. 20, No. 2, Solo - Luigi Legnani Nocturne Op. 4, No. 2, Solo - Johann Kaspar Mertz Récréation Du Guitariste, Op. 51, Solo - Napoleon Coste: Rondeau, Op. 51, No. 6 Barcarolle, Op. 51, No. 1 | ||||
Y | Noad, Frederick M. Noad | Frederick M. Noad | Solo Guitar Playing II: An introduction to technique and repertoire for the intermediate guitarist | 1994 | Schirmer Books | Method | Instruction, Technique, 2-part exercises for Teacher and Student, Duets, Trios, Quartets | LESSON ONE: RHYTHM AND COUNTING Dotted Notes A Common Baroque Pattern The Reverse Pattern Double Dotting Double-Dotted Quarter Notes Double-Dotted Eighth Notes Practical Exercises LESSON TWO: SCALE TECHNIQUE Tone Quality Right-Hand Stability Rest and Free Strokes Practical Exercises Increasing Speed Use of the Metronome Varied Practice Patterns LESSON THREE: SIGHT READING, FRETS 6-8 Memorization Exercises Four Pieces with Study Notes: Prelude - Santiago de Murcia Allegro - Santiago de Murcia Andantino Alla Siciliana - Mauro Giuliani Andantino, Op. 2 No. 3 - Fernando Sor LESSON FOUR: ARPEGGIOS Historical Importance Style Brisé Alberti Bass Arpeggio Technique The Tarrega Rules Giuliani's Exercises for the Right Hand Four Pieces with Study Notes: Variation on La Folia - François de Fossa Variation, Op. 15 No. 4 - Fernando Sor Prelude in D - J. S. Bach Study No. 1 - Frederic Hand LESSON FIVE: SLUR TECHNIQUE Ascending Ligados Descending Ligados Exercises for Daily Practice The Double Slur Three Pieces with Study Notes: Variation, from Op. 38 - Mauro Giuliani Etude - Antonio Cano Minuet, Op. 11 No. 5 - Fernando Sor LESSON SIX: SIGHT READING, FRETS 9-12 Memorization Exercises Study Notes Prelude - Francisco Tárrega LESSON SEVEN: STYLE AND ORNAMENT: CLASSICAL AND ROMANTIC PERIODS Reformed Notation Grace Notes Turns Trills Cadenzas and A Piacere Passages Sforzando Dolce and Sul Ponticello Slides Portamento Tempo Rubato General Style Five Pieces with Study Notes: Divertimento, Op. 40 No. 6 - Mauro Giuiliani Allegro Spiritoso. Op. 1 No. 10 - Mauro Giuliani Siciliana, Op. 33 No. 3 - Fernando Sor Prelude in E - Francisco Tárrega Mazurka in G - Francisco Tárrega LESSON EIGHT: STYLE AND ORNAMENT: THE LATE RENAISSANCE Tempo Divisions Trills and Relishes Common Dance Forms The Pavan and Galliard The Alman The Coranto The Fantasia Five Pieces with Study Notes: Pavan, "The Earl of Salisbury" - William Byrd Galliard, "Heigh Ho Holiday" - Anthony Holborne Galliard - Francis Cutting Alman, "Hit and Take It" - Robert Johnson Fantasia - Francesco da Milano LESSON NINE: STYLE AND ORNAMENT: THE BAROQUE PERIOD Mordents Shakes (Passing Trills) Cadential Trills Appoggiaturas Improvised Ornaments The Baroque Suite: The Prelude The Allemand The Courant The Saraband The Gigue Optional Dances Seven Pieces with Study Notes: Prelude - G. F. Handel Allemand - J. S. Bach Courant - Robert de Visée Gavot - Robert de Visée Saraband - S. L. Weiss Gigue - Lodovico Roncalli Fantasia - S. L. Weiss LESSON TEN: TWO CONCERT MASTERPIECES: Study Notes Recuerdo de La Alhambra - Francisco Tárrega Study Notes Estudio Brillante de Alard - Francisco Tárrega \ | ||||
Y | O' Carolan, Turlough (1670-1738) | Turlough O' Carolan (1670-1738) | 14 Irish Pieces: Irish Pieces for Classical Guitar, volume two | John Loesberg, arr., Simon Taylor, fing. | 1981 | Ossian Publications | Solo | Collection | Planxty McGuire - Carolan Airdí Cuan - Traditional Eileen Aroon - O'Dalaigh Carolan's Concerto - Carolan Morgan Magan - Carolan Did You See the Black Rogue? - Traditional Planxty Irwin - Carolan Huleth's Health - Carolan Planxty Charles Coote - Carolan The Three Seacaptains - Traditional Planxty Connor - Carolan Planxty Judge - Carolan Fanny Power - Carolan Sí Beag Sí Mór - Carolan | |||
Y | O' Carolan, Turlough (1670-1738) | Turlough O' Carolan (1670-1738) | Songs of the Irish Bard Music of Turlough Carolan | David Asbury | ? | Clear Note Publications | Solo` | No. 1 - Carolan's Welcome No. 2 - Carolan's Dream No. 3 - Blind Mary No. 4 - Mrs. Power (Carolan's Concerto) No. 5 - Planxty Irwin No. 6 - Eleanor Plunkett No. 7 - Carolan's Quarrel No. 8 - Hewlett No. 9 - Bridget Cruise's 1st Aire No. 10 - Bridget Cruise's 2nd Air No. 11 - Bridget Cruise 3rd Air No. 12 - Bridget Cruise 4th Air No. 13 - George Brabazon 1st Air No. 14 - George Brabazon 2nd Air No. 15 - Carolan's Cup No. 16 - Carolan's Draught No. 17. - Lord Inchiquin No. 18 - Mabel Kelly No. 19 - Colonel O'Hara No. 20 - Fanny Power No. 21 - Sir Festus Burke No. 22 - Carolan's Receipt No. 23 - John Jameson No. 24 - Ode to Whiskey No. 25 - Beauty in Tears No. 26 - Thomas Burke No. 27 - Sí Bheag Sí Mór No. 28 - Luke Dillon No. 29 - Farewell to Music No. 30 - Separation of Soul and Body | ||||
Y | Oberleitner, Andreas | Andreas Oberleitner | Twelve Beer-House Ländler, Op. 10 (for two guitars) | Richard M. Long, ed. | 1996 | Tuscany Publications | 2 guitars | Duet, Score only | ||||
Y | Ohana, Maurice | Maurice Ohana | Si le jour paraît...pour guitare à 10 cordes (10-string guitar), No. IV. 20 Avril (Planh) | 1971 | Gerard Billaudot Editeur | Solo | ||||||
Y | Ortolani, R. and N. Oliviero | R. Ortolani and N. Oliviero | More (Theme from "Mondo Cane") | Charlie Byrd | 1963 | Edward B. Marks Music Corp. | Solo | Popular, Movie Theme | ||||
Y | Pachelbel, Johann | Johann Pachelbel | Canon (Over a Basso Ostinato) | Brian Warren | 1982 | Theodore Presser Company | Solo | Richard Chilress | ||||
Y | Pachelbel, Johann | Johann Pachelbel | Canon in D | Paul Henry | 1998 | Hal Leonard Corp. | Solo | includes tablature | ||||
Y | Pachelbel, Johann | Johann Pachelbel | Canon in D (arranged for 4 Guitars) | Ian Gammie | 1988 | Corda Music Publications | 4 guitars, + ripieno guitar | Quartet, Ensemble, Parts only, Ripieno is same as Part 1 with simpler rhythm | ||||
Y | Pachelbel, Johann | Johann Pachelbel | Canon in D (Transcribed for Four Guitars) | Giovanni DeChiaro | 1985 | The Willis Music Company | 4 guitars | Quartet, Ensemble, Score only | ||||
Y | Paganini, Niccolo (1782-1840) | Niccolò Paganini (1782-1840) | 11 Pezzi Per Chitarra | 1985 | Edizioni G. Zanibon | Solo | Collection | Minuetto N. 1 Andantino Minuetto N. 2 Minuetto N. 3 Valtz Minuetto N. 4 Minuetto N. 5 Andantino [Andante] Rondoncino N. 2: Allegro and Coda Rondoncino N. 4 | ||||
Paganini, Niccolo (1782-1840) | Niccolò Paganini (1782-1840) | Cinq Pièces | Siegried Behrend | 1977 | Editions Musicales Transatlantique | Solo | Collection | I. Marche II. Ghiribizzi III. Deux Valses IV. Andantino V. Sonate | ||||
Y | Paganini, Niccolo (1782-1840) | Niccolò Paganini (1782-1840) | Complete Solo Guitar Works, The (Complete Works for Solo Guitar), Volume 2, 37 Sonate (M.S.84) | Giuseppe Gazzelloni, ed. | 1987 | Chanterelle Verlag | Solo | Collection, facsimile of original manuscripts | ||||
Y | Paganini, Niccolo (1782-1840) | Niccolò Paganini (1782-1840) | Sonatina | Karl Scheit | 1971 | Universal Edition | Solo | |||||
Y | Panin, Piotr | Piotr Panin | Couleurs de la Guitare | Jean-Pierre Jumez, arr. | 1980 | Editions Orphée, Inc. | Solo | Collection | 5ème Avenue - Etude Danse Eskimo Soirée Mystérieuse - Tableau de S. Dali Humoresque Impression du Pamir L'eau Vive - Arpèges Cavaliers de Mongolie Horizon Perdu - Etude trémolo | |||
Y | Papas, Sophocles | Sophocles Papas | Malaguena | 1960 | Columbia Music Co. | Solo | Flamenco | |||||
Y | Paraja, Carlos Silva | Carlos Silva Paraja | "mi último beso" | Terry Pazmiño | 1990 | Ediciones Terry Pazmiño | Solo | |||||
1 | Parkening, Christopher, in collaboration with David Brandon | Christopher Parkening, David Brandon | Christopher Parkening Guitar Method, The, Vol. 2 | Christopher Parkening David Brandon | 1997 | Hal Leonard Corporation | Solo, Method | Part Anthology, Solos, 3 Duets at end | Part One: Technique Notes on the First String Guide and Pivot Fingers Spanish Ballad - David Brandon Vibrato Dotted Eighth Notes Mazurka - David Brandon Quality ofSound Silent Night - F. Gruber, arr. D. Brandon Slur Technique Toccata - David Brandon Grace Notes Canario - Carlo Calvi Danza - Carlo Calvi More Work in 2nd Position Spanish Waltz - Anonymous Notes on the Second String Natural Harmonics Canción - David Brandon Notes on the Third String Dampening Interlude - David Brandon French Lullaby - David Brandon Russian Folk Song - Traditional, arr. David Brandon Tarantella - Sicilian Traditional, arr. D. Brandon Carol of the Bells - M. Leontovich, arr. D. Brandon Notes on the Fourth String Prelude in E Minor - David Brandon Success vs. Excellence Scarborough Fair - arr. D. Brandon Notes on the Fifth String Notes on the Sixth String More Work on the Bass Strings Sightreading Mastering the Fingerboard Lesson in A Minor - Napoleon Coste Lesson in A Major - Napoleon Coste Moto Perpetuo (excerpt) - Nicolo Paganini Performance Anxiety Left-Hand Fingering Principles Accuracy and Control Moveable Scales Speed Techniques Special Effects Notation ofSpecial Effects Sakura - Japanese Folk Song Artificial Harmonics Catalonian Folk Song - arr. D. Brandon Tuning Tips Low D Tuning Preludio - Anonymous Theme and Variation (from Caprice #24) - Nicolo Paganini Ornamentation Advanced Bar Techniques Bianco Fiore - Anonymous Interval Studies Left-Hand Shifts Rules To Be Broken Twenty-Minute Workout - David Brandon Interpretation of Music Summary of Artistic Devices Part Two: Repertoire Renaissance Period: Danza - Anonymous Gagliarda - Anonymous Canzone - Anonymous Salterello - Anonymous Pavane - Luis Milan Alman - Robert Johnson Branle - Jean-Baptiste Besard Volte - Jean-Baptiste Besard Galliard - John Dowland Allemande - John Dowland Baroque Period: Prelude - Robert de Visée Bourrée - Robert de Visée Pavanas - Gaspar Sanz Bourrée (from 1st Lute Suite) - Johann Sebastian Bach Prelude (from 1st Cello Suite) - Johann Sebastian Bach Sonata in A (L. 483) - Domenico Scarlatti Classical Period: Study in EMinor (Op. 60, No. 19) - Matteo Carcassi Study in A (Op. 60, No. 3) Study in A Minor (Op. 60, No. 7) - Matteo Carcassi Study in A (Op. 6, No. 2) - Fernando Sor Study in B Minor (Op. 35, No. 22) - Fernando Sor Minuet in C (Op. 25) - Fernando Sor Waltz in E (Op. 32, No. 2) - Fernando Sor Rondo - Mauro Giuliani Theme and Variations (Op. 71, No. 1) - Mauro Giuliani Allegro Spiritoso (Op. 1, No. 10) - Mauro Giuliani Romantic Period: Estudio - Francisco Tárrega Lágrima - Francisco Tárrega Adelita - Francisco Tárrega Estudio - Daniel Fortea Estudio del Ligado - Agustín Barrios Romance - Anonymous Three Duets: La Rossignol (Duet) - Anonymous Drewries Accordes (Duet) - Anonymous Canon (Duet) - Georg Philipp Telemann Sound Production" | Richard Childress | ||
Y | Pärt, Arvo | Arvo Pärt | Summa (für Gitarrenquartett) | Dublin Guitar Quartet | 2010 | Universal Edition | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Paulus, Stephen | Stephen Paulus | Two Moments for Guitar | 1977 | Carl Fischer, Inc. | Solo | ||||||
Y | Pearson, Stephen Funk Pearson | Stephen Funk Pearson | Tsamaloon (1983) | 1986 | Theodore Presser | Solo | ||||||
Y | Pearson, Stephen Funk Pearson | Stephen Funk Pearson | Tusitala | 1991 | Guitar Solo Publications | Solo | ||||||
Y | Peña, Paco | Paco Peña | Toques Flamencos (from Music from the Student Repertoire) | Diana Sainsbury | 1976, 1991 | Musical New Services/Music Sales Unlimited | Solo | Collection, Method, Flamenco, includes tablature | En Las Cuevas (Farruca) La Romeria (Alegrias) Son de Campanas (Seguiriyas) Santuario (Soleares) Herencias Latina (Rumba) El Nuevo Dia (Colombiana) Tonos Levantinos (Tarantas) El Mantoncillo (Garrotin)) A La Feria (Sevillanas) A Paso Lento (Tientos) | |||
Penella, Manuel | Manuel Penella | El Gato Montes | Eythor Thorlaksson | 2000 | The Guitar School - Iceland | 4 guitars, including bass | parts only, missing guitar part 2 | |||||
Y | Pénicaud, Eric | Eric Pénicaud | Deux Courtes Études | 1992 | Gerard Billaudot Editeur | Solo | ||||||
Y | Pénicaud, Eric | Eric Pénicaud | Parabole Créole (Variations sur un thème de Léo Brouwer) for 10 string guitar | 1992 | Max Eschig | Solo | 10-string guitar | |||||
Pérez, Carlos | Carlos Pérez | Three Chilean Pieces: I. Refalosa; II. Entonación; III. Cueca | 2008 | Les Productions d'Oz | 4 guitars | Quartet, Ensemble, missing original copy | ||||||
Y | Perlak, Kim | Kim Perlak | Classical Technique for the Modern Guitarist | 2016 | Berklee Press | Method | Part I. Starting Points General Rules Posture Your "Contact Point" and the Question of "Nails of No Nails?" Shape Care Nail Repair Fake Nails Ping-Pong Balls Part II. Right-Hand Technique Basic Arm and Hand Position Tone, Articulation, and a Note on Timing The Thumb The Finger (i, m, a) Free Stroke Rest Stroke Chords: p-i-m-a Together Timing Alternation (Scale Technique) String Crossing: Scales and Single-Line Melodies Free-Stroke String Crossing Rest-Stroke String Crossing Alternation Between p and the Fingers Arpeggios Full/Block Plant Rolling a Chord Sympathetic-Plant Arpeggios and Tremolo Combination Arpeggios Part III. The Left Hand The Basics of Left-Hand Playing Basic Left-Hand Position Left-Hand Contact Points Left- and Right-Hand Coordination Exercises Slurs (Hammer-Ons and Pull-Offs) Barre Vibrato Shifting: Four Types Part IV. Warm-Up, Practice, Repertoire Warm-Up Routines Away from the Guitar First Time on the Guitar for the Day Additional Practice Session Suggestions Repertoire: Chaconne - S. L. Weiss | |||||
Y | Pernaiachi, Gianfranco | Gianfranco Pernaiachi | La Consapevole Assenza (1976/77) | 1980 | Bèrben | Solo | ||||||
Y | Pernambuco, Joäo (João Teixeira Guimarães) | João Pernambuco | Famous Chôros Vol. I | 1978 | Ricordi Brasileira | Solo | Collection | As Emboladas Do Norte Sons de Carilhões (Maxixe - Chôro) Sons de Carilhões (Maxixe - Chôro) (almost identical) Brasileirinho Brejeiro Dengoso Reboliço (Maxixe - Chôro) Graúna Mimoso Interrogando (Jongo) Preto e Branco (Toada) Pó de Mico | ||||
Y | Persichetti, Vincente | Vincent Persichetti | Parable for Solo Guitar, Op. 140 (Parable XXI) | 1979 | Elkan-Vogel, Inc. | Solo | ||||||
Y | Pettoletti, Pietro (1795-1870) | Pietro Pettoletti (1795-1870) | Fantaisie sur des motifs favoris De L'Opera les Huguenots | Manley Mallard, Glenn Caluda | 2004 | ? | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Pettoletti, Pietro (1795-1870) | Pietro Pettoletti (1795-1870) | Fantaisie sur une Mélodie russe. Op. 32 | Richard M. Long | 1986 | Tuscany Publications | Solo | |||||
Y | Philiba, Nicole | Nicole Philiba | Séquences (cinq pieces pour guitare), Vol 2: Séquences II et III | 1979 | Gerard Billaudot Editeur | Solo | ||||||
Y | Piazzolla, Astor (1921 -1992) | Astor Piazzolla (1921 -1992) | Cinco Piezas | Angelo Gilardino | 1981 | Bèrben | Solo | Collection | I-Campero II-Romantico III-Acentuado IV-Tristón V-Compadre | |||
Y | Piazzolla, Astor (1921 -1992) | Astor Piazzolla (1921 -1992) | Four Pieces | Baltazar Benítez | 1994 | Chanterelle | Solo | Collection | Verano Porteño - Tango Milonga del Angel - Milonga La Muerte del Angel - Tango Primavera Porteña - Tango | |||
Y | Piccinni, Alessandro (1566-1639) | Alessandro Piccinini (1566-1639) | Corrente Prima | Massimo Delle Cese | 1981 | Bèrben | Solo | |||||
Y | Pick, Richard (1915-2001) | Richard Pick (1915-2001) | Favorite Classical Guitar | 1979 | Mel Bay Publications | Method | Collection | |||||
Y | Pick, Richard (1915-2001) | Richard Pick (1915-2001) | Selected Works for solo guitar | 1992 | Editions Orphée, Inc | Solo | Collection | ... In a Wooded Glen ... Prelude Allegro ... It Must be Spring ... ... Once Upon a Time ... ... Along Wind River ... Homage to Heitor Villa-Lobos ... Lake Reflections at Twilight ... ... On a Rainy Day ... Improvisation ... Spearfish Canyon ... ... Intimations ... Great Plains Odyssey ... Introspections ... En Las Pampas Homage to Fernando Sor Prelude White Orchids (Cattleya) October Gold ... Gifts ... ... Country Roads ... ... To Fill an Empty Space ... ... Enterprise ... Homage to Matteo Carcassi ... Antagonisms ... One day in time suite: 1. Morning 2. Midday 3. Evening | ||||
Y | Pisador, Diego (1509-1557) | Diego Pisador (1509-1557) | Guarte, Guarte el rey don Sancho (Romance Viejo) | Venancio G. Velasco | 1975 | Union Musical Espanola | Solo | |||||
Y | Ponce, Manuel M. (1882-1948) | Manuel M. Ponce (1882-1948) | 12 Préludes | Andrés Segovia, fing. | 1930, 1958 | Schott Musik International | Solo | Prelude 1 much marked up | ||||
Y | Ponce, Manuel M. (1882-1948) | Manuel M. Ponce (1882-1948) | Estrellita - Canção Mexicana | Isaias Savio | 1987 | Ricordi Sao Paulo | Solo | |||||
Y | Ponce, Manuel M. (1882-1948) | Manuel M. Ponce (1882-1948) | Estrellita y Preludio | Corazon Otero | 1987 | Ediciones Musicales Yolotl | Solo | Includes lyrics | ||||
Y | Ponce, Manuel M. (1882-1948) | Manuel M. Ponce (1882-1948) | Preludes I: Nos. 1-6 | Andres Segovia, fing. | 1930 | Schott | Solo | |||||
Y | Ponce, Manuel M. (1882-1948) | Manuel M. Ponce (1882-1948) | Preludes II: 7-12 | Andres Segovia | 1930 | Schott | Solo | |||||
Y | Ponce, Manuel M. (1882-1948) | Manuel M. Ponce (1882-1948) | Scherzino Mexicano | Manuel Lopez Ramos | 1967 | Peer International Corp. | Solo | |||||
Y | Ponce, Manuel M. (1882-1948) | Manuel M. Ponce (1882-1948) | Seis Preludios Cortos (Six Short Preludes) | 1953 | Peer International Corp. | Solo | ||||||
Y | Ponce, Manuel M. (1882-1948) | Manuel M. Ponce (1882-1948) | Sonata III | Andrés Segovia | 1956 | Schott | Solo | |||||
Y | Ponce, Manuel M. (1882-1948) | Manuel M. Ponce (1882-1948) | Sonata romántica | Andrés Segovia | 1957 | Schott | Solo | |||||
Y | Ponce, Manuel M. (1882-1948) | Manuel M. Ponce (1882-1948) | Sonatina meridional | Andrés Segovia | 1967 | Schott | Solo | I Campo II Copla III Fiesta | ||||
Y | Ponce, Manuel M. (1882-1948) | Manuel M. Ponce (1882-1948) | Thème varié et Finale | Andres Segovia | 1928 | Schott | Solo | Theme and variations | ||||
Y | Ponce, Manuel M. (1882-1948) | Manuel M. Ponce (1882-1948) | Variations on a Theme of Cabezón | Miguel Alcázar | 1982 | Tecla Editions | Solo | Theme and variations | ||||
Y | Porqueddu, Cristiano | Cristiano Porqueddu | Il Silenzio del Pendolo | 2010 | Editions Orphée, Inc. | Solo | Winner of the 2010 Editions Orphée "Gorod na Kame" composition competition | I - Prologo II - Del sentire III - Estrema Ratio IV - Berceuse V - Burlesco VI - Grenzsituationen VII - Epilogo (Tema) | ||||
Y | Powell, Baden | Baden Powell | Songbook Volume 1 | Kurt Koch, Wilfried Senger | 1976 | Tonos International | Solo | Collection, South American | Sentimentos Consolaçāo Canto Do Xango Tema Triste Petite Valse O Cego Aderaldo Só Por Amor Valsa Sem Nome Insonia | |||
Y | Powell, Baden | Baden Powell | Songbook Volume 2 | Ivo Cordeiro, Bernd Stahl | 1974 | Tonos International | Solo | Collection, South American | 1. Babel 2. Deve ser Amor 3. Maritima 4. E de Lei 5. Tempo feliz 6. Acalanto das Nonas 7. Valse No. 1 8. Retrato Brasileiro 9. Chará 10. Fim de Linha 11. Ultimo Porto (II) | |||
Y | Presti, Ida | Ida Presti | Etude du Matin (Concert Study) | 1966 | Columbia Music Co. | Solo | ||||||
Y | Pritchard, David | David Pritchard | Clockworks (4 pieces) | 1994 | Columbia Music Co. | Solo | ||||||
Y | Pujol, Máximo Diego (b. 1957) | Máximo Diego Pujol (b. 1957) | Cinco Preludios | John W. Duarte, ed. | 1985 | Universal Edition | Solo | Collection | 1. Preludio Rockero 2. Preludio Tristón 3. Tristango en Vos 4. Curda Tangueada 5. Candombe en Mi | |||
Y | Rachmaninoff, Sergei (1873-1943) | Sergei Rachmaninoff (1873-1943) | The Best of Rachmaninoff, with CD | Ronaldo and Angela | 2010 | Memorial-Maya Music | Solo | Collection, includes tablature, Excerpts from Piano Concerti Nos 1-3, Symphony No. 2, Variations on a Theme by Paganini | Piano Concerto No. 2 - Moderato in A Minor Piano Concerto No. 2 - Moderato in D Major Piano Concerto No. 2 - Andante in A Minor Piano Concerto No. 2 - Adagio in E Major Piano Concerto No. 2 - Allegro in C Major Piano Concerto No. 3 - Moderato in D Minor Piano Concerto No. 3 - Adagio in D Minor Piano Concerto No. 3 - Moderato in E Major Piano. Concerto No. 3 - Adagio in A Major Piano Concerto No. 1 - Allegro in E Minor Piano Concerto No. 1 - Andante in B Minor Symphony No. 2 - Adagio in A Major Vocalise Rhapsody on a Theme by Paganini - Variation VII Rhapsody on a Theme by Paganini - Variation XVIII Rhapsody on a Theme by Paganini - Variation XII Rhapsody on a Theme by Paganini - Variation XIII | |||
Y | Rachmaninoff, Sergei (1873-1943) | Sergei Rachmaninoff (1873-1943) | Vocalise (Op. 34) for C Instrument [or Voice] and Four Guitars | Glenn Caluda | 2011 | Clear Note Publications | voice and guitar, 4 guitars, 5 guitars, contrabass | Quartet, Quintet, Ensemble, Score and parts | ||||
Y | Rak, Štêpán (b. 1945) | Štêpán Rak (b. 1945) | Conte Finlandais: Finnish Story (Based on a Finnish Song) | 1989 | Editions Henry Lemoine | Solo | ||||||
Y | Rak, Štêpán (b. 1945) | Štepán Rak (b. 1945) | Cry of the Guitar | 1985 | Chorus Publications | Solo | ||||||
Y | Rak, Štêpán (b. 1945) | Štepán Rak (b. 1945) | Farewell Finland (Näkemiin Suomi) | 1984 | Chorus Publications | Solo | ||||||
Y | Rak, Štêpán (b. 1945) | Štepán Rak (b. 1945) | Rhapsodie Slave | Vladimir Mikulka, fing. | 1991 | Editions Henry Lemoine | Solo | |||||
Y | Rameau, Jean- Phillippe (1683-1764) | Jean- Phillippe Rameau (1683-1764) | 2 Minuetti | Andres Segovia | 1939 | Schott & Co. Ltd. | Solo | |||||
Y | Rameau, Jean- Phillippe (1683-1764) | Jean- Phillippe Rameau (1683-1764) | 6 Minuetti | Miguel Ablóniz | 1958 | G. Ricordi & C. | Solo | |||||
Y | Rameau, Jean- Phillippe (1683-1764) | Jean- Phillippe Rameau (1683-1764) | Allemande and Courante | Mark Anthony Cruz | 2005 | MAC Publications | 3 guitars | Trio, Ensemble, Score only | ||||
Y | Ravel, Maurice | Maurice Ravel | Pavanne Pour Une Infante Défunte | Alexander Bellow | 1963 | Franco Colombo, Inc. | Solo | |||||
Y | Ravel, Maurice | Maurice Ravel | Piece en Forme de Habanera | Giovanni de Chiaro | 1989 | The Willis Music co. | Solo | |||||
Y | Ravel, Maurice | Maurice Ravel | Ravel's Bolero: Theme used in the Motion Picture "10" | Peter Kraus | 1980 | Durand & Cie. Elkan-Vogel, Inc. | Solo | Popular, Movie Theme | ||||
Y | Rébours, Gerard | Gerard Rébours | Quatre Fantaisies | 1989 | Editions Robert Martin | Solo | I. Reveil II. Gymnastique III. Meteo IV. Soiree | |||||
Y | Reger, Max | Max Reger | Gavotta daIIa suite no.2 op, 131 per violoncello | Miguel Ablóniz | 1975 | Bèrben | Solo | |||||
Y | Reinhardt, Django | Django Reinhardt | A Treasury of Djano Reinhardt Guitar Solos | ? | The Goodman Group | Solo | Collection, Swing, Jazz | Anouman Appel Indirect Are You In the Mood Artillerie Lourde (Heavy Artillery) Belleville Black and White Blues Blues Minor Blues Clair Blues for Ike Bolero (Bolero De Django) Brick Top Cadillac Slim Cavalerie Christmas Swing Crepuscule Daphne Deccaphonie Del Salle Diminushing Dinette Djangology Django's Castle (Manoir de Mes Rêves) Django's Tiger Double Scotch Douce Ambiance Echoes of Spain Fantaisie Feerie Festival 48 Fiddles Blues Fleche D'Or Fleur D'Ennui Folie a Amphion Gaiement (Merry Swing) Gipsy With a Song H. C. Q. Strut Impromptu Just For Fun Lentement, Mademoiselle Melodie au Crepuscule Micro Mike Minor Swing My Serenade My Sweet Mystery Pacific Naguine Nuits de St. Germain des Pres Nympheas Oubli Oiseaux des Iles Paramount Stomp Place de Brouckere Porto Cabello R. Vingt-six Rythme Futur Sounvenirs Spivy Stephen Blues Stockholm Stompin at Decca Sweet Chorus Swing 41 Swing 42 (Swing Reverie) Swing Dynamique Swing from Paris Swing Guitar Swinging with Django Swingtime in Springtime Tears Troubland Bolero Twelve Years Ultra Fox Vendredi 13 | ||||
Y | Reis, Dilermando (1916-1977) | Dilermando Reis (1916-1977) | Volume 1 - 10 Pieces | Ivan Paschoito | 1990 | Guitar Solo Publications | Solo | Collection, Brazil, South American | 1. Caboclinho (choro) 2. Conversa De Baiana (choro) 3. Dois Destinos (waltz) 4. Dr. Sabe-Tudo (choro) 5. Promessa (waltz) 6. Se Ela Perguntar (waltz) 7. Súplica (waltz) 8. Ternura (waltz) 9. Uma Valsa e Dois Amores (waltz) 10. Xodó Da Baiana (batuque) | |||
Y | Reis, Dilermando (1916-1977) | Dilermando Reis (1916-1977) | Vollume 2 - 10 Pieces | Ivan Paschoito | 1994 | Guitar Solo Publications | Solo | Collection, Brazil, South American | 1. Alma Apaixonada (song) 2. Desengano (choro) 3. Eterna Saudade (waltz) 4. Feitiço (choro) 5. Fim de Festa (waltz) 6. Gente Boa (choro) 7. Rosas de Outono (waltz) 8. Sandrinha (waltz) 9. Sobradinho (maxixe) 10. Vê se te Agrada (choro) | |||
Y | Renault, Jean-Marc | Jean-Marc Renault | Corolle | 1988 | Gerard Billaudot Editeur | Solo | ||||||
Y | Repoulis, Michael | Michael Repoulis | Dance of a Nymph; A Song to Euridice | 1984 | Sunrise Publications | Solo | ||||||
Y | Reusner, Esaias (1636-1679) | Esaias Reusner (1636-1679) | Sonatina | Heinz Teuchert | 1973 | G.Ricordi & Co. | Solo | |||||
Y | Ribayaz, L. Ruiz de (1626- after 1677) | L. Ruiz de Ribayaz (1677) | Pasacalles | Emilio Pujol | 1957 | Editions Max Eschig | Solo | |||||
Y | Richée, Lesage de, Ph. Fr. (Le Sage de Richée) | Ph. Fr. Lesage de Richée (Le Sage de Richée) | Cuatro piezas para guitarra | Patricio Galindo | 1971 | Union Musical Española | Solo | I - Sarabana II - Minuetto III - Gavota IV - Bourrée | ||||
Y | Rightmire, Richard W. | Richard W. Rightmire | Easy Flamenco Guitar Playing: a Method for beginners | 1961 | Clef Music Publishing Corp. | Method | Flamenco, includes tablature | Rasgueados Soleares Sevillanas Theme on Andalusian Airs Peteneras Recuerdos de Amor (Tremolo Study) Malagueña | ||||
Y | Robinovitch, Sid | Sid Robinovitch | Kol Nidrei | Harold Micay, ed. | 1994 | Transcontinental Music Public. | Solo | |||||
Y | Rodrigo, Joaquin | Joaquin Rodrigo | Concierto de Aranjuez-Para Guitarra Y Orchestra | Renata Tarrago, fing. | 1959 | Joaquin Rodrigo | Guitar and piano reduction | Concerto, Orchestra, Score of guitar and piano reduction, printed in Madrid | ||||
Y | Rodrigo, Joaquin | Joaquin Rodrigo | Concierto de Aranjuez for Guitar and Orchestra | Renata Tarrago, fing. | 1959 | Belwin Mills Publishing Corp. | Solo | Guitar part only | ||||
Y | Rodrigo, Joaquin | Joaquin Rodrigo | Fantasia Para un Gentilhombre for Guitar y Orchestra | Andres Segovia | 1964 | Shott | Guitar and piano reduction | Concerto, Orchestra, Score only | ||||
Y | Rodrigo, Joaquin | Joaquin Rodrigo | Three Spanish Songs for Voice and Guitar | 1960 | Schott & Co. Ltd. | Voice and guitar | Spanish/English lyrics | En Jerez de la Frontera (The Miller's Wife) Adela (Delia) De ronda (Courting) | ||||
Y | Rodrigo, Joaquin | Joaquin Rodrigo | Villancicos: 1. Pastorcito Santo (Holy Shepherd Boy) | Lope de Vega | 1959 | Schott & Co. Ltd. | Voice and guitar | Duet, Score only, Spanish and English lyrics | ||||
Y | Rodrigo, Joaquin and Anonymous | Joaquin Rodrigo and Anonymous | Villancicos: 2. Aire y Donaire (Airs and Dances) | Anon. lyrics adapted by Victoria Kamhi | 1959 | Schott & Co. Ltd. | Voice and guitar | Duet, Score only, Spanish and English lyrics | ||||
Y | Romero, Celedonio | Celedonio Romero | Pepe (Vals) | 1986 | Union Musical Espanola | Solo | ||||||
Y | Romero, Celedonio | Celedonio Romero | Suite Madrileña No. 2 | 1986 | Union Musical Espanola | Solo | ||||||
Y | Roncalli, Ludovico (1654-1713) | Conte Ludovico Roncalli | Capricci Armonici | Emilio Pujol | 1957 | Editions Max Eschig | Solo | I. Sarabande II. Gigue | ||||
Y | Rooley, Anthony | Anthony Rooley | Four Elizabethan Dances (for lute) | Anthony Rooley | 1969 | Oxford University Press | Solo | Anthology, Lute | 1. Alman - Robert Johnson 2. Master Piper's Pavan - John Dowland 3. Kemp's Jig - Anon. 4. Mounsier's Almaine - Daniell Barchelar (Daniel Bacheler) | |||
Y | Rosetta, Giuseppe | Giuseppe Rosetta | Fantasia per chitarra | Angelo Gilardino, rev. and fing. | 1982 | Bèrben | Solo | |||||
Y | Rossini, Gioacchino (1792-1868) | Gioacchino Rossini (1792-1868) | Andante e Allegro from the overture to Wilhelm Tell by Rossini Op. 202 (from Legnani The Guitarist's Repertoire Vol. 8) | Luigi Legnani (1790-1877), Matanya Ophee, ed. | 2007 | Editions Orphée, Inc. | Solo | |||||
Y | Rossini, Gioacchino (1792-1868) | Gioacchino Rossini (1792-1868) | Overture to the Opera "The Barber of Seville" for Two Guitars, Guitar 1 only | A.H. Varlet, arr. (1821), edited by Michael Newman and Laura Oltman | 1988 | Theodore Presser Co. | 2 guitars | Duet, Part 1 only | ||||
Y | Rubenstein, David | David Rubinstein | Segovia | 1993 | Columbia Music Co. | Solo | ||||||
Y | Ruiz-Pipo, Antonio | Antonio Ruiz-Pipo | Preludio Y Tocata | 1981 | Union Musical Espanola | Solo | ||||||
Y | Ruiz-Pipo, Antonio | Antonio Ruiz-Pipo | Tiento Por Tiento | Luigi Biscaldi, fing. | 1983 | Bèrben | Solo | |||||
Y | Sabicas (Augustín Castellón) | Sabicas (Augustín Castellón) | Rey del Flamenco | Alain Faucher | 1999 | Affedis | Solo | Collection, Flamenco, includes tablature, CD | Aires de Puerto Real (soleá) Zapateado en Re La Trinidad (malagueña) Olé mi Cádiz (alagrias) Sentimiento gitano (siguiriya) Embrujo de Huelva (fandango) | |||
Y | Sabicas (Augustín Castellón) and Mario Escudero | Sabicas (Augustín Castellón), Mario Escudero | Selected Solos for Guitar by Sabicus & Escudero | 1964? | Charles Hansen Educational Music and Books | Solo | Anthology, Collection, Flamenco | Arabian Fantasy (Fantasía árabe) - Sabicus Campiña Andaluza (Alegrias) - Sabicus Mi Rondeña (Fantasía adaluza) - Escudero Tientos del Amancer (Fantasía) - (Jose Roca, Escudero) Danza Calé (Danza gitana para guitarra) - (Escudero, Fernando Gravina) | ||||
Y | Sagreras, Julio S. | Julio S. Sagreras | El Colibri (Der Kolibri): Charakeretüde - Nachahmung des Kolibrifluges (Character etude - imitation of hummingbird flight) | 1980 | Ricordi Americana | Solo | ||||||
Sagreras, Julio S. | Julio S. Sagreras | Las primeras, segundas y terceras lecciones de guitarra (Guitar Lessons Books 1-3) | 1996 | Chanterelle - Mel Bay | Method | Spanish and English text, "A perfected Teaching Method fully fingered for studying the guitar", uses Fixed Do | Las Primeras Lecciones - First Lessons Open Strings Scale 1, from C on the 5th String to Gon the 3rd String Scale 2, from G on the 3rd String to D on the 2nd String The first two scale forms (patterns) combined Scale 3, from C on the 2nd String to G on the 1st String The first three scale forms combined Scale 4, from G on the 6th String to D on the 4th String Scale 5, from E on the 6th String to B on the 5th String All scale forms (patterns) combined Chromatic Scale (2 Octaves) Arpeggios Chords Slurs Half-barred chords Major Scales of two Octaves Melodic Minor Scales of two Octaves Chromatic Scale (3 octaves) Las Segundas Lecciones - Second Lessons Glides/Slides Accents Voicing: Melody versus accompaniment Campanella 7th Position Full barred chords Tempo Markings Harmonics Slurred Mordents (short appoggiaturas) Double slurs (double mordents) Octave harmonics in the bass Las Terceras Lecciones - Third Lessons "G" Tuning Tremolo Ranchera style (a form of Argentinian traditional music) 3-note-slurs Octave hramonics on high notes Slurred grace notes Damping Trills Delayed slurs French & German Translations of the Texts | Richard Childress | ||||
Y | Sagrini, Luigi | Luigi Sagrini | Variations Brillantes sur un Air de Rossini Op. 12 | Richard Long | 1985 | Tuscany Publications | Solo | |||||
Y | Saint-Saëns, Camille | Camille Saint-Saëns | The Swan (Le Cygne) from "Carnival of the Animals" | Giovanni De Chiaro | 1988 | The Willis Music Company | Solo | |||||
Y | Salvador, Matilde | Matilde Salvador | Homenatge A Mistral pour guitar | 1990 | Editions Henry Lemoine | Solo | Preludi Plany per Mireio Farandola | |||||
Y | SantosTurbio | Turbio Santos | Prelude No. 6 | 1986 | Max Eschig | Solo | Collection | |||||
Y | Sanz, Gaspar (1640-1710) | Gaspar Sanz (1640-1710) | A Gaspar Sanz Selection: 6 pieces arranged for Guitar Quartet from Instrucción de Música 1674 | Ian Gammie | 1994 | Corda Music Publications | 4 guitars | Quartet, Ensemble, Score and parts | 1. Fuga por primer tono al ayre Español 2. Españoletas 3. Pavanas por la D 4. Two Fanfares: Neapolitan Cavalry; The Queen of Sweden 5. Villanos 6. Canarios | |||
Y | Sanz, Gaspar (1640-1710) | Gaspar Sanz | Anthologie pour la Guitare Espagnole | Constant de Lusignan | 1964 | Editions Henry Lemoine | Solo | Gaillarde Danse des Flambeaux Espagnolette Pavane Tournoi Bataille Jacaras Chaconne Fugue | ||||
Y | Sanz, Gaspar (1640-1710) | Gaspar Sanz (1640-1710) | Eight Easy Pieces: from the 3rd Book of Tablature (1697) | John W. Duarte | 1981 | Universal Edition | Solo | Collection | 1. La Cavalieria de Napoles con Dos Clarines 2. Canciónes 3. La Coquina Francesca 4. Lantururu 5. La Esfachata de Napoles 6. La Miñona de Cataluña 7. Dos Trompetas de la Reyna de la Suecia 8. Clarin de los Mosqueteros de Rey de Francia | |||
Y | Sanz, Gaspar (1640-1710) | Gaspar Sanz (1640-1710) | Invenit | Paul Hopman | 1970 | Harmonia-uitgave-hilversum | Solo | Rujero La Esfachata de Nápoles Zarabanda La Miñona de Cataluña Canciones Españoleta Paradetas | ||||
Y | Sanz, Gaspar (1640-1710) | Gaspar Sanz (1640-1710) | Renaissance and Baroque: A Collection of XVI and XVII Century Compositions, Vol. VIII (from Sanz's 1st and 2nd books, 1674 and 1675 respectively) | Alexander Bellow | 1967 | Franco Columbu Inc. | Solo | Collection, Renaissance, Baroque | Pavana Gallarda Passacalle J'acaras Preludio y Fantasia Sesquialtera Folias Pavanas Gallardas Marisapalos Canarios | |||
Y | Sanz, Gaspar (1640-1710) | Gaspar Sanz (1640-1710) | Spanish Airs and Dances (from Sanz's tutor "Instrucción de Música Sobre La Guitarra Española, 1674) | Carlos Bonell | 1977 | Ariel Publications | Solo | Collection, Renaissance, Baroque | Villanos Danza de las Hachas (Dance of the Axes) Canarios Las Folias de España (The Spanish Madness) Rujero Allemanda: La Preciosa (The Beautful One) French Sarabande Sarabande Coriente (Courante) Galliard Marizapalos Españoleta (in D Minor) Españoleta (in A Minor) Fuga Al Aire Español Sesquialtera La Caballería de Nápoles Con Dos Clarines Preludio O Capricho Arpeado Matachín Passacaglia Pavanas | |||
Y | Sanz, Gaspar (1640-1710) | Gaspar Sanz (1640-1710) | Suite Española | Narciso Yepes | 1971 | Union Musical Española | Solo | Collection, Renaissance, Baroque | Españoletas Gallarda y Villano Danza de las hachas Rujero y Paradetas Zarabanda al ayre español Passacalle de la Cavallería de Nápoles Folías La miñona de Cataluña Canarios | |||
Y | Satie, Erik (1866-1925) | Erik Satie (1866-1925) | Gymnopédie No. 1 | Edgard Dana | 1976 | Cambium Music | Solo | |||||
Y | Satie, Erik (1866-1925) | Erik Satie (1866-1925) | Gymnopédies No. 1 & 3, for Flute and Guitar (Or Harpsichord/Piano) | James J. Pellerite | 1976 | Frangipani Press | flute and guitar, guitar and piano or harpsichord | Duet, Score and Parts | ||||
Y | Satie, Erik (1866-1925) | Erik Satie (1866-1925) | Passacaille | Giovanni De Chiaro | 1984 | The Willis Music Co. | Solo | |||||
Y | Satie, Erik (1866-1925) | Erik Satie (1866-1925) | Satie for the Guitar: 3 Gymnopedies and 3 Gnossiennes | Peter Charles Kraus | 1974 | G. Schirmer, Inc. | Solo | Three Gymnopedies: 1. Lent et douloureaux 2. Lent et triste 3. Lent et grave Three Gnossiennes: 1. Lent 2. Avec étonnement 3. Lent | ||||
Y | Satie, Erik (1866-1925) | Erik Satie (1866-1925) | Trois Gnossiennes for Two Guitars or Flute & Guitar | Richard M. Long | 1983 | Tuscany Publications | 2 guitars, flute and guitar | Duet, Parts only | ||||
Y | Satie, Erik (1866-1925) | Erik Satie (1866-1925) | Volume I: 3 Gymnopédies, 2 Pièces froides, 3 Gnossiennes, Songe-creux | Peter Kraus | 1969, 1978 | Editions Salabert | 2 guitars | Collection, Duet, Score only | Gymopedie No. 1, p.1 Gymnopedie No. 2, p. 4 Gymopedie No. 3, p. 6 Pieces froides: 1. Airs a faire fuir, p. 8 2. Danses de travers, p. 18 Gnossiennes No. 1, p. 29 Gnossiennes No. 2, p.33 Gnossiennes No. 3, p. 36 Songe-creux, p. 40 | |||
Y | Scarlatti, Domenico (1685-1757) | Domenico Scarlatti (1685-1757) | Gavotta | Mark Anthony Cruz | 2005 | MAC Publications | 3 guitars | Trio, Ensemble, Score and parts | ||||
Y | Scarlatti, Domenico (1685-1757) | Domenico Scarlatti (1685-1757) | Music of Domenico Scarllatti for Two Guitars, Volume I | Julian Gray, Ronald Pearl | 2006 | Mel Bay Publications | 2 guitars | Collection, Duet, Scores and parts | K. 33, p. 3 K. 115, p. 7 K. 119, p. 13 K. 147, p.19 K. 175, p. 23 K. 213, p. 27 K. 227, p.31 K. 234, p. 37 K. 531, p. 45 | |||
Y | Scarlatti, Domenico (1685-1757) | Domenico Scarlatti (1685-1757) | Quatro Sonate (Nos. 23, 375, 483, 345) | Luigi Schininà | 1973 | Edizioni Musicali Bèrben | 2 guitars | Duet, Score only | I - Sonata Longo N. 23 in E Major (Tonalità Originale) II - Sonata Longo N. 375 in E Major (Tonalità Originale) III - Sonata Longo N. 483 in A Major (Tonalità Originale) IV - Sonata Longo N. 345 in A Major (Tonalità Originale) | |||
Y | Scarlatti, Domenico (1685-1757) | Domenico Scarlatti (1685-1757) | Scarlatti for the Guitar (Menuet and Eight Sonatas) | Leon Block | 1973 | Belwin Mills | Solo | Collection, Baroque | Minuet - G Major Sonata (Longo 423) - D Minor Sonata (Longo 83) - G Major Sonata (Longo 104) - C Major Sonata (Longo 463) - D Major Sonata "Pastorale" (Longo 413) - D Minor Sonata (Longo 58) - D Minor Sonata (Longo 352) - C Minor Sonata (Longo S. 7) - D Minor | |||
Y | Schiffman, Harold | Harold Schiffman | Rhapsody for Guitar | 1991 | Columbia Music Co. | Solo | ||||||
Y | Schneider, Gary M. | Gary M. Schneider | lstanti for Guitar | Angelo Gilardino | 1982 | Bèrben | Solo | |||||
Y | Schubert, Franz (1797-1828) | Franz Schubert (1797-1828) | Quartett für Flöte, Gitarre, Bratsche (Viola) und Violoncell | Georg Kinsky, ed. | 1956 | C. F. Peters Corp. | Flute, guitar, viola, cello | Quartet, Chamber Ensemble, Mixed Ensemble, Score and parts | ||||
Y | Schubert, Franz (1797-1828) | Franz Schubert (1797-1828) | Sonata in a minor - (D. 821) "Arpeggione" for Bb Clarinet and Guitar | Jerry Kirkbride-clarinet, Allen Krantz-guitar | 1985 | International Music Company | guitar and clarinet | Duet, Score only | ||||
Y | Schubert, Franz (1797-1828) | Franz Schubert (1797-1828) | Sonatina Op. 137 n.1 (D. 384) per violino e chitarra | Andrea Sciola-König | 2009 | Bèrben | guitar and violin | Duet, separate parts only | ||||
Schubert, Franz (1797-1828) | Franz Schubert (1797-1828) | Two Imprromptus: Op. 142 nos. 2 & 3 | Mary Criswick | 1988 | Fentone Music Ltd. | Solo | Intermediate to advanced | Allegretto - Theme from Op. 142 no. 2 Andante - Theme from Op. 142 no. 3 | ||||
Y | Schwandt, W.; Andree, F; Kahn, Gus | W. Schwandt, F. Andree, Gus Kahn | Dream a Little Dream of Me | Oahu Staff | 1968 | Oahu Publishing Company | Solo, Duet, 2 guitars, Hawaiian steel guitar, electric steel guitar | Popular, Mama Cass, Mamas & the Papas, E7th and A Tuning | ||||
Y | Schwartz, Francis | Francis Schwartz | Fantasias Amazonicas | 1980 | Editions Musicales Transatlantique | Solo | ||||||
Y | Segovia, Andres | Andres Segovia | Diatonic Major and Minor Scales | 1953 | Columbia Music Co. | Method | Scales | |||||
Y | Segovia, Andres | Andres Segovia | Estudios / Daily Studies (3 movements) | 1955 | Schott | Solo | I. Oracion II. Remembranza III. Divertimento | |||||
Y | Segovia, Andres | Andres Segovia | Estudio sin luz | 1954 | Schott | Solo | ||||||
Y | Segovia, Andres | Andres Segovia | Prelude in Chords | 1948 | Celesta Publishing Co. | Solo | ||||||
Y | Segovia, Andres | Andres Segovia | Slur Exercises and Chromatic Octaves | 1970 | Columbia Music Co. | Method | ||||||
Y | Serrano, Juan (b. 1936) | Juan Serrano (b. 1936) | Flamenco Guitar: Basic Techniques | 1979 | Mel Bay Publications | Method | Flamenco, includes tablature | |||||
Serrano, Juan (b. 1936) | Juan Serrano (b. 1936) | Flamenco Guitar Solos | 1993 | Mel Bay Publications | Solo | Flamenco, includes tablature, 2 pieces for guitar quartet, missing CD | Ensueño (Petenera for Four Guitars) Guitar 1 Guitar 2 Guitar 3 Guitar 4 Flamenco Dance (Sevillanas for Four Guitars) Guitar 1 Guitar 2 Guitar 3 Guitar 4 Canto Minero (Taranto) Mantillas de Feria - Esteban de Sanlucar Capricho de Huelva (Fandangos) Alma (Bulerias in A minor) Andalucian Dance (Tanguillo) Blazing Guitar (Rumba) Memory of Love (Bolero) Ana Maria (Tientos) | |||||
Serrano, Juan (b. 1936) | Juan Serrano (b. 1936) | Juan Serrano: Saborr Flamenco | 2009 | Mel Bay Publications | Solo | Flamenco, includes tablature | ABOUT THE AUTHOR ..... PERFORMANCE NOTES ...... ENTRE OLAS (Rumba) LOS PANADEROS (Castillian Dance) CUBANITA (Danza Cubana) GORRION (Bolero Rumba) DE TOTANA (Tarantas) PATIO GITANO (Bulerias) ALCAICERIA (Granainas) LUNA Y CLAVEL (Farruca) ROMANCE FLAMENCO BAILANDO (Sevillanas) | |||||
Y | Shackelford, Rudy | Rudy Shackelford | Epitaffio per citarra | Ruggero Chiesa | 1979 | Edizioni Suvini Zerboni | Solo | |||||
Y | Shatrov, Ilya Alexeyevich 1879-1952) | Ilya Alexeyevich Shatrov 1879-1952) | On the Hills of Manchuria: Waltz (for 6- and 7-string guitars) | Matanya Ophee | 2010 | Editions Orphée, Inc. | Solo | |||||
Y | Shearer, Aaron | Aaron Shearer | Classic Guitar Technique Supplement 1: Slur, Ornament and Reach Development Exercises | 1964 | Franco Colombo Inc. | Method | Dynamics The Slur 1st String Notes Through the 12th Fret Position the Shift - Use of Guide Fingers - The Left Thumb Slur Exercises Upward and Downward Groups of Slurs Consecutively Complex Slur Exercises Slurs on the Lower Five Strings Six String Velocity Exercise Ornaments: Acciaccatura The Double Appoggiatura The Upper and Lower Mordents The Turn The Inverted Turn The Trill Reach Control Development Exercises fo the Left Hand | John Fernando-1 | ||||
Y | Shearer, Aaron | Aaron Shearer | Classic Guitar Technique Supplement 2: Basic Elements of Music Theory for the Guitar | 1965 | Franco Colombo Inc. | Method | Theory, workbook (much written in) | Half-Steps and Whole Steps Natural Half-Steps and Whole Steps Accidentals Enharmonic Notes Scales The Diatonic Scales The Key The Key Signature Related Major Keys Minor Scales The Natural Minor Scale The Harmonic Minor Scale The Melodic Minor Scale The Chromatic Scale Intervals Interval Names by Number Interval Names According to Kind Perfect and Major Intervals Minor, Diminished and Augmented Intervals Chords Triads Major and Minor Triads Augmented and Diminished Triads The Major Scale in Triads The Minor Scale in Triads Inversions of Triads Roman Numeral Notation of Position Figured Bass or Thorough Bass Notation of Position Triads in Open Voicing or Open Position Four Voice Chords Incomplete Chords of Three of Four Voices Seventh Chords | ||||
Y | Shearer, Aaron | Aaron Shearer | Classic Guitar Technique Volume I | 1963 | Franco Colombo Inc. | Method | Technique, Solo Exercises with supplemental Teacher accompaniment, Preludes written as Duets for Student to play either part | TWO TYPES OF GUITAR THE CLASSIC GUITAR (Figure 1) THE PLAYING CONDITION OF A GUITAR TUNING THE GUITAR HOW MUSIC IS WRITTEN (The Elements of Notation) HOLDING THE GUITAR (Figures 2 and 3) THE RIGHT HAND (Figure 4) NAMES OF THE RIGHT FINGERS PLACING THE RIGHT HAND (Figures 5 and 6) THE REST-STROKE (Figures 7 and 8) RECOMMENDED PROCEDURE FOR PRACTICE THE FIRST THREE OPEN STRINGS THE FREE-STROKE WITH THE THUMB (Figure 9) THE 4th, 5th, 6th OPEN STRINGS THE DOTTED HALF NOTE THE LEFT HAND (Figures 10 and 11) MUSIC IN TWO PARTS HALF AND WHOLE STEPS THE CHROMATIC SIGNS (Accidentals) THE EIGHTH-NOTE THE FREE-STROKE WITH THE FINGERS (Figures 7, 12 and 13) PLACING THE HAND FOR FREE-STROKE EXERCISES FOR THE FREE-STROKE FREE-STROKE ON ADJACENT STRINGS ARPEGGIO: Using (p), (i), (m) and (a) Consecutively CARE AND USE OF THE RIGHT HAND NAILS (Figures 14, 15, 16 and 17) THE RIGHT HAND IN LONG SCALES TWO NOTES PLAYED TOGETHER Country Dance - F. Carulli Allegro - F. Carulli THREE NOTES PLAYED TOGETHER- SUGGESTIONS FOR MOST BENEFICIAL PRACTICE PIVOT AND GUIDE FINGERS (Important principles of left hand technique) GENERAL USE OF THE TWO DIFFERENT TYPES OF STROKE THE IMPORTANCE OF REVIEWING FOUR NOTES PLAYED TOGETHER Waltz - F. Carulli Andantino - M. Carcassi English Dance - F. Carulli MUSIC OF THE MASTERS: Waltz and Three Variations - F. Carulli Andante I - F. Sor Andante II - F. Sor Allegretto I - F. Sor Allegretto II - F. Sor Andantino - M. Giuliani Allegro - M. Giuliani Waltz - D. Aguado Estudio - D. Aguado ACCOMPANIMENTS FOR EXERCISES 1-13 | ||||
Y | Shearer, Aaron | Aaron Shearer | Classic Guitar Technique Volume II | 1964 | Franco Colombo Inc. | Method | FOREWORD INTRODUCTION POSITION ON THE FINGERBOARD THE BAR CHORD STROKE WITH (p) READING AND COUNTING RHYTHM THE KEY OF C MAJOR CHORDS THE MAJOR KEY—The Primary Chords INVERSION OF CHORDS Prelude in C - M. Carcassi Etude - A. S. Eventide - A. S. Nocturne - A. S. Petite Chanson - A. S. Moderato - F. Carulli THE MINOR KEY Etude - A. S. Caravan - A. S. THE KEY OF A MINOR Waltz in A Minor - A. S. Siciliana - F. Carulli Etude in A Minor - M. Carcassi Allegretto in A Minor - F. Carulli THE KEY OF G MAJOR Waltz of the West - A. S. Lullaby in G - A. S. Little Song - A. S. Prelude in G Major - G. Yeatman Barcarolle - M. Carcassi Andante - F. Carulli THE KEY OF E MINOR Allegretto - F. Carulli Andante - F. Sor Etude in E Minor - G. Yeatman HARMONICS Two Harmonic Etudes in E Minor - A. S. Harmonic Etude in G Major - A. S. Natural Harmonics Right Hand Harmonics Artificial Harmonics Carillon - G. Yeatman Pastorale -- M. Carcassi THE KEY OF D MAJOR Waltz Etude - A. S. Waltz - F. Carulli Andantino - F. Carulli Prelude in D Major - G. Yeatman Allegretto - F. Sor THE LOW ”D” TUNING Arietta - A. S. Andante - A. Diabelli Danza - A. S. THE KEY OF A MAJOR Etude - D. Aguado Adagio - A. Cano Andante - A. Cano Waltz Allegro - M. Carcassi Beguine - G. Yeatman THE KEY OF E MAJOR Moderato - M. Carcassi Andante - F. Carulli Waltz - M. Carcassi Rio De Noche - G. Yeatman THE KEY OF F MAJOR Danza - A. Diabelli March - A. Diabelli (?) Moderato - F. Sor Etude in F Major THE KEY OF D MINOR Miniature Tarantella - A. S. Caprice - M. Carcassi Allegretto - F. Carulli 1st STRING NOTES IN THE HIGHER POSITIONS THE GUIDE-FINGER PRINCIPLE IN SHIFTING SHIFTING Adagio Waltz - A. S. Two Lessons from the Guitar Method by F. Sor: Lesson No. 6 in C Major, Moderato - F. Sor Lesson No. 12 in A Minor, Andantino - F. Sor 2nd STRING NOTES IN THE HIGHER POSITIONS POSITION EXERCISES - 1st AND 2nd STRINGS SCALES IN THIRDS Andante - F. Sor Etude from Lesson No. 19, Andante - F. Sor Lesson No. 13 inn A Minor, Moderato - F. Sor Lesson No. 9 in A Major, Allegretto - F. Sor 3rd STRING NOTES IN THE HIGHER POSITIONS POSITION EXERCISES —1st, 2nd, AND 3rd STRINGS FIFTH POSITION SEVENTH POSITION NINTH POSITION Two Lessons from the Method by D. Aguado: Lesson No. 26 Lesson No. 40 4th STRING NOTES IN THE HIGHER POSITIONS\ POSITION EXERCISES —FIRST FOUR STRINGS (The Squeeze Shift) Two Lesson from the Aguado Method: Lesson No. 17 Lesson No. 38 5th STRING NOTES IN THE HIGHER POSITIONS POSITION EXERCISES —1st THROUGH 5th STRINGS Two Lessons from the Aguado Method: Lesson No. 24 Lesson No. 28 6th STRING NOTES IN THE HIGHER POSITIONS POSITION EXERCISES—6th AND 5th STRINGS POSITION SCALE FORMATIONS —MAJOR SUPPLEMENTARY PIECES: Andante - F. Sor Lesson No. 13 - D. Aguado Andante - M. Giuliani Lesson No. 15 - D. Aguado Lesson No. 14 - D. Aguado Vivace - M. Giuliani Larghetto - F. Sor Minuetto - F. Sor Moderato - F. Sor Lesson No. 10 - F. Sor Lesson No. 29 - D. Aguado Lesson No. 35 - D. Aguado Prelude: Adagio - F. Tárrega Prelude: Andantino - F. Tárrega | |||||
Y | Shearer, Aaron | Aaron Shearer | Learning the Classic Guitar Part 1: Technique | Tom Poore, ed. | 1990 | Mel Bay Publications | Method | Using These Books The Classic Guitar "Classic" or "Classical" Guitar? Tuning the Guitar Playing Condition of the Guitar Determining the Action of a Guitar Choosing a Teacher Approaching Guitar Study Your Goal: Sharing Music Essentials for Performance Avoiding Habits of Confusion and Error Aim-Directed Movement Developing Sustained Concentration Guidelines for Study and Practice Summary The Four Principles of Efficient Muscle Function Summary Positioning the Guitar General Positioning The Five Ways of Moving the Guitar The Right- and Left-Hand Position Checks Adjusting Your Position An Alternative to Using the Footstand Alone Summary Tone Production Principles of Tone Production Tone Quality and Your Nails Nail Contours and Suggested Shapings Summary Beginning Right-Hand Training Terms and Symbols Right-Hand Positioning Rest-Stroke and Free-Stroke The Prepared-Stroke Training P: The Prepared Free-Stroke Sounding the Strings The Continuity-Stroke Summary Beginning Left-Hand Training Before You Begin Left-Hand Positioning Left-Hand Movement Movement by Touch: Applying Aim-Directed Movement (ADM) Training the Right-Hand Fingers Training the Inactive Fingers The Prepared Rest-Stroke The Continuity Rest-Stroke Alternation of a Finger Rest-Stroke and P Free-Stroke Beginning Free-Stroke with Your Fingers Before You Begin Free-Stroke Considerations I-M Free-Stroke Tip Joint Considerations I-M and P Alternation I-M-A Free-Stroke I-M-A and P Alternation Sympathetic Movement P, I, M P I, M-A P, I-M, A Alternation Beginning Free-Stroke Alternation: P, I, M, I Left-Hand Considerations P, I, A Alternating I and M on Adjacent Strings Alternating I and M on a Single String Principles of String Crossing Beginning String Crossing Clarity on Wound Strings Sounding a Single Note Free-Stroke on an Adjacent String M and A Alternation Developing Right-Hand Speed Developing Independence through Opposed-Finger Sweeps Integrating Independence and Control Summary Comparing Rest-Stroke and Free-Stroke Rest-Stroke Finger Alternation Sounding Three Strings Together with P and the Fingers Sounding Two Strings Together with P and One Finger P, I, M, A P, I, M, A, M, I Four Strings Simultaneously with P-I-M-A Further Left-Hand Training Applying the Principles of Efficient Muscle Function Developing Left-Hand Mobility Slurs Technical Slurs Types of Downward Slurs Further Right-Hand Training Arpeggios without P A, M, I I, M, A A, M, I, M I, A, M, A A, I, M, I Conditioning and Coordination Exercises The Importance of Stretching Exercises. Procedure for Stretching Exercises Developing Muscular Coordination Coordination Exercises The Remedial Student Summary The Natural Approach Determining the Most Natural Approach The Misuse of "Just Let It Happen" Summary Economy of Movement Summary Repetitive Strain Injury (RSI) Coordination and Counterproductive Tension How RSI Develops Musicians Who Develop RSI Questions about RSI Overcoming RSI Summary Avoiding Chronic Shoulder Pain Learning to Recognize Correct Arm Movement Procedure for Training the Right Shoulder Summary Index | ||||
Y | Shearer, Aaron and music by Alan Hirsch | Aaron Shearer, music co-composed by Alan Hirsh | Learning the Classic Guitar Part 2: Reading and Memorizing Music | Tom Poore, ed. Alan Hirsh, co-composer | 1990 | Mel Bay Publications | Method | Solos, Duets for student and teacher | Music and the Guitar The Five Basic Materials of Music Learning to Read Music Rhythm Directing the Beat Rhythm Notation Meter and Time Signature Using the Metronome Directing the Beat with Your Foot Pitch Notation Beginning to Read and Play Music The Open Third and Fourth Strings The Pre-Reading Procedure Duets for Study: So-Re One (Duet No. 1) - A.S. So-Re Two (Duet No. 2) - A.S. So-Re Three (Duet No. 3) - A. S. So-Re Four (Duet No. 4) - S-H (Shearer-Hirsh) So-Re Five (Duet No. 5) - S-H The Open Second String Bugler's Tune (Solo No. 1) - S-H Melody (Duet No. 6) - S-H Rest and Play I (Duet No. 7)- S-H Note Values Longer than the Beat Different Endings of a Piece Rest and Play II (Duet No. 8) - S-H Notes on the Fingerboard A (La) on ③ Visualizing Notes on the Fingerboard Lullaby (Duet No. 9) - S-H Dance of Four (Solo No. 2)- S-H C (Do) and D (Re) on ② Scale Song (Duet No. 10) - S-H Dance of Six (Solo No. 3) - A. H. 4/4 Time and the Whole Value Counterpoint (Duet No. 11) - S-H The Weaver (Duet No. 12) - S-H Dance of the Upper Skip (Solo No. 4) - S-H Humming Song (Duet No. 13a) - S-H 2/2: Alla Breve Humming Song II (Duet No. 13b)- S-H Dialogue (Duet No. 14) - A. H. Dance of the Downward Skip (Solo No. 5) - S-H E (Mi), F (Fa), and G (So) on ① Mi-Fa-So (Duet No. 15) - A. H. Stepping Tones (Duet No. 16) - A. H. Playing Scale Passages Involving and ③, ②, and ① Chimes (Duet No. 17) - A. H. The Open Fifth and Sixth Strings March (Duet No. 18) - S-H The Tie Solo Playing of Music in Two Parts Serenade I (Solo No. 6) - A. S. Serenade II (Solo No. 6 R. V. (Rhythmic Variation)) - A. S. Syncopation G# (Si) on ③ Slavic Dance I (Solo No. 7) - A. S. Slavic Dance II (Solo No. 7 R. V.) - A. S. 3/4 Time and the Dotted Half Value Folk Song (Solo No. 8) - A. S. The Dotted Quarter Value Folk Dance (Solo No. 8 R. V.) - A. S. Beginning Free-Stroke: Sounding Two Notes Simultaneously Two by Two (Duet No. 19) - A. H. Petite Valse (Duet No. 20) - A. H. F# (Fi) on ① and C# (Di) on ② The Key Signature Andante I (Solo No. 9) - A. S. Andante II (Solo No. 9 R. V.) - A. S. Further Training of the Fourth Finger Accidentals in Music Carillon (Duet No. 21) - S-H Music Box I (Solo No. 10) - S-H Music Box II (Solo No. 10 R. V.) - S-H Cantilena I (Solo No. 11) - A. S. Cantilena II (Solo No. 11 R. V.) - A. S. E (Mi) and F (Fa) on ④ Moorish Dance (Solo No. 12) - A. S. Beginning A Free-Stroke: Chords of Three Notes Beginning Arpeggios: Sympathetic Movement Single-Beat Measures of Three Counts The Gondolier (Duet No. 22) - A. H. Etude Moderne (Solo No. 13) - S-H Further Training of A Right-Hand Finger Alternation The Sixteenth Value P, I, M, I Etude I (Solo No. 14) - A. S. P, I, M, I Etude II (Solo No. 15)- A. S. B (Ti) and C (Do) on ⑤ Romance (Duet No. 23) - A. H. P, I, M, I Etude III (Solo No. 16)- A. S. Arpeggios Requiring Further Alternation P, I, M, I, M, I Etude (Solo No. 17) - A. S. Cradle Song (Solo No. 18) - S-H F (Fa) and G (So) on ⑥ Calypso (Duet No. 24) - S-H P, I, A Etude (Solo No. 19a) - A. S. P, I, A, I Etude (Solo No. 19b) - A. S. P, I, A, I, A, I Etude (Solo No. 19c) - A. S. Merry Dance (Solo No. 20) - S-H Quintuple Meter Theme and Variation (Solo No. 21) - A. H. Alternation on a Single String Single-String Alternation Etude I (Solo No. 22) - A. H. Single-String Alternation Etude II (Solo No. 23) - S-H String Crossing Crossing Etude I (Solo No. 24) - S-H Compound Meters Crossing Etude II (Solo No. 25) - S-H Crossing Etude III (Solo No. 26) - A. S. Crossing Etude IV (Solo No. 27) - S-H Crossing Etude V (Solo No. 28) - A. S. Playing Scales Rest-Stroke Alternation Danza in C (Solo No. 29) - S-H Sonatina in C (Duet No. 25) - A. H. Arietta (Duet No. 26) - A. H. Baroque Reflections (Duet No. 27) - A. H. Playing Chords with P and the Fingers Chanson (Solo No. 30) - A. H. Pavane (Solo No. 31) - A. H. Sounding Two Notes Together with P and One Finger Free-Stroke Rustic Idyl (Solo No. 32) - S-H Minuet (Solo No. 33) - S-H Catalonian Folk Song (Solo No. 34) - A.H. The Complete Open-Position G-Major Scale Form Sonatina in G (Duet No. 28) - A. H. Ballade (Solo No. 35) - A. H. Papillon (Duet No. 29) - A. H. Further Development of Chords and Arpeggios Etude in E Minor (Solo No. 36a) - S-H Berceuse (Duet No. 30) - A. H. Hemiola Arabesque (Solo No. 37) - A. H. Mixed Meter Farewell (Solo No. 38) - A. H. Musette (Duet No. 31) - A. H. Traveler's Song (Duet No. 32) - A.H. Chords of Four Notes Alla Marcia (Solo No. 39) - A. S. Bagatelle (Duet No. 33) - A. H. Entrada (Solo No. 40) - A. H. Elegy (Duet No. 34) - A. H. A, M, I Etude I (Solo No. 41) - A. H. Triplets A, M, I Etude II (Solo No. 42) - A. S. Technical Slurs Gently Flowing (Duet No. 35) - S-H English Dance (Solo No. 43) - A. H. Serenata (Solo No. 44) - S-H A, I, M Etude I (Solo No. 45) - A. H. A, I, M Etude II (Solo No. 46) - A. S. The Complete Open-Position D-Major Scale Form Saltarello (Duet No. 36) - A. H. Soliloquy (Solo No. 47) - A. H. Accidental Melody (Duet No. 37) - A. H. A, M, I, M Etude I (Solo No. 48) - A. H. A, M, I, M Etude II (Solo No. 49) - A. S. The Complete Open-Position Chromatic Scale Boogie-Woogie Blues (Duet No. 38) - S-H Divertimento (Solo No. 50) - A. H. The Complete Open-Position A-Major Scale Form Quint-Waltz (Solo No. 51) [in 5/4] - A. H. Reverie (Solo No. 52) - A. H. Habañera (Duet No. 39) - A. H. I, A, M, A Etude (Solo No. 53) - A.H. The Complete Open-Position E-Major Scale Form Danza Mexicana (Solo No. 54) - A. H. Gavotte (Duet No. 40) - A. H. A, I, M, I Etude (Solo No. 55) - A.H. Humoreske (Duet No. 41) - A. H. Carousel (Solo No. 56) - A. H. String Damping Right-Hand Damping Left-Hand Damping Solfege The Fixed-Do Chromatic Syllable System Summary Memorizing Music Eliminating Confusion and Error Selecting Music for Study The Four-Step Memorization Procedure Step One: Pre-Reading without the Guitar Step Two: Reading and Playing on the Guitar Step Three: Testing Your Memorization Step Four: Confirming Your Memorization Summary | |||
Shearer, Aaron and music by Alan Hirsch | Aaron Shearer | Learning the Classic Guitar Part 3: Interpretation and Perfornance Development | Tom Poore, ed. | 1991 | Mel Bay Publications | Method | Interpretation Approaching Expressive Interpretation: The Expressive Musician Expression and Technique Regarding Early Music The Basis of Expressive Playing: Enhancing and Creating Musical Contrast: Expression and the Score Beginning to Play Expressively: Observing Melodic Contour Scale Song - S-H Serenade I - A. S. The Moving and Shaping Forces of Music: Attractions Rhythmic Attraction Melodic Attraction Harmonic Attraction Organizing Rhythmic Contrasts: Note-Grouping and Phrasing The Figure The Phrase Defining Note-Grouping and Phrasing Rubato Upbeat Grouping Downbeat Grouping Summary Questions for Review Approaching Expression through Vocalization Applying Note-Grouping and Phrasing: Applying Rubato and Dynamics Further Application of Upbeat Grouping Creating Mood and Spirit Folk Song - A. S. Folk Dance. - A. S. Note-Grouping in Quadruple Meter Andante I - A. S. Summary Pieces for Study: Op. 60, No. 13 - F. Sor Andante: Op. 60, No. 14 - F. Sor Lesson No. 15 - D. Aguado Andante: Op. 139, No. 1 - M. Giuliani Lesson No. 9 - Napleon Coste Lesson No. 12 - Napleon Coste Lesson No. 13 - Napleon Coste Performance Development Introduction: The Cause of Performance Anxiety Evaluating Your Situation Regarding Technique and Memorization Approaching Performance Development: Performance Anxiety and Negative Concerns Dealing with Errors During Performance Replacing Negative Concerns with Positive Concerns Summary Beginning Performance Development: Before You Begin The Practice Performance Establishing Your Concentration The Two Kinds of Performances Developmental Performance Procedure Approaching the Formal DP (Developmental Performance) Learning Effective Stage Conduct Carrying the Guitar Guidelines for Walking to the Chair Guidelines for Bowing Practicing a Formal DP The Expressive Performance (EP) Summary | |||||
Y | Sidney, Anthony | Anthony Sidney | Rencontrer Les Yeux | 1988 | Bèrben | Solo | ||||||
Y | Siennicki, Edmund J. | Edmund J. Siennicki | Sunshine in G (Early Bird String Series) | 1987 | Lake State Publications | violin (2), viola, cello, bass, opt.piano | Quintet, Chamber Ensemble, Strings, no guitar | |||||
Simon, Paul | Paul Simon | Paul Simon for Classical Guitar | Alexander Bellow | 1977 | Big Bells Incorporated | Solo | Collection | Foreword Bookends Bridge OverTroubled Water El Condor Pasa [If I Could] The 59th St. Bridge Song [Feelin' Groovy] For Emily Whenever I May Find Her MotherAnd Child Reunion Old Friends Papa Hobo Run That Body Down Scarborough Fair/Canticle Song ForThe Asking The Sound Of Silence | ||||
Y | Sloan, P. F. and Steve Barri | P. F. Sloane and Steve Barri | Secret Agent Man | Bob Morris, Aaron Stang, ed. | 1970 | Warner Brothers | 4 guitars, optional bass | Quartet, Ensemble, Score and parts, CD included, Popular, TV show, Johnny Rivers | CD includes: Peter Gunn Evil Ways Romanza Europa Classical Gas | |||
Smith, Doug | Doug Smith | Contemporary Instrumental Guitar | 2004 | Warner Bros. Publications Inc. | Solo | Performance notes; missing CD | Performance Notes August 23rd Before the Fire Dies Crest of the Revolution High Roller The Jig Is Up Lost in the Here and Now Order of Magnitude Out of the Darkness Renewal Shadowcasting Sunday Sonata The Tempest | |||||
Y | Smith, Larry Alan | Larry Alan Smith | Three Contemplations | 1985 | Merion Music, Inc. | Solo | ||||||
Y | Sojo, Vicente E. | Vicente E. Sojo | Quirpa Guatirena (Joropo) | Alirio Diaz | 1966 | Broekmans & Van Poppel | Solo | |||||
Y | Sojo, Vicente E. (Anonymous?) | Vicente E. Sojo | Five Pieces from Venezuela | Harmonization by Vicente E. Sojo Alirio Diaz, transcription | 1965 | Broekmans & Van Poppel | South American | Cantico Aguinaldo Canción Aire Venezolano Galerón | ||||
Solo | Jean-Pierre Dumas | Fetiche de Gassin | 1983 | Alphonse Leduc & Co. | ||||||||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778--1839) | 20 Studies for guitar | Iakovos Kolanian | 2017 | Nakas or Dimitrios Psyllidis & Co. EE | Solo | Collection, Includes CD | Study I (Orig. Study op. 6 n.8) Study II (Orig. Exercise op. 35 n.13) Study III (Orig. Study op. 6 n.2) Study IV (Orig. Study op. 6 n.1) Study V (Orig. Exercise op. 35 n.22) Study VI (Orig. Exercise op. 35 n.17) Study VII (Orig. Lesson op. 31 n.21) Study VIII (Orig. Lesson op. 31 n.16) Study IX (Orig. Lesson op. 31 n.20) Study X (Orig. Lesson op. 31 n.20) Study XI (Orig. Study op. 6 n.3) Study XII (Orig. Study op. 6 n.6) Study XIII (Orig. Study op. 6 n.9) Study XIV (Orig. Study op. 6 n.12) Study XV (Orig. Exercise op. 35 n.16) Study XVI (Orig. Study op. 29 n.23) Study XVII (Orig. Study op. 6 n.11) Study XVIII (Orig. Study op. 29 n.22) Study XIX (Orig. Study op. 29 n.13) Study XX (Orig. Study op. 29 n.17) | |||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778-1839) | 24 Piccoli Pezzi Op. 44 (24 Short Pieces) | Mario dell'Ara | 1976 | Ricordi Americana | Solo | Collection | 1. Andante 2. Allegretto 3. Andantino 4. Allegretto moderato 5. Andantino 6. Moderato 7. Andante allegro 8. Allegretto 9. Andantino 10. Allegretto 11.Andante 12. Andantino 13. Allegretto 14. Tempo di minuetta 15. Andante 16. Andante 17. Cantabile 18. Marcia 19. Allegretto 20. Andantino 21. Andante 22. Andantino 23. Allegro moderato 24. Valzer | |||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778-1839) | 24 Progressive Lessons for Beginners, Book Two (Nos. 13-24), Op. 31 | ? | Schott | Solo | Collection | John Fernando | ||||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778-1839) | Complete Studies for Guitar, The: Facsimile Edition | Brian Jeffery | 1978 | Shattinger International Music Corp | Solo | Collection, Complete facsimile of orignal editions; poor condition: needs to be rebound | Twelve Studies, op. 6 Douze Etudes, op. 29 Vingt Quatre Lecçons, op. 31 Vingt Quatre Exercices, op. 35 Introduction a l'Etude de la Guitare, op. 60 | |||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778-1839) | Complete Works for Guitar Vol. I: opus nos. 1-15; 5 without opus numbers, Facsimile edition | Brian Jeffery | 1977 | Shattinger International Music Corp. | Solo | Collection, Facsimile edition | Op. 1 Six Divertimenti Op. 2 Six Divertimenti Op. 3 (first version) Air Varié Op. 3 (second version) Theme, Variations, and Minuet Op. 4 Fantasia Op. 5 Six Petites Pièces Op. 6 Twelve Studies Op. 7 Fantasia Op. 8 Six Divertimenti Op. 9 Variations on a Theme of Mozart Op. 10 Fantasia Op. 11 Deux Thèmes Variés et Douze Menuets Op. 12 Fantasia Op. 13Six Divertimenti Op. 14 Sonata (Grand Solo) Op. 15 (a) Folies d’Espagne and Minuet Op. 15 (b) Sonata Op. 15 (c) Thème Varie Works without opus numbers: Air Varié Thème Varié Four Minuets March from “Cendrillon” La Candeur | |||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778-1839) | Complete Works for Guitar, The Vol. 8: Guitar Duets, Op. nos. 34-63, First guitar part | Brian Jeffery | 1982, 1987 | Editio Musica Budapest | 2 guitars | Collection, Part 1, in facsimiles of the original editions | Op. 34: L'Encouragement Op. 38: Divertissement Op. 39: Six Valses Op. 41: Lex Deux Amis Op. 44 bis: Six Valses Op. 49: Divertissement Militaire Op. 53: Le Premier Pas vers Moit Op. 54 bis: Fantaisie Op. 55: Trois Duos Op. 61: Trois petit Op. 62: Divertissement Op. 63: Souvenir de Russie | |||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778-1839) | Composition pour Guitare VIII, Etudes II: Op. 31, 35, 60 | Jiro Nakano | 1983 | Gendai Guitar Company | Solo | Collection, text in Japanese, French titles | Op. 31: Vingt-quatre leçons progressive Op. 35: Vingt-quatre Exercices très faciles et doigtées Op. 60: Introduction â l'etude la Guitare, Nos. 1-25 | |||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778--1839) | Deuxième Fantasie Op. 4 | Anthony Glise | 1992 | The Willis Music Co. | Solo | |||||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778-1839) | Fantasia no.1, Op. 7 | Brian Jeffery; Hector Quine, fing. | 1974 | Oxford University Press | Solo | |||||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778--1839) | Folias de España | Sophocles Papas | 1929 | Columbia Music Co. | Solo | Theme and variations | ||||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778--1839) | Introduction et Allegro | José de Azpiazu | 1957 | Symphonia Verlag | Solo | |||||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778-1839) | Mittelschwere Etuden (Intermediate Studies) | Karl Scheit | 1967 | Universal Edition | Solo | Collection | I - Allegretto, op. 35, No. 5 II - Andante-Allegro, op. 6, No. 2 III - Allegro moderato, op. 6, No. 1 IV - Andante-Allegro, op. 31, No. 20 V - Andante, op. 35, No. 7 VI - Andantino, op. 6, No. 8 VII - Andante, op. 35, No. 13 VIII - Moderato, op. 35, No. 16 IX - Allegretto, op. 35, No. 22 X Moderato, op. 35, No. 17 XI - Moderato, op. 31, No. 16 XII - Andantino cantabile, op. 31, No. 21 XIII Tempo di minuetto, op. 35, No. 20 XIV - Andante agitato, op. 6, No. 9 XV - Allegro moderato, op. 35, No. 24 XVa - Allegro moderato (slight variation) XVI - Andante, op. 35, No. 23 | |||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778-1839) | O Crux | Karl Scheit | 2001 | Guitar Chamber Music Press | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778-1839) | Seguidillas [poems set to music] for voice and guitar or piano | Brian Jeffery, ed. | 1976,1983,1990 | Tecla Editions | voice and guitar or piano | Collection, Score only, 9 songs with guitar accompaniment, 2 with piano, 1 with either | 1. Cesa de atormentarme (Cease tormenting me) 2. De amor en las prisiones (Happy I live in Love's prisons) 3. Acuérdate, bien mío (Remember, my dear) 4. Prepárame la tumba (Prepare for me my tomb) 5. Cómo ha de resolverse (How can he resolve) 6. Muchacha, y la vergüenza (Hussy, [where is] your shame?) 7. Si dices que mis ojos (If you say that my eyes) 8. Los canónigos, madre (Canons, mother) 9. El que quisiera amando (he who wants to love) 10. Si a otro cuando me quieres (If to another when you like me) 11. Las mujeres y cuerdas (Women and [guitar] strings) 12. Mis descuidados ojos (My careless eyes) | |||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778-1839) | Selected Guitar Works (Very easy preliminary studies) | Willy Domandl, rev. | 1957 | Verlag Anton J. Benjamin | Solo | Collection, 29 studies, sources not given | ||||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778-1839) | Siciliana | Giuseppe Gazzelloni | 1982 | Bèrben | Solo | |||||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778-1839) | Sixty Short Pieces for Guitar, Vol. I: Numbers 1-38 | Sophocles Papas | 1967 | Columbia Music Co. | Solo | Collection | 1. Andante 2. Andantino 3. Andante 4. Andante 5. Waltz 6. Andantino 7. Andantino 8. Andantino 9. Andante 10. Allegretto 11. Tempo di Menuetto 12. Andante 13. Allegretto 14. Waltz 15. Allegro 16. Waltz 17. Allegretto Moderato 18. Andante 19. Andante 20. Waltz 21. Moderato 22. Waltz 23. Andantino 24. Moderato 25. Study 26. Andantino 27. Menuetto 28. Andante 29. Allegretto 30. Andante 31. Andante 32. Allegretto 33. Andantino 34. Prayer 35. Larghetto 36. Andante 37. Waltz 38. Allegro | John Fernando-1 | ||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778-1839) | Sixty Short Pieces for Guitar, Vol. II: Numbers 39-60 | Sophocles Papas | 1967 | Columbia Music Co. | Solo | Collection | 39. Lento 40. Andante 41. Allegretto 42. Waltz 43. Andante 44. Allegretto 45. Andantino 46. Allegro 47. Tempo di Minuetto 48. Allegretto Scherzo 49. Menuett 50. Andantino 51. Valse 52. Andante 53. Moderato 54. Study 55. Allegretto 56. Allegretto 57. Andantino 58. Waltz 59. Andantino 60. Waltz | John Fernando-1 | ||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778-1839) | Studies For Guitar (same studies as Twenty Studies) | Andres Segovia | 1945 | Edward B Marks Music | Solo | Collection | Estudio 1, Op. 6, No. 8 Estudio 2, Op. 35, No. 13 Estudio 3, Op. 6, No. 2 Estudio 4, Op. 6, No. 1 Estudio 5, Op. 35, No. 22 Estudio 6, Op. 35, No. 17 Estudio 7, Op. 31, No. 21 Estudio 8, Op. 31, No. 16 Estudio 9, Op. 31, No. 20 Estudio 10, Op. 31, No. 19 Estudio 11, Op. 6, No. 3 Estudio 12, Op. 6, No. 6 Estudio 13, Op. 6, No. 9 Estudio 14, Op. 6, No. 12 Estudio 15, Op. 35, No. 16 Estudio 16, Op. 29, No. 23 Estudio 17, Op. 6, No. 11 Estudio 18, Op. 29, No. 22 Estudio 19, Op. 29, No. 13 Estudio 20, Op. 29, No. 17 | |||
Sor, Fernando (1778--1839) | Fernando Sor (1778-1839) | Third Set of Divertimenti, op. 8 | Brian Jeffery | 1974 | Oxford University Press | Solo | 1. Minuet 2. Waltz 3. Andantino 4. Allegretto Scherzoso 5. March 6. Waltz | |||||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778-1839) | Collection, includes CD | Andres Segovia | 1945 | Edward B Marks Music | Solo | Collection, missing cassette | Estudio 1, Op. 6, No. 8 Estudio 2, Op. 35, No. 13 Estudio 3, Op. 6, No. 2 Estudio 4, Op. 6, No. 1 Estudio 5, Op. 35, No. 22 Estudio 6, Op. 35, No. 17 Estudio 7, Op. 31, No. 21 Estudio 8, Op. 31, No. 16 Estudio 9, Op. 31, No. 20 Estudio 10, Op. 31, No. 19 Estudio 11, Op. 6, No. 3 Estudio 12, Op. 6, No. 6 Estudio 13, Op. 6, No. 9 Estudio 14, Op. 6, No. 12 Estudio 15, Op. 35, No. 16 Estudio 16, Op. 29, No. 23 Estudio 17, Op. 6, No. 11 Estudio 18, Op. 29, No. 22 Estudio 19, Op. 29, No. 13 Estudio 20, Op. 29, No. 17 | |||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778-1839) | Twenty Studies For Guitar, performed by Paul Henry (missing CD) | Andres Segovia | 1945 | Edward B Marks Music | Solo | Collection, missing CD | Estudio 1, Op. 6, No. 8 Estudio 2, Op. 35, No. 13 Estudio 3, Op. 6, No. 2 Estudio 4, Op. 6, No. 1 Estudio 5, Op. 35, No. 22 Estudio 6, Op. 35, No. 17 Estudio 7, Op. 31, No. 21 Estudio 8, Op. 31, No. 16 Estudio 9, Op. 31, No. 20 Estudio 10, Op. 31, No. 19 Estudio 11, Op. 6, No. 3 Estudio 12, Op. 6, No. 6 Estudio 13, Op. 6, No. 9 Estudio 14, Op. 6, No. 12 Estudio 15, Op. 35, No. 16 Estudio 16, Op. 29, No. 23 Estudio 17, Op. 6, No. 11 Estudio 18, Op. 29, No. 22 Estudio 19, Op. 29, No. 13 Estudio 20, Op. 29, No. 17 | Richard Childress | ||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778-1839) | Variations On a Theme from Mozart's "The Magic Flute", op. 9 | Brian Jeffery | 1978 | Shattinger International Music Corp | Solo | Theme and 5 variations, Complete facsimile of the original edition | ||||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778--1839) | Variations On a Theme of Mozart, opus 9; Sonata in C major, Opus 15 No. 2 | Frederick Noad | 1977 | Ariel Publications | Solo | Variations On A Theme of Mozart, Opus 9 Sonata in C Major, Opus 15 No. 2 | ||||
Y | Sor, Fernando (1778--1839) | Fernando Sor (1778-1839) | Vorbereitende Übungen, kleine Musikstücke und Etüden (Preparatory Exercises, small pieces of music and etudes), Vol. 1 (taken from Op. 6, 23. 29, 31, 32, 35, 60, including Method studies) | Carl Dobrauz | 1947 | Edition Hladky | Solo | Collection | Nr.1 - Op. 60 Nr.2 - Op. 60 Nr.3 - Op. 60 Nr.4 - Op. 60 Nr.5 - Met. 3 Nr.6 - Op. 31 Nr.7 - Met. 14 Nr.8 - Op. 35 Nr. 9 - Met. 16 Nr.10 - Op. 35 Nr.11 - Op. 60 Nr.12 - Op. 31 Nr.13 - Op. 60 Nr.14 - Op. 35 Nr.15 - Op. 35 Nr.16 - Op. 60 Nr.17 - Met. 19 Nr.18 - Op. 31 Nr.19 - Op. 60 Nr.20 - Op. 31 Nr.21 - Op. 35 Nr.22 - Op. 60 Nr.23 - Op. 31 Nr.24 - Met. 23 | |||
Y | Souza, Francisco Soares de (1905-1986) | Francisco Soares de Souza (1905-1986) | Dez Serestas Brasileiras | 1993 | Editions Henry Lemoine | Solo | Collection, South American, Brazil | Cabore 1 - Choro N° 3 Preludio N° 2 Jane Angustia Choranmingando I Silvia Helena - Valsa N° 2 Tira-Teima - Choro N° 7 Lenda Tabajara Peneirando - Choro N° 14 Seresta N° 1 | ||||
Y | St. James, Adam | Adam St. James | Incredible Scale Finder: Easy-to-Use Guide to Over 1300 Guitar Scales | 2001 | Hal Leonard | Instruction, Scales | ||||||
Y | Stäbler, Gerhard | Gerhard Stäbler | ...schloß die Augen, vor Glück... für Gitarre (vorläufige Ausgabe) (...closed his eyes with happiness...) | 1996 | G. Ricordi & Co | Solo | ||||||
Y | Steadman, Klondike | Klondike Steadman | The Complete Guitar for the Younger Beginner Volume 1: An Integrated Approach to Learning the Guitar | 2010 | Orpheus Academy of Music (Austin) | Method | Kodaly Based Instruction, Folk, Traditional, Teacher's part for duet sometimes provided separately | A Note to Parents and Teachers Sitting and Holding the Guitar Right Hand Position Playing with the Right Hand Thumb Conducting the Pulse First Notes: G and D (notated on staff) Musette - K. S. (with Teacher's Duet) Playing with the Left Hand Two Sounds on a Beat: Eighth Notes New Note: E (notated on staff) Cuckoo - American Folk Song Star Light, Star Bright - American Folk Song Bear Went Walkin' - K. S. Writing Exercise (Quarter and Eighth Notes) New Note: A (notated on staff) Mill Wheel - American Folk Song Rain, Rain - American Folk Song Strawberry Shortcake - American Folk Song Blue Samba - K. S. (with Teacher's Duet) Improvising your own "Samba" (writing exercise) Composing your own music (writing exercise) Air Guitar Sunday in the Park - K. S. (with Teacher's Duet) New Note: B (notated on staff) Technique Corner: Midde and Index Fingers Rest Stroke Closet Key - American FolkSong Hot Cross Buns - American Folk Song Grandma Grunts - American FolkSong New Note: D' (notated on staff) One, Two, Tie My Shoe - American Folk Song Writing Note Names D' and B New Note: E B and E Chorale - K. S. (with Teacher's Duet) "Mill Wheel" Writring Exercise Discovering the Strong Beat (2/4) Bounce High, Bounce Low - American Folk Song Theory Corner: 2/4 Time Signature Bar line exercise for "One, Two, Tie My Shoe" Ring Around the Rosie - English Folk Song staff notation writing exercise Merrily We Roll Along New Note: C' (notated on staff) Hot Cross Buns writing exercise in new key Sasara Ang Bulaklak - Filipino Folk Song New Note: G' (notated on staff) Rain Come Wet Me - American Folk Song Mary Had a Little Lamb - English Folk. Song One Sound that Lasts Two Beats: The Half Note Frere Jacques - French Folk Song Discovering the Strong Beat (4/4) Theory Corner: 4/4 Time Signature Here Comes a Bluebird - American Folk Song Whose [sic] That Tapping at My Window - American Folk Song Lightly Row - German Folk Song New Note: F' (notated on staff) Theory Corner: Steps Ode to Joy - L. V. Beethoven When the Saints Go Marching In - African-American Spiritual (with Teacher's Duet) Staff notation writing exercise Theory Corner: The Third Carousel - K. S. (with Teacher's Duet) New Notes: E and F on the Fourth String Finding the Musical Phrase Winter - K. S. (with Teacher's Duet) Theory Corner: 3/4 Time Signature and Dotted Half Notes We Three Kings - John Henry Hopkins, Jr. Strong-weak Beats exercise Fias, Do Do - Creole Folk Song Winter Watlz - K. S. (with Teacher's Duet) New Notes: E and A on the Fifth and Sixth Strings Theory Corner: Ledger Lines Indian Song - K. S. (with Teacher's Duet) String Crossing Theory Corner: The Fourth A Walk in the Park - K. S. (with Teacher's Duet) Da Capo al Fine Dance of the Firefly - K. S. (with Teacher's Duet) Technique Corner: Alternating the Index and Middle Finger I vs M Sur le Pont D'Avignon - French Folk Song Cloud Hopping - K. S. (with Teacher's Duet) Twinkle, Twinkle, Little Star - Folk Song Reading Fingerings in Guitar Music Ode to the Fifth Position Winter Waltz in Fifth Position Lavender Blue - English Folk Song Simple gifs - American Folk Song Rocky Mountain - American Folk Song Song of the Wind - German Folk Song Swinging 8th Notes Blues in E - K. S. (with Blues Shuffle Teacher's Duet) Theory Corner: The E Minor Pentatonic Scale Improvising (with Teacher's Duet) Song Index: Musette Cuckoo Star Light, Star Bright Bear Went Walkin' Mill Wheel Rain, Rain Strawberry Shortcake Blue Samba Sunday in the Park Closet Key Hot Cross Buns Grandma Grunts One, Two, Tie My Shoe B and E Chorale Bounce Hight, Bounce Low Ring Around the Rosie Merrily We Roll Along Sasaraq Ang Bulaklak Rain Come Wet Me Mary Had a Little Lamb Frere Jacques Here Comes a Bluebird Whose [sic] that Tapping at My Window? Ode to Joy When the Saints Go Marching In Carousel Winter We Three Kings Fais, Do Do Winter Waltz Indian Song Walk in the Park Dance ofthe Firefly Sur le Pont D’Avignon Cloud Hopping Twinkle, Twinkle, Little Star Winter Waltz in Fifth Position Lavender Blue Simple Gifts Rocky Mountain Song ofthe Wind Blues in E | ||||
Y | Steadman, Klondike | Klondike Steadman | The Complete Guitar Volume 1-B: An Integrated Approach to Learning the Guitar | 2005 | Orpheus Academy of Music (Austin) | Method, CD available but not included | Kodaly Based Instruction, Folk, Traditional | Theory Corner: Accidentals The Sharp Sign Marche Slav - Tchaikovsky (with Teacher's Duet) New Notes: F# and C# The Natural Sign Study in B Minor - F. Sor, arr. K. S. (with Teacher's Duet) Theory Corner: Chords A Minor Triad Technique Corner: Strumming Chords Reading Chord Diagrams Reading Chord Charts Joshua Fought the Battle of Jericho - African American Spiritual New Notes: B and C on the Fifth String Ledger Line Exercises Waltz in A Minor - K. S. (with Teacher's Duet) Fretboard Challenge: Fifth Position New Notes: F and G on the Sixth String Ledger Line Exercise Recess - K. S. Theory Corner: The Interval of a Fifth The Wild West - K. S. Theory Corner: The C-Major Scale Single String Scales Theory Corner: Key Signatures E Major Key Signature Identifying Key Signatures with Sharps exercise Theory Corner: Transposing Your Music Sur le Pont (in C Major) - French Folk Song Sure le Pont (in G Major) Sure le Pont (in D Major) Sure le Pont (in A Major) Theory Corner: The Dotted Quarter Note and the Single Eighth Conducting Dotted Quarter Notes Dotted Quarter Note Exercise Alouette - French Folk Song New Note: F# Switching Between Fingers and Thumb Ode to Joy - L. V. Beethoven New Chord: D Major Michael Row the Boat Ashore - African American Spiritual Theory Corner: Sixths Habanera Bass (from Carmen) - G. Bizet (with Teacher's Duet) Theory Corner: The Flat b Theory Corner: The Chromatic Scale Theory Corner: 1st and 2nd Endings Habanera Melody - Bizet (with Teacher's Duet) Theory Corner: Major and Minor Chords "Thumb-Strum" Accompaniment Pattern Drunken Sailor - Sea Chanty New Chords: C and G Major C and G Major "EZ" chords Go Tell Aunt Rhody - English Folk Song Theory Corner: Syncopation Cotton Eyed Joe - American Folk Song Alabama Girl (Won't You Come Out Tonight) - American Folk Song Theory Corner: Sevenths Theory Corner: Octaves Exercise in Octaves Making the D minor chord Sinner Man - African American Spiritual Minuet in G - J. S. Bach New Note: A Technique Corner: Shifting Minuet - W. A. Mozart Chord Index The Five Basic Major Chords: C, A, G, E, D The Three Basic Minor Chords: A Minor, E Minor, D Minor 10 Steps to Tuning the Guitar Using an "E" Tuning Fork | ||||
Y | Stookey, Noel Paul | Noel Paul Stookey | Wedding Song (There Is Love) | Stan Ayeroff | 1987 | Warner Bros. Publications Inc. | Solo | Popular, Wedding, Peter, Paul & Mary | ||||
Stover, Rico | Rico Stover | (Mel Bay Presents) The Guitarist's Guide to Fingernails | 2005 | Mel Bay Publications | Technique | Instruction | Chapter 1 - Fingernails: Finding the Answers Chapter 2 - Artificial Fingernails Chapter 3 - Natural Nail Care Products Chapter 4 - False Nails with a Nontoxic Adhesive Chapter 5 - Shaping and Polishing the Nails A Short History of nail Care in the US List of Manufacturers Bibliography | |||||
Stravinsky, Igor | Igor Stravinsky | Petrouchka | Truitt | 8 Guitars | ||||||||
Stravinsky, Igor | Igor Stravinsky | Petrouchka | Truitt | 8 guitars | ||||||||
Surmani, Andrew Surmani, Karen Farnum Manus, Morty | Andrew Surmani Karen Farnum Surmani Morty Manus | Alfred's Essentials of Music: A Complete Self-Study Course for all Musicians (For Pianists, Guitarists, Instrumentalists, Vocalists, Songwriters, Arrangers & Composers | Andrew Surmani Karen Farnum Surmani Morty Manus | 2004 | Method, Theory | Worksheets, Instruction | UNIT 1 Lesson 1: The Staff, Notes and Pitches Lesson 2: Treble Clef and Staff Lesson 3: Bass Clef and Staff Lesson 4: The Grand Staff and Ledger Lines Lesson 5: Ledger Lines (low and high notes) Ear Training for Lessons 1-5 Review of Lessons 1-5 UNIT 2 Lesson 6: Note Values Lesson 7: Measure, Bar Line and Double Bar Lesson 8: 4/4 Time Signature and Note Values. Lesson 9: Whole, Half and Quarter Rests ... Ear Training for Lessons 6-9 Review of Lessons 6-9 UNIT 3 Lesson 10: 2/4 Time Signature Lesson 11: 3/4 Time Signature Lesson 12: Dotted Half Note Lesson 13: Ties and Slurs Ear Training for Lessons 10-13 Review of Lessons 10-13 UNIT 4 Lesson 14: Repeat Sign, 1st and 2nd Endings Lesson 15: Eighth Notes Lesson 16: Eighth Rests Lesson 17: Dotted Quarter Note Ear Training for Lessons 14-17 Review of Lessons 14-17 UNIT 5 Lesson 18: Dynamic Signs Lesson 19: Tempo Marks Lesson 20: Articulation Lesson 21: D.C., D.S., Coda and Fine Ear Training for Lessons 18-21 Review of Lessons 18-21 UNIT 6 Lesson 22: Flats Lesson 23: Sharps Lesson 24: Naturals Lesson 25: Whole Steps, Half Steps and Enharmonic Notes Ear Training for Lessons 22-25 Review of Lessons 22-25 APPENDIX Glossary & Index of Terms & Symbols UNIT 7 Lesson 26: Tetrachords and Major Scales Lesson 27: The Sharp Scales — G and D Major Lesson 28: The Flat Scales — F and Bb Major. . Lesson 29: Key Signatures — The Sharp Keys . Lesson 30: Key Signatures — The Flat Keys. . . Ear Training for Lessons 26-30 Review of Lessons 26-30 UNIT 8 Lesson 31: The Remaining Major Scales with Key Signatures Lesson 32: Chromatic Scale Lesson 33: Intervals Lesson 34: Circle of Fifths Ear Training for Lessons 31-34 Review of Lessons 31-34 UNIT 9 Lesson 35: Perfect and Major Intervals Lesson 36: Minor Intervals Lesson 37: Augmented and Diminished Intervals Lesson 38: Solfege and Transposition Ear Training for Lessons 35-38 Review of Lessons 35-38 UNIT 10 Lesson 39: Sixteenth Notes Lesson 40: Sixteenth Rests Lesson 41: Dotted Eighth Notes Lesson 42: Common Time and Cut Time (Alla Breve) Ear Training for Lessons 39-42 Review of Lessons 35-38 UNIT 11 Lesson 43: 3/8 and 6/8 Time Signatures Lesson 44: 3/8 and 6/8 Time Signatures at Fast Tempos Lesson 45: Eighth Note Triplets Lesson 46: Incomplete Measures (Pick-up Notes) and Syncopation Ear Training for Lessons 43-46 Review of Lessons 43-46 UNIT 12 Lesson 47: Triads . Lesson 48: Primary and Major Triads Lesson 49: Scale Degree Names Lesson 50: The V7 (Dominant 7th) Chord Ear Training for Lessons 47-50 Review of Lessons 47-50 APPENDIX Glossary & Index of Terms & Symbols UNIT 13 Lesson 51: Triads—1st Inversion Lesson 52: Triads—2nd Inversion Lesson 53: V7 Chord—1st, 2nd and 3rd Inversions Lesson 54: Figured Bass Lesson 55: Major Chord Progressions Ear Training for Lessons 51-55 Review of Lessons 51-55 UNIT 14 Lesson 56: Minor Scales Lesson 57: Natural, Harmonic and Melodic Minor Scales Lesson 58: Minor Triads Lesson 59: Augmented and Diminished Triads Ear Training for Lessons 56-59 Review of Lessons 56-59 UNIT 15 Lesson 60: The Primary Triads in Minor Keys Lesson 61: Minor Chord Progressions Lesson 62: Modes Related to the Major Scale: Ionian, Mixolydian and Lydian Lesson 63: Modes Related to the Minor Scale: Aeolian, Dorian, Phrygian, Locrian Ear Training for Lessons 60-63 Review of Lessons 60-63 UNIT 16 Lesson 64: Harmonizing a Melody in a Major Key Lesson 65: Broken Chords and Arpeggiated Accompaniments Lesson 66: Passing and Neighboring Tones Lesson 67: Composing a Melody in a Major Key Ear Training for Lessons 64-67 Review of Lessons 64-67 UNIT 17 Lesson 68: Harmonizing a Melody in a Minor Key Lesson 69: Composing a Melody in a Minor Key Lesson 70: 12-Bar Blues Chord Progression Lesson 71: The Blues Scale Ear Training for Lessons 68-71 Review of Lessons 68-71 UNIT 18 Lesson 72: Basic Forms of Music—Motive and Phrase Lesson 73: AB (Binary) Form Lesson 74: ABA (Ternary) Form Lesson 75: Rondo Form Ear Training for Lessons 72-75 Review of Lessons 72-75 APPENDIX Glossary & Index of Terms & Symbols Answer Key | |||||
Y | Svendsen, R. Anne | R. Anne Svendsen | As Evening Falls (for String Orchestra) | 2006 | Latham Music | violin (2), viola, cello, bass | Quintet, Chamber Ensemble, Strings, Score and parts, no guitar | |||||
Swayne, Giles | Giles Swayne | Canto for Guitar (1972) | Timothy Walker | 1979 | Novello | |||||||
Y | Takemitsu, Toru | Toru Takemitsu | Bad Boy for two guitars | 1993 | Schott | 2 guitars | Duet, Score only | |||||
Y | Tansman, Alexandre | Alexandre Tansman | Mazurka | Andrés Segovia, fing. | 1928 | B. Schorr's Söhne | Solo | |||||
Y | Tansman, Alexandre | Alexandre Tansman | Suite "in modo polonico" pour guitare | Andrés Segovia, fing. | 1968 | Éditions Max Eschig | Solo | I. Entrée II. Gaillarde III. Kujawiak (mazurka lente) IV. Tempo de Polonaise V. Kolysanka N°1 (Berceuse d'Orient) VI. Rêverie VII. Alla Polacca VIII. Kolysanka N°2 IX. Oberek" | ||||
Y | Tárrega, Francisco (1852-1909) | Francisco Tárrega (1852-1909) | Album of Selected Works (Kalmus Edition 4241) (1 has different cover) | 1985 | Belwin/Mills Publishing Corp. | Solo | Collection | Preludio en Re menor Preludio en Mi mayor Preludio en Sol mayor Preludio en La menor Preludio en Mi mayor Preludio en La mayor Endecha-Oremus - Preludios Vals: sobre una melodia de Strauss Las Dos Hermanitas - Vals Vals en La mayor Vals en Re (D major) | ||||
Y | Tárrega, Francisco (1852-1909) | Francisco Tárrega (1852-1909) | Der Karneval in Venedig (Carnival of Venice, The) | Daniel Benkõ | 1979 | Editio Musica Budapest | Solo | Theme and variations | ||||
Y | Tárrega, Francisco (1852-1909) | Francisco Tárrega (1852-1909) | Sämtliche Präludien (Complete Preludes) | Karl Scheit | 1961 | Universal Edition | Solo | I - (Andante) II - (Allegro moderato) III - Lágrima (Andante) IV - (Scherzando) V - VI - VII - Endecha (Andante) VIII - Oremus (Lento) IX - Moderato X - Allegretto XI - XII - XIII - XIV - Andante sostenuto XV - Allegro | ||||
Y | Tárrega, Francisco (1852-1909) | Francisco Tárrega (1852-1909) | Complete Technical Studies | Karl Scheit | 2004 | Universal Edition | Method | Collection | Preface Dexterity exercises, Nos. 1-13 Legato exercises, Nos. 14-42 Ten various exercises, Nos. 43-52 Barré amd fomger extemsopm exercises, Nos. 53-66 Four-Note chord arpeggios, Nos. 67-74 Exercise with consecutive thirds, No. 75-77 Twenty alternating-stroke exercises on strings ③ and ②, No. 78 (1-20) Thirty-two three-part arpeggios, No. 78 (1-32) (Patterns of striking for No. 76 on strings ⑥, ③, and ②) Fourteen four-part arpeggios, No. 79 (Patterns of striking for No. 77) on strings ⑥, ③, ②, and ① Four four-part barré and arpeggios exercises, Nos. 80-83 Thirteen six-part barré and arpeggio exercises, Nos. 84, 85 (1-13) Exercise for outer parts, No. 86 Exercises in high positions (twelfth-fifteenth positions), Nos. 87-90 Seven exercises in glissando octaves, No. 91 Explanatory Notes | |||
Y | Tárrega, Francisco (1852-1909) | Francisco Tárrega (1852-1909) | Doce Composiciones para Guitarra (different covers) | Isaias Savio | 1969 | Ricordi Americana | Solo | Collection, 2 different covers | 1. Capricho árabe (Serenata) 2. Recuerdos de la Alhambra 3. Danza mora 4. Pavana 5. La alborada (Cajita de música) 6. Adelita (Mazurca) 7. ¡Marieta! (Mazurca) 8. Mazurca en Sol 9. Maria (Gavota) 10. Lágrima (Preludio) 11. Minuetta 12. ¡Sueño! | |||
Y | Tárrega, Francisco (1852-1909) | Francisco Tárrega (1852-1909) | Etuden (8) | Karl Scheit | 1968 | Universal Edition | Solo | Collection | ||||
Y | Tárrega, Francisco (1852-1909) | Francisco Tárrega (1852-1909) | Linda Pavana | 1966 | Union Musical Espanola | Solo | ||||||
Y | Tárrega, Francisco (1852-1909) | Francisco Tárrega (1852-1909) | Minuetto Mozart | 1930 | Union Musical Espanola | Solo | ||||||
Y | Tárrega, Francisco (1852-1909) | Francisco Tárrega (1852-1909) | Original Compositions for Guitar | Peter Päffgen | 1968 | Könemann Music Budapest | Solo | Collection | Adelita, Mazurka Alborada Capricho árabe, Serenata DanzaMora Estudio en Forma de Minuetto Estudio de Velocidad Fantasía sobre motivos de la Traviata Gran Vals Jota María, Gavota Marieta, Mazurka La Mariposa, Estudio Mazurka Minuetto Pavana Preludio Nr. 1 Preludio Nr. 2 Preludio Nr. 3 Preludio Nr. 4 Preludio Nr. 5 Preludio Nr. 6 Preludio Nr. 7 Preludio Nr. 8 Preludio Nr. 9 Recuerdos de la Alhambra Rosita, Polka Sueño Tango Variaciones sobre Camaval de Venecia\ | |||
Y | Tárrega, Francisco (1852-1909) | Francisco Tárrega (1852-1909) | Original Compositions for Guitar | Karl Scheit | 1978 | Universal Edition | Solo | Collection | Adelita (Mazurka) Sueño (Mazurka) Marieta (Mazurka) Mazurka in G-Dur Pavan Tango Maria Maria (Gavotte) El columpio (Nana-Berceusse-Wiegenlied) Minuetto Danza Mora Capricho Árabe Rosita (Polka) \ | |||
Y | Tárrega, Francisco (1852-1909) | Francisco Tárrega (1852-1909) | Recuerdos de la Alahambra | 1926 | Union Musical Española | Solo | ||||||
Y | Tárrega, Francisco (1852-1909) | Francisco Tárrega (1852-1909) | Recuerdos de la Alahambra | l. Savio | 1960 | Ricordi Americana | Solo | |||||
Y | Tárrega, Francisco (1852-1909) | Francisco Tárrega (1852-1909) | Tango | 1968 | Casa de la guitarra,Tokyo | Solo | ||||||
Y | Tárrega, Francisco (1852-1909) | Francisco Tárrega (1852-1909) | Tárrega, Volumen III: 35 Preludios Originales para Guitarra (4 inéditos) | Melchor Rodriguez | 1968 | Ediciones Soneto | Solo | includes 4 unpublished preludes | Preludio Número 1 Preludio Número 2 Preludio Nº 3 Preludio Nº 4 Preludio Nº 5 Preludio Nº 6 Preludio 7º Dos Preludios: Nº 8, Nº 9 Preludio nº 10 (inédito [unpublished]) Remaining Preludes numbered by M. Rodriguez Preludio n.º 14 (Sobre un fragmento de Medelssohn) Preludio n.º 16 (inédito [unpublished]) Preludio n.º 20 (Una Lagrima) Prleludio n. º 21 (Sobre un fragmento de J. S. Bach) Preludio n.º 29 (inédito [unpublished]) Preludio n.º 30 (inédito [unpublished]) Preludio n.º 34 (Endecha) Preludio n.º 35 (Oremus) | |||
Y | Tedesco, Mario Castelnuovo- | Mario Castelnuovo-Tedesco | Aria Da Chiesa ("Greeting Cards" - Op. 170 N. 43) | Ruggero Chiesa, fing. | 1967 | Edizioni Bérben | Solo | |||||
Y | Tedesco, Mario Castelnuovo- | Mario Castelnuovo-Tedesco | Ballatella ("Greeting Cards" - Op. 170 N. 34) | Bruno Tonazzi, fing. | 1965 | Edizioni "Farfisa" | Solo | |||||
Y | Tedesco, Mario Castelnuovo- | Mario Castelnuovo-Tedesco | Brasileira ("Greeting Cards" - Op. 170 N. 44) | Laurindo Almeida, fing. | 1967 | Edizioni Bérben | Solo | |||||
Y | Tedesco, Mario Castelnuovo- | Mario Castelnuovo-Tedesco | Cancion Cubana ("Greeting Cards" - Op. 170 N. 39) | Hector Garcia, fing. | 1966 | Edizioni Bérben | Solo | |||||
Y | Tedesco, Mario Castelnuovo- | Mario Castelnuovo-Tedesco | Canción Venezuelana ("Greeting Cards" - Op. 170 N. 40) | Alirio Diaz, fing. | 1966 | Edizioni Bérben | Solo | |||||
Y | Tedesco, Mario Castelnuovo- | Mario Castelnuovo-Tedesco | Canzone Calabrese ("Greeting Cards" - Op. 170 N. 48) | Ernest Calabria, fing. | 1967 | Edizioni Bérben | Solo | |||||
Y | Tedesco, Mario Castelnuovo- | Mario Castelnuovo-Tedesco | Canzone Siciliana ("Greeting Cards" - Op. 170 N. 33) | Mario Gangi, fing. | 1967 | Edizioni Bérben | Solo | |||||
Y | Tedesco, Mario Castelnuovo- | Mario Castelnuovo-Tedesco | Eclogues for Flute, English Horn and Guitar | 1973 | General Music Publishing Company, Inc. | Flute, English Horn, Guitar | Trio, Mixed Ensemble, Chamber Ensemble, Score and parts | |||||
Y | Tedesco, Mario Castelnuovo- | Mario Castelnuovo-Tedesco | Les Guitares Bien Tempérées: 24 préludes et fugues pour deux guitares, Op. 199, premier cahier | Mario Fragnito e Lucio Matarazzo, rev., fing. | 1974 | Bérben Edizioni musicali | 2 guitars | Duet, Score only, 6 Preludes and Fugues | I - Prélude et Fugue en Sol Mineur II - Prélude et Fugue en Re Majeur III - Prélude et Fugue en La Mineur IV - Prélude et Fugue en Mi Majeur V - Prélude et Fugue en Si Mineur VI - Prélude et Fugue en Fa Diese Majeur\ | |||
Y | Tedesco, Mario Castelnuovo- | Mario Castelnuovo-Tedesco | Les Guitares Bien Tempérées: 24 préludes et fugues pour deux guitares, Op. 199, deuxième cahier | Mario Fragnito e Lucio Matarazzo, rev., fing. | 1974 | Bèrben Edizioni musicali | 2 guitars | Duet, Score only | VII - Prélude et Fugue en Do Dièse (sharp) Mineur VIII - Prélude et Fugue en La Bémol (flat) Majeur IX- Prélude et Fugue en Mi Bémol Mineur X - Prélude et Fugue en Si Bémol Majeur XI - Prélude et Fugue en Fa Mineur XII - Prélude et Fugue en Do Majeur | |||
Y | Tedesco, Mario Castelnuovo- | Mario Castelnuovo-Tedesco | Romanza ("Greeting Cards" - Op. 170 N. 37) | Eduardo Caliendo, fing. | 1965 | Edizioni "Farfisa" | Solo | |||||
Y | Tedesco, Mario Castelnuovo- | Mario Castelnuovo-Tedesco | Sarabande ("Greeting Cards" - Op. 170 N. 36) | Bruno Tonazzi, fing. | 1965 | Edizioni "Farfisa" | Solo | |||||
Y | Tedesco, Mario Castelnuovo- | Mario Castelnuovo-Tedesco | Tanka (Japanese Song) ("Greeting Cards" - Op. 170 N. 10) | Bruno Tonazzi, fing. | 1965 | Edizioni "Farfisa" | Solo | |||||
Y | Tedesco, Mario Castelnuovo- | Mario Castelnuovo-Tedesco | Tarantella Campana ("Greeting Cards" - Op. 170 N. 50) | Angelo Gilardino, fing. | 1967 | Edizioni Bérben | Solo | |||||
Y | Tedesco, Mario Castelnuovo- | Mario Castelnuovo-Tedesco | Volo D'Angeli ("Greeting Cards" - Op. 170 N. 47) | Angelo Gilardino, fing. | 1967 | Edizioni Bérben | Solo | |||||
Telemann, Georg Philipp (1681-1767) | Georg Philipp Telemann (1681-1767) | Sonate in C | Peter Danner | 1979 | Les Éditions Doberman-Yppan | 4 guitars | Quartet, Ensemble, Score only, originally written for for 4 violins) | |||||
Y | Tennant, Scott | Scott Tenant | Pumping Nylon: The Classical Guitarist's Technique Handbook | Original compostitions by Andrew York and Brian Head; Nathaniel Gunod, ed. | 1995 | Alfred Publishing, Co., Inc. | Method, Techniue | Includes Giuliani's 120 Right-Hand Studies, Tarrega arpeggio studies | Author’s Preface Editor’s Preface Some Do’s and Don’ts About the Hands About the Body About Holding the Guitar—The Triangle The Left Hand Finger Placement and Accuracy Pressure and Release Pressure/Release Exercise Finger Exchange Ascending Slurs (Hammer-ons) Descending Slurs (Pull-offs) Finger Independence #1 #2 #3 - Opposing Motion #4 - Horizontal Character Builders #5 - Odair's Favorite Drill #6 - "The Spider” The Barre Weight vs. Pressure Being Selective Summing It All Up Quadrivial Quandary by Andrew York A Four-Voice Study for the Left Hand Fanfare by Brian Head—A Slur Study The Right Hand Tone Production Nail Length and Shape Nail Length Nail Types Shaping the Nails Angle and Placement Rest Stroke (Apoyando) Position The Movement Planting Pressure Release Free Stroke (Tirando) Right-Hand Finger Independence Walking Arpeggios from Tarrega’s The Complete Technical Studies The Thumb Shaping the Nail Develop That Thumb! Flamenco Techniques What Else Can the Thumb Do? Soleares Falseta - Juan Serrano Alzapua Alzapua Falseta - S. T. Rasgueados Some Practical Applications from Turina’s Sevillana from Turina’s Ráfaga from Rodrigos Concierto de Aranjuez, 2nd Movement Daily Warm-Up Routine Left-Hand Walking—#1, #2 & #3 Ascending Slurs—#4 Descending Slurs—#5 Triplets—#6 Fixed-Finger Exercises—#7 & #8 Right-Hand Walking—#9 Two-Finger Rasgueados—#10 Tremolo Psychological Outlook Exercises Lopsided Tremolos Chant by Brian Head: A Tremolo Study Scales: Control and Velocity Misconceptions about speed Right-Hand Velocity Synchronization String Crossing Piecing Things Together Some Other Speed Aids Rhythmic Variations Speed Bursts Problem Solving in Scales Marking String Crossings Evolution of a Scale Scale Study—Double from the Courante, Partita No.l, BWV 1002, Johann Sebastian Bach Arpeggios Full Planting and Sequential Planting Giuliani’s 120 Right-Hand Studies Practicing Tips Didactic Doodle by Andrew York Afterword Performance Anxiety Practice Inspiration In Conclusion | Richard Childress | ||
Tennant, Scott | Scott Tenant | Pumping Nylon: Supplemental Repertoire for the Best-Selling Classical Guitarist's Technique Handbook, Level: Easy to Early Intermediate | Nathaniel Gunod | 1998 | Alfred Publishing, Co., Inc. | Method, Technique | Includes CD | Different Strokes (/Tennant/Gunod) Walking (Tennant/Gunod) Opus 44, #6 (Fernando Sor) Bit o’ Nostalgia (Scott Tennant) Balancing Act (Scott Tennant) Snowflight (Andrew York) Crispin’s Spin (Omid Zoufonoud) Estudio #2 (/Francidco Tarrega) Etude #19 (Matteo Carcaddi) Op. 35, #18 (Fernando Sor) Sore Study (Sor/Tennant) Opus 60, #18 (/Fernando Sor) Opus 60, #24 (/Fernando Sor) Malaguefia (arr. Tennant) . Etude #13 (Matteo Carcassi) Etude #7 (Matteo Carcassi) Little Ländler (Sköt Tennant) Etude #2 (Matteo Carcassi) Two Studies (Francisco Tarrega): Estudio #12 Estudio #3 Etude #6 (Matteo Carcassi) Etude #12 (Matteo Carcassi) Opus 6, Studio 4 (Fernando Sor) Opus 35, #19 (Fernando Sor) Studio de Campanelas su unTema della "Folia” di M. de Fossa (/Francisco Tarrega) 3 Pavans (Laid Milan): ... Pavan #1 ... Pavan #2 ... Pavan #3 Opus 44, #8 (Fernando Sor) Exercises in 3rds and 6ths (Mauro Giuliani) ... Exercise in 3rds ... Exercise in 6ths Opus 35, #5 (/Fernando Sor) Slur Study (Mauro Giuliani) Opus 31, LeçOn XV (Fernando Sor) Opus 31, Leçon XII (Fernando Sor) A Pale View (David Pritchard) Afterwords | ||||
Thompson, Wendy | Wendy Thompson | The Music Box: 2-book boxed set Composers: A complete guide to the lives and works of over 100 renowned composers (Music: an encyclopedia of musical instruments and the art of music-making, 2nd volume) | Wendy Thompson | 2013 | Lorenz Books, Anness Publishing Ltd | Book | Composers, History, Photos, illustrated | COMPOSITION THROUGH THE AGES Music as a Language Emergence of Composers Baroque Forms Transition to Classicism The Romantic Heyday Dawn of a New Age Music ofthe Future LIVES AND WORKS OF THE GREAT COMPOSERS The Middle Ages to the Renaissance Medieval and Polyphonic Music Hildegard of Bingen, The Notre-Dame School, de Machaut, Dufay, Ockeghem, des Prez, Palestrina, Lassus, Victoria,Tallis, Byrd, Gesualdo, English Madrigal School The Baroque Era Harmony and Ornament Monteverdi, Schutz, Lully, Corelli, Purcell, Vivaldi, Pachelbel, Buxtehude, Bach, Handel, Scarlatti, Rameau The Classical Period Music of the Enlightenment Gluck, Haydn, Mozart, Beethoven, Schubert The Romantic Era Drama and Poetry in Music Rossini, Donizetti, Bellini, Weber, Meyerbeer, Paganini, Berlioz, Mendelssohn, Chopin, Schumann, Liszt, Gounod, Bizet The Rise of Nationalism The Nationalist Movement Glinka, “The Mighty Handful”, Tchaikovsky, Smetana, Dvorak, Grieg, Albeniz, Granados, Sullivan, Offenbach, “TheWaltz Kings” The Later Romantics Music on the Grand Scale Brahms, Bruckner,Verdi, Wagner, Mahler, Elgar, Sibelius, Saint-Saens, Faure, Puccini, Strauss, Rachmaninov The EarlyTwentieth Century Music in a New Framework Debussy, Ravel, Satie, Scriabin, Busoni, VaughanWilliams, Holst, Delius, Janacek, Bartok, Kodaly, Nielsen, Grainger, Ives, Schoenberg, Berg,Webern, Weill, Poulenc and “Les Six”, Copland, Gershwin, Barber, Stravinsky, Prokofiev, Hindemith, Walton Music since World War II Modern Music Shostakovich, Britten,Tippett, Cage, Bernstein, Carter, Lutoslawski, Ligeti, Messiaen, Boulez, Stockhausen, Xenakis, Berio, Henze Glossary Index | Mary Lenz | |||
Y | Torrent, Jaume | Jaume Torrent | Introduccion y Capricho | 1990 | Editorial de Musica Española Contemporanea | Solo | ||||||
Y | Torroba, Federico Moreno | F. Moreno Torroba | Romance de los Pinos from "Castles of Spain" | Andres Segovia, rev.; Jim Ferguson, ed. | 1976, 1988 | Guitar Solo Publications | Solo | John Fernando | ||||
Y | Torroba, Federico Moreno | F. Moreno Torroba | Sigüenza from Castillos de España | Andrés Segovia | 1973 | Editorial Cadencia | Solo | |||||
Y | Torroba, Federico Moreno | F. Moreno Torroba | Sonatina (New Edition) | Andrés Segovia, fing. | 1966 | Columbia Music Co. | Solo | I. Allegretto II. Andante III. Allegro | ||||
Y | Tortora, Giorgio | Giorgio Tortora | Dodici Studi "Le Bouquet" (intermediate) per chitarra | 2004 | Sinfonica | Solo | Includes CD | Studio n. 1 (I Ranuncoli gialli) Studio n. 2 (L'Ortensia) Studio n. 3 (La Passiflora) Studio n. 4 (Tulipani) Studio n. 5 (Camelie) Studio n. 6 (Margherite) Studio n. 7 (Spade) Studio n. 8 (La Rosa) (berceuse) Studio n. 9 (Iris) | ||||
Y | Tortora, Giorgio | Giorgio Tortora | Variazioni su un tema popolare gradese | 2002 | Classical - Lugano | Solo | Theme and variations; Brano d'obbligo al 1° Concorso Europeo di Chitarra | |||||
Y | Tower, Joan | Joan Tower | Clocks | Sharon Isbin, fing. | 1985 | Associated Music Publishers | Solo | |||||
Y | Towner, Ralph | Ralph Towner | Suite for Guitar (with optional Flute, Oboe, or Violin) | 1989 | Distant Hills Music | Solo, flute, oboe, violin | Mixed Ensemble | 1. Mevlana Etude 2. Caminata 3. The Juggler's Etude | ||||
Y | Tredici, David Del | David Del Tredici | Acrostic Song from "Final Alice" | Steven Mercurio, arr., David Starobin, Ed. | 1978 | Boosey & Hawkes, Inc. | Solo | Operatic, Arias | ||||
Y | Turina, Joaquín | Joaquín Turina | Sevillana (Fantasía) | Andrés Segovia | 1964,1974 | Columbia Music Co. | Solo | |||||
Y | Turina, Joaquín | Joaquín Turina | Sevillana (Fantasía), | Andrés Segovia | 1974, 1992 | Columbia Music Co. | Solo | New Revised Edition | ||||
Y | Uhl, Alfred | Alfred Uhl | Zehn Stücke für Gitarre, Heft II | Karl Scheit | 1940 | Universal Edition - Karl Scheit | Solo | Präludium Notturno Trepak Malinconia Tanz | ||||
Y | Urbanner, Erich | Erich Urbanner | Ballade für Gitarre | Martin Rennert | 1984 | Ludwig Doblinger | Solo | |||||
Y | Valderrábano, Enríquez de (1500 ca. - 1557 ca.) | Enríquez de Valderrábano (1500 ca. - 1557 ca.) | Diferencias Sobre "Guárdame las Vacas)" | Aldo Salvottini | 1978 | Bèrben | Solo | Includes facsimilie of original | ||||
Y | Van der Staak, Pieter | Pieter van der Staak | 7 Guitar Quartets | 1966 | Broekmans & Van Poppel | 4 guitars | Quartet, Ensemble, Score only | Barcarolle Julio Maskerade La Jolie Gavotte Summer Waltz Israelian Air | ||||
Y | Van der Staak, Pieter | Pieter van der Staak | 9 Easy Guitar Quartets | 1968 | Broekmans & Van Poppel | 4 guitars | Quartet, Ensemble, Score only | Victoria The Dancing Dandy La Pastora Reflexions Philippine Emilio Snow-Flakes Willows La Antica | ||||
Y | Van der Staak, Pieter | P. Van Der Staak | Otto Studi Sugli Armonici (Eight Studies in Harmonics) | 1957 | Edizioni Suvini Zerboni | Solo | Instruction, Method, Collection | Five, Seven, Nine and Twelve Clockwork Lullaby Mi Chiquita Poetic Interlude El Rio Paraná Tender Five Cuna Polka Dot | ||||
Y | Van Eps, George | George Van Eps | Original Guitar Solos | 1964 | Plymouth Music Co., Inc. | Solo | Collection | Cross Roads Love Theme No. One Love Theme No. Two Midnight Tango Water Fall | ||||
Y | Vance, Howard (b. 1948) | Howard Vance (b. 1948) | Longing | 2005 | ToothPick Publishing | Solo | 7 minutes | |||||
Y | Vangelis (Evangelos Odysseas Papathanassiou) | (Evangelos Odysseas Papathanassiou) | Chariots of Fire | Stan Ayeroff | 1984 | Warner Bros. Publications Inc. | Solo | Popular, Movie Theme | ||||
Y | Various Composers = Anthology | Abril, Mario | 101 Intermediate Solos for the Classical Guitar | Mario Abrio | 1972 | Charles Hansen Music & Books, Inc. | Solo | Anthology | Calcutta - Lee Pockriss, Paul Vance, Heino Gaze (from the German Hit "Kalkutta Liegt am Ganges" Classical Gas - Mason Williams Does Anybody Really Know What Time it Is? - Robert Lamm (from the band Chicago in 1970) For You Blue - George Harrison Green, Green Grass Of Home - Curly Putman Shenandoah - Traditional, folk My Way - J. Revaux, C. François, lyrics by Paul Anka made popular by Frank Sinatra in 1969) Vaya Con Dios (May God Be With You) - Larry Russell, Inez James, Buddy Pepper I Gave My Love A Cherry - Traditional, folk After The Ball - Charles K. Harris Fascination - Bill Hansen, F. D. Marchetti Plaisir D’Amour - Giovanni Martini She’ll Be Comin’ Round The Mountain - Traditional, folk La Paloma - Sebastian Yradier Amazing Grace - Traditional Santa Lucia Aura Lee - Anon. Home On The Range - Traditional, folk Guantanamera - Cuban Traditional Greensleeves - Anon. Black Is The Color Of My True Love’s Hair - Anon. (The Old Folks At Home (Swanee River) - Steven Foster The British Grenadiers - Traditional Once I Had A Sweetheart - Anon. Careless Love - Anon. He's Got the Whole World in His Hands - Anon. Scarborough Fair - Anon. Kum Ba Yah - Traditional Dark Eyes - Anon. Billy Boy - Anon., folk, traditional Red River Valley - Traditional, folk Down In The Willow Garden - Anon. (The) House Of The Rising Sun - Anon. (The) Minstrel Boy - Anon. (The) Streets Of Laredo - Anon. Londonderry Air - Traditional I’m A Poor Wayfarin’ Stranger - Anon. Choucoune - Anon. Let Us Break Bread Together - Anon. (The) Rebel Soldier - Anon. Soldier Boy For Me - Anon. (The) Bridle And The Saddle - Anon. Joy To The World - G. F. Handel O Christmas Tree - Traditional O Come All Ye Faithful - Traditional God Rest Ye Merry, Gentlemen - Traditional Hark The Herald Angels Sing - Traditional Good King Wenceslas - Traditional O Come, O Come, Immanuel - Traditional (The) First Noel - Traditional Ten Lute Pieces From The Renaissance: I. Pavane - Anon. (16th century Italy) II. Saltarello - Antonio Terzi (1593) III. Lieti e Felici Spiriti - Vincente Galilei (1584) IV. Recercar - Francesco da Milano (1563) V. Dance - Hans Newsidler (1536) VI. Chiaranzana - Fabrito Caroso (1581) VII. Gagliarda - Simone Molinaro (1599) VIII. Pavane No. 1 - Luis Milan (1535) IX. Pavane No. 2 - Luis Milan (1535) Pavane No. 4- Luis Milan (1535) Eight Pieces From The Baroque: I. Minuet - G. F. Handel II. Fughetta - G. F. Handel III. Minuet - G. F. Handel IV. Sarabande - G. F. Handel V. Courante - G. F. Handel VI. Minuet - G. F. Handel VII. Sarabande - G. F. Handel VIII. Minuet - G. F. Handel Minuet - W. Mozart Etude-Op. 29, No. 9 - F. Sor Etude In A Major - F. Sor Six Etudes by Fernando Sor: Etude No. 3 Etude No. 4 Etude No. 5 Etude No. 6 Etude No. 8 Etude No. 10 Minuet In C Major - F. Sor Minuet In G Major - F. Sor Four Etudes by Mauro Giuliani: Etude No. 1 Etude No. 2 Etude No. 3 Etude No. 4 Caprice - M. Carcassi Andantino - M. Carcassi Four Etudes by Matteo Carcassi: Etude In F Major Etude In D Major Etude In E Minor Etude In A Minor Three Etudes by Napoleon Coste: Etude In D Major Etude In D Major Etude In C Major Six Preludes by Francisco Tarrega Prelude In D Minor Prelude (Endecha) (Dirge) Prelude In D Major Prelude (Oremus) (We Pray) Prelude In E Major Prelude In A Minor Two Preludes by Frederic Chopin: Prelude No. 7 Prelude No. 20 Elegie - Jules Massenet | |||
Y | Various Composers = Anthology | Abril, Mario | 101 Intermediate Solos for the Classical Guitar | Mario Abrio | 1972 | Charles Hansen Music & Books, Inc. | Solo | Anthology, slightly different edition: 3 songs added; 6 others deleted | Eres Tu /Touch TheWind - Juan Carlos Calderon, Mike Hawker Feelings - Morris Albert Three English Folk Songs: 1. Allan Water; 2. Early One Morning; 3. Blow the Wind Southerly Calcutta - Lee Pockriss, Paul Vance, Heino Gaze (from the German Hit "Kalkutta Liegt am Ganges" Classical Gas - Mason Williams Does Anybody Really Know What Time it Is? - Robert Lamm (from the band Chicago in 1970) For You Blue - George Harrison Green, Green Grass Of Home - Curly Putman Shenandoah - Traditional, folk My Way - J. Revaux, C. François, lyrics by Paul Anka made popular by Frank Sinatra in 1969) Vaya Con Dios (May God Be With You) - Larry Russell, Inez James, Buddy Pepper I Gave My Love A Cherry - Traditional, folk After The Ball - Charles K. Harris Fascination - Bill Hansen, F. D. Marchetti Plaisir D’Amour - Giovanni Martini She’ll Be Comin’ Round The Mountain - Traditional, folk La Paloma - Sebastian Yradier Amazing Grace - Traditional Santa Lucia Aura Lee - Anon. Home On The Range - Traditional, folk Guantanamera - Cuban Traditional Greensleeves - Anon. Black Is The Color Of My True Love’s Hair - Anon. (The Old Folks At Home (Swanee River) - Steven Foster The British Grenadiers - Traditional Once I Had A Sweetheart - Anon. Careless Love - Anon. He's Got the Whole World in His Hands - Anon. Scarborough Fair - Anon. Kum Ba Yah - Traditional Dark Eyes - Anon. Billy Boy - Anon., folk, traditional Red River Valley - Traditional, folk Down In The Willow Garden - Anon. (The) House Of The Rising Sun - Anon. (The) Minstrel Boy - Anon. (The) Streets Of Laredo - Anon. Londonderry Air - Traditional I’m A Poor Wayfarin’ Stranger - Anon. Choucoune - Anon. Let Us Break Bread Together - Anon. (The) Rebel Soldier - Anon. Soldier Boy For Me - Anon. (The) Bridle And The Saddle - Anon. Joy To The World - G. F. Handel O Christmas Tree - Traditional O Come All Ye Faithful - Traditional God Rest Ye Merry, Gentlemen - Traditional Hark The Herald Angels Sing - Traditional Good King Wenceslas - Traditional O Come, O Come, Immanuel - Traditional (The) First Noel - Traditional Ten Lute Pieces From The Renaissance: I. Pavane - Anon. (16th century Italy) II. Saltarello - Antonio Terzi (1593) III. Lieti e Felici Spiriti - Vincente Galilei (1584) IV. Recercar - Francesco da Milano (1563) V. Dance - Hans Newsidler (1536) VI. Chiaranzana - Fabrito Caroso (1581) VII. Gagliarda - Simone Molinaro (1599) VIII. Pavane No. 1 - Luis Milan (1535) IX. Pavane No. 2 - Luis Milan (1535) Pavane No. 4- Luis Milan (1535) Eight Pieces From The Baroque: I. Minuet - G. F. Handel II. Fughetta - G. F. Handel III. Minuet - G. F. Handel IV. Sarabande - G. F. Handel V. Courante - G. F. Handel VI. Minuet - G. F. Handel VII. Sarabande - G. F. Handel VIII. Minuet - G. F. Handel Minuet - W. Mozart Etude-Op. 29, No. 9 - F. Sor Etude In A Major - F. Sor Six Etudes by Fernando Sor: Etude No. 3 Etude No. 4 Etude No. 5 Etude No. 6 Etude No. 8 Etude No. 10 Minuet In C Major - F. Sor Minuet In G Major - F. Sor Four Etudes by Mauro Giuliani: Etude No. 1 Etude No. 2 Etude No. 3 Etude No. 4 Caprice - M. Carcassi Andantino - M. Carcassi Four Etudes by Matteo Carcassi: Etude In F Major Etude In D Major Etude In E Minor Etude In A Minor Three Etudes by Napoleon Coste: Etude In D Major Etude In D Major Etude In C Major Six Preludes by Francisco Tarrega Prelude In D Minor Prelude (Endecha) (Dirge) Prelude In D Major Prelude (Oremus) (We Pray) Prelude In E Major Prelude In A Minor Two Preludes by Frederic Chopin: Prelude No. 7 Prelude No. 20 Elegie - Jules Massenet | |||
Y | Various Composers = Anthology | Abril, Mario | Popular Classics for Classical Guitar, Volume One | Mario Abrio | 1972? | Charles Hansen Music & Books, Inc. | Solo | Anthology, Popular, Movie Theme, Traditional, Folk | Both Sides Now - Joni Mitchell Jean (from the movie "The Prime of Miss Jean Brodie" )- Rod McKuen Michael From Mountains - Joni Mitchell Theme from Love Story (from the movie "Love Story") - Francis Lai Greensleeves - Anon., Traditional La Paloma - Sebastian Yradier Theme From Romeo and Juliet (from the movie "Romeo and Juliet) - Nino Rota This Guy’s In Love With You - Burt Bacharach (They Long To Be) Close To You - Burt Bacharach Plaisir d’Amour - Jean Paul Martini (1741-1816) Alfie (from the movie "Alfie") - Burt Bacharach | |||
Y | Various Composers = Anthology | Abril, Mario | Popular Songs for Classical Guitar, Intermediate Arrangements | Mario Abrio | 1972 | Charles Hansen Music & Books, Inc. | Solo | Anthology, Popular, Broadway, Musicals, Movie Theme, Traditional, Folk | Alfie (from the movie "Alfie") - Burt Bacharach, Hal David Alley Cat - Frank Bjorn America The Beautiful - Samuel A. Ward, Katherine Lee Bates Autumn Leaves (Les Feuilles Mortes) - Joseph Kosma, English Lyric by Johnny Mercer, French Lyric by Jacques Prevert Baby Elephant Walk (from the movie "Hatari") - Henry Mancini (The) Battle Hymn Of The Republic - Julia Ward Howe, William Steffe By The Time I Get To Phoenix - Jimmy Webb Call Me Irresponsible (from the movie "Papa's Delicate Condition") - Sammy Cahn, James Van Heusen Cast Your Fate To The Wind - Vince Guaraldi Chim Chim Cher-ee (from "Mary Poppins") - Richard M. Sherman, Robert B. Sherman (They Long To Be) Close To You - Burt Bacharach, Hal David Come Saturday Morning (from the movie "The Sterile Cuckoo") - Fred Karlin, Dory Previn Didn’t We - Jimmy Webb Do You Know The Way To San Jose - Burt Bacharach, Hal David Estrellita - Manuel Ponce Everything Is Beautiful - Ray Stevens (The) Exodus Song (from the movie "Exodus") - Ernest Gold Follow Me . . For The Good Times - Kris Kristofferson Green Fields - Terry Gilkyson, Rich Dehr, Frank Miller Green, Green Grass Of Home - Curly Putman Guantanamera - Cuban Traditional Hava Nagila (Let Us Be Gay!) - Traditional Hello, Dolly! (from the movie "Hello, Dolly!) - Jerry Herman I Left My Heart In San Francisco - Douglass Cross, George Cory If He Walked Into My Life (from the Broadway Musical "Mame" - Jerry Herman I’ll Never Fall In Love Again (from the Broadway Musical "Promises, Promises") - Burt Bacharach, Hal David (The) Impossible Dream (from the musical play and movie "Man of La Mancha") - Mitch Leigh, Joe Darion It’s A Small World (from the movie "It's a Small World) - Richard M. Sherman, Robert B. Sherman It’s Impossible (Somos Novios) - A. Manzanero, Sid Wayne Jamaica Farewell - Lord Burgess King Of The Road - Roger Miller (The) Lonely Bull (El Solo Toro) - Sol Lake Love Is Blue (L'Amour Est Bleu) - Andre Popp Love Letters - Edward Heyman, Victor Young Love Song - Lesley Duncan Marne (from the Broadway Musical "Mame") - Jerry Herman (A) Message To Michael (Also Known As "A Message to Martha") - Burt Bacharach, Hal David Mexicali Rose - Helen Stone, Jack B. Tenney Michael, Row The Boat Ashore - Traditional Midnight Cowboy (from the movie "Midnight Cowboy") - John Barry Moon River (from the movie "Breakfast at Tiffany's") - Johnny Mercer, Henry Mancini My Sweet Lord - George Harrison Never On Sunday (from the movie "Never on Sunday" - Billy Towne, Manos Hadjidakis Once Upon A Time (from the Broadway Production "All American) - Charles Strouse, Lee Adams Put Your Hand In The Hand - Gene MacLellan Que Sera, Sera (Whatever Will Be, Will Be) - Jay Livingston, Ray Evans Raindrops Keep Fallin’ On My Head (from the movie "Butch Cassidy and the Sundance Kid") - Burt Bacharach, Hal David (I Never Promised You A) Rose Garden - Joe South Satin Doll - Billy Strayhorn, Duke Ellington, Johnny Mercer Sentimental Journey - Bud Green, Les Brown, Ben Homer Silver Bells (from the movie "The Lemon Drop Kid") - Jay Livingston, Ray Evans Something - George Harrison Somethin’ Stupid - C. Carson Parks Stella By Starlight - Ned Washington, Victor Young Stormy Weather (Keeps Rainin' All The Time) - Harold Arlen, Ted Koehler Take Me Home, Country Roads - Bill Danoff, Taffy Nivert, John Denver (A) Taste Of Honey - Ric Marlow, Bobby Scott Tenderly - Jack Lawrence, Walter Gross Thanks For The Memory 108 Theme From Love Story (from the movie "Love Story") - Francis Lai This Guy’s In Love With You - Burt Bacharach, Hal David Vaya Con Dios (May God Be With You) - Larry Russell, Inez James, Buddy Pepper Walk On By - Burt Bacharach, Hal David Windy - Ruthann Friedman Witchcraft - Cy Coleman, Carolyn Leigh Young At Heart - Carolyn Leigh, Johnny Richards | |||
Y | Various Composers = Anthology | Abril, Mario | Popular Songs for Classical Guitar, Intermediate Arrangements | Mario Abrio | 1972 | Charles Hansen Music & Books, Inc. | Solo | Anthology, Different edition, only 18 songs, 6 new; Popular, Broadway, Musicals, Traditional, Folk | Alley Cat - Frank Bjorn America The Beautiful - Samuel A. Ward, Katherine Lee Bates Cast Your Fate To The Wind - Vince Guaraldi Estrellita - Manuel Ponce Feelings - Morris Albert Five Hundred Miles (Railroader's Lament) - Hedy West Guantanamera - Cuban Traditional Hava Nagila (Let Us Be Gay!) - Traditional I Left My Heart In San Francisco - Douglass Cross, George Cory It Was a Very Good Year - Ervin Drake Jamaica Farewell - Lord Burgess Michael, Row The Boat Ashore - Traditional Music Box Dancer - Frank Mills One - Marvin Hamlisch, Lyrics by Edward Kleban Satin Doll - Billy Strayhorn, Duke Ellington, Johnny Mercer Somethin’ Stupid - C. Carson Parks (A) Taste Of Honey - Ric Marlow, Bobby Scott What I Did For Love - Marvin Hamlisch, Lyrics by Edward Kleban | |||
Y | Various Composers = Anthology | Abril, Mario | The Godfather and Other Great Classical Guitar Solos | Mario Abrio | 1972 | Charles Hansen Music & Books, Inc. | Solo | Anthology, Popular, Movie Theme, Traditional, Folk | Themes from "The Godfather" - Nina Rota Both Sides, Now - Joni Mitchell Love Theme from "Romeo and Juliet: - Nino Rota Classical Gas - Mason Williams Misty - Errol Garner My Way - J. Revaux, C. France, and Paul Anka Annabel Lee - Anon. Dominique from "The Singing Nun" - Soeur Sourire Estrellita - Manuel Ponce Amazing Grace - Traditional Fascination - Bill Hansen and F. D. Marchetti La Paloma - Sebastian Yradier Five Hundred Miles - Hedy West My Wild Irish Rose - Chauncey Olcott Plaisir D'Amour - Giovanni Martini Torna A Sorrento - D. Capua Woodstock - Joni Mitchell We Shall Overcome - Traditional | |||
Y | Various Composers = Anthology | Akiyama, Kimiyoshi | Guitar Popular Ensemble 5 (5th Collection) | Kimiyoshi Akiyama | 2000 | Gendai Guitar Co., Ltd. | 4 guitars | Anthology, Quartet, Ensemble, Score only | Mrs. Robinson (P. Simon), p. 6 Umbrella of Cherbourg (M. Legrand), p. 14 Chim Chim Cherry (R. Sherman), p, 20 Theme from the movie "ET" (J. Williams), p. 28 Reminiscence (M. Hamlisch), p. 49 Love Theme from "Romeo and Juliet" (Nino Rota), p.36 Leia's Theme from "Star Wars" (John Williams), p. 42 The Way We Were (Marvin Hamlisch), p. 49 | |||
Y | Various Composers = Anthology | Almeida, Laurindo | Complete Laurindo Almeida Anthology of Traditional Guitar Duets, The | Ron Purcell | 2003 | Brazilliance Music Publishing | 2 guitars | Anthology, Duet, Score only | Duetto III, BWV 804 - J.S. Bach Vater unser im Himmelreich (Our Father Who Art in Heaven) - J.S. Bach Courante from English Suite III, BWV 808, - J.S. Bach (Original in G minor) Six Famous Serenades: 1. Serenade Espagnole, (Ouvre ton Coeur-Bolero)(Open Your Heart-Bolero) - Georges Bizet 2. Serenade - Franz Drdla (1868-1944) (Originally for violin and piano) 3. Serenade - Enrico Toselli (1883-1926) (Originally for piano) 4. Serenade (Stanchen) - Franz Schubert (from a piano version of the Schwanengesang (Swan Song) Cycle) 5. Serenade (Op. 15, No. 1) - Moritz Moszkowski (1854-1925) (Originally for piano in D Major) 6. Serenade (from the Ballet, “Les Millions D’Arlequin”) - Ricardo Drigo (1846-1938) (Originally for violin and piano) Ave Maria - Franz Schubert Serenade (from the Operetta, "The Student Prince"), - Sigmund Rombert and Dorothy Donnelly Dance of the Sugar Plum Fairy (from the "Nutcracker Suite"), Op. 71a - P.I. Tchaikovsky Barcarole, Op. 37b, No. 6 (from the “The Seasons, "June") - P.I. Tchaikovsky Waltz, Op. 39, No. 15 - Johannes Brahms Melodie, Op. 42 - P.I. Tchaikovsky (from "Souvenir d'un lieu cher") Schön Rosmarin - Fritz Kreisler (can be performed with two guitars or guitar and violin) | |||
Y | Various Composers = Anthology | Almeida, Laurindo | Broadway Solo Guitar | Laurindo Almeida, Myrna Sislen, ed. | 1981 | The Big 3 Music Corporation | Solo | Anthology, Broadway, Popular | People (from the Broadway Musicl Production "Funny Girl) - Jules Styne, Bob Merrill My Funny Valentine (from the Broadway Musical Production "Babes in Arms") - Richard Rodgers, Lorenz Hart As Long As He Needs Me (from the Broadway Production "Oliver!") - Lionel Bart I've Grown Accustomed to Her Face (from the Broadway Musical Production "My Fair Lady") - Frederick Loewe, Alan Jay Lerner Is It Really Me? (from the Broadway Musical Production "110 in the Shade) - Harvey Schmidt, Tom Jones (When Your Heart's on Fire) Smoke Gets in Your Eyes (from the Broadway Musical Production "Roberta) - Jerome Kern, Otto Harbach Little Girl Blue (from the Broadway Musical Production "Jumbo") - Richard Rodgers, Lorenz Hart What Kind of Fool Am I? (from the Broadway Musical Production "Stop the World--I Want to Get Off") - Leslie Bricusse, Anthony Newley Was She Prettier Than I? (from the Broadway Musical Production "High Spirits") - Hugh Martin, Timothy Gray The Sound of Music (from the Broadway Musical Production "The Sound of Music") - Richard Rodgers, Oscar Hammerstein II The Most Beautiful Girl in the World (from the Broadway Musical Production "Jumbo") - Richard Rodgers, Lorenz Hart | |||
Y | Various Composers = Anthology | Almeida, Laurindo | Contemporary Moods for Classical Guitar: 23 Unique Arrangements Including Instruction | Laurindo Almeida | 1970 | bIG3 Publication (Columbia) | Solo | Popular Songs | ANASTASIA (theme from the movie) - Alfred Newman, Paul Francis Webster THE BAD AND THE BEAUTIFUL (theme from the movie) - David Raskin BLUE MOON - Richard Rodgers, Lorenz Hart THE BOY NEXT DOOR (from the movie "Meet Me in St. Louis") - Ralph Blane, Hugh Martin DEEP PURPLE - Peter de Rose EBB TIDE - Robert Maxwell THE GREEN LEAVES OF SUMMER - (theme from the movie "The Alamo") - Dimitri Tiomkin, Paul. Francis Webster HI-LILI, HLLO (from the movie "Lili") - Bronislau Kaper, Helen Deutsch I’M ALWAYS CHASING RAINBOWS - Harry Carroll, Joseph McCarthy INTERMEZZO (A Love Story) - Heinz Provost, Robert Henning INVITATION (theme from the movie) - Bronislau Kaper, Paul Francis Webster LAURA (theme from the movie "Laura") - David Raskin MAM’SELLE (theme from the movie "The Razor's Edge) - Edmund Goulding, Mack Gordon MIMI - Laurindo Almeida ON GREEN DOLPHIN STREET (theme from the movie) - Bronislau Kaper, Ned Washington OVER THE RAINBOW (from the movie "The Wizard of Oz") - Harold Arlen, E. Y. Harburg THE SHADOW OF YOUR SMILE (from the movie "The Sandpiper") - Johnny Mandel, Paul Francis Webster SOFTLY, AS I LEAVE YOU - A. de Vita, G. Calabrese, Hal Sharper SOMEWHERE, MY LOVE (from the movie "Dr. Zhivago") - Maurice Jarre, Paul Francis Webster SPRING IS HERE (from the musical comedy "I Married an Angel") - Richard Rodgers, Lorenz Hart STAIRWAY TO THE STARS (theme from "Park Avenue Fantasy") - Matt Malneck, Frank Signorelli, Mitchell Parish STAR EYES - Gene de Paul, Don Raye Theme from “ZORBA THE GREEK” - Mikis Theodorakis | |||
Y | Various Composers = Anthology | Araúo, Fernando and Mônica Pedrosa | Canções da terra, canções do mar (Songs of the Land, Songs of the Sea): Brazilian art songs for voice and guitar | Fernando Araúo, Mônica Pedrosa, eds. | 2014 | Editora UFMG | voice and guitar | Anthology, Brazilian, Art songs | Quatro Canções da Floresta do Amazonas - Heitor Villa-Lobos, Poesia de Dora Vasconcelos 1. Veleiros (Sailboats) 2. Cair da Tarde (Twilight) 3. Canção do Amor (Love Song) 4. Melodia Sentimental (Sentimenta Melody) 5. Coração Inquieto (Anxious Heart) - Oscar Lorenzo Fernandez 6. Vesperal - Oscar Lorenzo Fernandez, Poesia de Ronald de Carvalho 7. Trovas de amor (Verses of Love) - Oscar Lorenzo Fernandez, Poesia de Múcio Leão 8. Saudade (Longing) - Helza Camêu, Poesia de Vicente de Carvalho 9. De Leve (Lightly) - Helza Camêu, Poesia de Claudionor Linhares 10. Valsinha do Marajó (Little Waltz from Marajó) - Waldemar Henrique, Poesia de Paulo Waldemar Falcão 11. Mãe d'água (Mother of Water) - César Guerra-Peixe 12. Resta, sim, é remover (All that remains is to remove) - César Guerra-Peixe, Poesia de Elson Farias 13. Nesta Manhã (This Morning) - César Guerra-Peixe, Poesia de Dlson Farias 14. Amor em lágrimas (Love in Tears) - Claudio Santoro, Poesia de Vinícius de Moraes 15. Luar de Meu Bem (My dearest's moonlight) - Claudio Santoro, Poesia de Vinícius de Moraes 16. Vela Morena (Brunette sail) - Altino Pimenta, Poesia de Alex fiuza de Melo 17. Dengues da mulata desinteressada (Whims of the indifferent mulatta) - Marlos Nobre, Poesia de Ribeiro Couto 18. Amazônia I - Desafio (Challenge) XVIII, Op. 31, N° 18 - Marlos Nobre | |||
Y | Various Composers = Anthology | Ardizzone, Matthew | Mazurka Collection | Matthew Ardizzone | 1999 | Mel Bay Publications | Solo | Anthology | Mazurka (from Six Petite Pieces, Op. 32) - Fernando Sor Mazurka (from Six Bagatelles, “Mes Ennuis,” Op. 43) - Fernando Sor Mazurka (from Bardenklänger, Op.11) - Johann Kaspar Mertz Minuetto alia Mazourka - Napoléon Coste Mazurka, Op.33 - Napoléon Coste Mazurka in A major (from Tre Balli nazionali) - Luigi Legnani Mazurka “Sueño” - Francisco Tárrega Mazurka “Adelita” - Francisco Tárrega Mazurka in G - Francisco Tárrega Mazurka “¡Marieta!” - Francisco Tárrega Mazurka “Sarita” - Agustín Barrios Mazurka Appassionato - Agustín Barrios Mazurka “Elisa,” Op. 41 - Julio Sagreras Mazurka “La Bailable” - Julio Sagreras Mazurka, Op.33 No. 1 - Frédéric Chopin Mazurka, Op.33 No. 4 - Frédéric Chopin Mazurka, Op.17 No. 2 - Frédéric Chopin Mazurka, Op.17 No. 4 - Frédéric Chopin Mazurka (Escenas Románticas) (p.1887) - Enrique Granados Mazurka (1890) - Claude Debussy Mazurka (1900) - Manuel de Falla | John Fernando | ||
Y | Various Composers = Anthology | Aron, Stephen | On A Sunday Afternoon and Other American Popular Songs from the Turn of the Last Century | Stephen Aron | 2003 | Tuscany Publications | voice and guitar | Anthology | Title - Composer - Librettist After the Ball - Charles K. Harris (1892) A Bird in a Gilded Cage - Harry von Tilzer, Arthur J. Lamb (1900) Coax Me - H. von Tilzer, Andrew Sterling (1904) Daisy Bell (A Bicycle Built for Two) - Harry Dacre (1892) Goodbye, My Lady Love - Joseph E. Howard (1904) He'd Have To Get Under, Get Out and Get Under - Maurice Abrahams, Grant Clark and Edgar Leslie (1913) Her Eyes Don't Shine Like Diamonds - Dave Marion (1894) In My Merry Oldsmobile - Gus Edwards, Vincent Bryant (1905) KeepAwayfrom the Fellow Who Owns an Automobile - Irving Berlin (1912) Let Me Call You Sweetheart - Leo Friedman, Beth Slater Whitson (1910) Let the Rest of the World Go By - Ernest R. Ball, J. Kiernan Brennan (1909) Moonlight Bay - Percy Wenrich, Edward Madden On a Sunday Afternoon - Harry von Tilzer, Andrew B. Sterling (1902) Shine On, Harvest Moon - Nora Bayes and Jack Norworth (1908) Teasing - Albert von Tilzer, Cecil Mack Under the Bamboo Tree - Bob Cole (1902) When You Were Sweet Sixteen - James Thornton (1898) You Tell Me Your Dream, I'll Tell You Mine - Charles N. Daniels, Seymore Rice and Albert H. Brown (1899) | |||
Y | Various Composers = Anthology | Ayeroff, Stan | Best in Contemporary Standards for Solo Guitar | Stan Ayeroff | 1984 | Warner Bros. Publications Inc. | Solo | Anthology, Popular | ALL THE WAY - James Van Heusen, Sammy Cahn ARTHUR'S THEME (Best That You Can Do) (from the movie "Arthur") - Burt Bacharach, Carole Bayer Sager, Christopher Cross, Peter Allen CAN YOU READ MY MIND? (Love Theme From the movie "Superman") - John Williams, Leslie Bricusse CHARIOTS OF FIRE (from the movie "Chariots of Fire") - Vangelis DAYS OF WINE AND ROSES (theme from the movie) - Henry Mancini, Johnny Mercer DESPERADO - Don Henley, Glenn Frey (the band The Eagles) THE ENTERTAINER (A Ragtime Two-Step) - Scott Joplin EVERGREEN (Love Theme from the movie "A Star Is Born") - Barbra Streisand, Paul Williams HERE YOU COME AGAIN - Harry Mann, Cynthia Weil IF - David Gates (the band Bread) THE LOOK OF LOVE - Burt Bacharach, Hal David THEME FROM MAHOGANY (Do You Know Where You're Going To?) - Michael Masser, Gerry Goffin MAKE IT WITH YOU - David Gates (the band Bread) THE MAN THAT GOT AWAY (from the movie "A Star Is Born" with Judy Garland) - Harold Arlen, Ira Gershwin THEME FROM M*A*S*H (Suicide Is Painless) - Mike Altman and Johnny Mandel MISTY - Erroll Garner, Johnny Burke THE ROSE (theme from the movie) - Amanda McBroom SAILING - Christopher Cross SEND IN THE CLOWNS (from the movie musical "A Little Night Music") - Stephen Sondheim SO FAR AWAY - Carole King SPANISH EYES - Bert Kaempfert, Charles Singleton and Eddie Snyder STAIRWAY TO HEAVEN - Jimmy Page, Robert Plant (the band Led Zeppelin) TIME IN A BOTTLE - Jim Croce UP WHERE WE BELONG (from the movie "An Officer and a Gentleman") - Buffy Sainte-marie and Jack Nitzsche, Will Jennings THE WAY WE WERE (theme from the movie) - Marvin Hamlisch, Alan and Marilyn Bergman WE'VE GOT TONIGHT - Bob Seger YOU'VE GOT A FRIEND - Carole King | |||
Y | Various Composers = Anthology | Bakfark, Valentinus (1507-1576) | Cracow Lute-Book, The | Valentinus Bakfark Homolya István, Benkö Dániel | 1979 | Editio Musica Budapest | Lute | Anthology, Lute | Fantasia V - Bakfark Fantasia VI - Bakfark Fantasia VII - Bakfark Jesu nomen sanctissimum - Jacobus Clemens non Papa Erravi sicut ovis - Jacobus Clemens non Papa Circumdederunt me - Jacobus Clemens non Papa Cantibus organicis - Nicolas Gombert Domine, si tu es - Nicolas Gombert Venite filii - Nicolas Gombert Exaltabo te Domine - Jacques Arcadelt Qui habitat in adjutorio - Josquin des Prez Faulte d'argent - Josquin des Prez | |||
Y | Various Composers = Anthology | Barbosa-Lima, Carlos | Impressions | Carlos Barbosa-Lima | 1989 | Guitar Solo Publications | Solo | Anthology, Impressionists: Fauré, Satie, Debussy, Ravel | Sicilenne (from "Pélleas et Mélisande") - Gabriel Fauré Gymnopedie No. 1 - Erik Satie Gymnopedie No. 3 - Erik Satie Clair de Lune - Claude Debussy Danseuses de Delphes - Claude Debussy Doctor Gradus Ad Parnassum - Claude Debussy Golliwogg’s Cake-walk - Claude Debussy La Fille Aux Cheveux de Lin (The Girl with the Flaxen Hair) - Claude Debussy Le Petit Berger (The Little Shepherd) - Claude Debussy Reverie - Claude Debussy Pavane (Pour une Enfante Defunte) - Maurice Ravel | |||
Various Composers = Anthology | Bayas, Arthur | Anthology of Classical Guitar Favorites | Arthur Bayas | 1980 | Joe Goldfeder Music Enteprises | Solo | Anthology | ADELITA (Tarrega) LA ALBORADA (Tarrega) ALLEGRETTO SCHERZANDO (Carcassi) ALLEGRO - D MINOR (Giuliani) ALLEGRO - E MINOR (Giuliani) ANDANTE (Mozart) ANDANTE GRAZIOSO (Carcassi) ANDANTINO (Carcassi) BAGATELLE (Diabelli) BOUREE IN A MINOR (Bach) BOUREE-B MINOR (Bach) CAPRICE (Carcassi) CAPRICHO ARABE (Tarrega) DANCE RONDO (Giuliani) FUGA (Bach) FUR ELISE (Beethoven) GAVOTTE (Sor) LAGRIMA (Tarrega) MAESTOSO (Giuliani) MARIETA (Tarrega) MAZURKA IN G (Tarrega) MELODY (Schumann) MELODY IN C (Sor) MENUETTO SCHERZANDO (Scarlatti) MINUET (Bach) MINUET IN A (Sor) MINUET IN C (ALLEGRO) (Sor) MINUET IN C (ALLEGRETTO) (Sor) MINUET IN E MINOR (Sor) MINUET IN G (Sor) PAVANA (Tarrega) PRELUDE (Bach) PRELUDE IN B FLAT (Molino) PRELUDE IN D (Bach) PRELUDE IN F (Tarrega) RECUERDOS DE LA ALHAMBRA (Tarrega) SPANISH BALLAD (Traditional) SPANISH DANCE #5 (Granados) STUDY IN B MINOR (Sor) STUDY IN D (Sor) STUDY IN D (Tarrega) TANGO (Albeniz) VARIATION ON A THEME OF MOZART (Sor) WALTZ IN C (Carcassi) | ||||
Various Composers = Anthology | Beekman, Larry | Popular Hits for Classical Guitar | Larry Beekman | 1986 | Hal Leonard Publishing Corp. | Solo | Anthology, Popular, 1980's, movie theme | All Through The Night - Cyndi Lauper Careless Whisper - Wham! Every Breath You Take - The Police Flashdance.. .What A.Feeling - Irene Cara I Guess That’s Why They Call It The Blues - Elton John I.O.U - Lee Greenwood Memory - Barbra Streisand Missing You - John Waite Nightshift - Commodores Personally - Karla Bonoff Sad Songs Say So Much - Elton John Say, Say, Say - Paul McCartney, Michael Jackson Sister Christian - Night Ranger Somebody’s Knockin’ - Terri gibbs Ordinary People, Theme From - Marvin Hamlisch Time After Time - Cyndi Lauper Too Late For Goodbyes - Julian Lennon Valotte - Julian Lennon What’s Love Got To Do With It - Tina Turner Woman In Love - Barbra Streisand Wrapped Around Your Finger - The Police You Needed Me - Anne Murray Your Song - Elton John\ | ||||
Y | Various Composers = Anthology | Bellizzi, Jamey | Medieval & Renaissance Dane Music for Guitar | 2009 | Mel Bay Publications | Solo | Anthology, includes tablature, free audio download at www.melbay.com/94847 | 1. Estampie - c. 1325, Anon. (England) 2. Chansonette de Colin Muset ("Quant Je Voy Yver") - Early 13th Century (France) 3. Saltarello - 14th Century, Anon. (Italy) 4. Trotto c. 1325, Anon. (Italy) 5. Lamento di Tristan (Estampie) - c. 1400, Anon. (Italy) 6. La Rotta (Estampie) - c. 1400, Anon. (Italy) 7. Saltarello - c. 1400, Anon. (Italy) 8. Saltarello - c. 1400, Anon. (Italy) 9. Welscher Tanz-Wascha Mesa - Hans Neusidler 1536 10. Paduana Alla Veneciana - Hans Judenkünig 1523 11. Branle Gay “C’est mon Amy” - Pierre Attaingnant 1529 12. Basse Dance “La Magdalena” P.B [Pietrobono] -Pierre Attaingnant 13. Basse Dance “La Brosse” P.B [Pietrobono] - Pierre Attaingnant 14. Pavan - Luys Milan 1536 15. Gallarda - Alonso Mudharra 1546 16. Branles de Bourgogne - A. Le Roy-P. Phalese 17. Italiana - Vincenzo Galilei 1568 18. Passemeze Antique - Adrian Le Roy 1568 19. Il Bianco Fiore - Cesar Negri c. 1600 20. Polish Dance - c. 1600, Anon. 21. Passamezzo - Diomedes Cato 1600 22. Pavan “The Earl of Salisbury” - William Byrd 23. Galliard “Muy Linda” - Anthony Holbome 1600 24. Branles de Village - Robert Ballard 1600 25. A Scot’s Tune (from Jane Pickering's Lute Book) - Anon. 1616 The Scottish Huntsupe (from Jane Pickering's Lute Book) - Anon. 1616 | ||||
Y | Various Composers = Anthology | Berlioz, Hector | 25 Romances (Recueil de Romances) for Voice and Guitar | Hector Berlioz, arr. M. Henke and M. Stegemann, ed. | 1986 | Chanterelle Verlag | voice and guitar | Collection, Anthology, some from French comic operas | Title, Composer, Librettist 1. La Trompette appelle aux alarmes (The Trumpet Calls to Arms) - C. Lintant, J. de Florian 2. Romance de Florian (Romance by Florian) - V. Martini, de Florian 3. Romance de Florian - unknown, de Florian 4. Air de "Philippe et Georgette" - N. d'Alyrac, unknown 5. Fleuve du Tage (Tagus River) - one of the Pollets, unknown 6. Romance de Florian - unknown, de Florian 7. "La Sympathie" Romance del'opera de "Félicie" - Catruffo, Mercier-Dupaty 8. Romance de "Gulnare ou l'esclave persane" (Gulnare or the Persian Slave) - d'Alayrac, B. Marsollier 9. Romance by ***, J. Bedard, unknown 10. Romance de l'opera du "Chaperon rouge" (Red Riding Hood) - A. Boleldieu, Théaulon 11. Romance de "l'opera comique" - P. Dominique, J. Vicompte de Ségur 12. Romance de "l'opera comique" - Dominique, de Ségur, 13. "Objet charmant" (Charming Object) - unknown, unknown 14. Romance de Plantade - Charles-Henri Plantade, unknown 15. Romance - unknown, unknown 16. Couplets de l'opéra de "La Romance" - H. Berton, L. le Jeune 17. Romance de l'opéra de "La Romance" - Berton, le Jeune 18. Air du "Petit Jockey" (Little Jokei's Air) - JP Solié, unknown 19. Romance de l'opera de "Blaise et Babet" - A. Dezède, Monvel 20. Romance de Naderman "je pense à vous" (I think of you) - F. Nadermann, unknown 21. "Faut l'oublier" (You must forget him) - unknown, unknown 22. Romance favorite de Henri IV - Lélu, unknown 23. "Le Rivage de Vaucluse" (The Banks of Vaucluse) Romance d'A. Boieldieu - F. Boieldieu, unknown 24. "Le Sentiment d'amour" (The sentiment of love) - Meissonnier, unknown 25. "Minverne ou tombeau de Ryno" (Minverne at Ryno's tomb) - unknown, A. Chenier | |||
Y | Various Composers = Anthology | Block, Leon | 26 Classics for Guitar | Leon Block, arr. | 1962 | Clef Music Publishing Corp. | Solo | Anthology | Musette - Johann Sebastian Bach Minuet - Johann Sebastian Bach Bouree - Johann Sebastian Bach Gavotte in B Minor - Johann Sebastian Bach Fur Elise - Ludwig von Beethoven Allegretto from 3rd Symphony - Johannes Brahms Valse Lente (Ballet: Coppelia) - Leo Delibe Humoresque - Antonin Dvorak La Cinquantaine - Jean Gabriel-Marie Anitra's Dance - Edvard Grieg In the Hall of the Mountain King - Edvard Grieg Harmonious Blacksmith - George Frideric Handel Bouree - George Frideric Handel Theme from "Surprise Symphony" - Franz Josef Haydn Elegie - Jules Massenet Minuet No. 1 - Wolfgang Amadeus Mozart Minuet No. 2 - Wolfgang Amadeus Mozart Spanish Dance No. 1 - Moritz Moszkowski Minuet in G - Ignacy Jan Paderewski Theme of Caprice No. 24 - Niccolo Paganini Melody in F - Anton Rubinstein Serenade - Franz Sschubert The Happy Farmer - Robert Schumann The Wild Horsemen - Robert Schumann Soldier's March - Robert Schumann March Slav - Pyotr Ilyich Tchaikovsky | |||
Y | Various Composers = Anthology | Bolotine, Leonid | A Collection of Music for the Classical Guitar: Classical Guitar, Everybody's Favorite Series No. 119 | Leonid Bolotine | 1963 | Amsco Music Publishing Company | Solo | Anthology | Johann Christian Bach - Minuetto Johann Sebastian Bach: Aria (from the Notebook of Anna Magdalena Bach) Lute Prelude Minuet (from the Notebook of Anna Magdalena Bach) Minuet (from the Notebook of Anna Magdalena Bach) Beethoven-Carulli - Theme and Variation (Piano Sonata Matteo Carcassi: Etude Etude Six Carpices Ferdinando Carulli: Etude on a Theme by Mozart (Rondo a la Turka) Five Easy Pieces Grand Etude Sonata (in A) Tempest Three Easy Sonatinas Antonio Diabelli: Country Dances Ten Easy Pieces Mauro Giuliani - Thirty-Two Pieces Filippo Gragnani - Sonatine Joseph Haydn - Allemande Johann Krieger: Bourée Minuet Luis Milan - Pavana Leopold Mozart - Bourée Wolfgang Amadeus Mozart - Petite Pièce Fernando Sor - Etude Anonymous: Incomparables Nine Country Dances Song Two Minuets | |||
Y | Various Composers = Anthology | Bolotine, Leonid | The Classic Guitar Collection. Volume Three | Leonid Bolotine | 1977 | Amsco Music Publishing Company | Solo | Anthology, formerly under the titile "Classical Guitar", Everybody's Favourite Series Number 119 | Johann Christian Bach - Minuetto Johann Sebastian Bach: Aria (from the Notebook of Anna Magdalena Bach) Lute Prelude Minuet (from the Notebook of Anna Magdalena Bach) Minuet (from the Notebook of Anna Magdalena Bach) Beethoven-Carulli - Theme and Variation (Piano Sonata Matteo Carcassi: Etude Etude Six Carpices Ferdinando Carulli: Etude on a Theme by Mozart (Rondo a la Turka) Five Easy Pieces Grand Etude Sonata (in A) Tempest Three Easy Sonatinas Antonio Diabelli: Country Dances Ten Easy Pieces Mauro Giuliani - Thirty-Two Pieces Filippo Gragnani - Sonatine Joseph Haydn - Allemande Johann Krieger: Bourée Minuet Luis Milan - Pavana Leopold Mozart - Bourée Wolfgang Amadeus Mozart - Petite Pièce Fernando Sor - Etude Anonymous: Incomparables Nine Country Dances Song Two Minuets | |||
Various Composers = Anthology | Boyd, Liona | Miniatures for Guitar | Liona Boyd | 1977 | Hal Leonard Publishing Corp. | Solo | Anthology | Spanish Romance - Anonymous Greensleves - Anonymous Kemp's Jig - Anonymous Prelude and Gigue - Robert de Visée Andante - Fernando Sor Estudio #2 - Fernando Sor Estudio # 17 - Dionisio Aguado Estudio #7 - Dionisio Aguado El Noy de la Mare - Catalan Folk Melody Gavotte - Conte Ludovico Roncalli Pavana - Luis Milan Andantino - Mateo Carcassi Saltarello - Vincentio Galileo Adelita - Francisco Tárrega Cajita de Música - Francisco Tárrega Lágrima - Francisco Tárrega Pavana - Francisco Tárrega Andante - Francisco Tárrega Lento - Francisco Tárrega Estudio in E - Francisco Tárrega Little Suite: Balletto; Policinello; Minuuetto; Sarabande; Gavotte - Comte Anton de Logy | ||||
Y | Various Composers = Anthology | Bream, Julian | The Julian Bream Guitar Library, Volume One: The Baroque Era | Julian Bream | 1981 | Faber Music Ltd. | Solo, one piece for 2 guitars | Anthology: Purcell, Bach, Froberger, Lawes, | Four Pieces - Henry Purcell: Air Rondo Minuet Hornpipe Suite in A Minor - Johann Froberger: Allemande Courante Sarabande Gigue Suite in E Mminor - Dietrich Buxtehude: Allemande Courante Sarabande Gigue Suite in E Minor - J. S. Bach: Präludium Allemande Courante Sarabande Bourée Gigue Two Preludes - J. S. Bach Suite for Two Guitars - William Lawes: Corant 1 Alman Corant 2 | |||
Y | Various Composers = Anthology | Bream, Julian | The Julian Bream Guitar Library, Volume Two: The Classical Era | Julian Bream | 1981 | Faber Music Ltd. | Solo | Anthology: Cimarosa, Mozart, Giuliani, Diabelli | Three Sonatas - Domenico Cimarosa Larghetto & Allegro - W. A. Mozart Grande Ouverture - Mauro Giuliani Sonata in A Major - Anton Diabelli | |||
Y | Various Composers = Anthology | Bream, Julian | Thirteen Guitar Solos | Julian Bream, ed., fing. | 1975 | Ariel Publications | Solo | Anthology: Bach, Handel, Tarrega, Aguado, Coste, Schumann, Sor, others) | Dionisio Aguado - Adagio J. S. Bach - Gavotte Napoleon Coste - Rondo G. F. Handel - Sarabande and Variations Joseph Haydn - Andante Robert Schumann - Siciliano Fernando Sor: Minuet in A Minuet in D Study in G Study in D Francisco Tárrega: Study inn A Capricho Arabe P. I. Tschaikowsky (or Tchaikovsky) - Mazurka | |||
Y | Various Composers = Anthology | Casseus, Franz | Selected Masterpieces for the Classic Guitar Vol. 2 World's Favorite Series No. 81 | Franz Casseus | 1970 | Ashley Publications, Inc. | Solo | AGUADO, DIONISIO: 2 Etudes; Rondo ALBENIZ, ISAAC: Tango; Torre Bermeja BACH, JOHANN SEBASTIEN: March; Fuga; Gavotte En Rondeau BEETHOVEN, LUDWIG VAN: Für Elise BOCCHERINI, LUIGI: Minuet BRAHMS, JOHANNES: Valse No. 15 Op. 39 CARCASSI, MATTEO: Andante Grazioso; Waltz; Rondo CARULLI, FERNANDO: Alla Polacca CASSEUS, FRANZ: Prelude; Valse; Romance CHOPIN, FREDERIC: Preludio No. 14. Op. 28; Preludio 11; Prelude No. 6. Op. 28 DIABELLI, ANTON: Menuet; Andante Sostenuto FORTEA, DANIEL: Valse GRANADOS, ENRIQUE: Spanish Dance GUILIANI, MAURO: Sonata Eroica for Guitar HORETSKY, FELIX: Six Vaises Briiiantes PONCE, MANUEL: Estreiiita RAMEAU, JEAN PHILLIPE: Minuet I; Minuet II SCHUMANN, ROBERT ALEXANDER: Siciliana; Cancion Dei Norte; Soldier's March SOR, FERNANDO: Gavotte; Sonata Op. 25; Andante Largo; Etude No. 2; Theme Varie; Lex Adieux Op. 2;1 Sonate; Etude No. 1 TARREGA, FRANCISCO: Reverie | ||||
Y | Various Composers = Anthology | Castle, Joseph | Mel Bay's Deluxe Album of Classic Guitar Music | Joseph Castle, arr. | 1971 | Mel Bay Publications, Inc. | Solo | Anthology | Part I Renaissance - Baroque: Pavana - Luis Milan Largo (from "Stabat Mater" - Palestrina The Earle of Salisbury - William Byrde Gagliarda - Frescobaldi Suite No. II - Esaias Reusner: Allemanda Couranda Sarabanda Gigue Sarabande Le Petit Rien - François Couperin Carnival - François Couperin Rondino - Jean Phillippe Rameau Bourée - Johann Sebastian Bach Two-Part Inventions - No. 1 in C - Johann Sebastian Bach Prelude (BWV 999) and Fugue (BWV 1000) - Johann Sebastian Bach Largo (from "Xerxes") - Georg Friderich Handel Suite for the Lute - Philipp de Richée: Overture Sarabande Bourrée Gavotte Minuet and Rondo Part II Classical: Dance of the Blessed Spirits - Christopher W. Gluck Andante - Josef Haydn Gavotte - François Joseph Gossec Air - Wolfgang Amadeus Mozart Minuet (Original in G) - Ludwig van Beethoven Allegretto (from the 7th Symphony) - Ludwig van Beethoven Sonat Quasi Una Fantasia (from the "Moonlight" Sonata) - Ludwig van Beethoven Andante Grazioso - Ferdinando Carulli Fughetto - Ferdinando Carulli Rondo - Ferdinando Carulli Prelude No. 1 - Francesco Molino Prelude No. 5 - Francesco Molino Study No. VII (Op. 31) - Fernando Sor Larghetto - Fernando Sor Andante - Fernando Sor Estudio - Fernando Sor Andantino - Fernando Sor Estudio in C Major - Fernando Sor Adagio (from "Grand Sonata", Op. 22) - Fernando Sor Sonatina - Mauro Giuliani Allegretto - Mauro Giuliani Theme and Variations - Anton Diabelli Sonata (3 movements) - Niccolo Paganini RomanzaSonata I - Niccolo Paganini Study - Dionisio Aguado Arpeggio Etude - Dionisio Aguado Melody To A Beloved - Carl Maria Von Weber Caprice No. 1 (Op. 20) - Luigi Legnani Caprice No. 12 (Op. 20) - Luigi Legnani Minuet - Matteo Carcassi Country Dance - Matteo Carcassi Caprice in E Minor (Op. 26, No. 3) - Matteo Carcassi Bagatelle - Heinrich Marschner Waltz - Franz Schubert Part 3 Romantic: Andantino - Felix Horetzky Preludio - Napoleon Coste Romance - Johann Kaspar Mertz Prelude No. 4 - Frederic Chopin Prelude No. 20 (Op. 28, No. 20) - Frederic Chopin Soldier's March - Robert Schumann Barcarole - Jacques Offenbach Theme from Symphony No. 1 - Johannes Brahms Waltz in A Major (Op. 39, No. 15) - Johannes Brahms Kujawiak (Second Mazurka) - Henryk Wieniawski Theme from Symphony No. 6 (Pathetique) - P. I. Tchaikovsky Humoresque (Op. 10, No. 2) - P. I. Tchaikovsky Elégie - Jules Massenet Anitra's Dance (from "Peer Gynt" Suite I) - Edvard Grieg March - Xavar Scharwenka Prelude in G Major - Francisco Tarrega Scherzo - Tomas Damas, Francisco Tarrega Recuerdos de La Alhambra - - Francisco Tarrega | |||
Y | Various Composers = Anthology | Castle, Joseph | Twelve Famous Compositions | Joseph Castle, arr. | 1991 | The Willis Music Company | guitar and violin | Anthology, Duet, Score only | MINUET IN G — L. Van Beethoven ELEGY from The Erynnyes — Jules Massenet, Op. 16 GAVOTTE — F. J. Gossec LARGO from Concerto for the Lute — A. Vivaldi MINUETTO from Divertimento No. 17 — W. A. Mozart AIR from Orfeo and Euridice — C. W. Gluck SARABANDE — Nicola Matteis L’ABEILLE (The Bee) — Francois Schubert GYMNOPEDIE NO. 1 — Erik Satie AVE MARIA — Franz Peter Schubert SÉRÉNADE — G. Pierné 5th AIR VARIÉ On a Theme By Weigl — C. Dancla | |||
Y | Various Composers = Anthology | Crowell, Steve | Guitar Solos Volume III: Chord Style Pieces with Diagrams | Steve Crowell, arr. | 1992 | SDM Productions | Solo | Popular, fretboard fingering, chord charts for each piece, jazz, bossa nova, some tablature | AUTUMN LEAVES (Les Feuilles Mortes) - Joseph Kosma, Jacques Prevert MEDITATION - Antônio Carlos Jobim and Newton Mendonça ONCE IN A WHILE - Michael Edwards, Bud Green SUNSHINE OF MY LIFE - Stevie Wonder SOPHISTICATED LADY - Duke Ellington PRELUDE TO A KISS - Duke Ellington, Irving Gordon and Irving Mills LI’L DARL1N’ - Neal Hefti HOW DEEP IS YOUR LOVE - Barry, Robin and Maurice Gibb (The Bee Gees) WE’RE ALL ALONE - Boz Scaggs | |||
Y | Various Composers = Anthology | Crowell, Steve | Guitar Solos Volume IV: Chord Style Pieces with Diagrams | Steve Crowell, arr. | 1992 | SDM Productions | Solo | Popular, fretboard fingering, chord charts for each piece, standards from the 1930's and 40's | SWEET AND LOVELY - Charles N. Daniels, Harry Tobias THE WAY YOU LOOK TONIGHT - Jerome Kern, Dorothy Fields (originally performed by Fred Astaire in the 1936 film "Swing Time") DON’T GET AROUND MUCH ANYMORE - Duke Ellington, Bob Russell DANCING ON THE CEILING - Richard Rodgers, Lorenz Hart TOO MARVELOUS FOR WORDS - Richard Whiting, Johnny Mercer AIN’T MISBEHAVIN' - Thomas "Fats" Waller and Harry Brooks, Andy Razaf SPIRIT OF THE DELTA BLUES - Steve Crowell THE FERRIS WHEEL RAG - Steve Crowell FLY ME FINGERS TO THE MOON - Steve Crowell | |||
Y | Various Composers = Anthology | Cruz, Mark Anthonly | Guitar Trio Anthology: Volume I | Mark Anthony Cruz | 2008 | MAC Publications | 3 guitars | Anthology | Andante - Cruz Waltz - Cruz Theme from 1st Symphony - Brahms Divisions - Cruz Andante - Sor Larghetto - Sor Chanson - Cruz Sarabande - Cruz Grave (from Sonata in D) - Murcia Spiritoso - Cruz Sarabande (from Suite in E Minor) - Cruz Allegro - Cruz Prelude No. 20 - Chopin Promenade - Mertz Minueto en Do - Barrios Largo - Telemann Andantino (from Thirty-Two Pieces) - Giuliani Greensleeves - Anonymous Variations on Folias D'Espana (based on Handel's version) - Cruz Minuet (from Sonata No. 18) - Schubert Bist du Bei Mir - Bach | |||
Y | Various Composers = Anthology | Cruz, Mark Anthonly | Guitar Trio Anthology: Volume II | Mark Anthony Cruz | 2007 | MAC Publications | 3 guitars | Anthology | Preludio - Corelli Mabelita - Barrios Menuet - Handel Affettuoso (from Sonata for Flute, RV 48) - Vivaldi Andante (Haydn), p. 8 Gavotta - Ponce/ A. Scarlatti Andante - Beethoven Allemande - Rameau Courante - Rameau Sonata L. 58 - D. Scarlatti White Christmas - Berlin March of the Toys - Herbert | |||
Various Composers = Anthology | Robert Deuble Collection J. R. Aument, Guitarist (before Deuble) Origin: Vahdah Olcott-Bickford Collection, https://oac.cdlib.org/findaid/ark:/13030/c8zp4c79/ https://en.wikipedia.org/wiki/Vahdah_Olcott-Bickford | Guitar & String or Wind Instrument | 1851 | N. Simrock Druek von A. Eckel Chez Breitkopf & Härtel Mr. A. Kuntze A. Diabelli et Comp. | Guitar and flute Guitar and violin Guitar and cello | Anthology, opera, facsimiles | Rondo Favorit pour Violon our Flûte, et Guitarre - D. Steibelt An Der Schönen, Blauen Donau [Bue Danube] Walzer for Guitar and Violine, Op. 314 - Johann Strauss Trois Duos faciles pour le Violon et Guitarre. Op. 3 - F. Molina Duetino facile per Flauto o Violino e Chiratta, Op. 77 - M. Giuliani Serenade pour Guitarre et Flûte (ou Violon), Op. 8 - P. E. Hünten Serenade for Guitar et Flute (ou Violine), Op. 72 - Jos. Küffner Serenade for Guitar et Flute (ou Violine), Op. 124 - Jos. Küffner Trois Duos (Extrêment faciles) for Violine et guitar, Vol. II, Nos IV-VI - L. Doisey Trois Duos (Extrêment faciles) for Violine et guitar, Vol. I, Nos I-III - L. Doisey Sonate très facile pour Flûte & Guitarre, Op. 103 - Leonard de Call Récréations Musicales Collection...pour Guitare et Flûte ou Violon, sur des motifs d'opéras favoris, arr. Jos. Küffner, Op. 321 Book 1: La Fille du Régiment - Donizetti Lucia de Lammermoor - Donizetti Book 3: Norma - Bellini La Straniera - Bellini La Sonnambule - Bellini Book 4: I Puritani - Bellini Book 12: Ernani - Verdi Abendsterne...Potpouris beliebten Opern für Flöte und guitarre, arr. J. G. Busch: N° 1. Martha - Flotow N° 8. Lucrezia Borgia - Donizetti Grandes Variations concertantes pour Csakan (Flute) et Guitarre sur le thème de Mr. [Friedrich Heinrich] Himmel: An Alexis send'ich dich - François Bathioli, Op. 5 Trois Nocturnes pour Violoncelle et Guitare - F. Burgmüller Pot-Pourri pour Violoncelle et Guitare. Op. 21 - J. J. F. Dotzauer Serenade pour Violoncelle ou Flûte et Guitarre, Op. 84 - L. De Call Ouverture zur Oper: Der Barbier von Sevilla, by G. Rossini, Für eine Flöte oder Violine und Guitarre - arr. A. Diabelli Ouverture zur Oper: Die Diebische Elster (La Gazza ladra) by G. Rossini, für eine Flöte oder Violine und Guitare - Anton Diabelli | |||||
Various Composers = Anthology | Robert Deuble Collection J. R. Aument, Guitarist (before Deuble) Origin: Vahdah Olcott-Bickford Collection, https://oac.cdlib.org/findaid/ark:/13030/c8zp4c79/ https://en.wikipedia.org/wiki/Vahdah_Olcott-Bickford | Guitar and Piano | I. A. Nüske (J. A. Nüske) | 1851 | Chez N. Simrock | Guitar and piano | Anthology, opera, folk songs, anthem, facsimiles | 3 Mélodies favorites pour Guitare et Piano - I. A. Nüske: N° 1. Dernière Walze de C. M. Weber - arr. Nüske N° 2. Alpensänger Marsch - Nüske Huit Duos pour Guitare et Pianoforte sur des motifs favori et choisis par W. Neuland: N° 2. Air Tyrolien N° 3. Air National Allemand - German folk song N° 4. Sicilienne ("O fortune à ton Caprice") (from "Robert Le Diable") - Meyerbeer, arr. Neuland 4 lichte Rondos in A minor [transposed to C minor], Op. 140 - A. Diabelli Souvenir de l'Opera: Airs Choisis pour Guitare et Piano - I. A. Nüske: 1. Il Barbiere de Sevilla [6 selections] - Rossini 4. Guillame Tell [6 selections] - Rossini 9. La Gazza Iadra (The Thieving Magpie) [6 selections] - Rossini -- Mazurka, Op. 40 - J. K. Mertz Nocturne in A minor, Op. 36 - F. Molino Sonate, Op. 42 - J. Küffner Serenade in C, Op. 55 - J. Küffner | ||||
Various Composers = Anthology | Robert Deuble Collection J. R. Aument, Guitarist (before Deuble) Origin: Vahdah Olcott-Bickford Collection, https://oac.cdlib.org/findaid/ark:/13030/c8zp4c79/ https://en.wikipedia.org/wiki/Vahdah_Olcott-Bickford | Guitar Duos (2nd Guitar Part Only) | 1851 | G. Schirmer C. Breusing Braunschweig: G.M. Meyer A. Diabelli | 2 guitars | Anthology, opera, 2nd guitar part only, facsimiles | Rondo in A, Op. 1 - A. Barco 2 Grandes Variations et un Rondeaú brillant sur le Thême favori "Es blinken so lustig die Sterne", Op. 6 - Friederich Alfred Bodstein Nocturne in D, Op. 143 - F. Carulli 3 Petit Airs and Variations in A, D, and G, Op. 166 - F. Carulli Nocturne brillant, Op. 218 - F. Carulli Duo Concertant, Op. 328 - F. Carulli Grand Duo concertant, Op.53 - T. Gaude Duo sur "Alessandro Stradella", Op. 51 - Flotow, arr. J. K. Mertz Der Carneval von Venedig, Op. 62 - Joh. Podovetz Ouverture D'Armide - Rossini Ouverture du Barbier de Seville - Rossini Ouverture aus der Oper: Die diebische Elster (La Gazza ladra) - Rossini, arr. A. Diabelli Ouverture de L'Italiana in Algieri - Rossini Ouverture de Semiramis - Rossini | |||||
Various Composers = Anthology | Robert Deuble Collection J. R. Aument, Guitarist (before Deuble) Origin: Vahdah Olcott-Bickford Collection, https://oac.cdlib.org/findaid/ark:/13030/c8zp4c79/ https://en.wikipedia.org/wiki/Vahdah_Olcott-Bickford | Guitar Trios for Flute, Violin and Guitar (3 separately bound volumes, each for flute, viiolin, or guitar) | Offenbach: Johann André Mayence et Anvers / B. Schott N. Simrock | Flute, violin and guitar | Anthology, opera, parts only, facsimiles | Potpourri aus "Martha" (from Potpourris für Flöte, Violine und Guitarre), N° 1 - Flotow, arr. J. G. Busch Potpourris sur de Thêmes d'Opéras favoris - arr. J. J. Müller: Montecci et Capuleti, Op. 18 - Bellini Sonnambula, Op. 29 - Bellini Potpourri...sur des morifs favoris de l'Opéra Zampa, Op. 246 - F. Herold, arr. J. Küffner Trio for Guitar, Flute et Violin, Op. 9, No. 2 - J. Kreutzer Trio for Guitar, Flute et Violin, Op. 9, No. 3 - J. Kreutzer Trio for Guitar, Flute et Violin, Op. 9, No. 4 - J. Kreutzer Ouverture aus Zampa (from Sammlung der beliebtesten Ouvertüren), N° 4 - F. Herold, arr. G Mayer Ouverture de l'opera de Rossini: Barbier de Seville - arr. F. Carulli Ouverture zu Dichter und Bauer - Fr. v. Suppé, arr. V. g. Wichtl Trio Facile for 3 Guitars Op. 26 - L. de Call | ||||||
Various Composers = Anthology | Robert Deuble Collection J. R. Aument, Guitarist (before Deuble) Origin: Vahdah Olcott-Bickford Collection, https://oac.cdlib.org/findaid/ark:/13030/c8zp4c79/ https://en.wikipedia.org/wiki/Vahdah_Olcott-Bickford | Imported Dance: Repertoire de nouvelles danses favorites: Polkas, Galops, Mazurkas, etc. etc. | Josef Küffner | B. Schott | Solo | Anthology, Dance, Polka, Mazurka, Waltz, Gallop, facsimiles | Repertoire de nouvelles danses favorites: Polkas, Galops, Mazurkas, etc. - arr. Josef Küffner Cah. 2: 1. Alpen Horn Polka - F. Beyer, arr. J. Küffner 2. Scherz und Laune Polka - J. Küffner 3. Mazurka L'Ukrainienne - J. Küffner 4. Pariser Polka - P. Schubert 5. Boehmischer Mazurka - J. Küffner 6. Kreutznacher Polka - J. Staab Cah. 3: 1. Errinnerungs Polka - Kliegl, arr. J. Küffner 2. Pariser Mazurka - J. Schad 3. Errinnerung an Wiesbaden Polka - J. Rummel 4. Narrhalla Polka - J. Staab 5. Sirenen Polka - M. Simonin 6. Augusta Polka - J. Küffner Cah. 4: 1. Paulinen Polka - Rupp, arr. J. Küffner 2. Freundschafts Galopp - Kühner 3. Theresien Polka - J. Küffner 4. Babetten Polka - J. Küffner 5. Mazurka la Cracovienne - J. Küffner 6. Mazurka la Galicienne - J. Küffner Cah. 5: 1. Liebes-Neckerei Polka - J. Küffner 2. Apollos Strahlen Polka - A. H. Kliegl 3. Mazurka La Volhynienne - J. Küffner 4. Fastnachtstraum Polka - J. Küffner 5. La Saison à Wiesbaden - C. Scheurer Cah. 6: 1. Erinnerungs Galopp - Rupp, arr. J. Küffner 2. Mazurka - G. Alary 3. Rédowa Polka - F. Burgmüller 4. Ma Brunette Polka - F. Burgmüller 5. Bonne Humeur Polka - F. Müller 6. Prost Neujahr Polka - J. Küffner 7. Nachtwandler Polka - J. Staab Cah. 7: 1. La Favorite Polka - G. Alary, arr. J. Küffner 2. Lebens Funken Polka - A. Rupp 3. Leonie Polka - G. Alary 4. Charlotten Polka - A. H. Kliegl 5. Neptuns Galop - J. Küffner 6. Olga Polka - W. Kühner Cah. 8: 1. Erinnerung an Bacherach Polka - J. Küffner 2. Eglantine Polka - F. Burgmüller 3. Ma Brunette Polka - F. Burgmüller 4. Nachtlager Polka - F. Burgmüller? 5. Teodora Polka - J. Philipot 6. Marine Polka - J. Liehmann Cah. 10: 1. Le Bouquet de L'Infante Valse - F. Burgmüller, arr. J. Küffner 2. Rondeausur Unevalse - Labitzky Rondeau Valse - Labitzky? 3. Gloeckchen Polka - J. Rummel Cah. 12: 1. Fackelzug-Polka - J. Strauss, arr. J. Küffner 2. Seufzer-Polka - J. Strauss 3. Militär-Polka - H. Herz 4. Helena-Polka - J. Strauss La Célébre Mazurka de Spa - J. Küffner | |||||
Various Composers = Anthology | Robert Deuble Collection J. R. Aument, Guitarist (before Deuble) Origin: Vahdah Olcott-Bickford Collection, https://oac.cdlib.org/findaid/ark:/13030/c8zp4c79/ https://en.wikipedia.org/wiki/Vahdah_Olcott-Bickford | Miscellaneous Imported Vol. I: Souvenirs des Operas, A Collection of Opera Airs and Dances | Edward Pique Charles J. Dorn John B. Coupa J. Amann Ed. Bayer Ph. Süssmann Francis Weiland Tobias Haslinger? | 1851 | Lee & Walker (Successors Geo. Willig) Oliver Ditson & Co. W. C. Peter J. L. Peters & Bro. Hambourg chez G.W. Niemeyer/J. Ricordi Offenbach a/M bei Joh. André Tobias Haslinger Friedrich Hofmeister Anton Böhm Philip Ernst & Son Edward P. Jones B. Schott Josef Aibl | Solo | Anthology, Opera, arias, folk songs, hymns, anthems, dances, facsimiles | Souvenirs des Operas: Easy Progressive Style, arr. Edward Pique 1. La Neige - Daniel Auber 2. Belisario - Donizetti 3. Otello - Verdi 4. Lucia di Lamermour - Donizetti 5. Gemma di Vergi - Donizetti 6. Le Postillion de Lonjemeau - Adolphe Adam 7. Sonnambula - Bellini 8. Fra Diavolo - Daniel Auber Souvenirs des Operas Nº2: Easy Progressive Style, arr. Edward Pique 1. Fra Diavolo - Daniel Auber 2. La Sonnambula - Bellini 3. Zampa - Ferdinand Hérold 4. I Puritani - Bellini 5. La Fille du Regiment - Donizetti 6. Lucrezia Borgia - Donizetti 7. The Maid of Artois - Michael William Balfe Souvenirs des Operas Nº3: Easy Progressive Style, arr. Edward Pique 17. Stradella (The Celebrated Drinking Song) - Friedrich von Flotow, arr. Francis Weiland 18. La Cenerentola (Non Più Mesta) - Rossini 19. The Magic Flute (Air: The Bells) - Mozart 20. L'Elisire D'Amore (Barcarolle ) - Donizetti 21. I Puritani (Qui La Voce) - Bellini 22. La Muette de Portici (Air) - Auber Souvenirs des Operas Nº4: Easy Progressive Style, arr. Edward Pique 23. Massiello (The Celebrated Barcarole) - Auber 24. Robert le Diable (Air) - Meyerbeer 25. Belisario (Cavatina) - Donizetti 26. Rigoletto (Barcarole) - Verdi Souvenirs des Operas Nº6: Easy Progressive Style, arr. Edward Pique 31. I Lombardi (Andante) - Verdi, arr. Francis Weiland 32. Il Trovatore (The Celebrated Duet) - Verdi 33. Lucretia Borgia (Cavatina) - Donizetti 34. La Traviata (Di Provenza) - Verdi 35. Le Pirate (Air) - Bellini Gems of Il Trovatore - Verdi, arr. Charles J. Dorn Introduction "Di tale amor che dirsi" "Deserto sulla terra" "Mal reggendo" "Il balen" "Miserere" (Prison scene) "Ah che la morte" Gems of Norma (Airs) - Bellini, arr. John B. Coupa Mira, O Norma (Duet) Gems of Norma , Nº. 1 - Bellini, arr. John B. Coupa ? Martha (Potpouri) - Friedrich von Flotow, arr. J. Amann M'appari tutt'amor ? (Allegro non troppa-Larghetto-Allegro vivace Le Guitarriste au Salon, arr. Ed. Bayer 1. Der Prophet ("Donnez, Donnez!) - Meyerbeer 2. I due Foscari ("Alla giosa! alla corse") - Verdi 3. Il Carsaro" ("Non so le te tre immagini") - Verdi 4. Il Carsaro (Aria e Coro: "Salve Allah) - Verdi 5. Polka Militaire et Tyrolienne - Charles Chaulieu? 6. Ländler - Charles Chaulieu? 7. Airs favoris de Bellini et Donizetti: Norma (Ländler ) - Bellini Norma (Dell'aura tua profetica") - Bellini Elisir D'Amore (Lalla rallara" - Donizetti 8. Le Prophète ("Marche du Sacre") - Meyerbeer 9. Lucia di Lammermoor (Tu che a Dio") - Donizetti 10. Ernani ("Infelice") - Verdi 11, Lucrezia Borgia (Ländler) - Donizetti 12. Lucrezia Borgia (Tyrolienne) - Donizetti 13. I Lombardi (Nº VI. Valse, et Maria di Rohan) - Verdi 14. Ernani (I Due Foscari, Nº VIII. Valse) - Verdi 15, Luisa Miller (Cavatine Romanze: "La vidi e'l primo palpito") - Verdi 16. Chiara Cavatine (Cavatine/Aria) - Luigi Ricci Melodieenbuch: Sammlung heliehrer Dolks-Opera-und Tanz--Melodieen, Book 1, arr. Ph. Süssmann 1. Don Juan (Reich mir dir hand) - Mozart 2. [Alessandro] Stradella (Rondino) - Friedrich von Flotow 3. Don Juan (Champagner Lied) - Mozart 4. La Marseillaise - Claude Joseph Rouget de Lisle 5. Kathinka-Polka - Johann Pfeiffer? 6. Lied aus dem alten Feldherrn - ? 7. Ungarische Polka - Ph. Sussmann? 8. Schleswig Holstein (Anthem) - Carl Gottlieb Bellmann 9. Martha (Letzte Rose Volkslied) - Friedrich von Flotow 10. Wenn's Mailüfterl Weht - Joseph Kreipl 11. Don Juan (Menuett) - Mozart 12. God Save the King (theme and variation) - Henry Carey 13. Daughter of the Regiment (Aria) - Donizetti 14. Der Liebestrank (L'Elisir d'Amore) (Barcarolle) - Donizetti 15. Daughter of the Regiment? (Aria) - Donizetti 16. Daughter of the Regiment? (Polka Mazurka) - Donizetti 17. Daughter of the Regiment? (Ländler) - Donizetti 18. Daughter of the Regiment? (Steirishcer Ländler) - Donizetti 19. Norma? (Thema) - Belllini 20. Favorit-Walzer (?) - Beethoven Melodieenbuch: Sammlung heliehrer Dolks-Opera-und Tanz--Melodieen, Book 2, arr. Ph. Süssmann 1. Thème Allemand ? (Variation) - Ph. Süssmann? 2. ? Schweizer Heimweh (Swiss Homesickness) ? 3. Don Juan (Serenade) - Mozart 4. Walzer - ? 5. Rondino - Ph. Süssmann? 6.Allegro - Ph. Süssmann? 7. Thema (?) - Bellini 8. Ländler - Ph. Sussmann? 9. Contredanse (?) 10. Polka Mazurka (?) 11. Letzter Gedanke (Danses brillantes, op. 26, Nr. 5) - [incorrectly attributed to C. M. v. Weber] - Carl Gottlieb Reissiger 12. Andante (?) 13. Stumme de Portici (Tanz) - Daniel Auber 14. La Cachucha, spanischer Tanz (Spanish folk dance) - Anon. 15.Choral (?) 16. Walzer - Ph. Sussmann? 17. Das Nachtlager in Granada(?) (Thema) - C. Krenzer (Conradin Kreutzer?) 18. Walzer (?) 19. Indra, das Schlangenmädchen (Divertissement) - Flotow Melodieenbuch: Sammlung heliehrer Dolks-Opera-und Tanz--Melodieen, Book 3, arr. Ph. Süssmann 1. Don Juan (Andante?) - Mozart 2. Rübezahl (Rondo) - Flotow 3. Indra, das Schlangenmädchen (Allegretto) - Flotow 4. La Prima Donna (Walzer) - Louis Antoine Jullien 5. La Cenerentola (Aria) - Rossini 6. Deutsches Volkslied - ? 7. Henriette Sontag's Polka - Charles D'Albert, arr. Ed. Neumann 8. Aus Pirat (Il Pirata) (Allº cantabile) - Bellini 9. Te Deum Laudamus - ? 10. Waltzer (Lento) - ? 11. Anna Bolena (Percy-"Nel veder la tua costanza") - Donizetti 12. Oestreichisches Volkslied (Austrian Folk Song "Tief unfer de Erd") - ? 13. Maryanka-Polka-Mazurka - Ed. Neumann 14. Schwäbisches Volklied - ? 15. Zampa (Thema) 16. Varsovianna - ? 17. Belisario (Rondino) - Donizetti 18. Le carneval de Venise (My Hat, It Has Three Corners) - German folk song, Anon. 19. Polka-Mazurka - Süssmann 20. [Der] Vier Haymonskinder (?) 21. Polka-Mazurka - Ch. Spintler Melodieenbuch: Sammlung heliehrer Dolks-Opera-und Tanz--Melodieen, Book 4, arr. Ph. Süssmann 1. Ländler - ? 2. Schottisch - ? 3. Deutsches Volkslied aus dem Thüringer Walde (German folk song from Thuringian Forest) - ? 4. Marsch - 5. Les Vèpres Siciliennes (Sicilienne) - Verdi 6. Galoppade - ? 7. Polka Mazurka - Ch. Spintler 8. Russisches Volkslied 9. Sultans-Polka - Charles D'Albert 10. Rheinweinlied - J. André 11. Der junge Rekrut (Galoppade) - ? 12. Geleite durch die Wellen (Choral) - J. E. Aiblinger 13. Schottisch - ? 14. Russiche National Hymn 15. The Abduction from the Seraglio (Vivat Bachus) - Mozart 16. A Mighty Fortress is Our God (Choral) - Martin Luther 17. Lore-Ley (Altdeutsches. Volkslied) - Anon. (Most famous German folk song?) 18. 19. Kapelle Thema, Op. 64, No. 3 - C. Kreutzer 20. Volkslied ? (from Kapelle?) Walzers - Johann Strauss Sr. Tivoli Freudenfest = Tänze Merkurs- Flügel Valzer, Op. 83 Erinnerung an Deutschland, Op. 87 Die Nachtwandler, Op. 88 Lieblings-walzer für Guitarre - Johann Strauss 38. Huldigung der Königin Victoria, Op. 103 "Kukuk" (Cuckoo) Musikalische Rundschau - J. K. Mertz 8. Home! sweet home! (English song) - Sir Henry Bishop; featured in John Howard Payne's 1823 opera Clari, or the Maid of Milan 9. Das Dreigespann - Russian folk song 10. Tanzlied aus Dalekarlien - Swedish folk song 11. Muttserseelen allein - German folk song 12. Oesterreichischer Defilirmarsch - Austrian parade march 13. Schottischer 14. Drei Jahrl'n nach'm letzten Fensterln - German Alpine scene 15. Czaar [or Zar] und Zimmermann - Albert Lortzing Tänze und Märsche, Op. 2, No. 2, Ida Walzer - Robert Hofmeister Erheiterungen für geübtere, Guitarre-Spieler - Franz Zwerger: Galopp Steirischer (sp) Ländler Steirischer (sp) Ländler Polka Trio Walzer Trio Walzer Polka Marsch Polka Trio Polonnaise Trio La Ronde des Fées, Capriccetto, Op. 2 - M. A. Zani de Ferranti Six Melodies Nocturnes Originales - M. A. Zani de Ferranti: I. Le Souvenir II. La Melancolie III. Le Désir IV. La Joie V. L'Espoir VI. Les Regrets Pensées Nocturnes, Op. 9, Valse Sentimentale - Frederick Buckley Douze Valses - [Dionisio] Aguado Tänze und Märsche, Op. 2, No. 3, Bertha-Marsch. Emilien-Marsch - Robert Hofmeister Huit Divertissements, Op. 16 - Matteo Carcassi Original Steyrer Tänze, Op. 33 - J. K. Mertz Six Petites Pièces, Op. 4 - Dionisio Aguado | ||||
Various Composers = Anthology | Robert Deuble Collection J. R. Aument, Guitarist (before Deuble) Origin: Vahdah Olcott-Bickford Collection, https://oac.cdlib.org/findaid/ark:/13030/c8zp4c79/ https://en.wikipedia.org/wiki/Vahdah_Olcott-Bickford | Operatic Potpourri Vol. II: Potppourris pour Une Guitarre sur des Opéras favoris, arr. Ph. Süssmann | Ph. Süssmann | 1851 | Offenbach a/M bei Joh. André | Solo | Anthology, Opera, arias, folk songs, hymns, anthems, dances, facsimiles | Potpourris sur des Opéras favoris - arr. Ph. Süssmann: Potpourris über belliebte Opern Melodieen - arr. Ph. Süssmann: 1. Martha (Volkslied- Letzte Rose) - Flotow 2. Norma - Bellini: Arie Marsch mit Chor. Duetto : Komm nach Rom. 3. Die Regimentstochter - Donizetti: Arie: Heil dir Weiss nicht die Welt Es rückt an Rataplan, rataplan Schlussmotiv aus der Ouvertüre 4. Sonnambula - Bellini: Cavatine: Lass die theure Hand 5. Belisar - Donizetti Chor: Heil dir o tapfrer Krieger Cavatine: Zu den Tönen der Tuba Duetto: Ach wenn ich Thränen noch fände Lafs uns ziehn Terzetto: O! welche Seligkeit Cavatine: Ja nur Rache Duo: Ja auf dem Feld der Ehre 6. Lucia di Lammermoor - Donizetti Cavatine u. Chor Sextetto Wenn er entzückt vom Hochgefühl Finale u. Arie: In kurzem wird Finale Arie: Du die schon zum himmel eilet 7. Stradella - Flotow Hymne: Jungfrau Maria Raus mit dem "Nass aus dem Fass" Glockenchor Wechselgesang: Italien mein Vaterland Lied: Tief in den Abruzzen Arie: Alles theile unser Glück Maskenchor 8. Die Stumme (or La Muette) du Portici(also called Masaniello) - Auber O senke süsser Schlaf Chor: Herbei ihr Leut Barcarolle: Jhr Freunde seht es strahlet Arie: Forella!: Süsses Leben Arie: Es strömpt durch meine Brust Ballet Ouverture Barcarolle 9. Robert Le Diable - Meyerbeer Höllen -Walzer Robert mein Geliebter 10. Lucrezia Borgia - Donnizetti Um stets heiter Möchtest du stets der Mutter Romance: Welche Anmuth, welche Milde Fern an Neapels Strande Freudig der Rache Wonne Cavatine: Ferraras Fürst 11. Le Prophète - Meyerbeer Krönungs-Marsch Galopp Triumphgesang: Herr dich Redowa Schlettschuhtanz 12. S'Letzte Fensterl'n - Lachner Adies lieber Gager Gebet: J dank de mei Gott Horch drob'n auf der Alm Auf der Alm Jaga itzt. Mit di Fahna u. Trumm in. 13. Indra - Flotow Chor: Ave Maria Terzet Finale Mein Vaterland Finale Chor: Die Arbeit Arie: Alle meiner Heimath-Lieder Arie: Du Bösenicht 14. Rübezahl - Flotow Ouverture Chor: der Soldaten 15. Fra Diavolo - Auber Trommel Welches Glück Es entfliehet die Zeit 16. L'Etoile du Nord - Meyerbeer Air de Patissier Prière et Barcarole Choeur des Buveurs Paff! Paff! Paff! 17. J [I] Puritani - Bellini Cavatine Polacca Ach Geliebte Duo: Den Gelobten 18. Le Postillon de Lonjumeau - Adam Trio: Dar ich ihm vertrauen 19. Don Juan - Mozart Frölich sei main Abendessen Canzonetta: Horch auf den Klang der Zither Jede Schürze Chor und Ouv: Liebe Schwestern zur Liebegeboren Duettino: Reich mir die Hand 20. Don Juan - Mozart Aria: Wenn du fein fromm bist Keine Ruh bei Tagund, Vacht Schmäte, tobe lieber Junge Treibt der Champagner Canzonetta Chor und Ouv?: Liebe Schwestern zur Liebe geboren Frölich sei mein Abendessen 21. Czar & Zimmermann - Lortzing Brautlied: Lieblich röthen sich die Wangen Zimmermannslied: Auf Gesellen, greift zur Axt! Motif aus der Ouverture Chor: Heil sei dem Tag Sonst spielt ich 22. Der Freischütz - Weber O lass Hoffnung dich beleben Chor der Brautjungfern (Wir winden dir den Jungernkranz) Jetzt ist wohl ihr Fenster offen. Jäger Chor: Was gleicht wohl auf Erden Leise, leise fromme Weise Cavatine: Und ob die Wolke 23. Flûte magique [The Magic Flute] - Mozart Duetto: Bei Männern welche Liebe fühlen Aria: Der Vögelfänger bin ich ja Aria: In Diesen heil'gen Hallen Das klinget so herrlich Aria: Ein Mädchen oder Weibchen 24. La Traviata - Verdi Coro de Zingare: Nei siamo xingarelle Coro: E'Piquillo un belgagliarao Aria: O'mio rimorso 25. Il Trovature - Verdi Cavatina: Abbietta zingara Coro: Squilli, e Cheggi la tromba querriera Finale IV Duetto: Ai nostri monti Cavatina: Di tale amor Canzone: Stride la vampa Scena ed Aria: Di quella pira 26. Les Vépres Siciliennes - Verdi Ballet, L'Hiver Air et Coeur: Courage! du courage! Coeur de Chevaliero: Célébrons ensemble Finale III. noble patrie Sicilienne: Merci jeunes amies Duo: Ombre sainte Finale III Choeur: Ô fête brillante 27. La Gitano - Balfe Chor: Möget ihr froh und glücklich sein Duetto: Nieder auf deine Knie Finale 2nd: Preist den Himmel Quintetto: Aus Balsamichem Thal Romanze: Jm Traum sah ich Romance mit Chor: Folgt der Zigeunerbraut Chor: Wir Zigeuner Leben froh. Cavatine: Als der Huf eruer Rosse Cavatine: Das Herz von Kummer fief gebeugt Schluss Arie: Welch Seligkeit | ||||
Various Composers = Anthology | Robert Deuble Collection J. R. Aument, Guitarist (before Deuble) Origin: Vahdah Olcott-Bickford Collection, https://oac.cdlib.org/findaid/ark:/13030/c8zp4c79/ https://en.wikipedia.org/wiki/Vahdah_Olcott-Bickford | Operatic Fantasies Imported Vol. V: Operne-Revue, Op.8 arr. Johann Kaspar Mertz | Johann Kaspar Mertz | 1847-1850 | Tobias Haslinger Wien | Solo | Anthology, Opera, arias, facsimiles | Opern Revue N°2: [based on] Lucia di Lammermoor - Donizetti Opern Revue N°3: [based on] I Puritani - Bellini Opern Revue N°7: Marie, die Tochter des Regiments - Donizetti Opern Revue N°9: Die vier Haimonskinder - M. W. Balfe Opern Revue N°12: Stradella - Flotow Opern Revue N°14: Ernani - Verdi Opern Revue N°16: La Favorita - Donizetti Opern Revue N°17: Norma - Bellini Opern Revue N°21: Rigoletto - Verdi Opern Revue N°23: Der Barbier von Sevilla - Rossini Opern Revue N°24: Moses - Rossini Opern Revue N°26: Marco Stada - D. F. E. Auber Opern Revue N°27: Il Trovatore - Verdi Opern Revue N°28: Satanella - Pugni Opern Revue N°29: La Traviata - Verdi Opern Revue N°30: Euryanthe - Weber Opern Revue N°38: Herr und Madame Denis - Offenbach | ||||
Various Composers = Anthology | Robert Deuble Collection J. R. Aument, Guitarist (before Deuble) Origin: Vahdah Olcott-Bickford Collection, https://oac.cdlib.org/findaid/ark:/13030/c8zp4c79/ https://en.wikipedia.org/wiki/Vahdah_Olcott-Bickford | Miscellany Domestic, Vol. VII | L. Meignen Wm. Schubert Justin Holland Eml Heerbrügger T. Bricham Bishop Leonard Schulz Will J. Bostwick F. Weiland Jos. L. Gordon S. Winner Eml Heerbrügger Edward Pique | 1851? | W. Davenport J. L. Peters Lee & Walker Oliver Ditson & Co. George Willig S. Brainard & Sons J. Church Jr. W. C. Peters Paul K. Weizel | Solo | Anthology, Opera, arias, waltzes, polkas, marches, facsimiles | Cottage Waltz - Dr. F. W. Wurm Kiss Waltz(Il Bacio) (from A Series of Beautiful Duets for Two Guitars), (2 separate parts for Guitar Primo and Guitar secondo) - W. L. Hayden Aurora Waltz - W. O. Bateman, Esq. New Year's Polka - Francis Weiland Hermosa Polka - Matteo Carcassi Beethoven's Grand Waltz - Beethoven, arr. L. Meignen Herminia Polka - Matteo Carcassi Ravel Polka - Mathias Keller, arr. Wm. Schubert Rory O'More - Folk song (Lover) Il Trovatore (from 20 Choice Melodies from the Operas Guitar Solos) - Verdi, arr. Justin Holland Les Trois Graces: Julia Polka, Louis's Waltz, Helen Polka - Fr. Sulzner Three Favorite Waltzes: Waltz in the Swiss Family, Tivolian Waltz, Waltz Nocturno by Walch, - arr. Eml Heerbrügger Websters Funeral March (from Gems for the Guitar) - arr. Justin Holland Five Favorite Waltzes - Strauss Gipsey Polka (from Pluie des Melodies 24 Easy Arrangements for the Guitar) - T. Bricham Bishop Gertrude's Dream Waltz (from Flowers of Melody: Selection of Waltzes, Marches & Easy Pieces) - arr. J. Holland Evangeline Grand March (from Flowers of Melody: Selection of Waltzes, Marches & Easy Pieces) - arr. J. Holland Fancy Thoughts: Polkas, Waltzes, Schottisches, Operatic Airs, &c. - arr. F. Weiland: 1. We'll Laugh and Sing: The Celebrated Drinking Song from La Traviata - Verdi 2. Ellen Polka 3. Twilight Dews (A Favorite French Air) 4. Lina Waltz - Carcassi The Guitarist's Journal: Favorite Melodies Arranged for Guitar - arr. Leonard Schulz: N° 20. Fleur de Marie Valse N°4. The Cricket Polka - Louis Antoine Jullien N°24. La Fin du Bal Galop N°14. The Original Mazurka (or Cellarius Waltz) - Louis Antoine Jullien N°8. La Valse a Deux Temps -- Spanish Cachucha - J. De Anguera Henrietta Polka (N°3 from Collection of Guitar Melodies Arranged by Ch. De Janon) The Guards Waltz - D. Godfrey, arr. Justin Holland Peri Waltzes - Charles D'Albert, arr. Will J. Bostwick The Bohemian Girl (from Gems of the Opera), - Michael William Balfe, arr. Jos. L. Gordon: Fair Land of Poland I Dreamt That I Dwelt in Marble Halls Lucretia Borgia Waltz - Donizetti, arr. J. Gordon Affection Waltz (from Lucretia Borgia) Mazurka (from Lucretia Borgia) Bouquet of Melodies: Marches, Waltzes, Polkas &c., Book 2, arr. Edward Pique Bell Polka (or Clochette) - Labitzky Jeannette & Jeannot - Charles William Glover Elfen Waltz - Labitzky Allegro (from William Tell) - Rossini, arr. Charles William Glover Bouquet of Melodies: Marches, Waltzes, Polkas &c., Book 3, arr. Edward Pique Morning Star Waltz - Lanner Rataplan (from Daughter of the Regiment) - Donizetti Evening Star Waltz - Lanner Serenade March - S. G. Pratt Bouquet of Melodies: Marches, Waltzes, Polkas &c., Book 4, arr. Edward Pique Evergreen Galop - Labitzky Air (from La Favorite) - Donizetti Ne'er Can Thy Home Be Mine - Thomas Haynes Bayly Hohnstok Polka - ? Bouquet of Melodies: Marches, Waltzes, Polkas &c., Book 5, arr. Edward Pique Fascination Polka - E. Pique Gipsy March - Pique? Constantia Quick Step - ? -- La Violette Valse, Op. 16 - Charles De Janon March from Faust - Gounod, arr. Lanner, arr. J. Holland Heaven ward: Marche Celeste - Vilbré, arr. J. Holland The Coquette Polka - Charles D'Albert Banjo Polka - Bishop Premier Amour Redowa (from Gems for the Guitar by Justin Holland) - A Wallerstein Dawn Waltz - H. Louel, arr. Bishop Trab Tarb Galop - ?, arr. S. Winner Pearls of Dew - Ch. Kinkel, arr. J. Holland Arion March - W. Hewitt Bachelor's Polka - Charles Lenschow, arr. Wm. Schubert Love's Response Polka - C. Kinkel, arr. J. Holland Exercise on Modulations for the Guitar Composed Expressly for the Study of That Instrument - ? | ||||
Various Composers = Anthology | Robert Deuble Collection J. R. Aument, Guitarist (before Deuble) Origin: Vahdah Olcott-Bickford Collection, https://oac.cdlib.org/findaid/ark:/13030/c8zp4c79/ https://en.wikipedia.org/wiki/Vahdah_Olcott-Bickford | Miscellany Domestic, Vol. X | Leonard Schulz Justin Holland Mrs. Knoop Geo. A. Russell W. L. Hayden J. G. Whiteman | 1851 | Oliver Ditson & Co. Lee & Walker S. Brainard & Co. John Church, Jr. Chas. W. Harris J. E. Gould & Co. | Solo | Anthology, Opera, arias, waltzes, polkas, marches, facsimiles | The Guitarist's Journal: Favorite Melodies, arr. Leonard Schulz: The Rage of Vienna Polka - Louis Antoine Jullien Bohemian Polka - H. Koenig The Post Horn Galop - H. Koenig The Camelia Polka - Ferdinand Beyer Bridal Waltz - Jullien The German Polka - Max Braun? The Hyacinth Waltz - H. Koenig Imperial Polka - Jullien "Olga" or The Princess Waltz - Jullien The Royal Polka - Jullien Le Diable Á Quatre Polka - Adolphe Adam Les Follies de Paris Polka - Jullien Pas "Styrienne" - Barret Mazurka Quadrille - Jullien La "Tarantelle" - Jullien? La Castigliana - ? -- Devil's Call - Sep. Winner Il Bacio Waltz (from "Guitarist's Token: A Collection of Popular Pieces, Arranged for the Guitar") - L. Arditi, arr. J. Holland Mozart's Celebrated Oxen Waltz - arr. Geo: A. Russell Condellied - Theodor Oesten, arr. J. Holland Sicilian Mariners Hymn (O Sanctissima. O Piisima.) - arr. J. Holland Chant Bohemian (from "Matinee musicale: Favorite Melodies", arr. Justin Holland) - Leopold de Meyer Antoinette Polka Mazurka - Alfred H. Pease, arr. J. Holland Delta Kappa Epsilon March - Alfred Humphries La Grande Duchesse, Op. 155 - W. L. Hayden The Adieu (El Adois) - Mrs. Knoop Spanish Flower Dance (La Jota Arangonesa), arr. Mrs. Knoop Carnival of Venice (from "Le Dilettante, Reflection of Choir Pieces for the Guitar") - Mrs. Knoop La Rose Valse, Op. 15 - Charles de Janon Jennie, The Flower of Kildare - Jas. E. Stewart, words by Frank Dumont, arr. W. L. Hayden Silver Threads Among the Gold (for voice and guitar) - H. P. Danks, arr. H. Tucker In Happy Moments (for voice and guitar) (from "Selections from the New Grand Opera of Maritana") - N. Andrew Baldwin There Is a Flower That Bloometh (for voice and guitar) (from "Selections from the New Grand Opera of Maritana") - N. Andrew Baldwin Scenes That Are Brightest (Ballad for voice and guitar) (from the Grand Opera Maritana) - W. V. Wallace, arr. Ld. Meignen From the Time of Earliest Childhood (Ballad for voice and guitar) (from the Opera Martha) - Flotow, arr. Weiland Good Night (Notturno) (from the Opera Martha) - Flotow, arr. J. G. Whiteman Over the Summer Sea (Barcarolle from the Opera Rigoletto) - G. Verdi, sung by Signor Mario | ||||
Various Composers = Anthology | Robert Deuble Collection J. R. Aument, Guitarist (before Deuble) Origin: Vahdah Olcott-Bickford Collection, https://oac.cdlib.org/findaid/ark:/13030/c8zp4c79/ https://en.wikipedia.org/wiki/Vahdah_Olcott-Bickford | Miscellany Domestic, Vol. XI | Jos. Küffner Eug. Paulian Ed. Bayer Matteo Carcassi | 1851? | A. Diabelli e Co. Tobie Haslinger B. Schott J. Ricordi Fr. Hofmeister | Solo | Anthology, Opera, arias, waltzes, polkas, marches, facsimiles | "Untitled (Twelve Small Pieces?) - Jos. Wanczura, Op. 1 Divertimenti, Op. 3 - Giuseppe Wanczura Le Papillon, N°s 25-32 - Mauro Giuliani 36 Divertimenti - Giuliani: Parte 1, N°s 1-6 - Giuliani Parte 4, N°s 19-24 - Giuliani Parte 5, N°s 25-30 - Giuliani Giulianate, Op. 148, Part 2 - Giuliani N°V. L'Armonia - Giuliani N°VI. Sentimentale - Giuliani N°VI. Melanconia - Giuliani N°VIII. L'Allegria - Giuliani [Twelve Short Pieces], Op. 24 - arr. Eug. Paulian: N° 1. Marche de Lodoiska - Kreutze N° 2. Air: Où peut on être mieux? - Gretry N° 3. Vive Henri IV N° 4. Contrdanse du Barbier de Séville - Rossini N° 5. Ballade Ecossaise de La Dame Blanche - François-Adrien Boieldieu N° 5a. Ménuet and Trio - Haydn N° 6. Contredanse sur le Chocur des montagnards de La Dame Blanche - François-Adrien Boieldieu N° 7. Walze sur un Rondo de la Neige - Daniel-François-Esprit Auber N° 8. Marche d'Aline Aline, Reine de Golcondede - Henri-Montan Berton N° 9. Walse Bohémienne - ? N° 10. Anglaise - ? N° 11. Marche - Mozart N° 12. Rondo du Freyschütz - C. M. Weber Op. 23 - Leonhard de Call Choix d' Airs, Op. 05 Nos. 1-17, plus Rondo - Carcassi Amusement pour la Gutiare, ou choix de Douze, Morceaux Faciles, Op. 10 - Carcassi Recueil de Dix Petites Pièces - Carcassi Les Récréations des Commençans, Op. 21: Choix de 24 petites Pièces (tres faciles) - Carcassi Air Montagnard Theme and Variations, Op. 18 - Carcassi Deux Pot-Pourris Variés, Op. 78 - Carulli Amusement du Guitariste Six Airs Favoris, arr. Küffner N°6: de "La Fille Du Régiment" - Donizetti N°8: de "Lucia Di Lammermoor" - Donizetti N°9: de "Des Diamans de la Couronne - Auber N°13: de "La Part du Diable" - Auber -- Pot-Pourri Sur des Airs de Rossini, Op. 13, arr. Carcassi Premier Pot-Pourri Sur des Airs de Rossini Deuxième Pot-Pourri Sur des Airs de Rossini Troisième Pot-Pourri Sur des Airs de Rossini Quatrième Pot-Pourri Sur des Airs de Rossini Mélange...Sur les Airs favoris du "Lac Des Fées"de Auber, Op. 69 - Carcassi Mélange...Sur les Airs favoris de "Zanetta" de Auber, Op. 70 - Carcassi Le Guitarriste au Salon, Pièces favoris, Op. 1, arr. Ed. Bayer: Cah. 6. Thèmes des opéras, Op. 1: N° 6. Cavatina: "Come poteva" du "I Lombardi" de. G. Verdi, Op. 1 N° 9. Reinländer-Polka - C. F. Kroschwitz N° 16. Aria: "La sua lampada ritale" du "I Masnadieri" di G. Verdi "La pietade om sup favore" du "Lucia Di Lammermoor" - Donizetti "Ah! more." du "Lucia Di Lammermoor "- Donezetti Cah. 9. Quadrille sur des thèmes de Verdi et Pacini, Op. 2: N° 1. Ernani - Verdi N° 2. Saffo - Pacini N°3. Attila - Verdi N°4. Macbeth - Verdi N°5. I Masnadieri - Verdi Cah. 16. Polca Del Rhin - Fr. Vollmer Op. 3 Cah. 27. Thème d' "Attila" et "Ernani" - Verdi "Vieni mecco" d' "Ernani" Theme? from "Attila" Cah. 21. Duetto de "La Regina di Cipro" - Pacini: "Mia diletta. e fia veru." Cah. 19. Thème de "I due Foscari" et "I Masnadieri" - Verdi "O vechio corche batti" du "I Due Foscari" Theme? from J. Masnadieri Cah. 23. Airs de "Luisa Miller" - Verdi: Romanze: "Lo vidi e'l primo palpito" Cah. 18. Choeur de du "Nabucodonosor" - Verdi: "Theure Heimath nach dir geht das Sehnen." Cah. 22. Airs favoris de Verdi: Aria: "O speranza di vendetta" du "I Lombardi" Duettino: "Di quei ribaldi tremano" du "Il Cosaro" March du Macbeth Cah. 20. Cavatina de du Luisa Miller - Verdi: "Deh, la parola amari." Cah. 24. Cavatine de "Nabucodonosor" - Verdi: "Auch mir lachte einst die Liebe." Cah. 25. Pièces choisies de "La Figlia del Reggimento" - Donizetti "Rataplan" et "Tyrolienne" Cah. 26. "Inno di Vittoria" du "L'Assedio di Arlem" - Verdi -- Funeral March - Beethoven, arr. Sigism. Volker Trois Polonaises, Op. 4 - Jos. Wanczura Finf Märsche mit Trio, Op. 49 - arr. Jos. Wanczura: 1. Original March & Trio, Op. 19 - Wanczura 2. Norma - Bellini 3. Original - Wanczura 4. Norma - Bellini 5. Marsch from Montechi (I Capuleti e i Montecchi) - Bellini 6. Trio from Straniera - Bellini Douze Valses, Op 23 - Carcassi Douze Airs Gracieux ...tirés des Opéras nouveaux, Op. 269, Book 1 - arr. J. Küffner: N°1. Vivace, Coeur des Voleurs de l'opéra la Prison d'Edimbourg - Michele Carafa N°2. Allegretto, De 'opéra la Prison d'Edimbourg - Carafa N° 3. Andante cantabille, Romance de l'opera la Prison d'Edimbourg - Carafa N°4. Allegretto, De l'opéra la Médecine sans Médecin - F. Herold N° 5. Allegro molto vivace, De l'opéra la Médecine sans Médecin - F. Herold N° 6. Andantino, De l'opéra la Médecine sans Médecin - F. Herold Douze Airs Gracieux ...tirés des Opéras nouveaux, Op. 269, Book 2 - arr, J. Küffner: N° 1. Allegretto de l'opéra Gustave ou le Bal Masqué - D. F. E. Auber N° 2. Andante de l'opéra Gustave ou le Bal Masqué - Auber N° 3. Allegro moderato De 'opéra la Prison d'Edimbourg - Carafa N° 4. Andante de l'opéra Gustave ou le Bal Masqué - Auber N° 5. Moderato quasi Andante de l'opéra Lestocq - Auber N° 6. Marche de l'opera Norma - Bellini Melange...sur des motifs des Opéras nouveaux, Op. 270, Book 1, arr Küffner: Untitiled Selections by Auber, Bellini, Carafa & Herold Melange...sur des motifs des Opéras nouveaux, Op. 270, Book 2, arr Küffner: Untitiled Selections by Auber, Bellini, Carafa & Herold" | ||||
Various Composers = Anthology | Robert Deuble Collection J. R. Aument, Guitarist (before Deuble) Origin: Vahdah Olcott-Bickford Collection, https://oac.cdlib.org/findaid/ark:/13030/c8zp4c79/ https://en.wikipedia.org/wiki/Vahdah_Olcott-Bickford | Strauss & Sussmann Imported, Vol. XV | Johann Kaspar Mertz | Carl Haslinger | Solo | Anthology, opera, ballet, international folk songs, dance, anthems, facsimiles | Auswahl der beliebtesten Tänze, Vol. 1 - Johann Strauss: N° 1. Idÿllen N° 2. Idÿllen N° 1. Frauen-Käferln N° 4. Frauen-Käferln N° 1. Windsor-Klänge N° 1. Fünf Paragraphe aus dem Walzer Codex N° 3. Fünf Paragraphe aus dem Walzer Codex N° 1. Liebes-lieder N° 5. Liebes-lieder Auswahl der beliebtesten Tänze, Vol. 2 - Johann Strauss: N° 1. Lockvögel N° 3. Lockvögel N* 1. Volkssänger N° 5. Volkssänger N° 1. Solon-Sprüche N° 5. Solon-Sprüche N° 1. Wiener-Punch-Lieder N* 1. Vermählungs-Toaste N* 5. Vermählungs-Toaste Auswahl der beliebtesten Tänze, Vol. 3 - Johann Strauss: Annen-Polka Freudengruss-Polka Tanzi-Bäri-Polka Pepita-Polka Auswahl der beliebtesten Tänze, Vol. 4 - Johann Strauss: N° 1. Wellen und Wogen. Walzer N° 1. Schnee-Glöckchen N° 1. Schallwellen N° 4. Myrthen-Kränze N* 2. Nachtfalter N* 5. Glossen N° 5. Sirenen N° 1. Man Lebt Nur Einmal N° 1. Gedanken auf den Alpen Auswahl der beliebtesten Tänze, Vol. 5 - Johann Strauss: Aurora-Polka Marie Taglioni Polka La Viennoise Polka Mazurka Nachtveilchen Polka Mazurka Le Papillon Polka Mazurka Auswahl der beliebtesten Tänze, Vol. 6 - Johann Strauss: Juristen-Ball Walzer Abschieds-Rufe Walzer Wien mein Sinn! Walzer Die Extravacanten Walzer Jux Brüder Walzer Spiralen Walzer Gedankenflug Walzer Deutsche Walzer Promotionen Walzer Schwungräder Walzer Auswahl der beliebtesten Tänze, Vol. 7 - Johann Strauss: Sans-Souci-Polka Polka Française L'enfantillage Zäpperl-Polka Aurora-Ball. Française Jäger-Polka Une Bagatelle Polka Mazurka Auswahl der beliebtesten Tänze, Vol. 8 - Johann Strauss: Lebenswecker Walzer Sentenzen Walzer Accellerationen Walzer Thermen Walzer Grillenbanner Walzer Wahlstimmen Walzer Die ersten Curen Walzer Colonen Walzer Patronessen Walzer Wiener Chronik Walzer Auswahl der beliebtesten Tänze, Vol. 9 - Johann Strauss: Carnavals Botschafter Walzer Leitartikel (No. 4) Walzer Normen (No. 2) Walzer Wiener Kinder Walzer Sternschnuppen Walzer Lustschwärmer Walzer Patrioten Polka Seraphinen Polka {Cuckoo} Kukuk: Musikalische Rundschau, Heft 3- J. K. Mertz: N° 16. Minka - Russian folk song N° 17. "Allons enfants de la patrie" - French national song N° 18. Liebeslied - Portuguese folk song N° 19. Czuway konic czuway - Polish folk song N° 20. "Was ist des Deutschen Vaterland?" - German folk song N° 21. Steyrer-Heimweh - Styrian/Austrian folk song N° 22. Lebewohl - Swabian/German folk song N° 23. Csårdås - Hungarian folk song N° 24. Guarache - Neopolitan/Spanish National dance N° 25. Giselle - Adolphe Adam, French ballet N° 26. Ernani - Verdi, Italian opera {Cuckoo} Kukuk: Musikalische Rundschau, Heft 4 - J. K. Mertz: N° 27. "Wien Neėderlans bloed" - Dutch folk song N° 28. "Freut euch des Lebens" - Dutch folk song N° 29. "Drunten im Unterland da ist's halt fein" - Swabian/German folk song N° 30. Jeszecze Polska niezgineta - Polish folk song N° 31. "O pescator dell' onde" - Italian folk song N° 32. "Mamm mia cara" - Venetian folk song N° 33. Cracovienne - Polish folk song N° 34. Polka - Boheimian national dance N° 35. Les Huguenots - Meyerbeer, French opera N° 36. Catharina Cornaro - Lachner, German opera N° 37. Rigoletto - Verdi, Italian opera {Cuckoo} Kukuk: Musikalische Rundschau, Heft 5 - J. K. Mertz: N° 38. Die Zigeunerin - Russian folk song N° 39. "Den lieben langen Tag, hab' ich nur Sorg' und Plag!" - German folk song N° 40. "Al fin brillar nell' iridi" - Ricci, Italian waltz aria N° 41. Trouandaise (from the ballet Esmeralda) - Cesare Pugni N° 42. Ländler - German national dance N° 43. Trauermarsch (from Sonata Op. 26) - Beethoven N° 44. Ungarischer nationaltanza - Hungarian N° 45. Drei Jahrln nach'm letzten Fensterln - Lachner N° 46. Giselle - Adolphe Adam, French ballet N° 47. Richard coeur de lion - André Grétry, French opera N° 48. Marino Faliero - Donizetti, Italian opera N* 49. Alessandro Stradella - Flotow, German Opera {Cuckoo} Kukuk: Musikalische Rundschau, Heft 6 - J. K. Mertz: N° 50. "My heart is sair for" - Scottish folk song N° 51. "Marlborough s'en va_t_en guerre" - French folk song N° 52. Aennchen von Tharau -German folk song N° 53. "Üb' immer Treu' und redlichkeit" - German folk song N° 54. "Es stehen drei Stern' am Himmerl" - Westphalian folk song N° 55. "Wenn der Schnee von der Alma wega geht" - Stÿrian folk song N° 56. Neapolitanischer Volksgesang - Napolitan folk song N° 57. Polacca - Polish folk song N° 58. Cachucha - Spanish national dance N° 59. Drei Jahrln nach'm lezten Fensterln - Lachner, German N° 60. Haydèe - Auber, French opera N° 61. Gustave - Auber, French opera N° 62. Belisario - Donizetti, Italian opera N° 63. Norma - Bellini, Italian opera N° 64. Der Waffenschmied - Lortzing, German opera {Cuckoo} Kukuk: Musikalische Rundschau, Heft 7 - J. K. Mertz: N° 65. Himno del ciudadano Riego - Spanish anthem N° 66. "Prinz Eugen, der edle Ritter" - German folk song N° 67. Abschied von der Sennerin - Stÿrian folk song N° 68. "Zu Strassburg auf der Schanz" - German folk song N° 69. "Mein Schätzerl is hübsch" - Swabian folk song N° 70. Oesterreichischer Defilirmarsch - Strauss, Austrian march N° 71. Fandango - Spanish folk dance N° 72. Sommernachtstraum [March] - Mendelssohn, German melodrama N° 73. Les Huguenots - Meyerbeer, French opera N° 74. I Puritani - Bellini, Italian opera N° 75. Norma [March] - Bellini, Italian opera N° 76. Don Juan - Mozart, German opera {Cuckoo} Kukuk: Musikalische Rundschau, Heft 8 - J. K. Mertz: N° 77. Rule Britannia - English National anthem N° 78. "Herz, mein Herz, warum so Traurig?" - German folk song N° 79. "Hoch vom Dachstein" - Stÿrian folk song N° 80. Boarisch - Lachner, German lied N° 81. Radetzkÿ Marsch - Strauss, Austrian march N° 82. El Zapateado - Spanish national folk dance N° 83. Walzer - Strauss, German national waltz N° 84. Giralda - Auber, French opera N°. 85. Lucia de Lammermoor - Donizetti, Italian opera N° 86. Linda di Chamounix - Donizetti, Italian opera N° 87. La Straniera - Bellini, Italian opera N° 88. I Puritani - Bellini, Italian opera {Cuckoo} Kukuk: Musikalische Rundschau, Heft 9 - J. K. Mertz: N° 89. Farewell - English fok song N* 90. "Auf, matrosen! die Ander gelichtet!" - German folk song N° 91. "Wenn ich ein Vöglein wär" - German folk song N° 92. Abschied - Swabian folk song N° 93. Sehnsucht nach dem Rigi - German folk song N° 94. Original Kossuth-Marsch - Hungarian march N° 95. Bolero - Spanish national folk dance N° 96. Tarantella - Napolitan national folk dance N° 97. La Part du diable - Auber, French opera N° 98. Otello - Rossini, Italian opera N° 99. Lucia de Lammermoor - Donizetti, Italian opera N° 100. Martha - Flotow, German opera N° 101. Die Zigeunerin - Balfe, German opera {Cuckoo} Kukuk: Musikalische Rundschau, Heft 10 - J. K. Mertz: N° 102. "Ein' feste Burg ist unser Gott" - plain chant, choral N° 103. "Oh where and oh where is your highland Laddie gone!" - Scottish folk song N° 104. La Bajadére - French romance N° 105. "La notte xe bella" - Venetian folk song N° 106. "Vien qua bella Dorina" - Italian folk song N° 107. "El szegödtem Farnóczara" - Hungarian folk song N° 108. Saltarello - Romanian national folk dance N° 109. La Jota Andalouse - Spanish national folk dance N° 110. Nabuco - Verdi, Italian opera N° 111. Otello - Rossini, Italian opera N° 112. Lucrezia Borgia - Donizetti, Italian opera N° 113. Die Zigeunerin - Balfe, German operan N° 114. Il Pirata - Bellini, Italian opera {Cuckoo} Kukuk: Musikalische Rundschau, Heft 11 - J. K. Mertz: N° 115. Russische Volkshÿmne - Russian anthem [theme from "1812 Overture"] N° 116. Nep Dal - Magÿarish [Hungarian] folk song N° 117. Koka - Moscow gypsy song N° 118. La Romanesca - Italian dance from the 16th century N° 119. "O sanctissima" - hymn to the Virgin Mary N° 120. "Boeg jeg paa det hoie Field" - Norwegian folk song N° 121. "Herzig Schätzerl lass' dich küssen - Swiss folk song N° 122. Russische Volksmelodie - Russian folk melody N° 123. Der Kosak - Ukrainian folk song N° 124. Neugriechische Nationalhÿmne - Greek national anthem N° 125. Le Postillon de Lonjumeau - Adam, French opera {Cuckoo} Kukuk: Musikalische Rundschau, Heft 12 - J. K. Mertz: N°. 126. Oesterreichische Nationalhÿne - Austrian national anthem N° 127. "Steh' ich in finst'rer Mitternacht" - German folk song N° 128. "God Save the King" - English national anthem N° 129. Délice de la vie - French folk song N° 130. Abendfahrt - Hindu folk song N° 131. Liebselied - Armenian folk song N° 132. "Bin i nit a lust'ger Schweizerbu" - Swiss folk song N° 133. "Schwarzes Band, du musst vergehen" - Silesian [Polish] folk song N° 134. "O Tannenbaum, o Tannenbaum" - German folk song N°. 135. "Schätzchen ade! Scheiden thut weh!" - German folk song N° 136. L'enfant prodigue - Auber, French opera | |||||
Y | Various Composers = Anthology | Dodd, Alan | Guitar Solos: classical and popular, Volume 2 | Alan Dodd | 1975 | Alan Dodd Publications | Solo | Anthology | Adoramus te - Giovanni P. da Palestrina (1525-1594) (Arr. A. Dodd) Allegretto II (from suite No. 1) - Rick Chinisci Ballet (from "Dance Suite" from "Terpsichore" 1612) - Michael Preaetorius (1571-1621) (Arr. N. Pennington) Gypsy Lullaby - Traditional (Arr. Lew Critchfield) Lesson in A minor - Fernando Sor (1778-1839) Londonderry Air Traditional (Anonymous) (Arr. A. Dodd) Marsha’s Dance - J. Douthett Minuet in 4 - Bob Brown Now the Day is Over - Joseph Barnby (1838-1896)(Arr. A. Dodd) Románce - Traditional (Anonymous) Siciliana - Ferdinando Carulli Study in A Major, Op. 60 - Matteo Carcassi (1792-1853) Study in A Minor - Matteo Carcassi (1792-1853) Study in C - A. Dodd The Classic Guitar (A. Saudargas) . A brief History) | |||
Y | Various = Anthology | Dowland, Robert (son) (c. 1591-1641) | 6 Courantes: "A Variety of Lute Lessons" (1610) | Henk van Schagen | 1960 | Harmonia-Uitgave | Solo | Anthology, Small booklet | Composers: 1. Robert Ballard 2. John Perrichon 3. Robert Dowland 4. Monsier Saman 5. Robert Dowland 6. Robert Dowland | |||
Y | Various Composers = Anthology | Duarte, John W. | Five Elizabethan Pieces arranged for 4 guitars | John W. Duarte | ? | Broekmans & van Poppel | 4 guitars | Anthology, Quartet, Ensemble, Score only, Only 4 pieces | La Shy Myze (Mulliner 15) - Anon. When Griping Griefs (Mulliner 113) - Edwards Coranto (Fitzwilliam CCXLI) - William Byrd La Doune Cella (Mulliner 14) - Anon. | |||
Various Composers = Anthology | Duarte, John W. | Variety of Guitar Music, A: A wide-ranging collection of pieces for intermediate guitarists | John W. Duarte | 1973 | Faber Music Ltd. | Solo | Anthology, Traditional, Dance, Folk | English country-dance tunes Parson’s Farewell - Anonymous, Traditional Three Meet (of The Pleasures of the Town) - Anonymous, Traditional Jenny Pluck Pears - Anonymous, Traditional Sweet Kate - Anonymous, Traditional Confess - Anonymous, Traditional Lady Spellor and The Old Mole - Anonymous, Traditional Tunesfrom otherlands The Streets of Laredo (American traditional) Old Joe Clark (American traditional) Mary had a Baby (Negro spiritual) Verdolin, Verdolineto (Italy—Piemonte) Counting Song (Japan) Thessalikos (Greece) On Entend Partout Carillon (French carol) Simple lute solos Unnamed piece (from Jane Pickering's Book, c. 1616) A Toye (from Jane Pickering's Book, c. 1616) Pavaniglia (Fabritio Caroso (Il Ballarino: 1581)) Lightlie Lone Ladyes (William Ballet's MS.) Robin Hood is to the Greenwood Gone (William Ballet's MS.) Orlando Sleepeth (John Dowland) Willson’s Wilde (John Dowland) Lute songs The Peaceful Westerne Winde (Thomas Campion) What Thing is Love? (John Bartlet) Shall I Sue? (John Dowland) Music originallyfor other instruments El Pomo de lo Pomaro (The Apple from the Orchard) (Venetian c. 1520) La Lodexana (The Girl from Lodi) (Venetian c. 1520) Two Tudor Dances: The Emporose Pavyn (Hugh Aston) A Galyard (Hugh Aston) St Anthony Chorale (Franz Joseph Haydn) Two Minuets (from Solo in C for Cembalo) (Georg Philipp Telemann) Sarabande (from Harpsichord Suite XI) (George Frideric Handel) Musette (from Anna Magdalena's Notebook) (J. S. Bach) The Poor Orphan (from Album for the Young, Op. 68) (Robert Schumann) March of the Wooden Soldiers (from Album for the Young, Op. 39) (Peter Ilich Tchaikovsky) | ||||
Y | Various Composers = Anthology | Duncan, Charles | A Modern Approach to Classical Guitar Repertoir Part One: A Graded Anthology of Solo Pieces (Easy to Intermediate) Supplement to Books Two and Three of A Modern Approach to Classical Guitar | Charles Duncan | 1984 | Hal Leonard Publishing Corporation | Solo | Anthology, from 16th Century to 1858 | Achievement level, Method Book Two: Allegretto - Sor Scottish Dance - Giuliani Moderato - Sor Allegretto - Sor Allegro - Giuliani Waltz - Carulli Andantino - Sor English Dance - Carulli Andante - Carcassi Andante Grazioso - Carulli Andante - Sor Minuet - Krieger Andantino - Giuliani Andantino - Carcassi Siciliana - Carulli Castellana - Caroso Andantino - Carulli Greensleeves - Anonymous Andante - Sor Allegretto - Carulli Etude - Carulli Minuet - De Visée Andante - Carulli Etude - Carcassi The Reapers - Couperin Minuet - Telemann Waltz - Carulli Air - Anonymous Andante - Sor Etude - Giuliani Allegretto - Sor Achievement level, Method Book Three: Pavane - Anonymous Larghetto - Sor Allemande - Calvi March - Sor Moderato - Sor Caprice - Carcassi Minuet - Diabelli Aria - Logy Capriccio - Logy Allegretto - Sor Sarabande - Corbetta Moderato - Sor Air - Purcell Barcarole/Barcarolle - Diabelli Allemande - Anonymous Se Io M'Accorgo - Anonymous Danza - Anonymous | |||
Y | Various = Anthology | Duncan, Charles | A Modern Approach to Classical Guitar Repertoire Part Two: A Graded Anthology of Solo Pieces (Intermediate to difficult) Supplement to Book Three (and Beyond) of a Modern Approach to Classical Guitar | Charles Duncan | 1985 | Hal Leonard Publishing Corporation | Solo | Anthology, | RIGHT-HAND POSITION FINGERNAILS REFINING REST STROKES AND FREE STROKES Allegretto - M. Carcassi Allegretto - F. Sor Op. 35 Lagrima - F. Tarrega FINGER ALTERNATION Allegro Moderato - M. Carcassi Op. 60 Guardame Las Vacas - Luys de Narvaez Bouree - J. S. Bach ARPEGGIOS Allegro - M. Giuliani, Op. 48 Prelude I - F. Carulli, Op. 114 Prelude II - F. Carulli, Op. 114 Prelude III - F. Carulli, Op. 114 Allegro Con Brio - M. Giuliani, Op. 83 Allegretto and Trio - M. Giuliani, Op. 147 Allegro Moderato - F. Sor, Op. 6 Andante Sostenuto - F. Tarrega Allegro - D. Aguado Allegro - M. Giuliani, Op. 100 Allegro Brillante - M. Carcassi, Op. 60 Allegretto - M. Giuliani, Op. 48 Study - F. Tarrega THUMB AND FINGER PATTERNS Courante - G. Fuhrmann Saltarello - Anon Moderato - D. Aguado Andante - D. Aguado TIMBRE—“DOLCE" AND“SUL PONTICELLO" Allegretto - M. Giuliani, Op. 30 Andante - Anon Moderato - Anon Gavotte - J. S. Bach Minuetto - F. Sor, Op. 22 PIZZICATO Allegro - Arrieta (trans. Tarrega) Waltz - F. Sor, Op. 32 Fantasie Villageoise (excerpt) - F. Sor, Op. 52 Fourth Fantasie (excerpt) - F. Sor, Op. 12 RIGHT-HAND HARMONICS Silent Night - F. Gruber Lullaby - J. Brahms El Testamento de Amelia - M. Llobet The Brook - W. Lawry TREMOLO Malaguena - Anon Asturias (excerpt) - I. Albeniz Allegro - M. Carcassi, Op. 60 Moderato Espressivo - M. Carcassi, Op. 60 Recuerdos de La Alhambra - F. Tarrega | |||
Y | Various Composers = Anthology | Ebe, Kenichi | パーティー用ギター 曲集 For Party: Guitar Songbook for Parties (mostly by Japanese composers) | Kenichi Ebe | 1980 | Hyundai Guitar Company | Solo | Anthology | 踊るポンポコリン Dancing Pompokeri (from TV Anime "Chiribi Maruko-chari) - Tetsuro Odo となりのトトロ My Neighbor Tortoro (movie theme song) - Joe Hisaishi 乾杯 Cheers - Takeshi Choseki 世界 二人のために The World Is For Two People - Taku Izumi いとしのエ丿 Itoshi no Ellie - Keisuke Kuwata 逢いたくなった 時に君はここにいない You're Not Here When I Want to See You - Keisuke Kuwata 愛の讃歌 Hymn of Love - Marguerite Monnot いい日旅立ち Good Day Departure - Shinji Tanimura 赤スイートピー Red Sweet Pea - Karuho Kureda 甘い思い出 Sweet Memories - Masaki Omura 星の散歩 Star Walk - Lisa Ono 昨日をもう一度 Yesterday Once More - Richard Carpenter and John Bettis エンドレスゲーム Endless Game - Tatsuro Yamashita クリスマス イブ Christmas Eve - Tatsuro Yamashita 恋のアドバイス (Love Advice) Didn't We Almost Have It All - Mechael Masser & Will Jennings 秋桜 Akisakura (Cherry Blossoms) - Masashi Sada シングル アゲイン Single Again - Maria Takeuchi 夏のキャンドル Summer Candles - Anri 6月の雨 June Rain - Yumi Tanimura | |||
Y | Various Composers = Anthology | Ferrara, Lawrence | The Student Repertoire Series, Volume 1: A Graded Anthology of Guitar Works | Lawrence Ferrara | 1994 | Guitar Solo Publications | Solo, CD included | Anthology | Music --Level One: Ode to Joy (from Symphony No. 9, Op. 125) - Ludwig van Beethoven Minuet - Johann Kreiger Bourée - Johann Kreiger La Bourée - Michael Praetorius Greensleeves - English Traditional Music — Level Two: Bagatelle, Op. 68 - Robert Schumann Country Dance - Fernando Carulli Etude, Op. 60, No. 1 - Fernando Sor Tell Me, Daphne - William Byrd Hungarian Dance - Anonymous Allá en la Fuente - Mexican Traditional Lavenders Blue - English Traditional Waltz, Op. 27 - Fernando Carulli Romance Etude - Spanish Tradition Prelude, Op. 114, No. 4 - Fernando Carulli Etude, Op. 6, No. 19 - Dionisio Auado Lullaby - Chinese Traditional Lullaby (with basses) - Chinese Traditional Sakura - Japanese Traditional Sakura (with basses) - Japanese Traditional Two Guitars - Russian Traditional Naranja Dulce - Mexican Traditional Music — Level Three: From The New World (from Symphony No. 9, Op. 95) - Antonín Dvorák La Firolera - Mexican Traditional American Medley - American Traditional Irish Dance - Anonymous Greensleeves (harmonized version) - English Traditional Sumer Is Icumen In - Anonymous Packington's Pound - Anonymous Andante Grazioso (from Sonata in A Major, K. 331) - Wolfgang Amadeus Mozart Minuet (polyphonic version) - Johann Krieger Bourrée (polyphonic version) - Johann Krieger Allegro, Op. 15, No. 13 - Mauro Giuliani Etude, Op. 6, No. 15 - Dionisio Aguado Music -- Level Four: Study in E minor - Francisco Tárrega Etude, Op. 60, No. 3 - Matteo Carcassi Romance - Spanish Traditional Lagrima - Francisco Tárrega El Vito - Spanish Traditional Music -- Optional Second Parts: Ode to Joy (from Symphony No. 9, Op. 125) - Ludwig van Beethoven Bagatelle - Robert Schumann Romance - Traditional | |||
Y | Various Composers = Anthology | Ferrara, Lawrence | The Student Repertoire Series, Volume 2: A Graded Anthology of Guitar Works | Lawrence Ferrara | 1997 | Guitar Solo Publications | Solo, CD included | Anthology | Music—Level One: Lord of the Dance - American Traditional Music—Level Two: Waltz, Op. 27 - Ferdinando Carulli In the Garden - Slavic Traditional Prelude No. 1, Op. 114 - Ferdinando Carulli Españoleta - Gaspar Sanz Tanz - Georg Fuhrmann Music—Level Three: Minuet - Sylvius Leopold Weiss Moderato, Op. 27 - Ferdinando Carulli Etude, Op. 35, No. 1 - Fernando Sor Papagano's Theme - Wolfgang Amadeus Mozart A Toy - Anonymous Bagatelle, Op. 68, No. 5 - Robert Schumann Bransle de la Torche - Michael Praetorius Andante, Op. 27 - Ferdinando Carulli Paradetas - Gaspar Sanz Romanze - Johann Kaspar Mertz Music—Level Four: Estudio - Francisco Tárrega Farruca - Spanish Traditional Soleares - Spanish Traditional Russian Waltz - Russian Traditional Ohemmaa - Afro-American Traditional A Welsh Dance - Hans Neusidler Scarborough Fair - English Traditional Vals - José Ferrer Music—Level Five: Prelude, Op. 265 - Ferdinando Carulli Prelude, Op. 23, No. 5 - Sergei Rachmaninoff Kemp's Jig - Anonymous Minuet, BWV 990, A 114 - Johann Sebastian Bach Minuet, BWV 990, A132 - - Johann Sebastian Bach Kojo No Tsuki - Rentaro Taki Larghetto, Op. 50, No. 17 - Mauro Giuliani Vais Sereno - Brazilian Traditional Nesta Rua - Brazilian Traditional Barcarolle, Op. 51 - Napoléon Coste Etude, Op. 60, No. 7 - Matteo Carcassi Dark Eyes - Russian Traditional El Céfiro - Mexican Traditional Nine of Us Have Left - East Asian Traditional Pavana VI - Luis de Milán Gavotte and Minuet (from Suite in D minor) - Robert de Visée Music—Level Six: Etude, Op. 48, No. 5 - Mauro Giuliani Minuet in C - Augustín Barrios Mangoré Vieni Sul Mar - Italian Traditional Tarantella - Italian Traditional Mazurka - Francisco Tárrega Adelita - Francisco Tárrega Gymnopedie No. 1 - Erik Satie Saltarello - Anonymous Two Waltzes - Johann Strauss Jesu, Joy of Man's Desiring - Johann Sebastian Bach Bourrée, BWV 996 - Johann Sebastian Bach Etude, Op. 10, No. 3 - Frederic Chopin Additional Parts Variations on Waltz, Op. 27 - Fernando Carulli | |||
Y | Various Composers = Anthology | Foster, Rick | Poem for You, A | Rick Foster | 1972 | Evensong | Solo | Anthology, Duet, Religious, Spiritual, Traditional, Popular, Classical | ||||
Y | Various Composers = Anthology | Foster, Rick | Eternal Guitar | Rick Foster (arr. also by Jose Troncoso, Gary Lowry, Ernie Smith, Cacho Tirao, Brent Balmer, Eric Loy) | 1992 | Evensong | Solo | Anthology, Sacred, Traditional, Classical | I Surrender All - Winfield S. Weeden, Judson W. Van DeVenter Sweet, Sweet Spirit - Doris Akers Jacob's Ladder - African American Spiritual Joshua Fit De Battle of Jerico - African American Spiritual Blessed Jesus Hold My Hand - Albert E. Brumley O the Deep, Deep Love of Jesus - Samuel Trevor Francis Hymn Triumphant - Brent Balmer Praise Him, Praise Him - Fanny Crosby, Chester G. Allen Come, O Thou Traveler Unknown - Traditional Scottish melody I Heard the Voice of Jesus Say - Horatius Bonar Aria (Air on the "G" String) - Johann Sebastian Bach Prelude of Joy - Bruce Ellis and Ken Brown Soon and Very Soon - Andraé Crouch Thank You Lord - Seth and Bessie Sykes | |||
Various Composers = Anthology | Foster, Rick | More Hymns for Classic Guitar | Rick Foster | 1981 | Mel Bay Publications Inc. | Solo | Anthology, Christian, Religious, Spiritual | Swing Low, Sweet Chariot - African American Spiritual Blessed Assurance - Phoebe Knapp, Fanny Crosby Father, I Adore You - Terrye Coelho Open Our Eyes - Bob Cull Thanksgiving Hymn ("We gather together to ask the Lord's blessing") - Adrianus Valerius, Eduard Kremser (I've Got) Peace Like a River - African American Spiritual Let Us Celebrate the Glories of Our God - Bryan Jeffery Leach God Who Made the Earth and Heaven - Traditional Welsh, Reginald Heber (same tune as "All Through the Night") Ave Maria - Franz Schubert Shaker Hymn ("Simple Gifts") - Traditional Shaker Fairest Lord Jesus (Crusader's Hymn) - Anonymous, Joseph Seiss God Be With You - Jeremiah Rankin | ||||
Y | Various Composers = Anthology | Foster, Rick | Poem for You, A | Rick Foster | 1972 | Edensong | Solo | Anthology, Traditional, Popular, Classical | Londonderry Air - Traditional Irish Bill Cheatham - Traditional Fiddle Tune Eres Tu - Juan Carlos Calderón Spanish Fandango - Henry Worrall (arranged by Chet Atkins) The Entertainer - Scott Joplin Solace - Scott Joplin Gavotte - Alessandro Scarlatti Spanish Romance - Anonymous Rolling Down Through Chestertown - Rick Foster Black Is the Color - Traditional Appalachian/Scottish, lyrics by John Jacob Niles Sheep May Safely Graze - Johann Sebastian Bach If I Were a Rich Man (from the movie "Fiddler on the Roof") - Jerry Bock Take 5 - Paul Desmond (arrangement by J. Morel) | |||
Y | Various Composers = Anthology | Foster, Rick | Sacred Classic Guitar | Rick Foster | 1988 | Evensong | Solo | Anthology, Sacred, Religious, Christian | Christ the Lord Is Risen Today - Charles Wesley Nearer, Still Nearer - Lelia N. Morris O Sacred Head, Now Wounded - J. S. Bach Trumpet Tune and Air - Henry Purcell The Lord's Prayer - A. H. Malotte There Is a Balm In Gilead - African American Spiritual What a Friend We Have in Jesus - J. M. Scriven and C. C. Converse The Unclouded Day - J. K. Alwood I'll Fly Away - Albert E. Brumley In the Garden - C. Austin Miles (arranged by Chet Atkins), (duet arranged by Rick Foster) | |||
Y | Various Composers = Anthology | Foster, Rick and Dunn, David | Sacred Duos for Guitar & Violin | Rick Foster (guitar) and David Dunn (violin) | 1989 | Evensong | guitar and violin | Anthology, Duet, Strings, Score only, Spiritual, Traditional, Religious, Christian (one piece with lyrics) | Nobody Knows de Trouble I've Seen - Clarence C. White Sweet Little Jesus Boy (with lyrics) - Robert Malgimsey, Arr. by Kurt Kaiser Praise Ye the Lord - W. A. Mozart, Trans. by Ronald Ravenscroft My Jesus I love Thee - Adoniram J. Gordon Come Thou Fount of Every Blessing - John Wyeth Sweet Hour of Prayer - William Walford, William Bradbury Savior Like a Shepherd Lead Us - William Bradbury Panis Angelicus - César Franck (2 guitars) (includes tablature) Irish Meditation - O 'Carolan, Solo, Arr. Malcolm Johnstone (includes tablature) Lo, How a Rose Ere Blooming - German Hymn, Arrr. by Patrick Russ, Frank Denson Is It the Crowning Day? - George Whitcomb, Charles Marsh, Arr. Jim Caudill, Sandy Hensley Jesus Loves Me This I Know - Anna Warner, William Bradbury, violin only | |||
Y | Various Composers = Anthology | Gagnon, Claude | La Guitare Enchantée: pièces faciles 1 (The Magic Guitar: easy pieces 1) | Claude Gagnon | 1982 | Les Éditions Doberman Inc. | solo | Anthology | 1. Chanson d’amour - Traditional 2. Christ est Ressuscité - Hans Judenkönig (1515) 3. Menuet - Johann P. Krieger 4. Branle - Claude Gagnon (1977) 5. Adagio - Claude Gagnon (1982) Petite pidce 6. Étude, Op. 44, No. 1 - Fernando Sor (1778-1839) 7. Etude, Op. 60, No. 6 - Fernando Sor 8. Étude - Napoléon Coste (1806-1863) 9. Exercice (Méthode) - Fernando Sor 10. Petite Pièce, Op. 60, No. 6 - Fernando Sor 11. Les Jeux de Mathieu (Matthew At Play) - Claude Gagnon (1981) 12. Le Ruisseau (The Brook) - Paul Gerrits (1981) 13. Malborough - Traditional 14. Pour endormir Nadine (Cradle Song for Nadine) - Claude Gagnon (1981) 15. Danse Irlandaise (Irish Dance) - Traditional 16. The Frog Blues - Claude Gagnon (1982) 17. Sarabande - Anonyme 17º Siècle 18. Cornemuse (Bagpipe) - Claude Gagnon (1982) 19. Chanson sans Paroles (Song Without Words) - Claude Gagnon (1982) 20. Prélude - Rémi Bouchard (1977) 21. Valse (Waltz) - Jacques Chandonnet (1982) | |||
Y | Various Composers = Anthology | Garno, Gerard | Hymns & Sacred Melodies for Guitar: Solos for the Church Year & Special Occasions | Gerard Garno | 1990 | Mel Bay Publications, Inc. | Solo | Anthology, Sacred | Advent: Come Thou Long Expected Jesus - Rowland Prichard Come Thou Long Expected Jesus (Alternate Tune) - C. F. Witt Lo How a Rose E'er Blooming - 16th Century Renaissance Melody O Come, O Come, Emmanuel - 15th Century French Tune Christmas: O Little Town of Bethlehem - Lewis H. Redner Angels We Have Heard on High - Traditional French Melody Jingle Bells - J. Pierpont O Come All Ye Faithful - John F. Wade What Child Is This? (Greensleeves) - 16th Century English Melody Epiphany: We Three Kings of Orient Are/God Rest Ye Merry Gentlemen - John Henry Hopkins, Jr., arr. Benjamin Holt As with Gladness Men of Old - Conrad Kocher Fairest Lord Jesus - Traditional German Melody, arr. Rick Foster & G. Garno Lent: O Sacred Head Now Wounded - J. S. Bach, arr. Ken Hummer The Old Rugged Cross - George Bennard Were You There? - Traditional African American Spiritual, arr. Ken Hummer When I Survey the Wondrous Cross - Anonymous Easter: Christ the Lord Is Risen Today - Charles Wesley, arr. Ken Ortbals Christ the Lord Is Risen Today (Alternate Tune) - Robert Williams Crown Him with Many Crowns - George J. Elvy In the Garden - C. Austin Miles Pentecost: Breathe on Me Breath of God - Robert Jackson Spirit of God Descend Upon My Heart - Frederick C. Atkinson Thanksgiving: Thanksgiving Hymn - Adrianus Valerius, Eduard Kremser, arr. Ken Hummer Come Ye Thankful People, Come - George J. Elvey Patriotic: Faith of Our Fathers - Henri F. Hemy America the Beautiful - Samuel A. Ward, Katherine Lee Bates Once to Every Man and Nation - Thomas J. Williams, arr. Benjamin Bolt Baptism/Invitation: Just as I Am - Charlotte Elliot Oh, Master, Let Me Walk with Thee - H. Percy Smith I Surrender All - W. S. Weeden Wedding: Oh Perfect Love - Joseph Barnby Wedding March - Felix Mendelssohn Jesu, Joy of Man's Desiring - J. S. Bach Funeral/Memorial: Abide with Me - W. H. Monk Friends - Michael W. Smith, arr. David Harmon He Leadeth Me - William B. Bradbury Communion: Turn Your Eyes Upon Jesus - Helen H. Lemmel Bread of the World - John S. B. Hodages There Is a Fountain Filled with Blood - Traditional American Tune [William Cowper] Rock of Ages - Augustus Toplady, arr. G. Garno, Ivor Mairants & Scott Huston Beneath the Cross of Jesus - Frederick C. Maker General: Amazing Grace - Traditional American [English] Melody, words - John Newton Jesus Loves Me - William B. Bradbury Joyful Joyful We Adore Thee - Ludwig Van Beethoven, arr. David Harmon & G. Garno There's Just Something About That Name - William J. Gaither Doxology/Gloria Patri - Lovis Boureois and Henry Greatorex Swing Low Sweet Chariot - Traditional African-American Spiritual, arr. Ivor Mairants, Ken Hummer & G. Garno El Shaddai - John Thompson and Michael Card, arr. David Harmon He's Got the Whole World in His Hands - Traditional African-American Spiritual, arr. Ivor Mairants & G. Garno A Mighty Fortress Is Our God - Martin Luther, arr. David Harmon & G. Garno To God Be the Glory - Fanny J. Crosby O Happy Day - Edward F. Rimbault | |||
Y | Various Composers = Anthology | Gerrits, Paul | Musique Pour 3 Guitares et/ou 4 Guitares, Volume 1: Susato, Scheidt, Gastoldi, Bach, Dowland | Paul Gerrits | 1977 | Les Éditions Doberman-Yppan | 3 guitars, 4 guitars | Anthology, Trio, Quartet, Ensemble, Score only | 1 Chanson Russe - Anonyme 2 Allemande I - Tielman Susato 3 Allemande II - Susato 4 Allemande - Samuel Scheidt 5 Gaillarde - Anonyme 6 Balletto I - Giovanni Gastoldi 7 Balletto II - Gastoldi 8 Chanson - Claude Sermisy 9 Balletto III - Gastoldi 10 Dindirin, Dindirin - Anonyme (Espagne) 11 Bourrée - J. S. Bach 12 Musette - Bach 13 Largo - Alain Gagnon 14 Tourdion - Pierre Attaignant 15 Menuet - William Dumcombe 16 Pavane - Susato 17 Menuet - Leonard De Call 18 Ronde - Susato 19 Choral I - Bach 20 Choral II - Bach 21 Allemade - Dowland 22 Pavane - Toïnot Arbeau | |||
Y | Various Composers = Anthology | Gerrits, Paul | Musique Pour 3 Guitares et/ou 4 Guitares, Volume 2: Praetorius, Scheidt, Telemann, Bach, Haydn, Gagnon | Paul Gerrits | 1982 | Les Éditions Doberman-Yppan | 3 guitars, 4 guitars | Anthology, Trio, Quartet, Ensemble, Score only | 1. Passepied I - Telemann 2. Passepied II - Telemann 3. Menuet - Haydn 4. Courante I - Praetorius 5. Courante II - Praetorius 6. Allemande - Scheidt 7. Courante - Scheidt 8. Gaillarde - Scheidt 9. Bourrée - L. Mozart - K. Marx 10. Air en Menuet - L. Mozart - K. Marx 11. Choral - Bach 12. Sensations - Claude Gagnon | |||
Various Composers = Anthology | Gerrits, Paul | Musique Pour 3 Guitares et/ou 4 Guitares, Volume 3: Bach, Morley, Purcell, Praetorius, Phalèse, Susato | Paul Gerrits | 1982 | Les Éditions Doberman-Yppan | 3 guitars, 4 guitars | Anthology, Trio, Quartet, Ensemble, Score and parts | 1. Danse - T. Susato 2. Ronde - T.Susato 3. Pavane - T. Susato 4. Almande - P. Phalèse 5. De la Dulce Mi Enemiga - Gabriel 6. Regina - E. Widmann 7. Catharina - E. Widmann 8. Fantasia - A. Banchieri 9. Ballo - S. Molinaro 10. Saltarello - S. Molinaro 11. Gaillarde - M. Praetorius 12. When Daphne - Anonyme 13. Canzonnet - Th. Morley 14. Bourrée - H. Purcell 15. Gavotte - J. S. Bach 16. Fuga - J. S. Bach 17. Trio - J. S. Bach | ||||
Y | Various Composers = Anthology | Gerrits, Paul and Chandonnet, Jacques | Musique Pour 3 Guitares, Volume 6 | Paul Gerrits, Jacques Chandonnet, Dieter Kirsch, Marie Lévesque | 1984 | Les Éditions Doberman Inc. | 3 guitars | Anthology, Trio, Ensemble, Score and parts | 1. Allemande - Dowland 2. Joyne Hands - Morley 3. Interlude - Gagnon 4. Presto - Handel 5. Fugue - Handel 6. Presto - Bach 7. Gavotte - Bach | |||
Y | Various Composers = Anthology | Gittleman, Ron | English Madrigals and Ayres for Guitar: Elizabethan vocal and instrumental music | Ron Gittleman, ed., fing. | 1978 | Ariel Publications | Solo | Anthology, Elizabethan | The Madrigals Round. About In A Fair Ring - John Bennet Doe You Not Know - Thomas Morley A Satyr Once - John Ward O Let Me Live - Thomas Tomkins Love Shooting - Richard Dering Late In My Rash Accounting - Thomas Weelkes Lo Country Sports - Thomas Weelkes The Ayres I Care Not For These Ladies - Thomas Campian Come My Celia - Alfonso Ferrabosco What Then Is Love - Thomas Ford There Is A Lady Sweet And Kind - Thomas Ford Since First I Saw Your Face - Thomas Ford It Was A Lover And His Lasse - Thomas Morley O Lusty May - David Melvill Tobacco Is Like Love - Tobias Hume What If I Sped - Robert Jones My Thoughts Are Winged With Hope - John Dowland Fine Knacks For Ladies - John Dowland What If INever Speede - John Dowland Notes on The Composers and Their Music | |||
Y | Various Composers = Anthology | Greenwood, Peter | Pieces for Classical Guitar | Peter Greenwood, ed. | 1972 | Amsco Music Publishing Company | Solo | Anthology | THE BAROQUE ERA Aria - Johann Sebastian Bach Canon - Johann Sebastian Bach March - Johann Sebastian Bach Menuett - Johann Sebastian Bach Musette - Johann Sebastian Bach Largo - Arcangelo Corelli Le Coucou - Francois Couperin L ’ Épineuse - Francois Couperin Le Petit Rien - Francois Couperin AriaFrom the Notebook of Anna Magdalena Bach ChoraleFrom the Notebook of Anna Magdalena Bach Menuett IFrom the Notebook of Anna Magdalena Bach Menuett IIFrom the Notebook of Anna Magdalena Bach Aylesford Piece - Georg Friedrich Handel Gavotte - Georg Friedrich Händel Menuett - Georg Friedrich Händel Rigaudon - Georg Friedrich Händel Sarabande - Georg Friedrich Händel Menuett - Johann Krieger Air - Henry Purcell March - Henry Purcell Minuet - Henry Purcell The Queen’s Dolour - Henry Purcell Trumpet Tune - Henry Purcell Rondeau I - Jean Philippe Rameau Rondeau II - Jean Philippe Rameau Minuet from a Harpsichord Sonata - Domenico Scarlatti Bourrée - Georg Philipp Telemann Gavotte - Georg Philipp Telemann Menuett - Georg Philipp Telemann THE CLASSICAL ERA Menuett - Karl Philipp Emanuel Bach Scherzo - Karl Philipp Emanuel Bach Menuett - Johann Christian Bach Menuett - Wilhelm Friedemann Bach Sonatina - Ludwig van Beethoven Four German Dances - Ludwig van Beethoven Menuett and Trio from Sonata No. 3 - Ludwig van Beethoven Entree - Leopold Mozart Menuett - Leopold Mozart Allegro - Wolfgang Amadeus Mozart Allegro - Wolfgang Amadeus Mozart Allegretto - Wolfgang Amadeus Mozart Andante Grazioso - Wolfgang Amadeus Mozart Menuett - Wolfgang Amadeus Mozart Menuett - Wolfgang Amadeus Mozart Menuett from Viennese Sonatina No. 1 - Wolfgang Amadeus Mozart THE ROMANTIC ERA Waltz Opus 39 No. 9 - Johannes Brahms Prelude Opus 28 No. 7 - Frederic Chopin Two Vaises Poeticos - Enrique Granados Laädler - Franz Schubert Two Ecossaises - Franz Schubert Waltz - Franz Schubert Andante Con Espressione Opus 68 No. 26 - Robert Schumann Cradle Song - Robert Schumann Opus 124 No. 6 - Robert Schumann First Loss Opus 68 No. 16 - Robert Schumann Melody - Robert Schumann Hymn - Peter Ilyich Tchaikovsky THE MODERN ERA Sad Song - Bela Bartok Six Pieces based on Hungarian folk tunes - Bela Bartok Soliloquy - Bela Bartok Little Song - Dmitri Kabalevsky Gymnopedie No. 3 - Erik Satie March - Dmitri Shostakovitch Three Pieces from “The Five Fingers” - Igor Stravinsky Constante - Heitor Villa-Lobos “Fly Little Bird” - Heitor Villa-Lobos “Poor Blind Woman” - Heitor Villa-Lobos | |||
Various Composers = Anthology | Grimes, David | (Mel Bay Presents) Favorite Sonatinas | David Grimes | 1996 | Mel Bay Publications | Solo | Anthology | Leichte Sonate - Leonhard von Call Trois Sonatines, Op. 1 - Matteo Carcassi Sonatina No. 1 - Matteo Carcassi Sonatina No. 2, Op. 1, No. 2 - Matteo Carcassi Sonatina No. 3, Op. 1, No. 3 - Matteo Carcassi Trois Sonatines, Op. 7 - Ferdinando Carulli Sonata No. 1, Op. 7, No. 1 - Ferdinando Carulli Sonata No. 2, Op. 7, No. 2 - Ferdinando Carulli Sonata No. 3, Op. 7, No. 3 - Ferdinando Carulli Tre Sonatine, Op. 71 - Mauro Giuliani Sonatine No. 1, Op. 71, No. 1 - Mauro Giuliani Sonatine No. 2, Op. 71, No. 2 - Mauro Giuliani Sonatine No. 3, Op. 71, No. 3 - Mauro Giuliani Trois Sonates brillantes, Op. 96 - Mauro Giuliani Sonate No. 1, Op. 96, No. 1 - Mauro Giuliani Sonate No. 2, Op. 96, No. 2 - Mauro Giuliani Sonate No. 3, Op. 96, No. 3 - Mauro Giuliani Trois Sonates, Op. 6 - Francesco Molino Sonata No. 1, Op. 6, No. 1 - Francesco Molino Sonata No. 2, Op. 6, No. 2 - Francesco Molino Sonata No. 3, Op. 6, No. 3 - Francesco Molino Le Stagioni dell’Anno - Antonio Nava Sonata No. 1: Primavera - Antonio Nava Sonata No. 2: Estate - Antonio Nava Sonata No. 3: Autunno - Antonio Nava Sonata No. 4: Inverno - Antonio Nava | ||||
Y | Various Composers = Anthology | Grimes, David | Winner's Circle 1994: The GFA Set Piece Competition | David Grimes, selected by | 1995 | Mel Bay Publications, Inc. | Solo | Anthology | ROBERT RATHMELL - POEM AND REFLECTIONS (First Place) MARY JEANNE VAN APPLEDORN - POSTCARDS TO JOHN (Second Place): One from Barcelona Two from Tokyo: A Zen Stone Garden; Kabuki DEREK CORNETT - MASQUES OLIVIER CHASSAIN - HISTOIRES DE TRAINS (Seven Miniature Train Stories): I. Boute-en-Train (Train of fun) II. Train de Vie (My lady's dress train) III. Train d'Enfer (Relief train) IV. Train-Train (Train of thought) V. Le Train des équipages (The Army Service Corps) VI. Train Fantôme (Play train) VII. Mise en Train (Express Train) JAMEY BELLIZZI - SERENATA DEL ORO ANNETTE KRUISBRINK - XENIUM (1988) WILLIAM J. STEWART - CABALLO’S DANCE MARK L. SMALL - PHANTASIE ON A MORMON HYMN TUNE ALAIN REIHER - PRÉAMBULE ET RHAPSODIE (The right to say) (Hommage to Frank Zappa) DOUGLAS MORASCH - SONATA FOR GUITAR (3 movements) PATRICK KERBER - BAGATELLE ARNAUD DUMOND - TROIS LEÇONS DE TÉNÈBRES: 1. Initium 2. Chant profond 3. Sarabande lointaine | |||
Y | Various Composers = Anthology | Hamilton, Robert and McFadden, Jeffrey | Bridges: A Comprehensive Guitar Series, Guitar Repertoire and Studies 5 | Robert Hamilton, Jeffrey McFadden, compilers | 2011 | The Frederick Harris Music Co., Limited | Solo | Anthology | Branle englese - Emanuel Andriaesen, arr. Paul Gerrits Lullaby - Isaias Savio Calleno costure me - Anonymous Canción del limpiabotas (Song of the Shoe-shiner) - Cees Hartog Menuet - Shawn Bell Les marionnettes - Rémi Bouchard, arr. Claude Gagnon What If a Day, a Month, or a Year - Anonymous 16th century Chanson vieillotte (Old-fashioned Song) - Claude Gagnon Vacances - Yvon Demillac Bohemian Folk Song - Anonymous Anglaise 1 - Francesco Molino Écossaise, op. 33, no. 2 - Mauro Giuliani Waltz, op. 121, no. 1 - Ferdinando Carulli Andantino, op. 50, no. 1 - Mauro Giuliani Poco Allegretto, op. 246 - Ferdinando Carulli Country Dance - Ferdinando Carulli Valse, op. 50, no. 7 - Ferdinando Carulli Amusement, op. 18, no. 10 - Felix Horetzky Andante, op. 241, no. 5 - Ferdinando Carulli Anglaise, op. 121, no. 6 - Ferdinando Carulli Andantino, op. 39, no. 2 - Anton Diabelli Waltz, op. 241, no. 4 - Ferdinando Carulli Écossaise, op. 33, no. 4 - Mauro Giuliani Sonando (Dreaming) - Jaime Zenamon Waltz - Bartolome Calatayud Andaluza - Claudio Camisassa Fleur de Lotus - Roque Carbajo Big City Blues - James Brown Travellin’ - Michael Coghlan Klangbild 11 (Sound Picture 11) - Carlo Domeniconi Midnight in Sevilla - Jeffrey McFadden Quasars - Michael Coghlan Ninna-Nanna (Lullaby) - Carlo Domeniconi Minuetto - Carlo Domeniconi Study no. 1: Study in A Minor - Claude Gagnon Study no. 2: Lesson 7 - Dionisio Aguado Study no.3: Andante in E Minor - Dionisio Aguado Study no. 4: Lesson 6 - Dionisio Aguado Study no, 5: Andante grazioso, op. 211, no. 2 - Ferdinando Carulli Study no. 6: Lyrical Study No. 13 - Richard Miles Jackman Study no. 7: Lesson 66 - Julio Sagreras Study no. 8: Lesson 64 - Julio Sagreras Study no. 9: Moderato in D Major, op. 39, no. 15 - Anton Diabelli Study no. 10: Study in D Major, Tl ii-40 - Francisco Tárrega Study no. 11: Ostinato - Norbert Kraft Studyno. 12: Dance - Carlo Domeniconi Study no. 13: Jazzy Blues - Peter McAllister Study no. 14: La Settima Luna - Simone lannarelli Study no. 15: Souvenir d’automne - Simone lannarelli Study no. 16: High Mountains and Old Trees - Shawn Bell | |||
Y | Various Composers = Anthology | Hamilton, Robert and McFadden, Jeffrey | Bridges: A Comprehensive Guitar Series, Guitar Repertoire and Studies 1 | Robert Hamilton, Jeffrey McFadden, compilers | 2011 | The Frederick Harris Music Co., Limited | Solo | Anthology | Traditional, Renaissance, and Baroque Repertoire: Soneto VIII - Enriquez de Valderrabano, arr. Jeffrey McFadden Capriccio - Johann Anton Logy Gavotte - Johann Anton Logy Dance - Anonymous, arr. Oscar Chilesotti Partita VlII, Fourth Movement: Gigue - Gjuseppe Antonio Brescianello, transc. Sophocles Papas Kemp’s Jig - 16th-century English Minuet, BWV Anh. 114 - Christian Petzold, arr. Jeffrey McFadden My Lord Willoughby’s Welcome Home - John Dowland, arr. Jeffrey McFadden Coranto No. 4 - Alfonso Ferrabosco, transc. Robert Callaghan Se io m’accorgo (If I am Troubled) - Anonymous, arr. Oscar Chilesotti Classical and Romantic Repertoire: Waltz, op. 241, no. 44 - Ferdinando Carulli Agitato, op. 51, no. 3 - Mauro Giuliani Allegretto, op. 35, no. 8 - Fernando Sor Allegretto, op. 51, no. 15 - Mauro Giuliani El Amable (The Amiable Fellow) - José Ferrer Divertimento, op. 40, no. 6 - Mauro Giuliani Andante, op. 44, no. 15 - Fernando Sor Grazioso, op. 50, no. 23 - Mauro Giuliani Contradanza - Dionisio Aguado La chasse (The Hunt), op. 51, no. 9 - Napoléon Coste 20th- and 21st-century Repertoire: Tango - Michael Coghlan Choral Fughetta - Robert Benedict La ligamos Milonga - Claudio Camisassa Prelude No. 3 - Claude Gagnon In the Olive Grove - Brian Katz Suite del Plata No.1 First Movement: Preludio - Maximo Diego Pujol Rêves d’été (Summer Dreams) - Michael Yukich Spanish Romance - Traditional, arr. Robert Hamilton Petite valse des cinq cordes (Little Five-string Waltz) -- Francis Kleynjans Studies: Study no. 1: Etude, op. 60, no. 10 - Matteo Carcassi Study no. 2: Lesson 26 - Dionisio Aguado Study no. 3: Andante - Ferdinando Carulli Study no. 4: Lesson 35 - Dionisio Aguado Study no. 5: Etude, op. 60, no. 7 - Matteo Carcassi Study no. 6: Lesson, op. 139, no. 3 - Mauro Giuliani Study no. 7: Andante Allegro, op. 6, no. 2 - Fernando Sor Study no. 8: Vivace, op. 48, no. 1 - Mauro Giuliani Study no. 9: Lullaby - Gary Davis Study no. 10: Study - Brian Katz Study no. 11: Lamento, op. 89, no. 5 - Jacques Bosch Study no. 12: Les acrobates - Frederic Constantino Study no. 13: Nocturne 1 - Robert Benedict Study no. 14: Chromatic Study - Pierre Gallant Study no. 15: Miniature No. 19 - Alain Reiher | |||
Various Composers = Anthology | Hendrickson, Al and Orzeck, Art | (Mel Bay's) Guitar Duets on Great Classic Themes | Al Hendrickson, Art Orzeck | 1975 | Mel Bay Publications | 2 guitars | Anthology, Duet | JESU JOY OF MAN’S DESIRE — J. S. BACH MINUET IN G — J. S BACH SONATINA IN G — BEETHOVEN MINUTE IN G — BEETHOVEN LITTLE PRELUDE — J. S. BACH SARABANDE — HANDEL SONATINA IN F — BEETHOVEN INVENTION NO. 10 — J. S. BACH FUR ELISE — BEETHOVEN MINUET — J. S. BACH ARIETTA -- HAYDN PRELUDE — CHOPIN; Op. 28, No. 4 PRELUDE — CHOPIN; Op. 28, No. 20 PRELUDE — CHOPIN; Op. 28, No. 7 MINUET NO. 1 — MOZART INVENTION NO. 4 — J. S. BACH LITTLE PRELUDE IN D MINOR — J. S. BACH SONATA IN C — MOZART SONATA NO. 5 (3rd Movement) — JEAN-MARIE LECLAIR MINUET — J. S. BACH | ||||
Y | Various Composers = Anthology | Henze, Bruno | Classical Guitar (Das Gitarrespiel), The: From Beginner to Master in 17 Volumes, Book 13, 1st Guitar only | Bruno Henze | 1967 | Friedrich Hofmeister 1986, Hofmeister Musique S.A. Genève | 2 Guitars | Anthology, Duet, Guitar 1 only, all text in German | Contrapunkt aus "Il Fronimo" (1584) - Vincenzo Galilei (1533-1591) 2. Recercate concertante (1. Gitarre=) 12. Fantasie (1547) - Francesco da Milano (ca. 1490-nach 1566) (2. Gitarre=) Kontrapunkt (Rom 1559) - Joanne Matelart (before 1538-1607) 3. Sonate in A-Dur - Wolff Jakob Lauffensteiner (1676-1754) Grave -Allegro ma non troppo -Andante - Fuga 4. Suite I (London 1762) - Juan Baptista Marella (fl. 1746-1777) Andante - MenuettIu. II - Rondo - Gigue 5. Suite II (London 1762) - Juan Baptista Marella Ouvertüre — Fugato — Andantino — MenuettIu. II 6. Zwei Kanons: (1) (ohneTitel) - Luigi Cherubini (1760-1842) (2) Allegro, aus op. 5 Nr. 1 - Georg Philipp Telemann (1681-1767) 7. Menuett di Melante, aus Leopold Mozarts „Notenbuch furWolfgang" (1762)- - Georg Philipp Telemann 8. Drei Sätze - Wolfgang Amadeus Mozart (1756-1791): (1) Menuett (1763, aus der Sonate für Klavier (KV 7) (2) Menuett (1761, KV 1 e) (Original G-Dur für Klavier)) (3) Allegro (1762, KV 3) (Original B-dur für Klavier) 9. Vier Sätze, op. 87 - Joseph Küffner (1776-1856): (1) Allegretto, op. 87 Nr.2 (2) Romanze, op. 87 Nr. 9 (3) Tanz, op. 87 Nr. 5 (4) Rondo, op. 87 No. 8 10. Vier Tanze - Joseph Küffner: (1) Landler, op. 87 Nr. 11 (2) Reigen, op. 168 Nr. 35 (3) Schottisch, op. 168 Nr.35 (4) Ländler, op. 168 Nr. 48 11. Leichtes Duo in C-Dur, op. 20 - Leonhard von Call (1767-1815) Adagio — Menuett — Andante — Rondo 12. Duo in A-Dur, op. 55 Nr. 1 - Ferdinand Sor (1778-1839) Andante — Allegretto 13. Ländler (Original: Walzer von Mohor für orchester), op. 39 Nr.l - Ferdinand Sor 14. Serenade in A-Dur, op. 96 Nr. 1 - Ferdinand Carulli (1770-1841) Largo maestoso — Allegro moderato — Larghetto sostenuto — Finale 15. (a) Serenade in F-Dur, op. 63, fur Terzgitarre und Primgitarre (oder 2 Primgitarren) - Anton Diabelli (1781-1858) Marcia — Menuett — Romanze - Rondo - Marcia 15. (b) (2. Gitarre in D-Dur: Fassung fur 2 Primgitarren) 16. Drei Ländler, op. 75 Nr. 5, 6, 8 - Mauro Giuliani (1781-1829) 17. Konzertante Variationen, op.35 - Mauro Giuliani 18. Spielvariationen über „Komm, lieber Mai“ (W.A. Mozart, KV 596), op. 113 (1952) - Bruno Henze (1900-1978) 19. Zwei Tanzstücke - Friedrich Gaitis (geb. 1909): (1) Moderato (2) Gemächlich 20. Menuett (1918) - Fritz Mühlhölzl (1890-1940) 21. Kleine Suite in C-Dur, op. 26 - Anton Stingl (geb. 1908) Marsch — Langsamer Walzer — Tanz 22. Kleines Konzert im alten Stil - Hermann Ambrosius (1897-1983) Allegro moderato — Andante con moto — Vivace 23. Zwei Sätze - Rudolf Wagner-Regeny (1903-1969) | Norma Hawes | ||
Y | Various Composers = Anthology | Henze, Bruno | Classical Guitar (Das Gitarrespiel), The: From Beginner to Master in 17 Volumes, Book 13, 2nd Guitar only | Bruno Henze | 1967 | Hofmeister Musique S.A. Genève | 2 Guitars | Anthology, Duet, Guitar 2 only | 1. Counterpoint - Vincentio Galilei 1584 2. Ricercare concertante Fantasia - Francesco da Milano 1490-1566 Counterpoint - Joanne Matelart 1559 3. Sonata in A Major - Wolff Jakob Lauffensteiner (1676-1754) Grave - Allegro ma non troppo - Andante - Fugue 4. Suite I, 1762 - Juan B. Marella (fl. 1746 - 1777) Andante - Minuet I, Minuet II - Rondo - Gigue. 5. Suite II, 1762 - Juan B. Marella Overture - Fugato - Andantino - Minuet I - Minuet II 6. Two Canons - Luigi Cherubini (1760-1842) Allegro, aus op. 5, Nr. 1 - Georg Philipp Telemann (1681-1767) 7. Minuet ( - Leopold Mozart 1719-1787 8. Three Settings - Wolfgang Amadeus Mozart 1756-1791 Minuet (1763) - Minuet (1761) - Allegro (1762) 9. Four Settings, from Op. 87 - Joseph Kuffner, 1776-1856 Allegretto - Romanza — Dance — Rondo 10. Four Dances - Joseph Kuffner Ländler - Round Dance - Scottish Dance - Ländler 11. Easy Duo in C Major, Op. 20 - Leonhard von Call 1786-1815 Adagio - Minuet — Andante — Rondo 12. Duo in A Major, Op. 55, No. 1 - Ferdinand Sor 1778-1839 Andante - Allegretto 13. Ländler, Op. 39 - Ferdinand Sor 14. Serenade in A Major, Op. 96 - Ferdinand Carulli 1770-1841 Largo maestoso - Allegro moderato-Larghetto sostenuto — Finale 15. Serenade in F Major, Op. 63 - Anton Diabelli 1781-1841 March — Minuet — Romance — Rondo — March 16. Three Ländler - Mauro Giuliani 1780-1840? 17. Concertante Variations, Op. 35 - Mauro Giuliani 18. Variations on “Come Sweet May” (W. A. Mozart), Op. 113 - Bruno Henze, b. 1900 19. Two Dance Pieces - Friedrich Gaitis, born 1911 20. Minuet - Fritz Mühlhölzl, born 1918 21. Little Suite in C Major, Op. 26 - Anton Stingl, born 1908 March - Slow Waltz - Dance 22. Little Concerto in Old Style - Hermann Ambrosius, born 1897 Allegro moderato - Andante con moto — Vivace 23. Two Settings - RufolfWagner-Regeny, born 1903 | |||
Y | Various Composers = Anthology | Iadone, Joseph | Four Centuries of Song: from the Troubador to the Elizabethan Age, for Voice and Guitar | Joseph Iadone | 1974 | Associated Music Publishers, Inc. | Voice & guitar | Anthology, late 12th century to early 17th, Lute | 1. Albuquerque, Albuquerque (Anon.) 2. All looks be pale (Thomas Campion) 3. iAy! luna que reluces (Anon.) (Thou, oh moon, that shines so bright) 4. Con questo stile (Orazio Vecchi) (Playing the harp) 5. De Antequera sale el moro (Cristóbal Morales) (From Antequera had the Moor parted) 6. Dear, do not your fair beauty wrong (Robert Johnson) 7. Dear, if you change (John Dowland) 8. Dime, robadora (Anon.) (Tell me, thief of my heart) 9. Have you seen but a white lily grow? (Anon.) 10. Ite caldi sospiri (Robert Jones) (Go, ye hot sighs of love) 11. Insbruck, ich muss dich lassen (Heinrich Isaac) (Innsbruck, I now must leave you) 12. Mon coeur se recommande à vous (Anon.) (My heart commends itself to you) 13. Never weather-beaten sail (Thomas Campion) 14. No so yoquien la descubre (Gabriel) ('Tis not for me to reveal) 15. Of all the birds (John Bartlet) 16. Piangiamo quel crudel basciare (Anon.) (Bewail the kiss so cruel) 17. Paseábase el Rey Moro (Miguel Fuenllana) (Strolling was the Moorish King) 18. Puis qu'en nostre tendre jeunesse (Anon.) (When we are all youthful and tender) 19. Quan vei I'aloete mover (Bernard de Ventadour) (Ah, when I see the lark exult) 20. Quel espoir de guarir (Pierre Guédron) (Oh, what hope can I have) 21. Si la noche (Anon.) (When the night [grows dark]) 22. Sospirastes Baldovinos (Luis Milan) (Why all your sighs?) 23. Sieh, lieber Gesell (Anon.) (Look here, my dear friend) 24. So Beauty on the waters stood (Alfonso Ferrabosco II) 25. Soy contento y vos servida (Juan del Encina) (You're well served and I'm at ease) 26. Spirito Sancto Glorioso (Anon.) (Glorious Holy Spirit) 27. Tan hermosa y clara (Anon.) (Morning as glorious and clear) 28. Tant que vivray (Claude de Sermisy) (While I am strong) 29. Those eyes (Anon.) 30. Willow Song (Anon.) 31. With my love my life was nestled (Thomas Morley) | |||
Y | Various Composers = Anthology | Jeffery, Brian | Six Elizabethan Duets (from the original versions for two lutes) | Brian Jeffery | 1970 | Oxford University Press | 2 guitars | Anthology, Duet, Score only | 1. Lesson - Anon 2. Le Rossignol - Anon. 3. The Flat Pavane - John Johnson 4. The Galliard to the Flat Pavane - John Johnson 5. My Lord Chamberlain's Galliard - John Dowland 6. Fantasia - Thomas Robinson | |||
Y | Various Composers = Anthology | Kish, Gabriell | Anthology for Guitar | Gabriell Kish, arr. | 1977 | Frederick Harris Music Co. Limited | Solo | Anthology | 1. Allegro - Napoleon Coste 2.Prelude - Matteo Carcassi 3. Andante - Fernando Sors 4. Allegretto - Joseph Küffner 5. Dance - Anton Diabelli 6. Andantino - Carcassi 7. Andante - Sors 8. Study - Antonio Cano 9. Study - Coste 10. Allegretto - Carcassi 11. Andante - Sors 12. Ricercare - Franciscus Bossinensis 13. Study - Francisco Tárrega 14. Study - Mauro Giuliani 15. Study - Tárrega 16. Allegro - Giuliani 17. Study - Tárrega 18. Study - Tárrega 19. Study - Tárrega 20 Allegro - Fernando Carulli 21.Bourrée - Johann Sebastian Bach 22. Study - Tárrega 23. Moderato - Sors 24. Andante - Sors 25. Andante - Dioniso Aguado 26. Study - Aguado 27. Romanza - Francisco Molino 28. Allegretto - Giuliani 29. Allegretto - Carulli 30. Study - Cano 31. Menuett - Henry Purcell 32. Study - Aguado 33. Study - Coste 34. Andantino - Carcassi 35. Study - Tárrega 36. Study - Tárrega 37. Andantino - Carulli 38. Allegretto - Carcassi 39. Study - Aguado 40. Dance - Anonymous 41. Allegretto - Carulli 42. Menuett - Robert de Visée 43. Bourrée - Visée 44. Study - Aguado 45. Greensleeves - Old English 46. Canarie - Jan van den Hove 47. Allegretto - Sors 48. Menuetto - Sors 49. Vivace - Coste 50. Barcarolle - Carcassi 51. Study - Tárrega 52. Study - Tárrega 53. Andante - Carulli 54. Oefeningen - Johannes Thysius 55. Study - Aguado 56. Study - Cano 57. Study - Coste 58. Allegretto - Coste 59. Study - Tárrega 60. Allegretto - Coste 61. Study - Aguado 62. Ländler - Küffner 63. Andante - Diabelli 64. Waltz - Carcassi 65. Moderato - Diabelli 66. Allegro - Carcassi 67. Waltz - Carulli 68. Variations - Carulli 69. Menuett - Johannes Krüger 70. Galliarda - Gaspar Sanz 71. Arpeggio Study - Dionisio Aguado 72. Ballet - George Leopold *Fuhrmann 73. Menuett - J. S. Bach 74. Sonatina in A Minor - Carulli 75. Sonatina in E Minor - Carulli | |||
Y | Various Composers = Anthology | Lawry, Walt | Fugues for the Classical Guitar | Walt Lowry | 1987 | Mel Bay Publications, Inc. | Solo | Anthology | ALLEGRO FUGATO - J.S. BACH FUGA - G.F. HANDEL FUGA I A L’AYRE ESPAGNOL - GASPAR SANZ FUGA II A L’AYRE DE GIGA - GASPAR SANZ FUGHETTA - JOHANN PACHELBEL FUGUE X - JOHANN PACHELBEL FUGUE - DOMENICO ZIPOLI 11 FUGHETTA - GOTTLIEB MUFFAT FUGUE III - G.F. HANDEL FUGHETTA - J.S. BACH FUGUE I - G.F. HANDEL FUGHETTA IN D - J.S. BACH | |||
Y | Various Composers = Anthology | Mairants, Ivor | Classical Guitar: Student's Library Classical Collection | Ivor Mairants | 1986 | International Music Publications | Solo | Anthology, Aguado, Bach, Carcassi, Carulli, Giuliani, et. al. | Dionisio Aguado [1784-1849]: Studies from Metodo de Guitar: Four String Study (With 2 Variations by ivor Mairants) Study in A Minor Study in G Major Andantino Melodic Study in A Aportamento Bass Melody Johann Sebastian Bach [1685-1750]: Menuet (From the Notebook of Anna Magdalena Bach) Sarabande (From the First Violin Sonata) Matteo Carcassi [1792-1853]: Moderato con Espressivo Study No. 1a (Arranged for tremolo by Ivor Mairants) Andantino in A No. 3 Allegro Moderato No. 19 Ferdinando Carullli [1770-1841]: Preludium (The Useful and Agreeable) (Opus. 114) Andante (Opus 270) Sicilienne (Opus 270) Napoleon Coste [1806-1883}: Prelude No. 4 Prelude No. 12 Prelude No. 13 Robert Dowland [1586-1641]: John Perrichon His Coranto Daniel Fortea Guimera [1882-1928]: Scherzo-Estudio Mauro Giuliani [1780-1840]: Menuett Quasi Duet Variations (1) on a Theme by Handel ("Harmonious Blacksmith") George Frederick Handel [1685-1759]: Sarabande Variata Johann Kuhnau [1660-1722]: Menuet Gavotte Cançô Del Lladre (A Catalan Folk Song) (Arr. Miguel Llobet) Luis Milan [circa 1536]: Pavande No. 2 Los Cuatro Muleros (An Andalusian Folksong) (Arr. Ivor Mairants) Fernando Sor [1778-1839]: Allegro (Opus 31 -3) Allegro Moderato (Opus 60- 10 Allegro (Opus 60- 15) Alegretto (opus 60- 19) Moderato (Opus 35- -17) Moderato (Opus 35-22) Andantino (From 6 Divertissements) Francisco Tárrega [1852-1909]: Marieta (Mazurka) La Mariposa (Estudio) Alborada (Capricho) | |||
Y | Various Composers = Anthology | Maksimenko, V. | Blues for the Six String Guitar (All text except tempi in Russian) | V. Maksimenko, compiled | 1983 | "Soviet Composer" Publishing House | Solo | Anthology, Blues composers including W. C. Handy, Nat K. Cole,Gershwin, A. Previn | Negro Blues Harlem Blues - W. C. Handy Saint Louis Blues - W. C. Handy Blues - Ellie Sigmeister Blue Moon - Richard Rodgers Clara's Lullaby (from Porgy and Bess) - George Gershwin Andantino (from Rhapsody in Blue) - George Gershwin Farewell (from Jonny Spielt Auf) - Ernst Krėnek Confessing the Blues - Jay McShann Blues (?) - Nat King Cole Tired Blues - Bernard Peifer Blues (?) - T. Schumann? Blues (?) - Andre Previn Blues (?) - Burton? Lane Black Queen? - A. Yanushko? Blues (2) (?) - W. Schreiber? Blues (from suite Jazz Medley) - Yuri Saulsky Blues (2) (?) - Y. Obedov | |||
Y | Various Composers = Anthology | Mayes, Joseph | Caprice: Guitar Solo Compositions by Cano, Carulli, Coste, Giuliani, Legnani, Mertz, and Sor | Joseph Mayes | 2000 | Mel Bay Publications, Inc. | Solo | Anthology, CD included | Caprice Op. 11 - Mauro Giuliani (1781-1829) Overture - Ferdinand Carulli (1770-1841) Carpice Op. 250 #1 - Luigi Legnani (1790-1877) Die Lustigan Weber von Windsor (themes from "Merry Wives of Windsor") - Johann Kaspar Mertz (1806-1856) Caprice Op. 250 #2 - Luigi Legnani Waltz Favorite Op. 46 - Napoleon Coste (1806-1883) Caprice Op. 20 #13 - Luigi Legnani El Delirio - Antonio Cano (1811-1897) Caprice Op. 20 #15 - Luigi Legnani Deuxieme Polonaise - Napoleon Coste Caprice Op. 20 #33 - Luigi Legnani Meditacion - Fernando Sor (?) (1778-1839) Caprice Op. 20 #3 - Luigi Legnani Les Soires d'Auteuil — Seranade - Napoleon Coste Soires D'Auteuil — Scherzo - Napoleon Coste | |||
Y | Various Composers = Anthology | McCormick, John | Early Romantic Lieder with guitar | John McCormick | 2006 | Editions Orphée, Inc. | Voice and guitar | Anthology, Lyrics only in German, brief bios of composers in both English and German | Anton Diabelli (1781-1858) Ihr Wuchs ist Nymphenhaft und schlank (Her Growth is Nymphal and slim) Mauro Giuliani (1781-1829) Flattre, flattre kleiner Vogel (Flutter, flutter, little Bird) Adalbert Gyrowetz (1763-1850) Lied (Song) August Harder (1775-1813) Lied (Song) Die Propheten der Natur (The Prophets of Nature) Friedrich Heinrich Himmel (1765-1815) Beglückt, beglückt, wer die Geliebtefindet (Happy, happy, whoever finds the Beloved) Fort, dass die Leyer klinge (Let the Lyre ring) Georg Ernst Kallenbach (1765-1832) Weine nicht (do not Cry) Ferdinand Kauer (1751-1831) In den lauen Zephir Luften (In the mild Zephyr Airs) Karl Keller (1784-1855) Ariette Nur hin zu dir (Only to you) Land meiner soligsten Gefühle (Land of my happiest Feelings) Die Laute (The Lute) Lebewhole (Farewell) Conradin Kreutzer (1780-1849) In der Ferne (In the Distance) Morgenandacht im Freien an einem Sonntage (Morning prayer Outdoors on a Sunday) Scheiden und meiden (Divorce and avoid) Fruhlings-Ruhe (Spring Rest) Morgenlied (Morning Song) Albert Gottlieb Methfessel (1786-1860) So Mancher möcht ihr Blümchen sein (So many would like to be her little flower) Liebeständelei (Love dalliance) Sängers Morgenlied (Singer's Morning Song) Johann Friedrich Reichardt (1752-1814) Das Lösegeld (The Ransom) An den Abendstern (To the evening star) Der Alpenjäger (The Alpine Hunter) Lied der Nacht (Song of the Night) Vincezo Righini (1756-1812) Schönste Rosen (Most beautiful Roses) Nehmt euch in acht! (You'd better watch out!) Freud voll und leidvoll (Full of joy and full of sorrow) Carl Maria von Weber (1786-1826) Gebet um die Geliebte (Prayer for the Beloved) Umsonst (For free) Canzonetta Ich sah ein Röschen (I saw a rose) Meine Lieder, Meine Sange (My Songs, My Singing) Das Veilchen im Thale (The Violet in the Valley) Heinrich Werner (1800-1893) Vollmondnacht (Full moon night) Der Waisenknabe (The Orphan boy) Gottlob Wiedebein (1779-1854) Immer mehr (Always more) Peter von Winter (1754-1825) Aria Die Blumen des Lebens (The Flowers of Life) Johann Rudolph Zumsteeg (1760-1802) Wär ich muntres Vögelein (If I were a lively Little Bird) | |||
Y | Various Composers = Anthology | McCormick, John | Italian Songs with guitar from the age of Napoleon Volume I | John McCormick, ed. | 2004 | Editions Orphée, Inc. | voice and guitar | Anthology, English translation of lyrics provided | Ferdinando Carulli: 3 Ariettes & 3 Romances Italiennes, Op. 3 I - Frena le belle lagrime (Hold back the beautiful tears), Arietta 1, op. 3 II - Amo te sola (I love only you), Arietta 2, op. 3 III - Ombre amene (Pleasant shadows), Arietta 3, op. 3 I - Ecco quel fiero istante (That cruel moment is here), Romance 1, op. 3 II - Parlami pur sincero (Speak to me honestly), Romance 2, op. 3 III - Solitario bosco ombroso (Solitary shady woods), Romance 3, op. 3 Ferdinando Carulli: 3 Ariettes Italiennes, Op. 4 Che fa il mio bene ( What's my love doing), Arietta I, op. 4 Deh, con me non vi sdegnate (Ah, do not scorn me), Arietta II, op. 4 Tornate sereni begl'astri d'amore (Return, serene [bright stars of love], Arietta III, op. 4 Girolamo Crescentini: 12 Canzoncine I - Languir d'amore (To languish with love) II - Ecco quel fiero istante (That cruel moment is here) III - Non v'è più barbaro (There is no one more barbarous) IV - Dove rivolgo, oh Dio? (Where do I turn, oh God) V - Numi, se giusti siete (Heavens, if you are fair) VI - Per valli, per boschi (Through valleys, through woods) VII - Se spiegar potessi appieno l'eccessivo mio dolore (If I could have fully explained my excessive sorrow) VIII - Oh teneri pensieri (Oh tender thoughts) IX - Tu mi chiedi, oh mio tesoro (You ask me, oh my treasure) X - Dal dì ch'io vi ammirai pupille lusinghiere (From the day I admired your flattering eyes) XI - Ch'io mai vi possa lasciar d'amare (That I may ever stop loving you) Xii - Clori, la pastorella (Clori, the shepherdess) Giuseppe Fabricatoriello: 4 Canzonette in lingua Napolitana I - E la bella m'a cercato nu mantesino (And the beautiful one asked me for a cloak) II - Me voglio anzurare (I want to hide myself) III - Chi t'a fatta sta bella vunnella (Who made you that beautiful skirt) IV - Piccerè si m'ave nattanno (Little one if were a year older) Gaetano Marani Polacca - Nascesti alle pene (Born to pain) Cavatina - Eccomi, non ferir (Here I am, no, don't injure me) Cavatina - E taglia cor di vederme (It tears the heart to see me) Cavatina - Lascia diletta Fillide (Leave, beloved Fillide) Domenico Mombelli Rondo - Tu mi sprezzi, tu non m'ami (You scorn me, you don't love me) Domenico Puccini: 6 Ariette I - Aure amiche, ah non spirate (Friendly breezes, ah, don't sigh) II - Orgoglioso fiumicello (Proud little river) III - Senza l'amabile, Dio de Citera (Without my sweet, god of Citera) IV - Ah, non è vano il pianto (Ah, crying is not in vain) V - Non so dir se sono amante (I don't know if I am a lover) VI - Sopra il suo stelo se langue il fiore (On its stem languishes the flower) Vittorio Trento: 11 Ariette I - Ogni donna che ha gusto de viver (Every woman who takes pleasure in living) II - Cento bacetti (One hundred kisses) III - La mezzanotte è questa (This is midnight) IV - Quell' augellino (That little bird) V - Che ingegnoso putteletto (What an ingenious cupid) VI - Somiglia all'amore il falso elemento (Love resembles a false element) VII - Amore è un guerriero (Love is a warrior) VIII - Son ferito in mezzo al core (I am wounded in the center of the heart) IX - Io ti saluto alba novella (I salute a new dawn) X - Tocco un dì dal canto mio (Touched one day by my singing) XI - Son pratico in'amore (I am experienced in love) | |||
Various Composers = Anthology | McCutcheon, Jim | Wedding Classics for Guitar | Jim McCutcheon | 1995 | Lorenz Publishing Company Unity Music Press | Solo | Anthology, standard notation with tablature | Ave Maria - Bach-Gounod Bridal Chorus - Richard Wagner Jesu, Joy of Man's Desiring - Johann Sebastian Bach Largo (from Concerto in D) - Antonio Vivaldi Trumpet Tune and Air - Henry Purcell Trumpet Voluntary - Jeremiah Clarke Wedding March - Felix Mendelssohn | Richard Childress | |||
Y | Various Composers = Anthology | Michelson, Sonia | Young Beginner's First Repertoire for Classic Guitar | Sonia Michelson | 1996 | Mel Bay Publications, Inc. | Solo | Anthology, Rak, Brindle, Sor, Carulli, Guiliani, et. al. | GRADE 1 Echos - Stepán Rak Simple Arpeggios - Reginald Smith Brindle Aeolian Mode - Reginald Smith Brindle Moon Magic - Sonia Michelson No.1 from Three Arpeggio Studies - Reginald Smith Brindle Starobylá - Stepán Rak Country Dance - Reginald Smith Brindle Misty Dawn - Sonia Michelson Allegretto op. 44, no. 2 - Fernando Sor Welcome - Gérard Montreuil Allegretto - Ferdinand Carulli Waltz op. 121, no. 1 - Ferdinand Carulli Free With The Wind - Sonia Michelson Danse Russe - Traditional Andante - Anonymous Here Comes The Band - Sonia Michelson GRADE 2 Study in C - Fernando Sor Sometimes I Hear a Song - Sonia Michelson Andante op. 31, no. 1 - Fernando Sor Andante op. 35, no. 1 - Fernando Sor Allegretto - Fernando Sor English Dance - Ferdinand Carulli Ecossaise op. 33, no. 10 - Mauro Giuliani Andantino - Matteo Carcassi Allegro op. 50, no. 13 - Mauro Giuliani Etude Matteo Carcassi Prelude op. 114 - Ferdinand Carulli Menuett - J. Krieger Estudio in Am - D. Aguado Andante - Matteo Carcassi Gigue - J. Logy Waltz - Ferdinand Carulli Contre Danse - Ferdinand Carulli Vals - Bartolome Calatayud .... Minuet in G - J.S. Bach Austrian Dance - Anonymous Prelude in D - Sonia Michelson German Dance - Anonymous Moonlight - Stepán Rak English Dance - Anonymous Spanish Romance - Anonymous Canario - Carlo Calvi Packington’s Pound - Anonymous | Travis Marcum | ||
Y | Various Composers = Anthology | Miller, Donald | Baroque Music | Donald Miller | 2001 | Mel Bay Publications, Inc. | 4 guitars | Anthology, Baroque, Quartet, Ensemble, Score and Parts | Cantate Domino (Sing to the Lord) - Giuseppe Pitoni Gelobt Sei Gott (Now God Be Praised) - Melchior Vulpius Gloria - Baldassare Galuppi In These Delightful, Pleasant Groves - Henry Purcell Largo - George Friederich Handel Liebster Herr Jesu (Dearest Lord Jesus) - J. S. Bach Once More The Flowers Bloom, - Johann H. Schein Rondeau (from Sinfonies de Fanfares) - Jean Joseph Mouret Schöns Lieb (Dear Love) - Melchior Franck Sicut Locutus Est (from Magnificat) - J. S. Bach | |||
Y | Various Composers = Anthology | Miller, Donald | Christmas Book | Donald Miller | 2000 | Mel Bay Publications, Inc. | 4 guitars | Anthology, Holiday, Christmas, Quartet, Ensemble. Score and parts, Traditional | A Virgin Unspotted - William Billings Angels We Have Heard on High (W. A. Mozart- Alleluia; Ave Verum Corpus) - Traditional As Lately We Watched - Austrian Folk Song Carol of the Bells - Mikola Leontovich Christmas Morn is Dawning - German Folk Song Ding Dong Merrily on High - French Melody El Noi de le Mare (What Shall We Give?) - Traditional Catalonian Carol Noel Nouvelet (A Little New Noel) - French Carol O, Dearest Love. (Paraphrase: Lo, How a Rose E'r Blooming - Hans Leo Hassler Pat-a-Pan - French Carol | |||
Y | Various Composers = Anthology | Miller, Donald | Music from Around the World | Donald Miller | 2002 | Mel Bay Publications, Inc. | 4 guitars | Anthology, Quartet, Ensemble, Folk, Score and Parts | Amor Vittorioso (Love Victorious) italian Balletto - Giovanni Gastoldi Arirang (Lullaby) - Korean Folk Song Hatikvah and Shalom Chaverim (The Hope and Farewell Friends) - Hebrew Folk Songs John Anderson, My Joe - Scottish Folk Song Neighbors' Chorus (from La jolie Parfumeuse) - Jacques Offenbach O'er Wintry Hills - Croatian Folk Song A Pretty Little Ring - Norwegian Folk Song The Streets of Laredo - American Cowboy Song Three Jolly Welshmen - Welsh Folk Song Tina Singu (We Are the Flame) - Basutoland Folk Song (Lesotho, S. Africa) | |||
Y | Various Composers = Anthology | Miller, Donald | Music of the Hispanic World | Donald Miller | 2002 | Mel Bay Publications, Inc. | 4 guitars | Anthology, Quartet, Ensemble, Spanish, Score and parts | Dadme Albricias, Hijos d'Eva (Sons of Eve, Give Me Joy) - Anonymous Domine Deus (Oh Lord, God) - Cristobal Morales E La Don Don, Verges Maria - Anonymous Escureçe Las Montañas (The Mountains Darken) - Manuel Machado Miserere (Have Mercy) - Manuel de Sumaya Noches De España (Nights of Spain) - Traditional Round Ojos Claros Y Serenos (Eyes So Clear and Serene) - Joan Brudieu Prayer of the Golden Corn - Quecha Indian Song Sancta Maria - Don Hernando Franco Si Al Nacer O Minino (My Little One) - Juan Gutierrez de Padilla | |||
Y | Various Composers = Anthology | Miller, Donald | Music of the Masters | Donald Miller | 2000 | Mel Bay Publications, Inc. | 4 guitars | Anthology, Quartet, Ensemble, Score amd parts | Alleluia - William Boyce Ave Maria - SerfeiRachmaninoff Come, Join This Round With Me - Giovanni "Padre" Martini Eine Rote, Rote Rose - Robert Schumann Finlandia - Jean Sibelius In Thee, I Put My Trust - George Friederich Handel Miserere Nobis (Have Mercy on Us) - Felix Mendelssohn Ode to Joy and Canon - Ludwig van Beethoven Praise the Lord - Mikhail Ippolitoff-Ivanoff Prayer from Hänsel und Gretel - Engelbert Humperdinck | |||
Y | Various Composers = Anthology | Mills, John | Guitar Music from the Student Repertoire | John Mills | 1974 | Musical New Services Ltd. | Solo | Anthology, Aguado, Carcassi, Carulli, Giuliani, de Visée, et. al. | Four Lessons - Dionisio Aguado Greensleeves - Anon (from William A Toy - Anon (from Jane Pickering's Lute Book) Passamezzo - Anon. Study in A - Matteo Carcassi Minuet - Matteo Carcassi Andantino - Ferdinando Carulli Prelude - Robert de Visée Sarabande - Robert de Visée Minuet (from Suite in D minor) - Robert de Visée Minuet (from Sonata No. 1 in C) - Anton Diabelli Orlando Sleepeth - John Dowland Andante in C - Mauro. Giuliani Allegro - Mauro. Giuliani Aria (from Partita in A minor) - Johann Anton Logy Pavane No. 3 - Luis Milan Prelude in D Minor - Francesco Molino Pavana Muy Llana Para Tañer - Diego Pisador Prelude No. 6 - Manuel Ponce Study in D - Fernando Sor Study in B Minor - Fernando Sor Study in E - Fernando Sor Andante in G - Fernando Sor Minuet in G - Fernando Sor Adelita - Francisco Tárrega Lagrima - Francisco Tárrega Study in E Minor - Francisco Tárrega | John Fernando | ||
Y | Various Composers = Anthology | Mills, John | Selected Solos | John Mills | 1984 | Mel Bay Publications, Inc. | Solo | Anthology, Frescobaldi, Bach, Sanz, Mussorgsky, Brescianello | Aria Detta La Frescobalda - Girolamo Frescobaldi The Old Castle - Modest Mussorgsky Partitia in E Minor - Giuseppe Antonio Brescianello I. Entrée II. Menuetts 1 $ 2 III. Siciliana IV. Gigue Prelude, Fugue & Allegro in D - J. S. Bach Prelude Fugue Allegro Spanish Suite - Gaspar Sanz (17th Century) I. Rujero II. Villano III. La Caballeria de Napoles IV. Españoleta V. Canarios | |||
Y | Various Composers = Anthology | Nakagawa, Nobutaka | Excellent Guitar Pieces for Stage Performance | Nobutaka Nakagawa | 1992 | Gendai Guitar Company | Solo | Anthology, 82 selections | 1. Romanze - Johann Kaspar Mertz 2. Pensando en ti, Habanera - Antonio Alba 3. Nocturno, Op. 92 - Carl Henze 4. Under the Green Wood Tree - Carl Henze 5. Maria Luis - Julio Sarvador Sagreras 6. Romance de Amor - Anon. 7. Etude - Ferdinando Carulli 8. Etude - Ferdinando Carulli 9. Scherzo - Ferdinando Carulli 10. Pastorale - Matteo Carcassi 11. Daisy - Madame Sidney Pratten 12. Barcarolle - Napoléon Coste 13. Etude - Napoléon Coste 14. Estudio - Dionisio Aguado 15. Caprice Orientale - Vahdah Olcott Bickford 16. Menuetto - Niccolo Paganini 17. Menuetto - Niccolo Paganini 18. Moderato - Niccolo Paganini 19. Tango, Op. 19, 1 - José Ferrer 20. Tango, Op. 53, 3 - José Ferrer 21. Pas du Cygne - F. A. Marsaglia 22. Valse Andantino - Antonio Cano 23. Rain Drops - George C. Lindsey 24. Kleine Romanze - Luise Walker 25. Serenata Española - José Ferrer 26. Allegro - Mauro Giuliani 27. Allegro vivace - Mauro Giuliani 28. La Melanconia, Op. 148, 7 - Mauro Giuliani 29. Guitarist's Treasure No. 6 - Leonard Schultz 30. Sarabande, Bourre - Robert de Visée 31. El Testamento de Amelia - Miguel Llobet 32. La Danse des Naiades - José Ferrer 33. Jota Aragonesa - Hilarión Leloup Cabanari 34. Jugend - Simon Schneider 35. Feste Lariane - Luigi Mozzani 36. Galop, Op. 32, 6 - Fernando Sor 37. Estudio, Op. 35, 22 - Fernando Sor 38. Estudio, Op. 31, 3 - Fernando Sor 39. Estudio, Op. 31, 4 - Fernando Sor 40. Estudio, Op. 60, 25 - Fernando Sor 41. Estudio, Op. 31, 10 - Fernando Sor 42. Menuetto, Op. 11, 5 - Fernando Sor 43. Menuetto, Op. 11, 6 - Fernando Sor 44. Menuetto, Op. 25 - Fernando Sor 45. Valse, Op. 32, 2 - Fernando Sor 46. La Mazurka - Luigi Legnani 47. Overture - Ferdinando Carulli 48. Romanza - Niccolo Paganini 49. "Pica Pica..." - Anon. 50. Chôro - Anon. 51. Pavana - Gaspar Sanz 52. Menuetto I, II - Jean-Philippe Rameau 53. Diferencias sobre "Guárdame las vacas" - Luis de Narvaez 54. 6 Pieces for Lute - Anon. 55. Fantasie - Silvius Lepold Weiss 56. Prelude - Weiss-Ponce 57. Balleto - Weiss-Ponce 58. Giga - Weiss-Ponce 59. Prelude BWV 999 - Johann Sebastian Bach 60. Bourrée BWV 996 - Johann Sebastian Bach 61. Sarabande, Double BWV 1002 - Johann Sebastian Bach 62. Fuga BWV 1000 - Johann Sebastian Bach 63. Sarabande - Georg Friedrich Handel 64. Variations sur en theme de Händel, Op. 107 - Mauro Giuliani 65. Introduction et. variations sur l'air "Malborough", Op. 28 - Fernando Sor 66. Variations sur l'air de Flûte enchantée, Op. 9 - Fernando Sor 67. Fantasía Original - José Viñas 68. Preludio No. 7 - F. Chopin / F. Tárrega 69. Venetianisches Gondellied (Barcarola), Op. 19, 6 - F. Mendelssohn / F. Tárrega 70. Lagrima - Francisco Tárrega 71. Adelita - Francisco Tárrega 72. Endecha, Oremus - Francisco Tárrega 73. Sueño (Mazurka) - Francisco Tárrega 74. Tango - Francisco Tárrega 75. Valse - Francisco Tárrega 76. Capricho Árabe - Francisco Tárrega 77. Recuerdos de la Alhambra - Francisco Tárrega 78. Danza Española No. 5 - Enrique Granados 79. Rumores de la Caleta - Isaac Albéniz 80. Mallorca - Isaac Albéniz 81. Sevilla - Isaac Albéniz 82. Asturia - Isaac Albéniz | |||
Y | Various Composers = Anthology | Noad, Frederick M. | 100 Graded Classical Guitar Studies | Frederick M. Noad | 1985 | Amsco Publications | Anthology, Studies by Sor, Giuliani, Carcassi | Study 1: F. Sor, Op. 60, No. 4 Study 2: M. Giuliani, Op. 51, No. 1 Study 3: M. Giuliani, Op. 50, No. 1 Study 4: M. Giuliani, Op. 1, Part III, No. 1 Study 5: M. Giuiani, Op. 50, No. 3 Study 6: F. Sor, Op. 35, No. 4 Study 7: F. Sor, Op. 31, No. 11 Study 8: M. Giuliani, Op. 100, No. 2 Study 10: F. Sor, Op. 35, No. 3 Study 11: M. Giuliani, Op. 139, No. 1 Study 12: F. Sor, Op. 35, No. 18 Study 13: M. Carcassi, Op. 60, No. 6 Study 14: F. Sor, Op. 35, No. 14 Study 15: F. Sor, Op. 35, No. 5 Study 16: F. Sor, Op. 31, No. 4 Study 17: M. Carcassi, Op. 60, No. 8 Study 18: M. Giuliani, Op. 50, No. 7 Study 19: M. Giuliani, Op. 50, No. 5 Study 20: F. Sor, Op. 35, No. 13 Study 21: F. Sor, Op. 31, No. 2 Study 22: F. Sor, Op. 35, No. 10 Study 23: M. Carcassi, Op. 60, No. 7 Study 24: F. Sor, Op. 31, No. 17 Study 25: F. Sor, Op. 31, No. 14 Study 26: M. Carcassi, Op. 60, No. 1 Study 27: M. Carcassi, Op. 60, No. 11 Study 28: M. Carcassi, Op. 60, No. 16 Study 29: M. Giuliani, Op. 1, Part III, No. 3 Study 30: M. Giuliani, Op. 139, No. 5 Study 31: M. Carcassi, Op. 60, No. 3 Study 32: M. Giuliani, Op. 139, No. 3 Study 33: M. Carcassi, Op. 60, No. 13 Study 34: M. Carcassi, Op. 60, No. 14 Study 35: M. Giuliani, Op. 1, Part III, No. 7 Study 36: M. Giuliani, Op. 51, No. 5 Study 37: M. Carcassi, Op. 60, No. 2 Study 38: M. Carcassi, Op. 60, No. 4 Study 39: M. Giuliani, Op. 1, No. 3 Study 40: M. Carcassi, Op. 60, No. 17 Study 41: M. Carcassi, Op. 60, No. 15 Study 42: M. Carcassi, Op. 60, No. 21 Study 43: F. Sor, Op. 35, No. 9 Study 44: F. Sor, Op. 31, No. 23 Study 45: F. Sor, Op. 31, No. 7 Study 46: F. Sor, Op. 35, No. 15 Study 47: F. Sor, Op. 60, No. 24 Study 48: M. Carcassi, Op. 60, No. 19 Study 49: M. Giuliani, Op. 1, No. 6 Study 50: F. Sor, Op. 35, No. 8 Study 51: F. Sor, Op. 6, No. 2 Study 52: F. Sor, Op. 60, No. 20 Study 53: M. Giuliani, Op. 1, No. 7 Study 54: F. Sor, Op. 6, No. 1 Study 55: F. Sor, Op. 31, No. 21 Study 56: F. Sor, Op. 35, No. 19 Study 57: M. Carcassi, Op. 60, No. 5 Study 58: M. Giuliani, Op. 139, No. 6 Study 59: F. Sor, Op. 6, No. 9 Study 60: F. Sor, Op. 60, No. 21 Study 61: F. Sor, Op. 31, No. 22 Study 62: F. Sor, Op. 35, No. 21 Study 63: M. Giuliani, Op. 51, No. 15 Study 64: F. Sor, Op. 31, No. 20 Study 65: F. Sor, Op. 35, No. 11 Study 66: F. Sor, Op. 31, No. 16 Study 67: F. Sor, Op. 35, No. 20 Study 68: M. Carcassi, Op. 60, No. 10 Study 69: F. Sor, Op. 60, No. 16 Study 70: F. Sor, Op. 29, No. 19 Study 71: F. Sor, Op. 35, No. 21 Study 72: M. Carcassi, Op. 60, No. 20 Study 73:: F. Sor, Op. 35, No. 16 Study 74: M. Carcassi, Op. 60, No. 12 Study 75: M. Carcassi, Op. 60, No. 9 Study 76: M. Carcassi, Op. 60, No. 18 Study 77:M. Giuliani, Op. 1, No. 11 Study 78: M. Carcassi, Op. 60, No. 23 Study 79: M. Carcassi, Op. 60, No. 22 Study 80: F. Sor, Op. 31, No. 19 Study 81: F. Sor, Op. 31, No. 24 Study 82: F. Sor, Op. 31, No. 12 Study 83: F. Sor, Op. 31, No. 10 Study 84: M. Giuliani, Op. 51, No. 12 Study 85: M. Giuliani, Op. 48, No. 23 Study 86: M. Carcassi, Op. 60, No. 24 Study 87: F. Sor, Op. 60, No. 22 Study 88: F. Sor, Op. 6, No. 3 Study 89: F. Sor, Op. 31, No. 8 Study 90: F. Sor, Op. 35, No. 23 Study 91: F. Sor, Op. 6, No. 6 Study 92: F. Sor, Op. 6, No. 12 Study 93: M. Giuliani, Op. 1, No. 10 Study 94: F. Sor, Op. 29, No. 13 Study 95: F. Sor, Op. 29, No. 23 Study 96: M. Giuliani, Op. 48, No. 24 Study 97: M. Giuliani, Op. 111, No. 11 Study 98: F. Sor, Op. 29, No. 17 Study 99: M. Carcassi, Op. 60, No. 25 Study 100: M. Giuliani, Op. 111, No. 9 | ||||
Y | Various Composers = Anthology | Noad, Frederick M. | Baroque Guitar, The (An illustrated anthology of guitar music) | Frederick M. Noad | 1974 | Amsco Publications | Solo, 2 guitars, voice and guitar | Anthology, CD included | Minuet in G - Anonymous Sarabande - Anonymous Minuet in E - Adam Falckenhagen Minuet in E Minor - Robert de Visée Vivace - Adam Falckenhagen Cancion O Tocata - Santiago de Murcia Delicate Beauty - Henry Lawes Sarabande in E Minor - Lodovico Roncalli Minuet in A Minor - Henry Purcell I Prithee Send Me Back My Heart - Henry Lawes Gavotte Rondeau - Robert de Visée Minuet in E - Anonymous Bourree - Johann Sebastian Bach Aria - Johann Adolf Hasse Minuet in Canon - Wenzel von Radolt Canon - Wenzel von Radolt Sarabande in G - Lodovico Roncalli Gavotte - Lodovico Roncalli Gigue - Lodovico Roncalli Trio - Anonymous Canarios - Gaspar Sanz Passacaille - Robert de Visée I Attempt From Love's Sickness to Fly - Henry Purcell Allegro - Dominico Scarletti Prelude - Johann Sebastian Bach Sarabande - Johann Sebastian Bach Double - Johann Sebastian Bach Gavotte En Rondeau - Johann Sebastian Bach Art Thou Troubled? (Dove Sei) - George Friedrich Handel Grave - Wolff Jacob Lauffensteiner Allegro - Wolff Jacob Lauffensteiner Andante - Wolff Jacob Lauffensteiner Passacaglia - Lodovico Rondalli Tombeau De M. Mouton (Allemande) - Robert de Visée Allemande - Francesco Corbetta Sarabande and Variations - George Friedrich Handel Fair Celia - Dr. John Blow Sonata - Sylvius Leopold Weiss Prelude Allemande Courante Sarabande Bouree Minuet I Minuet II Gigue Passacaille - Sylvius Leopold Weiss Tombeau Sur La Mort De, M - Sylvius Leopold Weiss Comte De Logy - Sylvius Leopold Weiss | |||
Y | Various Composers = Anthology | Noad, Frederick M. | Classical Guitar, The: Solos, duets and songs by composers of the early 19th century | Frederick M. Noad | 1976 | Amsco Publications | Solo, 2 guitars, voice and guitar | Anthology, CD included | Andante - Ferdinando Carulli Waltz - Ferdinando Carulli Duet in G - Ferdinando Carulli Rondo - Ferdinando Carulli Air, Nel Cor Piu - G. Paesiello Four Easy Pieces - Dionisio Aguado Sonatine, Op. 71, No. 1 - Mauro Giuliani Andante - A. Meissonier Cradle Song (Wiegenlied), Op. 13, No. 2 - C. M. von Webber Andantino Grazioso, Op. 5, No. 8 - Matteo Carcassi Allegretto, Op. 5, No. 12 - Matteo Carcassi Theme from Op. 102 - Mauro Giuliani Arietta, Op. 5, No. 3 - Mauro Giuliani Caprice, Op. 20, No. 2 - Luigi Legnani Variations On A Favorite Theme for Two Guitars, Op. 57 - Anton Diabelli Study in A, Op. 44, No. 20 - Fernando Sor Study in B Minor, Op. 31, No. 18 - Fernando Sor Study in E, Op. 35, No. 8 - Fernando Sor Study in E Minor, Op. 35, No. 24 - Fernando Sor Study in E Minor, Op. 35, No. 18 - Fernando Sor Study in E, Op. 42, No. 3 - Fernando Sor Study in E Minor, Op. 48, No. 5 - Mauro Giuliani Le Premier Pas Vers Moi, Op. 53 - Fernando Sor Study In E Minor - Dionisio Aguado Study in A Minor - Dionisio Aguado Polonaise Concertante, Op. 137, No. 2 - Mauro Giuliani Minuet and Rondo From The Grand Sonata, Op. 2 - Fernando Sor Andante Largo, Op. 5, No. 5 - Fernando Sor Variations In Tremolo from Op. 21 - Giulio Regondi An Die Musik, Op. 88, No. 4 - Franz Schubert Variations On a Theme of G. F. Handel -Mauro Giuliani Fantasy, Op. 7 - Fernando Sor Variations on La Folia and Minuet, Op. 15 - Fernando Sor Grand Overture, Op. 61 - Mauro Giuliani Grand Solo, Op. 14 - Fernando Sor | |||
Y | Various Composers = Anthology | Noad, Frederick M. | New Guitar Songbook, The: Five Centuries of Songs (Popular, Folk, and Traditional Songs) | Frederick M. Noad | 1969, 1985 | Amsco Publications | Solo | Anthology, Popular, Folk, Traditional, Christmas, Carols, Art Songs | Popular, Folk, and Traditional Songs: All Through the Night - Traditional (Welsh), words by Sir Harold Boulton Annie Laurie - Lady John Douglas Scot (1810-1900), words by William Douglas of Fingland (c. 1800 The Ash Grove - Traditional (Welsh) Aura Lee - George R. Poulton, words by W. W. Fosdick Barbara Allen - Traditional Believe Me if All Those Endearing Young Charms - Traditional Irish Air ("My Lodging is on the Cold Mountain"), words by Thomas Moore The Blue Bells of Scotland - Attributed to Mrs. Jordan (c. 1800) The Bonny Earl of Moray - Traditional (Scottish) Down in Yon Forest - Traditional (English) Drink to Me only with Thine Eyes - Capt. Mellish, words by Ben Johnson Early One Morning - Traditional (English) Flow Gently Sweet Afton - James Spilman, words by Robert Burns The Golden Vanity - Traditional Greensleeves - Anonymous The Harp that Once Thro' Tara's Halls - Traditional Irish Air ("Molly My Treasure"), words by Thomas Moore How Should I Your True Love Know? - Anonymous, words by William Shakespeare The Meeting of the Waters - Traditional Irish Air ("The Old Head of Dennis"), words by Thomas Moore The Minstrel Boy - Irish Air ("The Moreen"), words by Thomas Moore Nobody Knows the Trouble I've Seen - Negro Spiritual Oh, No John, No - Traditional Old Paint - Traditional (American) The Riddle Song - Traditional The Salley Gardens - Irish Tune, words by W. B. Yeats Shenandoah - Traditional (American) Soldiers Three - Traditional (English) The Tavern in the Town - Traditional (English) Venezuela - Sea Chanty Waly Waly - Traditional Will Ye No' Come Back Again - Finlay Dun, words by Lady Nairne Zorongo - Traditional, words by F. Garcia Lorca Christmas Carols: Coventry Carol - 15th Century Carol The First Nowell - Traditional The Holly and the Ivy - Traditional (English) Lute Book Lullaby - Anonymous Silent Night - Franz Gruber The Twelve Days of Christmas - Traditional We Three Kings - John Henry Hopkins Art Songs: Abschied (Farewell) - Mauro Giuliani, words by Goethe Belle Rose Porporine - Giulio Caccini, words by Gabriello Chiabrera Come Again - John Dowland Come, Sorrow, Come - Thomas Morley The Constant Lover - Peter Heneker, words by Sir John Suckling Go Chrystal Tears - John Dowland Have You Seen But A White Lily Grow? - Anonymous, words by Ben Johnson Heiden-Röslein - Franz Schubert, words by Goethe Henry VIII's Song - F. M. Noad, words by Henry VIII It Fell on a Summer's Day - Thomas Campian It Was a Lover and His Lass - Thomas Morley, words by William Shakespeare I Say My Lady Weep - John Dowland The Lass with the Delicate Air - Michael Arne Passing By - Edward C. Purcell Pierrot's Song - F. M. Noad, words by Oliphant Down Plaisir D'Amour - Giovanni Martini Que Ne Suis-Je La Fougere -Giovanni Battista Pergolesi, words by C. H. Riboutte The Self-Banished - Dr. John Blow Serenade (Ständchen) - Franz Schubert Sigh No More, Ladies (from Much Ado About Nothing) - F. M. Noad, words by William Shakespeare Si La Noche Haze Escura - 16th Century Villancico Sleep Wayward Thoughts - John Dowland Song At NIghtfall (Aftonkvade), Fredman's Song No. 32 - Carl Michael Bellman, words by F. M. Noad Strike the Viol - Henry Purcell Tant Que Vivray - Claude de Sermisy, words by Clement Marot Ungeduld (Impatience) - Franz Schubert, words by Wilhelm Muller What Then Is Love But Mourning? - Philip Rosseter Where'er You Walk - G. F. Handel, words by William Congreve The Willow Song - Anonymous, words by William Shakespeare | |||
Y | Various Composers = Anthology | Noad, Frederick M. | Renaissance Guitar, The: Solos, Duets and Songs by 16th century composers for the guitar (An illustrated anthology of guitar music) | Frederick M. Noad | 1974 | Music Sales America | Solo, 2 guitars, voice and guitar | Anthology, CD included | Beginner: Spagnoletta - Anonymous Tanz - Georg Fuhrmann Branle Gay - Jean Baptiste Besard Toy - Francis Cutting Wilson's Wilde - Anonymous Lesson For Two Lutea - Anonymous Shall I Come Sweet Love To Thee - Thomas Campion Branle De Bourgogne - Adrien Le Roy The Parlement - Anonymous If My Complaints Could Passions Move - John Dowland Volt - Anonymous Recercate Concertante - Francesco da Milano, Joanne Matelart Sonnet - Enriquez de Valderrabano Pavan - Luis Milan Fantasia - Anonymous The Round Battle Galliard - John Dowland Never Weather Beaten Sail - Thomas Campion La Rossignol - Anonymous Tarleton's Resurrection - John Dowland Intermediate Music: Ballet - Elias Mertel Galliard - Anthony Holborne The Cobbler - Anonymous Alman - Robert Johnson Galliard - Philip Rosseter Toda Mi Vida Os Ame - Luis Milan The Night Watch - Anthony Holborne Drewrie's Accordes - Anonymous Air - John Dowland Go From My Window - Anonymous Morenica De Me Un Beso - Juan Vaszuez Toy For Two Lutes - Thomas Robinson Fantasia - Miguel de Fuenllana Greensleeves - Francis Cutting Guardame Las Vacas - Luis de Narvaez Melancholy Galliard - John Dowland When To Her Lute Corinna Sings - Thomas Campion Mrs. Anne Harecourt's Galliard - Frances Pilkington Advanced Music: The King Of Denmark's Galliard - John Dowland Queen Elizabeth's Galliard - John Dowland Lady Hammond's Alman - John Dowland Lady Hunsdon's Alman - John Dowland The Flatt Pavin - John Johnson Galliard To The Flatt Pavin - John Johnson As I Went To Walsingham - Anonymous Come Heavy Sleep - John Dowland Almain - Francis Cutting Mrs. Taylor's Galliard - Philip Rosseter Rest Sweet Nymphs - Francis Pilkington Entree De Luth - Robert Ballard Fantasia - John Dowland My Love Hath Vowed - Thomas Campion Mr. Southcote's Pavan - Thomas Ford When From My Love - John Ballard | |||
Y | Various Composers = Anthology | Noad, Frederick M. | Renaissance Guitar, The (An illustrated anthology of guitar music) | Frederick M. Noad | 1974 | Amsco Publications | Solo, 2 guitars, voice and guitar | Anthology, no CD | Beginner: Spagnoletta - Anonymous Tanz - Georg Fuhrmann Branle Gay - Jean Baptiste Besard Toy - Francis Cutting Wilson's Wilde - Anonymous Lesson For Two Lutea - Anonymous Shall I Come Sweet Love To Thee - Thomas Campion Branle De Bourgogne - Adrien Le Roy The Parlement - Anonymous If My Complaints Could Passions Move - John Dowland Volt - Anonymous Recercate Concertante - Francesco da Milano, Joanne Matelart Sonnet - Enriquez de Valderrabano Pavan - Luis Milan Fantasia - Anonymous The Round Battle Galliard - John Dowland Never Weather Beaten Sail - Thomas Campion La Rossignol - Anonymous Tarleton's Resurrection - John Dowland Intermediate Music: Ballet - Elias Mertel Galliard - Anthony Holborne The Cobbler - Anonymous Alman - Robert Johnson Galliard - Philip Rosseter Toda Mi Vida Os Ame - Luis Milan The Night Watch - Anthony Holborne Drewrie's Accordes - Anonymous Air - John Dowland Go From My Window - Anonymous Morenica De Me Un Beso - Juan Vaszuez Toy For Two Lutes - Thomas Robinson Fantasia - Miguel de Fuenllana Greensleeves - Francis Cutting Guardame Las Vacas - Luis de Narvaez Melancholy Galliard - John Dowland When To Her Lute Corinna Sings - Thomas Campion Mrs. Anne Harecourt's Galliard - Frances Pilkington Advanced Music: The King Of Denmark's Galliard - John Dowland Queen Elizabeth's Galliard - John Dowland Lady Hammond's Alman - John Dowland Lady Hunsdon's Alman - John Dowland The Flatt Pavin - John Johnson Galliard To The Flatt Pavin - John Johnson As I Went To Walsingham - Anonymous Come Heavy Sleep - John Dowland Almain - Francis Cutting Mrs. Taylor's Galliard - Philip Rosseter Rest Sweet Nymphs - Francis Pilkington Entree De Luth - Robert Ballard Fantasia - John Dowland My Love Hath Vowed - Thomas Campion Mr. Southcote's Pavan - Thomas Ford When From My Love - John Bartlet | |||
Y | Various Composers = Anthology | Noad, Frederick M. | Romantic Guitar, The: Solos, Duets, and songs by Coste, Arcas, Ferrer, Tarrega, et. al. | Frederick M. Noad | 1986, 2000 | Ariel Publications, Amsco Publications | Solo, 2 guitars, voice and guitar | Anthology, CD included | Minuet, from "Pensees Melodiques", Op. 38, No. 1 - Jose Ferrer Sicilienne, Op. 38, No. 4 - Jose Ferrer Terpsichore, Op. 45 - Jose Ferrer Nocturne, Op. 4, No. 2 - Johann Kaspar Mertz Three Pieces from Recreation du Guitariste, Op. 51 - Napoleon Coste: Rondeau, No. 6 Barcarolle, No. 1 Chasse, No. 9 Vals En Mi - Jose Broca El Elegante - Jose Broca Cherry Ripe - Horn/Herrick/Sola A Ma Mie, Valse de Concert - Alberto Obregon Amanda-Gavotte - Alberto Obregon Estudio Facil y Brillante - Jose Costa 'Tis the Last Rose of Summer - Traditional/Moore/Pratten Believe Me If All Those Endearing Young Charms - Traditional/Moore/Pratten Agitato, Op. 38, No. 7 - Napoleon Coste Scherzando, Op. 38, No. 8 - Napoleon Coste Allegro Moderato, Op. 38, No. 23 - Napoleon Coste Meditation ded Nuite from the Sor/Coste Method - Napoleon Coste Prelude, No. 1 - Francisco Tarrega Rosita, Polka - Francisco Tarrega Marieta, Mazurka - Francisco Tarrega An Malvina, "Bardenklange", Op. 13, No. 1 - Johann Kaspar Mertz Los Panaderos, Bolero - Julian Arcas Jota Aragonesa - Julian Arcas Theme from the Zarzuela "Marina" - Arrieta/Arcas Prelude No. 4 - Francisco Tarrega Alborada, Capriccio - Francisco Tarrga Minuet from the Serenata, Op. 78 - Schuber/Tarrega Canzonetta, from the String Quartet, Op. 12 - Mendelssohn/Tarrega La Maja De Goya, Tonadilla - Granados/Noad Sevilla, Sevillamas, from The Suite Espagne - Albeniz/Noad Traumerei, from Kinderscenen, Op. 15 - Schumann/Noad | |||
Y | Various Composers = Anthology | Papas, Sophocles | Flamenco Solos for Guitar | Sophocles Papas | 1955 | Columbia Music Company | Solo | Anthology, Flamenco, 1 piece by Daniel Fortea | Soleares - Daniel Fortea Flamenco Variation No.1 (Malagueña) Flamenco Variation No.2 (Solea) Flamenco Variation No.3 (Soleares) Soledades Pasacalle - Gounod | |||
Y | Various Composers = Anthology | Papas, Sophocles | Twenty Easy Pieces | Sophocles Papas, arr. | 1963 | Columbia Music Co. | Solo | Anthology, Folk, Popular, Minuet by Sor | Frère Jacques Bar'bry Allen Rock-A-Bye Baby Waltz in C Auld Lang Syne Long Long Ago - Musgrave Old Black Joe Swanee River - Stephen Foster Cat-A-Rondo Minuet - F. Sor Aura Lee Vidalita - Argentine Folk Tune Air from Martha - Flotow The Last Rose of Summer - Flotow Aloha Oe - Hawaiian Melody America Silent Night - Gruber How Can I Leave Thee Tango Lullaby - Gurlitt | |||
Various Composers = Anthology | Parkening, Christopher, in collaboration with David Brandon | Christopher Parkening Guitar Method, The, Vol. 2 | Christopher Parkening David Brandon | 1997 | Hal Leonard Corporation | Solo, Method | Part Anthology, Solos, 3 Duets at end | Part One- Technique Notes on the First String Guide and Pivot Fingers Spanish Ballad - David Brandon Vibrato Dotted Eighth Notes Mazurka - David Brandon Quality ofSound Silent Night - F. Gruber, arr. D. Brandon Slur Technique Toccata - David Brandon Grace Notes Canario - Carlo Calvi Danza - Carlo Calvi More Work in 2nd Position Spanish Waltz - Anonymous Notes on the Second String Natural Harmonics Canción - David Brandon Notes on the Third String Dampening Interlude - David Brandon French Lullaby - David Brandon Russian Folk Song - Traditional, arr. David Brandon Tarantella - Sicilian Traditional, arr. D. Brandon Carol of the Bells - M. Leontovich, arr. D. Brandon Notes on the Fourth String Prelude in E Minor - David Brandon Success vs. Excellence Scarborough Fair - arr. D. Brandon Notes on the Fifth String Notes on the Sixth String More Work on the Bass Strings Sightreading Mastering the Fingerboard Lesson in A Minor - Napoleon Coste Lesson in A Major - Napoleon Coste Moto Perpetuo (excerpt) - Nicolo Paganini Performance Anxiety Left-Hand Fingering Principles Accuracy and Control Moveable Scales Speed Techniques Special Effects Notation ofSpecial Effects Sakura - Japanese Folk Song Artificial Harmonics Catalonian Folk Song - arr. D. Brandon Tuning Tips Low D Tuning Preludio - Anonymous Theme and Variation (from Caprice #24) - Nicolo Paganini Ornamentation Advanced Bar Techniques Bianco Fiore - Anonymous Interval Studies Left-Hand Shifts Rules To Be Broken Twenty-Minute Workout - David Brandon Interpretation of Music Summary of Artistic Devices Part Two-Repertoire Renaissance Period: Danza - Anonymous Gagliarda - Anonymous Canzone - Anonymous Salterello - Anonymous Pavane - Luis Milan Alman - Robert Johnson Branle - Jean-Baptiste Besard Volte - Jean-Baptiste Besard Galliard - John Dowland Allemande - John Dowland Baroque Period: Prelude - Robert de Visée Bourrée - Robert de Visée Pavanas - Gaspar Sanz Bourrée (from 1st Lute Suite) - Johann Sebastian Bach Prelude (from 1st Cello Suite) - Johann Sebastian Bach Sonata in A (L. 483) - Domenico Scarlatti Classical Period: Study in EMinor (Op. 60, No. 19) - Matteo Carcassi Study in A (Op. 60, No. 3) Study in A Minor (Op. 60, No. 7) - Matteo Carcassi Study in A (Op. 6, No. 2) - Fernando Sor Study in B Minor (Op. 35, No. 22) - Fernando Sor Minuet in C (Op. 25) - Fernando Sor Waltz in E (Op. 32, No. 2) - Fernando Sor Rondo - Mauro Giuliani Theme and Variations (Op. 71, No. 1) - Mauro Giuliani Allegro Spiritoso (Op. 1, No. 10) - Mauro Giuliani Romantic Period: Estudio - Francisco Tárrega Lágrima - Francisco Tárrega Adelita - Francisco Tárrega Estudio - Daniel Fortea Estudio del Ligado - Agustín Barrios Romance - Anonymous Three Duets: La Rossignol (Duet) - Anonymous Drewries Accordes (Duet) - Anonymous Canon (Duet) - Georg Philipp Telemann Sound Production | Richard Childress | |||
Y | Various Composers = Anthology | Parkening, Christopher | Parkening and the Guitar - Music of Two Centuries: Popular new transcriptions for guitar, Vol, I | Christopher Parkening | 1977 | Antigua Casa Sherry-Brener | Solo | Anthology, Ravel, Handel, Poulenc, Weiss, et. al. | Afro-Cuban Lullaby - Léo Brouwer Empress of the Pagodes - Maurice Ravel Menuet - Maurice Ravel Minuet in D - G. F. Handel Passacaille - Sylvius Leopold Weiss Pastourelle - Francis Poulenc Pavane for a Dead Princess - Maurice Ravel Pavane for a Sleeping Beauty - Maurice Ravel Preambulo - A. Scarlatti-Ponce Sarabande - G. F. Handel | |||
Y | Various Composers = Anthology | Parkening, Christopher | Virtuoso Music for Guitar: Romanza | Christopher Parkening, Jack Marshall | 1973 | Antigua Casa Sherry-Brener, Ltd. | Solo | Anthology | Catalonian Song - Anonymous Rumores de La Caleta - I. Albeniz Romance - Anonymous | |||
Y | Various Composers = Anthology | Phillips, Mark | Pop Classics for Classical Guitar | Mark Phillips | 1979 | Warner Bros. Publications Inc. | Solo | Anthology, Popular, Movie Themes | MacArthur Park - Jimmy Webb The Homecoming - Hagood Hardy Margaritaville - Jimmy Buffett Goodbye Girl - David Gates My Fair Share (Theme from "One on One") - Charles Fox Evergreen (Theme from "A Star Is Born") - Barbra Streisand Morning Has Broken - Cat Stevens Can You Read My Mind? (Theme from "Superman") - John Williams If You Could Read My Mind - Gordon Lightfoot Precious and Few - Walter D. Nims | |||
Various Composers = Anthology | Power, Bob | All Together for Christmas: Book 2 | Bob Power | 1995 | CMP Publications | 4 guitars | Quartet, Ensemble, Christmas, Medley, Holiday | Silent Night God Rest Ye Merry Gentlemen Christmas Medley Coventry Carol | ||||
Y | Various Composers = Anthology | Robison, Paula and Hand, Frederic | Amazing Grace: Eight Songs of the Spirit for Flute and Guitar | Paula Robinson, Frederic Hand | 2011 | Theodore Presser Company | Flute and Guitar | Anthology, Duet, Spiritual, Religious, Folk, Traditional, Score only, No lyrics | Shall we Gather at the River? ("Beautiful River", 1864) - Robert Lowry (1826-1899) The King of Love My Shepher Is - Traditional Irish Hymn ("St. Columba") Amazing Grace - Traditional American Hymn ("New Britain" c. 1829) Yadin's Song - Ariel Zilber (b. 1943) Raisins and Almonds - Abraham Goldfaden (1840-1908) Song of the Rice Sowers (Canto delle mondine) - Italian Folk melody Wondrous Love (1835) - William Walker (1809-1875) We Are Climbing Jacob's Ladder - African American Spritual | |||
Y | Various Composers = Anthology | Rooley, Anthony | Four Elizabethan Dances (for lute) | Anthony Rooley | 1969 | Oxford University Press | Solo | Anthology | 1. Alman - Robert Johnson 2. Master Piper's Pavan - John Dowland 3. Kemp's Jig - Anon. 4. Mounsier's Almaine - Daniel Batchelar / Bacheler | |||
Y | Various Composers = Anthology | Rudenev, Sergei | Russian Guitar Composers of the XIX Century | Sergei Rudnev (also spelled Rudenov) | 2018 | Virtuozo | Solo | Anthology, Russian, Folk Songs, all text in Russian | Elegy - Nikolai Alexandrov Two Exercises - Nikolai Alexandrov Mazurka - Nikolai Alexandrov Lost Illusion - Nikolai Alexandrov Adieu Adie (Melancholic Waltz - Nikolai Alexandrov Tell Her Romance (music by Kochubey, restoration) - Nikolai Alexandrov Scherzo - Nikolai Alexandrov Polka - Nikolai Alexandrov Three Studies - Nikolai Alexandrov Romance Without Words - Nikolai Alexandrov Prayer - Nikolai Alexandrov Dumka (on the theme of the Russian folk song "People Blame Me") - Nikolai Alexandrov Melody (original in C-dur) - Nikolai Alexandrov Home - Nikolai Alexandrov Polka - Nikolai Alexandrov Slow Waltz - Alexander Vetrov/VetrovAlexander Scherzo - Alexander Vetrov/VetrovAlexander Adagio (from Sonata) - Alexander Vetrov/VetrovAlexander Improvization on Polonaise byOginsky - Alexander Vetrov/VetrovAlexander Canzonetta - Alexander Vetrov/VetrovAlexander Adagio - Alexander Vetrov/VetrovAlexander Etude - Alexander Vetrov/VetrovAlexander Thought (Quasi und fantasia) - Alexander Vetrov/VetrovAlexander Romance Without Words - Alexander Vetrov/VetrovAlexander Fantasy on the theme "You Won't Believe" - Alexander Vetrov/VetrovAlexander Hoktioph - Vasily Sarenko Romanced Without Words - Vasily Sarenko Etude on the theme "Sleep, My Beautiful Baby" - Vasily Sarenko Etude - Vasily Sarenko Etude-Sketch - Vasily Sarenko Etude on the theme "It Used to be, It Happened... - Vasily Sarenko Variations on a theme by Mozart - Aksenov Semyon Nikolaevich Impromptu - Aksenov Semyon Nikolaevich How the Slobodushka (Darling?) Stands Behind the River (Russian folk song) - Aksenov Semyon Nikolaevich The People Blame Me - Aksenov Semyon Nikolaevich Tyrolian Waltz (variations on a Tyrolian theme) - Aksenov Semyon Nikolaevich Kamarinskaya (A. O. Sikhre) - Aksenov Semyon Nikolaevich Adagio - Vladimir Morkov (Ivanovich) Luchina, My Luchinuska (Russian folk song) - Vladimir Morkov (Ivanovich) Etude - Vladimir Morkov (Ivanovich) Longing for the Homeland (musicd by A. Jungman) - Vladimir Morkov (Ivanovich) Etude - Vladimir Morkov (Ivanovich) Over the Mountain, Over the Dales (Russian folk song) - Vladimir Morkov (Ivanovich) Etude - Vladimir Morkov (Ivanovich) Remember Me, My Light (Russian folk song) - Vladimir Morkov (Ivanovich) 5 Preludes - Vladimir Morkov (Ivanovich) Landler (Folk Austrian-German Dance) - Fedor Zimmerman/Mikhailovich Etude-Fantasy - Fedor Zimmerman/Mikhailovich Waltz-Elegy - Fedor Zimmerman/Mikhailovich Capriccio - Fedor Zimmerman/Mikhailovich Fantasy (O. A. Petrov) - Fedor Zimmerman/Mikhailovich Theme with Variations - Fedor Zimmerman/Mikhailovich I'm Going to Mow the Grass (Russian folk song) - Ivan Lyakhov/Yegorovich Polka-Mazurka - Ivan Lyakhov/Yegorovich Overgrown Stitches (Russian folk song) - Ivan Lyakhov/Yegorovich | |||
Y | Various Composers = Anthology | Salz, Simon | Wedding Songs for the Solo Guitarist: A Collection of Love Songs | Simon Salz | 1991 | CPP/Belwin, Inc. | Solo | Anthology, Wedding, Popular, some mold damage, includes tablature | You Light Up My Life - Joe Brooks You Are So Beautiful - Billy Preston and Bruce Fisher We've Only Just Begun - Roger Nichols (missing 1 bar, torn page) Bridal Chorus (Wedding March from "Lohengrin") - Richard Wagner (missing one bar, torn page) The Wedding March (from "A Midummer Night's Dream) - Felix Mendelssohn Through the Eyes of Love (Theme from "Ice Castles") - Marvin Hamlisch Colour My World - James Pankow After All (Theme from "Chances Are") - Dean Pitchford and Tom Snow Always - Jonathan Lewis, David Lewis, and Wayne Lewis Main Theme (from "Water Music") - George Frideric Handel What Are You Doing the Rest of Your Life? - Michel Legrand Ave Maria - Franz Schubert Canon in D - Johann Pachelbel If You Say My Eyes Are Beautiful - Elliot Willensky | |||
Y | Various Composers = Anthology | Scheit, Karl | Music for Guitar: Renaissance | Karl Scheit | 1980 | Universal Edition | Solo | Anthology | An English Branle - Emanuel Adriaenssen Allemande (A minor) - Anonymous Allemande (E minor) - Anonymous Balletto - Anonymous Cackling Hens - Anonymous Canzone (D major, 4/4) - Anonymous Canzone (D major, 2/4) - Anonymous Clement's Squirill - Anonymous Currant - Anonymous Dance (A major) - Anonymous Dance (B major) - Anonymous English Dance - Anonymous Galliarde (E major) - Anonymous Galliarde (A minor) - Anonymous Go From My Window - Anonymous Kemp's Jig - Anonymous Masquerade - Anonymous Packington's Pound - Anonymous Pavane - Anonymous Playfellow - Anonymous Villanelle - Anonymous Volt - Anonymous Watkin's Ale (Dance) - Anonymous Ballad Tune - William Ballet's Lute Book (1580) Greensleeves - William Ballet's Lute Book (1580) Irish Tune - William Ballet's Lute Book (1580) The Sinckapace Galliarde - William Ballet's Lute Book (1580) Bockington's Pound - Francis Cutting The Squirrel's Toy - Francis Cutting Toy - Francis Cutting Alman - John Dowling Come Again - John Dowling Fortune - John Dowling The Sick Tune - John Dowling Willson's Wilde - The "Dowland" Ms Folger Library Echo - Valentin Haussmann Netherlandic Round Dance - Hans Judenkunig Allemande of Love - Cesar Negri Alta of Mendoza - Cesar Negri Bassa of the Nymphs - Cesar Negri Catena of Love - Cesar Negri Courtesy of Love - Cesar Negri Dance for a Gentleman - Cesar Negri Dance for a Lady - Cesar Negri I Know Who Has Fun - Cesar Negri Joyous Bassa - Cesar Negri Somalian Alta - Cesar Negri The Spagnoletto - Cesar Negri The White Flower - Cesar Negri A Little Netherlandic Dance - Hans Neusidler Preamble - Hans Neusidler A Welsh Dance - Hans Neusidler Madame Fugger's Dance - Melchior Neusidler Dance - Jane Pickering's Lute Book The Maids in Constrite - Jane Pickering's Lute Book A Toy - Jane Pickering's Lute Book What If a Day or a Moneth or a Year - Jane Pickering's Lute Book An Almaigne - Thomas Robinson Grisse His Delight - Thomas Robinson Merry Melancholie - Thomas Robinson Robinson's May - Thomas Robinson Fantasy - Mattheus Waissel German Dance - Mattheus Waissel The English Hen's Up - John Whitfield | |||
Various Composers = Anthology | Segovia, Andres | Andrés Segovia: The Finest Pieces from his Repertoire | Andrés Segovia | 1987 | Schott Musik International | Solo | Anthology | Aria con Variazioni detta „La Frescobalda“ - Girolamo Frescobaldi (1583-1644) Chaconne - Johann Sebastian Bach (1685-1750) Gavotte I and II - Johann Sebastian Bach Passacaglia - Louis Couperin (1630-1665) Sonata (aus "8 Aylesforder Stücke") - Georg Friedrich Händel (1685-1759) Sonata - Domenico Scarlatti (1685-1757) Sonatine - Georg Benda (1772-1795) Cantabile - Johann Baptist Vanhall (1739-1813) Minuetto - Johann Baptist Vanhall Variationen uber „Das klinget so herrlich“ (aus der Oper „Die Zauberflöte“ von W A. Mozart opus 9) - Fernando Sor (1778-1839) Bittendes Kind (aus "Kinderszenen" opus 15 No. 4) - Robert Schumann (1810-1856) Fürchtenmachen (aus "Kinderszenen" opus 15 No. 11) - Robert Schumann Walzer opus 39 No. 8 - Johannes Brahms (1833-1897) Mazurka opus 63 No. 3 - Frederic Chopin (1810-1849) Tango opus 165 No. 2 - Isaac Albéniz (1860-1909) Sonata meridional: I. Campo; II. Copla; III. Fiesta - Manuel M. Ponce (1882-1948) Thème varié et Finale - Manuel M. Ponce Tres canciones populares mexicanas - Manuel M. Ponce Hommage à Tarrega: I. Garrotin;II. Soleares - Joaquin Turina (1882-1949) Fandanguillo - Joaquin Turina Serenata burlesca - Federico Moreno Torroba (1891-1982) Suite casteliana: 1. Fandanguillo; 2. Arada; 3. Danza - Federico Moreno Torroba Mazurka - Alexandre Tansman (1897-1986) Estudios: I. Oracion; II. Remembranza; III. Divertimento - Andres Segovia (1893-1987) Estudio sin luz - Andres Segovia Tonadilla (auf den Namen Andrés Segovia opus 170 No. 5) - Mario Castelnuovo-Tedesco (1895-1968) | ||||
Various Composers = Anthology | Siktberg, Stephen | Christmas Music for Acoustic Guitar | Stephen Siktberg | 1993 | Mel Bay Publications | Solo | Anthology, includes separate tablature | Angels from the Realms of Glory - H. T. Smart Break Forth, O Beauteous Morning Light - J. S. Bach Deck the Halls - Traditional The First Noel - Traditional Gentle Mary (same melody as Good King Wenceslas) - Traditional Infant Holy, Infant Lowly - Traditional It Came Upon A Midnight Clear - Richard S. Willis O Come O Come Emmanuel - Traditional While Shepherds Watched Their Flocks - G. F. Handel God Rest Ye, Merry Gentlemen - Traditional Good Christian Men, Rejoice!/Bring the Torch Jeanette, Isabella - Traditional Hark! The Herald Angels Sing - Felix Mendelssohn Silent Night - Franz Gruber Watchman, Tell Us of the Night - Joseph Parry What Child Is This/We Three Kings - Traditional/John H. Hopkins Joy To The World - G. F. Handel O Come, All Ye Faithful -- J. F. Wade O, Holy Night - Adolphe Adam O, Little Town of Bethlehem - Lewis H. Redner O Tannenbaum/We Wish You A Merry Christmas - Traditional German/English | Richard Childress | |||
Y | Various Composers = Anthology | Sislen, Myrna | Intermediate Guitar Solos: With Commentary | Myrna Sislen | 1970 | Robbins Music Corporation | Solo | Popular, Musical, Movie | Aquarius (from the musical "Hair") - Galt MacDermot Sunny (hit from the '60's) - Bobby Hebb Everybody's Talkin' (from the movie "Midnight Cowboy") - Fred Neil Leaving on a Jet Plane ('70's hit by Peter, Paul, and Mary) - John Denver Good Morning Sunshine (from the musical "Hair) - Galt MacDermot Big Spender (from the musical "Sweet Charity", performed by Peggy Lee) - Cy Coleman Put a Little Love in Your Heart ('60's hit performed by Jacki De Shannon, also used in movie "Scrooged") - Jimmy Holliday, Randy Myers, Jackie De Shannon What Are You Doing the Rest of Your Life? (from the movie "The Happy Ending - Michel Legrand Manchester England (from the musical "Hair") - Galt MacDermot Where Do I Go? (from the musical "Hair") - Galt MacDermot You and I (from the movie "Goodbye, Mr. Chips") - Leslie Bricusse Fill the World Withd Love (from the movie "Goodbye, Mr. Chips") - Leslie Bricusse Without Her - Harry Nilsson Midnight Cowboy (theme from the movie "Midnight Cowboy") - John Barry Happy Heart ('60's hit sung by Andy Williams) - James Last Don't Blame Me (1930's song covered by Ethel Merman, Nat King Cole, et. al.) - Jimmy McHugh Never On Sunday (from the movie "Never on Sunday") - Manos Hadjidakis The Windmills of Your Mind (from the movie "The Thomas Crown Affair") - Michel Legrand | |||
Y | Various Composers = Anthology | Sislen, Myrna | Renaisance Lute Music for the Guitar: An Anthology of Constant Delight | Myrna Sislen | 1973 | Robbins Music Corporation | Solo | Anthology, Renaissance, Lute | Fancy - Francesco Canovada Milano The Right Honourable The Lady Cliftons Spirit - John Dowland Mrs. Anne Green Her Leaves Bee Greene - Thomas Ford Fantasia (easiest song) - Francesco Canovada Milano Ricercar - Francesco Canovada Milano Monsier's Almaine - Daniel Batchelar / Bacheler The Most Sacred Queen Elizabeth, Her Galliard - John Dowland The Right Honourable, Robert, Earle of Essex, High Marshall of England, His Galliard - John Dowland Galliard To Lachrime - John Dowland The Right Honourable The Lord Viscount Lisle Lord Chamberlain To The Queens Most Excellent Majesty, His Galliard - John Dowland Fantasie - John Dowland Composed By The Right Perfect Musician Daniell Batchelar: One Of The Groomes Of Her Majiesties Priuie Chamber (Pavin) - Daniel Batchelar | |||
Y | Various Composers = Anthology | Snyder, Jerry | The Classical Guitar Library Volume I | Jerry Snyder | 1992 | CPP/Belwin, Inc. | Solo | Anthology: Bach, Grieg, Haydn, Schumann, Tchaikovsky | Bouree, from Lute Suite I in E minor, BWV 996 - J. S. Bach Jesu, Joy of Man's Desiring, from Cantata No. 147 - J. S. Bach Chorale, from Anna Magdalena No. 32, Anhang 131 - J. S. Bach Chorale in C Major, from Anna Magdalena, BWV 514 - J. S. Bach Gavotte, from the Orchestra Suite No. 3 in D, BWV 1068 - J. S. Bach Gavotte I, from the Sixth Cello Suite, BWV 1012 - J. S. Bach Sleepers, Wake, from Cantata No. 140, BWV 140 - J. S. Bach Menuet, from Anna Magdalena No. 4, Anh. 116 - J. S. Bach Menuet, from Anna Magdalena Notebook, BWV Anh. 132 - J. S. Bach Menuet, from Anna Magdalena No. 3, Anh. 115 Menuet (Trio) from Suite in G minor, BWV 822 - J. S. Bach Musette, from Anna Magdalena Notebook, BWV Anh. 126 - J. S. Bach Bouree, from Cello Suite III, BWV 1009 - J. S. Bach Gavotte - J. S. Bach Rondo (Gavotte en Rondo), from Partita III for Solo Violin, BWV 1006 - J. S. Bach Gavotte, from French Suite VI, BWV 817 - J. S. Bach Ase's Death, from Peer Gynt Suite II, Op. 46, No. 2 - Edvard Grieg Theme from Norwegian Dance, Op. 35, No. 2 - Edvard Grieg Morning-Mood (Excerpts), from Peer Gynt Suite I, Op. 46, No. 1 - Edvard Grieg Grisen, from Norwegian Dances and Songs, Op. 17, No. 8 - Edvard Grieg Waltz, from Lyric Pieces, Book I, Op. 12, No. 2 - Edvard Grieg Melofy, from Lyric Pieces, Book IV, Op. 47, No. 3 - Edvard Grieg Theme from Erotik, from Lyric Pieces, Book III, Op. 43, No. 5 - Edvard Grieg Arietta, from Lyric Pieces, Book I, Op. 12, No. 1 - Edvard Grieg Album-Leaf, from Lyric Pieces, Book I, Op. 12, No. 7 - Edvard Grieg Solvejg's Song, from Peer Gynt Suite I, Op. 55, No. 4 - Edvard Grieg Ballad, from Lyric Pieces, Book I, Op. 12, No. 7 - Edvard Grieg Folk Song, from Lyric Pieces, Book II, Op. 38, No. 2 - Edvard Grieg Scherzo, from Divertimento No. 9, Hob. XVI/9 - Joseph Haydn Chorale of St. Anthony - Joseph Haydn Little Serenade - Joseph Haydn Finale, from Cello Concerto in D, Op. 101 - Joseph Haydn Andante, from Symphony No. 94, in G ("Surprise") - Joseph Haydn Finale, from String Quartet in F, Op. 74, No. 2 - Joseph Haydn Serenade, from String Quartet, Op. 3, No. 5 - Joseph Haydn Three Minuets: I, II, III - Joseph Haydn Three German Dances, from Twelve German Dances, Hob. IX/12 - Joseph Haydn The Old Austrian National Anthem, Theme from String Quartet in C ("Emperor"), Op. 76, No. 3, 2nd movement - Joseph Haydn Allemande - Joseph Haydn Minuet, Hob. XI - Joseph Haydn Minuet, from Syphony No. 104, in D ("London"), 3rd Movement, First Theme - Joseph Haydn First Loss (Erster Verlust), Op. 68, No. 16 - Robert Schumann The Happy Farmer (Frohlicher Landman), Op. 68, No. 10 - Robert Schumann Humming Song (Trallerliedchen), Op. 68, No. 3 - Robert Schumann Little Cradle Song (Wiegenliedchen), Op. 124, No. 6 - Robert Schumann Little Romance, Op. 68, No. 19 - Robert Schumann A Little Piece (Stuckchen), Op. 68, No. 5 - Robert Schumann Melody (Air), Op. 68, No. 1 - Robert Schumann Norse Song (Greeting to Gade), Op, 68, No. 41 - Robert Schumann Reverie (Traumerei), Op. 15, No. 7 - Robert Schumann Rustic Song, Op. 68, No. 20 - Robert Schumann Siciliano (Sicilianisch), Op. 68, No. 11 - Robert Schumann Soldier's March (Soldatenmarsch), Op. 68, No. 2 - Robert Schumann Waltz (Walzer), Op. 124, No. 4 - Robert Schumann You Are Like a Flower (Du bist wie eine blume) from "Myrten", Op. 68, No. 24 - Robert Schumann Barcarolle (June), from The Seasons, Op. 37a, No. 6 - Peter I. Tchaikovsky Theme from Chanson Triste, from 12 Pieces of Moderate Difficulty, Op. 40, No. 2 - Peter I. Tchaikovsky Theme from Piano Concerto No. 1, Op. 23 - Peter I. Tchaikovsky Humoresque, Op. 10, No. 2 - Peter I. Tchaikovsky March of the Tin Soldier, from the Album for the Young, Op. 39, No. 5 - Peter I. Tchaikovsky Morning Prayer, from the Album for the Young, Op. 39, No. 1 - Peter I. Tchaikovsky Theme from Romeo and Juliet, from the Overture-Fantasy - Peter I. Tchaikovsky Russian Song, from the Album for the Young, Op. 39, No. 11 - Peter I. Tchaikovsky Theme from Swan Lake, Op. 20 - Peter I. Tchaikovsky Sweet Dreams, from the Album for the Young, Op. 39, No. 21 - Peter I. Tchaikovsky Theme from Symphony No. 6, Op. 74, 2nd Movement - Peter I. Tchaikovsky Theme from Symphony No. 5, Op. 64, 2nd Movement - Peter I. Tchaikovsky Triquet's Couplets, from Eugene Onegon, Op. 24 - Peter I. Tchaikovsky | |||
Y | Various Composers = Anthology | Snyder, Jerry | The Classical Guitar Library Volume II | Jerry Snyder | 1992 | CPP/Belwin, Inc. | Solo | Anthology: Bach, Bartok, Beethoven, Handel, Mozart, Scarletti | Menuet, from Anna Magdalena, No. 2, Anh. 114 - J. S. Bach Air on the G String, from Orchestra Suite No. 3, BWV 1068 - J. S. Bach Chorale - J. S. Bach Be Thou With Me (Bist Du Bei Mir), from Anna Magdalena Notebook, BWV508 - J. S. Bach Allegretto - Bela Bartok Andante, from For Children - Bela Bartok Ballad, from For Children - Bela Bartok Dialogue, from The First Term at the Piano - Bela Bartok Peasant's Dance, from The First Term at the Piano - Bela Bartok Folk Song, from For Children - Bela Bartok Waltz, from The First Term at the Piano - Bela Bartok Funeral Dirge, from For Children - Bela Bartok Minuet, fromk The First Term at the Piano - Bela Bartok Moderato, from Bartok-Resckhofsky "PIano Method" - Bela Bartok Poco Vivace, from For Children - Bela Bartok Round, from For Children - Bela Bartok Play Song, from For Children - Bela Bartok Song, from For Children - Bela Bartok Variations, from For Children - Bela Bartok Allemande and Trio, Wo O 42 - Ludwig van Beethoven German Dance, Wo O 42 - Ludwig van Beethoven Ecossaise in G - Ludwig van Beethoven Minuet - Ludwig van Beethoven Ode to Joy, from Symphony No. 9 in D minor, Op. 125 - Ludwig van Beethoven Rondoletto - Ludwig van Beethoven Minuet - Ludwig van Beethoven (repeated?) Contre-Dance - Ludwig van Beethoven Sonatina in G - Ludwig van Beethoven Romanze - Ludwig van Beethoven Russian Folk Song - Ludwig van Beethoven Theme from Fur Elise - Ludwig van Beethoven Bourree, from Flute Sonata in G major - Georg Frideric Handel Air, from the "Aylesford" manuscripts - Georg Frideric Handel Impertinence, from the "Aylesford" manuscripts - Georg Frideric Handel Gavotte and Variation, from Suite of Pieces pour le Clavecin - Georg Frideric Handel Gavotte, from the "Aylesford" manuscripts - Georg Frideric Handel Minuet, from the "Aylesford" manuscripts - Georg Frideric Handel Minuet, from Courate e Due Menuetti - Georg Frideric Handel Sarabande, from the Harpsichord Suite in D minor - Georg Frideric Handel Passepied, from the "Aylesford" manuscripts - Georg Frideric Handel The Harmonious Blacksmith, from the Harpsichord Suite V - Georg Frideric Handel Sarabande and Variations, from the Harpsichord Suite in D minor - Georg Frideric Handel Suite for a Musical Clock, from the "Aylesford" manuscripts - Georg Frideric Handel Allegro, K. 3 - Wolfgang Amadeus Mozart Andante, K 15 - Wolfgang Amadeus Mozart Minuet, K. 2 - Wolfgang Amadeus Mozart Minuet in F, K. 5 - Wolfgang Amadeus Mozart Minuet in C, K. 6 - Wolfgang Amadeus Mozart Minuet No. 1, K. 1 - Wolfgang Amadeus Mozart Minuet - Wolfgang Amadeus Mozart Minuet, "Don Giovanni" from Finale, Act I, K. 527 - Wolfgang Amadeus Mozart Minuet, from Eine Kleine Nachtmusik, K.-V. 525 - Wolfgang Amadeus Mozart Symphony No. 39, K.-V. 543 - Wolfgang Amadeus Mozart Symphony No. 40, K. 550 - Wolfgang Amadeus Mozart Theme for Variation, K. 331 - Wolfgang Amadeus Mozart Viennese Sonatina IV, K. 439b - Wolfgang Amadeus Mozart Gavotte, K. 64; L. 58 - Domenico Scarlatti Larghetto, K. 34; L.S. 7 - Domenico Scarlatti Minuet, K. 73c; L. 217 - Domenico Scarlatti Aria, K. 32; L. 423 - Domenico Scarlatti Minuet, K. 88; L.36 - Domenico Scarlatti Minuet, K. 42; L. S. 36 - Domenico Scarlatti Minuet, K. 73b; L. 217 - Domenico Scarlatti Pastorale, K. 415; L.s. 11 - Domenico Scarlatti Sonata, K. 90d; L. 106 - Domenico Scarlatti Minuet, K. 78: L. 75 - Domenico Scarlatti Sonata, K. 322; L. 483 - Domenico Scarlatti | |||
Y | Various Composers = Anthology | Tárrega, Francisco (1852-1909) | Obras Clasicas Y Romanticas | Francisco Tárrega, Isaias Savio, rev. | 1957 | Ricordi Americana | Solo | Anthology | Fuga, (from 1st Violin Sonata) - J. S. Bach Bourée, (from 2nd Violin Sonata) - J. S. Bach Andante - J. Haydn Andante cantabile - W. A. Mozart Adagio, (from Pathetique Sonata, Op. 13) - L. V. Beethoven Momento musical, Op. 94, No. 3 - F. Schubert Gondola veneciana, Op. 19, No. 6 - F. Mendelssohn Canzoneta, (from Quartet Op. 12) - F. Mendelssohn Berceuse - R. Schumann Saint-Nicolas - R. Schumann Au Soir, Op. 12 - R. Schumann Romanza - R. Schumann Nocturno, Op. 9, No. 2 - F. Chopin Preludio, No. 7 - F. Chopin Preludio, No. 20 - F. Chopin Granada, Serenata - L. Albeniz Cadiz, Serenata - L. Albeniz | |||
Various Composers = Anthology | Eythor Thorlaksson | 12 Guitar Trios for Beginners: Folk Tunes, Folk Dances, Christmas Songs | Eythor Thorlaksson | The Guitar School - Iceland www.eythorsson.com | 3 guitars | Anthology, Trio, Ensemble, Scores only | First Day of Spring - Icelandic folk song The Giant in the Woods - Catalan folk song Then Newborn Jesus - W. J. Kirkpatrick Jingle Bells - J. Pierpont Villancico - folk song In Christmas Time - Eythor Thorlaksson Nadal - Villancico El Ruquet Valent - Catalan folk song Estartit - Folk dance Calypso - Jamaican folk dance Taconeado - Mexican folk dance Flowerland - Eythor Thorlaksson" | |||||
Y | Various Composers = Anthology | Traditional | Traditional Christmas for Classical Guitar, Volume One | Elias Barreiro | 1980 | The Willis Music Do. | Solo | Christmas, Holiday, Anthology, Collection, Traditional | Away In A Manger - Martin Luther and J. E. Spilman [William J. Kirkpatrick] Good King Wenceslas - Traditional It Came Upon A Midnight Clear - R. S. Willis Jingle Bells - J. Pierpont Lullay, Thou Little Tiny Child (The Coventry Carol) - Old English Melody O Christmas Tree - Traditional O Little Town Of Bethlehem - L. H. Redner, Phillips Brooks We Three Kings Of Orient Are - Traditional We Wish You A Merry Christmas - Traditional | |||
Y | Various Composers = Anthology | Traditional | Traditional Christmas for Classical Guitar, Volume Two | Elias Barreiro | 1980 | The Willis Music Do. | Solo | Christmas, Holiday, Anthology, Folk | The First Noel - English Traditional Silent Night! Holy Night - Franz Gruber Joy To The World - G. F. Handel What Child Is This? (Greensleeves) - English Traditional O Come, All Ye Faithful - Traditional The Twelve Days Of Christmas - English Traditional Deck The Halls - Welsh Traditional God Rest Ye Merry, Gentlemen - English Traditional Hark! The Herald Angels Sing - Felix Mendelssohn | |||
Y | Various Composers = Anthology | Traditional | Christmas with Classical Guitar: Solos and Duets | Charles Duncan | 1991 | Summy-Birchard Inc. | Solo, 2 guitars | Christmas, Holiday, Anthology, Collection, Half solos - half duets | Solos: The First Noel - Traditional French [English] Deck The Hall With Boughs Of Holly - Traditional Welsh Silent Night - Franz Gruber Hark! The Herald Angels Sing - Felix Mendelssohn, Charles Wesley O Come, All Ye Faithful - Traditional What Child Is This? (Greensleeves) - Traditional English O Little Town Of Bethlehem - Lewis H. Redner, Phillips Brooks We Wish You A Merry Christmas - Traditional English Good King Wenceslas - Traditional, words by John M. Neale It Came Upon The Midnight Clear - Richard S. Willis, Edmund Sears God Rest Ye Merry, Gentlemen - Traditional English O Come, O Come Emmanuel - French, 12th century Joy To The World - G. F. Handel, Isaac Watts Jesu, Joy Of Man’s Desiring - J. S. Bach Duets: Hark! The HeraldAngels Sing - Felix Mendelssohn, Charles Wesley God Rest Ye Merry, Gentlemen - Traditional English Deck The Hall With Boughs Of Holly - Traditional Welsh O Little Town Of Bethlehem - Lewis H. Redner, Phillips Brooks Away In A Manger - James R. Murray, John T. McFarland Angels, From The Realms Of Glory - Henry Thomas Smart, James Montgomery The First Noel - Traditional French We Three Kings - John H. Hopkins Joy To The World - G. F. Handel, Isaac Watts Silent Night - Franz Gruber It Came Upon The Midnight Clear - Richard S. Willis, Edmund Sears O Come, All Ye Faithful - John Reading, Fredrick Oakley Bring A Torch, Jeannette, Isabella. (Un Flambeau, Jeanette, Isabelle) - Traditional French Angels We Have Heard On High - Traditional French The Coventry Carol (Lullay, Thou little tiny child) - Traditional English O Christmas Tree - Traditional German Jingle Bells - James Pierpont | |||
Various Composers = Anthology | Traditional | Spanish Christmas Songs (Canciones de Navidad) | Thomas Geoghegan | 1997 | Mel Bay Publications, Inc. | Solo | Christmas, Anthology, Holiday, Folk, includes lyrics with music, Translations provided separately | Veinticinco de diciembre (Fum, Fum, Fum) A la Nanita Nana (Little Lullaby) La Pastora (The Shepherdess) Els Pastorets (The Shepherds) El Noi de la Mare (The Son of the Virgin) - Catalan Nit de Vetlla (Night Vigil) - Catalan Oi Betleem (O Bethlehem) - Basque Birjina gaztettobat zegoen - Basque El desembre congelat (Cold December's Winds Were Stilled) - Catalan English translations Basque pronunciation Catalan pronunciation | Richard Childress | |||
Y | Various = Anthology | Traditional | Classical Guitarist's Gig Book, Op. 14, A (Christmas and Holiday Music) for guitar and melody instrument, Volume 1 | Anthony Glise | 1994 | Aevia Publications, Ltd | guitar and melody, 2 guitars, duet | Anthology, Christmas, Holiday, Wedding, Religious | Christmas and Holiday Music Angels We Mave Heard on Migh Away in a Manger Christ Was Born on Christmas Day Bring a Torch, Jeannette, Isabella Deck the Halls The First Noel It Came Upon a Midnight Clear God Rest Ye, Merry gentlemen Good Christian Men, Rejoice Good King Wenchelas [Wenseslas] Hark the Herald Angels Sing Jingle Bells Jolly Old St. Nicholas Joy to the World Lo, How a Rose Oh Christmas Tree Oh Come, All Ye Faithful Oh Come Little Children O Come, O Come Immanuel Silent Night We Three Kings We Wish You a Merry Christmas What Child Is This [Greensleeves] While Shepherds Watched Their Flocks Weddings and Religious Services A Mighty Fortress is Our God (Luther) Ave Maria (Schubert) Christ the Lord is Risen Today Fairest Lord Jesus For the Beauty of the Earth In Christ There Is No East or West O Sacred Head (from Bach's St. Matthew's Passion) Wedding march (from Mendelssohn's "A Midsummer Night's Dream"` | |||
Y | Various Composers = Anthology | Traditional | Fingerpicking Christmas: 20 Carols...in Standard Notation & Tablature | Hal Leonard | 2003 | Hal Leonard Corporation | Solo | Christmas, Holiday, Anthology, Collection, includes lyrics, tablature | Angels We Have Heard on High - Traditional French Carol Away in a Manger - James R. Murray, John T. McFarland I Saw Three Ships - Traditional English Carol Deck the Hall - Traditional Welsh Carol The First Nöel - 17th Century English Carol Go, Tell It on the Mountain - African American Spiritural God Rest Ye Merry, Gentlemen - 19th Century English Carol Good King Wenceslas - (from Piae Cantiones) - Words by John M. Neale Hark! The Herald Angels Sing - Felix Mendelssohn It Came Upon the Midnight Clear - Richard S. Willis, Edmund Sears Jingle Bells - J. Pierpont Joy to the World - George Frideric Handel, Isaac Watts O Christmas Tree - Traditional German Carol O Come, All Ye Faithful - John Francis Wade O Little Town of Bethlehem - Lewis H. Redner, Phillips Brooks Silent Night - Franz X. Gruber Up on the Housetop - B. R. Handy We Three Kings of Orient Are - John H. Hopkins, Jr. What Child Is This? (Greensleeves) - 16th Century English Melody We Wish You a Merry Christmas - Traditional English Folksong | |||
Various Composers = Anthology | Traditional | Spirituals and Traditionals for Guitar Solo | Fred Harz | 1981 | Gitarre+Laute Verlagsgesellschaft | Solo | Spiritual, Folk, all anonymous but one | Go Down, Moses (Slow) - African American Spiritual Joshua Fit the Battle of Jerico (Moderately) - African American Spiritual My Darling Clementine (Ragtime) - Stephen Foster St. James Infirmary (Blues Shuffle) - Traditional Swing Low (Slow) - - African American Spiritual The House of the Rising Sun (Swing Waltz) - Traditional English | ||||
Various Composers = Anthology | Traditional | Folk Songs from the Appalachian Mountains for Acoustic Guitar | Richard Matteson, Jr. | 1992 | Mel Bay Publications, Inc. | Solo | Anthology, Folk, ballads, includes tablature | Black is the Color of my True Love’s Hair The Braes o’ Yarrow The Cruel Ship’s Carpenter (Pretty Polly) The Cuckoo The Lady and the Dragoon The Lonesome Dove Lord Randal The Lovely Child Old Joe Clark On the Banks of that Lonely River The Riddle Song Seven Long Years Sourwood Mountain Swannanoa Tunnel The Wayfaring Pilgrim | Richard Childress | |||
Y | Various Composers = Anthology | Traditional | Christmas Book | Donald Miller | 2000 | Mel Bay Publications, Inc. | 4 guitars | Anthology, Holiday, Christmas, Quartet, Ensemble. Score and parts, Traditional | A Virgin Unspotted (Billings) Angels We Have Heard on High (Traditional) As Lately We Watched (Austrian Folk Song) Carol of the Bells (Leontovich) Christmas Morn is Dawning (German Folk Song) Ding Dong Merrily on High (French Melody) El Noi de le Mare? (Ancient Catalonian Carol) Noel Nouvelet (French Carol) O, Dearest Love (Hassler) Pat-a-Pan (French Carol) | |||
Y | Various Composers = Anthology | Traditional | An Early American Christmas: The Charm of a Colonial Yuletide | John Mock | 1996 | Mel Bay Publications Inc. | Solo | Christmas, Holiday, Anthology, Collection Traditional | Joy to the World - G. F. Handel, Isaac Watts The Cherry Tree Carol - Traditional English While Shephers Watched Their Flocks I - Traditional English While Shepherds Watched Their Flocks II The Holly and the Ivy - Traditional English The Parting Glass - Traditional Scottish Hark! The Herald Angels Sing - Felix Mendelssohn, Charles Wesley Boston - unknown origin What Child Is This? (Greensleeves) - 16th Century English Melody, p. 14 Sweet Slumbers - unknown origin The Holly Hill - unknown origin The Coventry Carol (Lullay, Thou little tiny child) - Traditional English, p. 18 God Rest Ye Merry Gentlemen - 19th Century English | |||
Various Composers = Anthology | Traditional | International Carols for Acoustic Guitar | Boguslaw Przybylski | 1994 | Mel Bay Publications Inc. | Solo | Anthology, Christmas, Holiday, includes tablature | 1. Adeste fideles - J. Reading (17th Century, Latin) 2. Ya viene la vieja - Traditional Spanish 3. Las posadas - Traditional Spanish 4. El desembre congelat - Traditional Catalonian 5. El cant dels ocells - Traditional Catalonian 6. A la media noche - Traditional Puerto Rican 7. El santo Niño - Traditional Puerto Rican 8. De tierra lejana venimos - Traditional Puerto Rican 9. Cantemos - Traditional Venezuelan 10. La jornada - Traditional Venezuelan 11. Como buska el tierno infante - Traditional Venezuelan 12. Canzone d’i zampognari - Traditional Sicilian 13. Gesù Bambin l’e nato - Traditional Italian 14. Aniol pasterzom mówil - 16/17th Century Polish 15. W żlobie leży - Traditional Polish (Kancjonal Benedyktynek Staniateckich ca. 1717) 16. Dzisiaj w Betlejem - Traditional Polish 17. Chtic, aby spal, tak zpivala - Traditional Czech 18. Zezulka z lesa vylitla - Traditional Czech 19. Pujdem spolu do Betlema - Traditional Czech 20. Sus în poarta raiului - Traditional Roumanian 21. Carol, Carol (Kolyada, Kolyada) - Traditional Ukrainian 22. Az ige megtestesült - Traditional Hungarian 23. Pásztorok, pásztorok örvendezve - Traditional Hungarian 24. Vom Himmel hoch, da komm’ ich her - Martin Luther 1535, German Carol 25. In dulci jubilo - 14th Century German 26. Wie schön leuchtet der Morgenstern - Philip Nicolai 1598, arr. J. S. Bach, ca 1730, German Carol 27. Stille Nacht! heilige Nacht! - Franz Gruber, 1818 Austrian Carol 28. Still, still, still - Traditional Austrian 29. Noël nouvelet - Traditional French 30. Les anges dans nos campagnes - 19th Century French 30. Un flambeau, Jeannette, Isabelle - Traditional Provençal, 17th Century (French) 31. Il est nè, le divin enfant - 18th Century French 32. Célébrons la naissance - 15th Century French | Richard Childress | |||
Various Composers = Anthology | Traditional | American Folk Songs | Jeremy Sparks | Doberman Yppan | 4 Guitars | Anthology, Folk, Americana | ||||||
Y | Various Composers = Anthology | Traditional | Christmas Carols for Easy Classical Guitar | Mark Phillips | 2010 | Cherry Lane Music Company | Solo | Christmas, Holiday, Anthology, Collection,Includes CD, tablature | Angels We Have Heard on High - Traditional French Carol Ave Maria - Franz Schubert Away in a Manger - William J. Kirkpatrick, [James R. Murray], John T. McFarland Deck the Halls - Traditional Welsh Carol The First Noel - 17th Century English Carol God Rest Ye Merry, Gentlemen - 19th Century English Carol Hark! The Herald Angels Sing - Felix Mendelssohn, Charles Wesley It Came upon the Midnight Clear - Richard S. Willis, Edmund H. Sears Jesu, Joy of Man’s Desiring - Johann Sebastian Bach Jingle Bells - J. Pierpong Joy to the World - George Frideric Handel, Isaac Watts O Come, All Ye Faithful (Adeste Fideles) - John Francis Wade O Christmas Tree - Traditional German Carol O Come, O Come, Emmanuel - 15th Century French Melody O Holy Night - Adolphe Adam, Placide Cappeau O Little Town of Bethlehem - Lewis H. Redner, Phillips Brooks Once in Royal David’s City - Jenry J. Gauntlett, Cecil F. Alexander The Twelve Days of Christmas - Traditional English Carol Silent Night - Franz X. Gruber, Joseph Mohr We Three Kings of Orient Are - John H. Hopkins, Jr. We Wish You a Merry Christmas - Traditional English Folksong What Child Is This? (Greensleeves) - 16th Century English Melody | |||
Y | Various Composers = Anthology | Various | Treasury of Classical Guitar Repertoire, A: 48 Favorites in Standard Notation and Tablature | 2005 | Hal Leonard Corporation | Solo | Anthology, includes tablature | Adelita (Mazurka) - Francisco Tárrega Allegro Spiritoso - Mauro Giuliani Bianco Fiore - Cesare Negri Bourrée - Robert de Visee Bourree in E Minor - Johann Sebastian Bach Capriccio - Johann Anton Logy Captain Digorie Piper’s Galliard - John Dowland Dowland’s Galliard - John Dowland Espanoleta - Gaspar Sanz Estudio - Francisco Tarrega Etude in E Minor - Mauro Giuliani Gavotte I & II - Johann Sebastian Bach Gigue - Johann Anton Logy Gigue - Robert de Visee Greensleeves - Traditional Jesu, Joy of Man's Desiring - Johann Sebastian Bach Kemp’s Jig - Anonymous 16th Century La Volta - Anonymous Lágrima - Francisco Tarrega Las Folias de España - Gaspar Sanz Lord Willoughby’s Welcome Home - John Dowland Menuetto - Fernando Sor Menuetto (from Sonata Op. 22) - Fernando Sor Minuet - Robert de Visee Minuet in G - Johann Sebastian Bach Mistress Winter’s Jump - John Dowland Mrs. Nichols' Almain - John Dowland Packington’s Pound - Anonymous English 16th Century Pavana - Gaspar Sanz Prelude - Johann Anton Logy Prelude - Robert de Visee Prelude and Allegro - Santiago de Murcia Recuerdos de la Alhambra - Francisco Tarrega Rondo - Napoleon Coste Rujero - Gaspar Sanz Sarabande - Johann Anton Logy Sarabande - Robert de Visee Se io m’accorgo - Anonymous Italian 16th Century Spanish Romance - Anonymous Study in A Minor - Dionisio Aguado Study No. 2 - Fernando Sor Study No. 5 - Fernando Sor Study No. 6 - Fernando Sor Study, Op. 60, No. 3 - Matteo Carcassi Study, Op. 60, No. 7 - Matteo Carcassi Theme and Variations - Mauro Giuliani Vaghe belleze et blonde treccie d'oro vedi che per ti moro - Anonymous Italian 16th Century | ||||
Y | Various Composers = Anthology | Various | Two Hundred Years of Classical Guitar | Music Sales Pty Ltd, Dorsey Brothers Music Ltd | 1975 | Clifford Essex Publications | Solo | Anthology | GASPAR SANZ (1629-1710) Giga (from the Suite in G Minor) La Preciosa (from the Suite in E Minor) La Serenisma (from the Suite in G Minor) Preludio Fantasia (from the Suite in G Minor) Preludio O Capricho Arpeado (from the Suite in E Minor) Sesquialtera No. 1 (from the Suite in E Minor) Sesquialtera No. 2 (from the Suite in G Minor) Two Sarabandes (from the Suites in E Minor and G Minor) FERDINANDO CARULLI (1770-1841) Andante Grazioso Ballet Poco Allegretto Rondo Three Easy Waltzes Waltz and Rondo FERNANDO SOR (1778-1839) Andantino Andantino Cantabile Etude in A Major Galop Folies D’Espagne Harfenetüde Larghetto Minuet in Bb Major Prelude and Sarabande Seventeenth Century Suite: Minuet 1; Minuet 2; Danza; Sarabande; Gavotte; Minuet Study in A Minor Op.31 Study in B Minor Op.35 Study in E Minor Valse Etude MAURO GIULIANI (1780-1840) AllegrettoOp. 11 Allegretto Op. 147 No.9 Andantino Op. 147 No.2 Andantino Op. 147 No.5 Chit Chat Danse Nord Etude Spirituoso Marcia Melancholia Minuet de la Cour Polonaise Prelude in F Major Sostenuto Tirolesa Valse Etude Vivace Con Brio ANTON DIABELLI (1781-1858) Rondino in C NICOLO PAGANINI (1782-1840) Andantino in A Minor Andantino in D Major Andantino and Minuetto Arietta Marcia Minuet for Dida Piece de Salon Romance in A Minor Sonatina Two Minuets DIONISIO AGUADO (1784-1849) Andante Andante in A Arpeggio Etude Country Dance Etude Brilliante Minuet Minuetto Minuet and Waltz Three Studies LUIGI LEGNANI (1790-1877) Caprice in F Major Capriccio Capriccio No. 2 Marionette Dance Spanish Gypsy Dance MATTEO CARCASSI (1792-1853) Allegretto Caprice Andantino and Waltz Minuet Rondo Study in A Study in E Minor Op. 60 No. 19 Tremolo Study JOHANN KASPAR MERTZ (18O6-1856) Agathe Russisches Zigeunerlied Op. 88 Largo Lob der Thränen Op. 22 No. 2 NAPOLEON COSTE (1806-1883) Scherzo Tarantelle | John Fernando | ||
Y | Various Composers = Anthology | Various | Wedding: 16 Favorites | 1999 | Hal Leonard Corporation | Solo | Anthology, Wedding, Popular, Includes tablature | Air on the G String - Johann Sebastian Bach Ave Maria - Franz Schubert Bist du bei mir - Johann Sebastian Bach Canon in D - Johann Pachelbel Bridal Chorus (from Lohengrin) - Richard Wagner Concerto in D Major - Antonio Vivaldi El Testament d'Amelia - J. S. Bach Minuet (from String Quartet) - Luigi Boccherini Minuet in G Major - Ludwig van Beethoven Prelude (from Cello Suite No. 1) - J. S. Bach Prelude No. 1 (from The Well-Tempered Clavier) - J. S. Bach Recuerdos de la Alhambra - Francisco Tarraga Sheep May Safely Graze - Johann Sebastian Bach Sleepers, Awake - Johann Sebastian Bach Wedding March (from A Midsummer's Dream) - Feliz Mendelssohn Jesu, Joy of Man's Desiring - Johann Sebastian Bach | ||||
Various Composers = Anthology | Vinson, Harvey | Classic Guitar Collection, The, Volume Two (formerly "Classic Guitar Pieces: Music for Millions Series Volume 63") | Harvey Vinson | 1977 | Amsco | Solo | Anthology, Renaissance to 20th century | Estampida - Anonymous (14th Century) Estampida - Anonymous (14th Century) Dove Son Quei Fieri Occhi? - Anonymous (15th Century) Pavana - Anonymous (16th Century) Dance - Anonymous (16th Century) Nachtanz - Anonymous (16th Century) Se Io M’accorgo Ben Mio D’un Altro Amante - Anonymous (16th Century) Dance - Anonymous (16th Century) Veneziana - Anonymous (16th Century) Passamezzo - Anonymous (16th Century) Saltarello - Anonymous (16th Century) Galliard - Anonymous (16th Century) Moderato - Anonymous (16th Century) Courante - Anonymous (16th Century) Canon - Anonymous (16th Century) Passamezzo - Giulio Barbetta (16th Century) Pavana - Luis Milan (1500-1561) Fantasía - Alonso Mudarra (16th Century) Passamezzo - Simone Molinari (16th Century) Fantasía - Luys de Narvaéz (16th Century) Gagliard - Silvus Leopold Weiss (1686-1770) Fantasía - Battista Dalla Gostena (17th Century) Le Petit Rien - François Couperin (1668-1733) Minuet - Johann Sebastian Bach (1685-1750) Gavotte in A Minor - Johann Sebastian Bach Prelude and Fugue - Johann Sebastian Bach Gavotte in E - Johann Sebastian Bach Fugue - Johann Sebastian Bach Bourée - Johann Sebastian Bach Sarabande - Johann Sebastian Bach Bourée - Count Bergen (18th Century) Andante - Ferdinando Carulli (1770-1841) Overture - Ferdinando Carulli Prelude - Ferdinando Carulli Allegro Moderato - Ferdinando Carulli Prelude in D - Francisco Molino (1775-1847) Prelude in A Minor - Francisco Molino (1775-1847) Study in E - Fernando Sor (1778-1839) Study in C - Fernando Sor Andante Largo - Fernando Sor Study in C - Fernando Sor Minuet in C Minor - Fernando Sor Study in B [flat] - Fernando Sor Study in E Minor - Fernando Sor Study in F - Fernando Sor Minuet in G Minor - Fernando Sor Etude in A Minor - Mauro Giuliani (1780-1840) Etude in C - Mauro Giuliani Andante - Mauro Giuliani Etude in E Minor - Mauro Giuliani Romanza - Matteo Carcassi (1792-1853) Study in D Minor - Matteo Carcassi Study in A - Matteo Carcassi Etude in A Minor - Napoléon Coste (1806-1883) Etude in A - Dionisio Aguado (1784-1849) El Delirio - Albert Cano (19th Century) Adagio - Robert Schumann (1810-1856) Prelude - Francisco Tárrega (1854-1909) Recuerdos De La Alhambra - Francisco Tárrega Exchanges - William Hellermann (1939- ) Chanson - Alexandre Tcherepnine (1899- ) When I Get Home - Elizabeth Cotton (20th Century) Wilson Rag - Elizabeth Cotton March - Dmitri Shostakovich (1906-1975) An Easy Piece Using Five Notes - Igor Stravinsky (1882-1971) Song - John Mustang (20th Century) American Flag Rag - John Mustang Miniature (from For Children) - Béla Bartók (1881-1945) | Richard Childress | |||
Y | Various Composers = Anthology | Vinson, Harvey | Music for Classical Guitar (More than 100...spanning six centuries of literature for the classic guitar), Vol. 59/Music for Millions Series | 1971 | Consolidated Music Publishers, Inc. | Solo | Anthology, Renaissance to 20th century | 14th Century: Estampe - Anonymous 15th Century: Nachtanz - Anonymous Tedesca - Anonymous 16th Century: Dance - Anonymous Greensleeves - Anonymous Italiana - Anonymous Passamezzo - Anonymous Song - Anonymous Saltarello - Vincenza Galilei Pavana - Luis Milan Galliard - G. Morlaye Y La Mi Cinta Dorada - Luys de Narvaez Dance of the Washerwomen - Hans Newsidler Hapfauf - Hans Newsidler Allemande - Antonio Terzi 17th Century: Branle - Giovanni Besardo Mistress Winter's Jump - John Dowland Sarabande - Lodovico Roncalli Eight Easy Dances - Casper Sanz Spanish Dance - Casper Sanz Minuet in D - Robert de Visée Passacaille - Robert de Visée 18th Century: Gavotte - Johann Sebastian Bach 19th Century: Adagio in E Minor - Dionisio Aguado Adagio in G - Dionisio Aguado Andante in A Minor - Dionisio Aguado Andante in C - Dionisio Aguado Andante in D - Dionisio Aguado Andante in E Minor - Dionisio Aguado Andante in G - Dionisio Aguado Romanza - Anonymous Minuet in C - Antonio Diabelli Minuet in F - Antonio Diabelli Moderato in D - Antonio Diabelli Six Easy Preludes - Matteo Carcassi Andantino in D - Matteo Carcassi Andantino in G - Matteo Carcassi Song - Matteo Carcassi Allegro in A Minor - Fernando Carulli Capriccio in C - Fernando Carulli Caprice in G - Fernando Carulli Lento in E Minor - Fernando Carulli Prelude in C - Fernando Carulli Prelude in G - Fernando Carulli Prelude in A Minor - Fernando Carulli Prelude in A - Fernando Carulli Prelude in D Minor - Fernando Carulli Prelude in E Minor - Fernando Carulli Prelude in A Minor - Fernando Carulli Waltz in A - Fernando Carulli Waltz in G - Fernando Carulli Waltz in G - Fernando Carulli Waltz in E - Fernando Carulli Waltz and Variations - Fernando Carulli Four Northern Dances - Mauro Giuliani Allegro in A - Mauro Giuliani Andantino in C - Mauro Giuliani Andante in C - Mauro Giuliani Allegro Moderato - Joseph Küffner Four Easy Pieces - Joseph Küffner Landler - Joseph Küffner Theme and Variations - Joseph Küffner Two Short Canons - Konrad Kunz Waltz - L. Meignen Allegretto in C - Fernando Sor Allegretto Moderato in D - Fernando Sor Allegro in C - Fernando Sor Allegro in G - Fernando Sor Allegro in C - Fernando Sor Allegro in C - Fernando Sor Andante in C - Fernando Sor Andante in G - Fernando Sor Andante in C - Fernando Sor Andante in C - Fernando Sor Andante in C - Fernando Sor Andante in A - Fernando Sor Andante in E Minor - Fernando Sor Andantino in C - Fernando Sor Andantino in E Minor - Fernando Sor Lento in A - Fernando Sor Moderato in C - Fernando Sor Moderato in C - Fernando Sor Moderato in C - Fernando Sor Moderato in C - Fernando Sor Moderato in E Minor - Fernando Sor Moderato in A Minor - Fernando Sor Moderato in A Minor - Fernando Sor Moderato in C - Fernando Sor Moderato in D - Fernando Sor 20th Century: Two Miniatures - Bela Bartok Freight Train - Elizabeth Cotton Adagio in A - Francisco Tarrega Adelita (Mazurka) - Francisco Tarrega Lagrima (Prelude) - Francisco Tarrega | Richard Childress | |||
Y | Various Composers = Anthology | Vinson, Harvey | Music for Classical Guitar (...spans six centuries of music from the fourteenth century to Bartok), formerly Vol. 59/Music for Millions Series | Harvey Vinson | 1977 | Amsco | Solo | Anthology, Renaissance to 20th century | 14th Century: Estampe - Anonymous 15th Century: Nachtanz - Anonymous Tedesca - Anonymous 16th Century: Dance - Anonymous Greensleeves - Anonymous Italiana - Anonymous Passamezzo - Anonymous Song - Anonymous Saltarello - Vincenza Galilei Pavana - Luis Milan Galliard - G. Morlaye Y La Mi Cinta Dorada - Luys de Narvaez Dance of the Washerwomen - Hans Newsidler Hapfauf - Hans Newsidler Allemande - Antonio Terzi 17th Century: Branle - Giovanni Besardo Mistress Winter's Jump - John Dowland Sarabande - Lodovico Roncalli Eight Easy Dances - Casper Sanz Spanish Dance - Casper Sanz Minuet in D - Robert de Visée Passacaille - Robert de Visée 18th Century: Gavotte - Johann Sebastian Bach 19th Century: Adagio in E Minor - Dionisio Aguado Adagio in G - Dionisio Aguado Andante in A Minor - Dionisio Aguado Andante in C - Dionisio Aguado Andante in D - Dionisio Aguado Andante in E Minor - Dionisio Aguado Andante in G - Dionisio Aguado Romanza - Anonymous Minuet in C - Antonio Diabelli Minuet in F - Antonio Diabelli Moderato in D - Antonio Diabelli Six Easy Preludes - Matteo Carcassi Andantino in D - Matteo Carcassi Andantino in G - Matteo Carcassi Song - Matteo Carcassi Allegro in A Minor - Fernando Carulli Capriccio in C - Fernando Carulli Caprice in G - Fernando Carulli Lento in E Minor - Fernando Carulli Prelude in C - Fernando Carulli Prelude in G - Fernando Carulli Prelude in A Minor - Fernando Carulli Prelude in A - Fernando Carulli Prelude in D Minor - Fernando Carulli Prelude in E Minor - Fernando Carulli Prelude in A Minor - Fernando Carulli Waltz in A - Fernando Carulli Waltz in G - Fernando Carulli Waltz in G - Fernando Carulli Waltz in E - Fernando Carulli Waltz and Variations - Fernando Carulli Four Northern Dances - Mauro Giuliani Allegro in A - Mauro Giuliani Andantino in C - Mauro Giuliani Andante in C - Mauro Giuliani Allegro Moderato - Joseph Küffner Four Easy Pieces - Joseph Küffner Landler - Joseph Küffner Theme and Variations - Joseph Küffner Two Short Canons - Konrad Kunz Waltz - L. Meignen Allegretto in C - Fernando Sor Allegretto Moderato in D - Fernando Sor Allegro in C - Fernando Sor Allegro in G - Fernando Sor Allegro in C - Fernando Sor Allegro in C - Fernando Sor Andante in C - Fernando Sor Andante in G - Fernando Sor Andante in C - Fernando Sor Andante in C - Fernando Sor Andante in C - Fernando Sor Andante in A - Fernando Sor Andante in E Minor - Fernando Sor Andantino in C - Fernando Sor Andantino in E Minor - Fernando Sor Lento in A - Fernando Sor Moderato in C - Fernando Sor Moderato in C - Fernando Sor Moderato in C - Fernando Sor Moderato in C - Fernando Sor Moderato in E Minor - Fernando Sor Moderato in A Minor - Fernando Sor Moderato in A Minor - Fernando Sor Moderato in C - Fernando Sor Moderato in D - Fernando Sor 20th Century: Two Miniatures - Bela Bartok Freight Train - Elizabeth Cotton Adagio in A - Francisco Tarrega Adelita (Mazurka) - Francisco Tarrega Lagrima (Prelude) - Francisco Tarrega | Richard Childress | ||
Y | Various Composers = Anthology | Vinson, Harvey | World's Favorite Solos for Classic Guitar (World's Favorite Series No. 43 | Harvey Vinson | 1966 | Ashley Publications, Inc. | Solo | Anthology, Sor, Tarrega, Mozart, etc.Anthology | Pavana No. 1 - Luis Milan Pavana No. 2 - Luis Milan Preludium - William Byrde Macherata - Anonymous Minuet in D - Robert De Visée Bouree - Robert De Visée Minuet in G Minor - Robert De Visée Sarabade - Robert De Visée Minuet in E Minor - Robert De Visée Minuet - Henry Purcell Little Fugue - Domenico Zipoli Bouree in B Minor - Johann Sebastian Bach Bouree in E Minor - Johann Sebastian Bach Prelude - Johann Sebastian Bach Minuet - Johann Sebastian Bach Andante - Wolfgang Amadeus Mozart Allegro - Fernando Carulli Rondo - Fernando Carulli Waltz - Fernando Carulli Andante - Fernando Carulli Andantino - Fernando Carulli Prelude in D Minor - Francesco Molino Prelude in E Minor - Francesco Molino Prelude in B Flat - Francesco Molino Spanish Ballad - Traditional Study in C (Moderato) - Fernando Sor Study in A (Allegretto) - Fernando Sor Study in D (Moderato) - Fernando Sor Study in B Minor - Fernando Sor Study in A (Moderato) - Fernando Sor Study in D (Allegro) - Fernando Sor Study in C (Allegro) - Fernando Sor Study in A Minor - Fernando Sor Study in D Minor - Fernando Sor Study in G - Fernando Sor Study in C (Allegro Moderato) - Fernando Sor Study in B Flat - Fernando Sor Study in A (Andante) - Fernando Sor Rondo - Fernando Sor Leccion in A Minor - Fernando Sor Leccion in A - Fernando Sor Minuet in D - Fernando Sor Minuet in G (Andante) - Fernando Sor Minuet in A - Fernando Sor Minuet in C (Allegro) - Fernando Sor Minuet in G (Andantino) - Fernando Sor Minuet in C (Allegretto) - Fernando Sor Variations on a Theme Of Mozart - Fernando Sor Allegro (E Minor) - Mauro Giuliani Maestoso - Mauro Giuliani Allegro (D Minor) - Mauro Giuliani Dance Rondo - Mauro Giuliani Cadence - Mauro Giuliani Allegretto (A Minor) - Mauro Giuliani Andantino - Mauro Giuliani Allegretto (F Major) - Mauro Giuliani Moderato ( C Major) - Mauro Giuliani Moderato (A Minor) - Mauro Giuliani Allegretto (G Major) - Mauro Giuliani Allegretto (C Major) - Mauro Giuliani Andante - Mauro Giuliani Prelude - Dionisio Aguado Adagio - Dionisio Aguado Caprice (E Minor) - Luigi Legnani Caprice (D Minor) - Luigi Legnani Study in F - Matteo Carcassi Study in A (6/8 Tempo) - Matte)o Carcassi Study in A (4/4 Tempo) - Matteo Carcassi Study in C (Allegro) - Matteo Carcassi Study in A Minor (Allegretto) - Matteo Carcassi Study in A Minor (Andante) - Matteo Carcassi Study in C (Andante) - Matteo Carcassi Etudy (Moderato) - Napoleon Coste Etudy (Allegretto) - Napoleon Coste Etude (Andante) - Napoleon Coste Etudy (Scherzando) - Napoleon Coste Prelude - Napoleon Coste Bagatelle - Robert Schumann Melody - Robert Schumann Recuerdos De La Alhambra - Franciso Tarrega Capricho Arabe - Franciso Tarrega Lagrima - Franciso Tarrega Mazurca - Franciso Tarrega Pavana - Franciso Tarrega Adelita - Franciso Tarrega Maria - Franciso Tarrega Prelude (Andante Sostenuto) - Franciso Tarrega Prelude (Andante) - Franciso Tarrega Prelude (Lento) - Franciso Tarrega Marieta - Franciso Tarrega Leyanda - Isaac Albeniz Nocturne De Salon (For 2 Guitars) - Fernando Carulli | |||
Y | Various Composers = Anthology | Visser, Dick | Italian Lutemusic: from the Renaissance | Dick Vasser | 1962 | Harmonia-Uitgave | Solo | Anthology, Renaissance, Lute | Ricercar sexto - Joan-Maria Da Crema Pavan et Saltarello - Melchiore de Barberis Padoana detto "Chi passa per questa strada" - Jacoma de Gorzanis | |||
Y | Various Composers = Anthology | Waldron, Jason | Guitar Masterpieces of the 19th Century: For Beginner to Intermediate Students | Jason Waldron | 1989 | Koala Publications | Solo | Anthology | No. 1 Study in C major - Fernando Sor No. 2 Study in C major - F. Sor No. 3 Study in C major - F. Sor No. 4 Study in C major - Dionisio Aguado No. 5 Study in Octaves in C major - D. Aguado No. 6 Waltz in C major - Mauro Giuliani No. 7 Allegretto in C major - Joseff Küffner No. 8 Allegretto in C major - M. Giuliani No. 9 Study in C major - D. Aguado No. 10 Maestoso in C major - M. Giuliani No. 11 Andantino in C major - Matteo Carcassi No. 12 Study in C major - Napoleon Coste No. 13 Adantino in C major - M. Giuliani No. 14 Andante in C major - F. Sor No. 15 Andante in A minor - Manuel Cano No. 16 Study in A minor - D. Aguado No. 17 Study in A minor - D. Aguado No. 18 Study in A minor - M. Giuliani No. 19 Study in A minor - D. Aguado No. 20 Andantino in A minor - Felix Horetzsky No. 21 Study in A minor - M. Carcassi No. 22 Study in A minor - D. Aguado No. 23 Allegretto in A minor - M. Giuliani No. 24 Andante in A minor - F. Sor No. 25 Agitato in A minor - M. Giuliani No. 26 Larghetto in A minor - F. Sor No. 27 Study in G major - D. Aguado No. 28 Study in G major - F. Carulli No. 29 Scherzo in G major - Anton Diabelli No. 30 Study in G major - D. Aguado No. 31 Study in G major - D. Aguado No. 32 Allegretto in G major - M. Giuliani No. 33 Andantino in G major - M. Giuliani No. 34 Andante in G major - F. Sor No. 35 Andantino in G major - M. Giuliani No. 36 Study in E minor - D. Aguado No. 37 Study in E minor - D. Aguado No. 38 Study in E minor - M. Carcassi No. 39 Andante in E minor - F. Sor No. 40 Study in E minor - D. Aguado No. 41 Study in E minor - F. Sor No. 42 Mazurca in E minor - Rocamora No. 43 Study in D major - M. Carcassi No. 44 Study in D major - A. Diabelli No. 45 Allegro in D major - M. Giuliani No. 46 Andantino in D major - F. Carulli No. 47 Andantino in D major - M. Giuliano No. 48 Study in B minor - F. Sor No. 49 Study in A major - M. Cano No. 50 Study in A major - D. Aguano No. 51 Study in A major - F. Sor No. 52 Lesson in A major - D. Aguado No. 53 Andante in F major - F. Carulli No. 54 Allegretto in F major - M. Giuliani No. 55 Allegro in D minor - M. Guiliani No. 56 Andantino in D minor - M. Giuliani | |||
Y | Various Composers = Anthology | Waldron, Jason | Popular Classics of the Great Composers Arranged for Classical Guitar, Vol. 1 | Jason Waldron | 1989 | Koala Publications | Solo | Anthology, Sor, Carulli, others | No 1 Theme from 9th Symphony - L. van Beethoven No 2 Fantasie Impromptu - F. Chopin No 3 Fur Elise - L. van Beethoven No 4 Violin ConceNrto - F. Mendelssohn No 5 Caro Nome - G. Verdi No 6 Theme from New World Symphony - A. Dvorak No 7 Theme from Piano Concerto No. 1 - P. Tchaikovsky No 8 March from Nutcracker Suite - P. Tchaikovsky No 9 Theme from Surprise Symphony - J. Haydn No 10 Waltz - J. Brahms No 11 Golden Wattle Waltz - J. Waldron No 12 Aria from La Traviata - G.. Verdi No 13 Jesu Joy of Man's Desiring - J. S. Bach No 14 Over the Waves - J. Rosas No 15 Poet and Peasant - F. von Suppe No 16 Symphony No. 40 - W. Mozart No 17 Pizzicato Polka - J. Strauss No 18 Sleeping Beauty Waltz - P. Tchaikovsky No 19 Pizzicata from Sylvia - L. Delibes No 20 Roses from the South-Waltz - J. Strauss No 21 Theme from Caprice 24 - N. Paganini No 22 Songs My Mother Taught Me - A. Dvorak No 23 Tristesse - F. Chopin No 24 Liebestraum - F. Liszt No 25 Traumerei - R. Schumann No 26 Solveig's Song - E. Grieg No 27 Spring Song - F. Mendelssohn No 28 Theme from 1st Symphony - J. Brahms No 29 Serenade - F. Schubert No 30 Raindrop March - F. Chopin No 31 Bridal March - R. Wagner No 32 Theme from Pathetique Symphony - P. Tchaikovsky No 33 Dance of the Little Swans - P. Tchaikovsky No 34 Theme from Piano Concerto - E. Grieg No 35 Bolero - M. Ravel | |||
Y | Various Composers = Anthology | Waldron, Jason | Popular Classics of the Great Composers Arranged for Classical Guitar, Vol. 2 | Jason Waldron | 1989 | Koala Publications | Solo | Anthology | No 1 Plaisir d'Amour - J. P. Martini No 2 Morning - E. Grieg No 3 Dance of the Hours - A. Ponchielli No 4 Anvil Chorus from Il Travatore - G. Verdi No 5 The Trout - F. Schubert No 6 Light Cavalry - F. von Suppe No 7 Theme from Symphony No. 5 - L. Beethoven No 8 Lullaby - J. Brahms No 9 Swan Lake Theme - P. Tchaikovsky No 10 March from William Tell - G. Rossini No 11 Trumpet Voluntary - J. Clark No 12 Theme from Carpiccio Italien - P. Tchaikovsky No 13 Toreador Song from Carmen - G. Bizet No 14 Waltz from Swan Lake - P. Tchaikovsky No 15 Theme from Violin Concerto - F. Mendelssohn No 16 Pomp and Circumstance - E. Elgar No 17 Radetzsky March - J. Strauss No 18 Serenade - J. Haydn No 19 You and You-Waltz - J. Strauss No 20 La Paloma - S. Yradier No 21 Sonata in C - W. Mozart No 22 Danube Waves - J. Ivanovici No 23 Can Can - J. Offenbach No 24 Prelude No. 7 - F. Chopin No 25 Valse Lente - L. Delibes No 26 Nocturne - F. Chopin No 27 La Donna e Mobile - G. Verdi No 28 Humoresque - A. Dvorak No 29 Song of India - N. Rimsky-Korsakov No 30 Air on a G String - J. S. Bach No 31 Star of Eve (from Tannhauser) - R. Wagner No 32 La Marsellaise - C. Rouget de Lisle No 33 On Wings of Song - F. Mendelssohn No 34 The Skaters' Waltz - E. Waldteufel No 35 Canon in D - Pachelbel | |||
Y | Various Composers = Anthology | Waldron, Jason | Popular Classics of the Great Composers Arranged for Classical Guitar, Vol. 3 | Jason Waldron | 1992 | Koala Publications | Solo | Anthology | No 1 La Campanella - N. Paganini No 2 Academic Festival - J. Brahms No 3 Hall of the Mountain King - E. Grieg No 4 Little Buttercup - A. Sullivan No 5 Kamenoi-Ostrow - A. Rubenstein No 6 My Old Kentucky Home - S. Foster No 7 Clarinet Concerto - W. Mozart No 8 Largo - G. Handel No 9 The Happy Farmer - R. Schumann No 10 Policeman's Song - A. Sullivan No 11 Ave Maria - F. Schubert No 12 Minuet (from "Don Giovanni") - W. Mozart No 13 Salut D'Amour - E. Elgar No 14 Gypsy Airs - P. de Saraste No 15 Minuet - I. Paderwski No 16 Musetta's Waltz - G. Puccini No 17 Ride of the Valkyries - R. Wagner No 18 Minuet - L. Boccherini No 19 Aria - W. Mozart No 20 Poor Wand'ring One - A. Sullivan No 21 Wine, Women and Song - J. Strauss No 22 Poem - Z. Fibich No 23 Theme from "My Homeland" - B. Smetana No 24 Funeral March (Theme No. 1) - F. Chopin No 25 Funeral March (Theme No. 2) - F. Chopin No 26 Polonaise - F. Chopin No 27 Washington Post March - J. Sousa No 28 Tango in D - I. Albeniz No 29 Unfinished Symphony - F. Schubert No 30 Autumn (from "The Four Seasons") - A. Vivaldi No 31 Waltz of the Flowers - P. Tchaikovsky No 32 Polovtsian Dance - A. Borodin No 33 Romeo and Juliet - P. Tchaikovsky No 34 Grand March (from "Aida") - G. Verdi No 35 1812 Overture - P. Tchaikovsky | |||
Y | Various Composers = Anthology | Waldron, Jason | Popular Classics of the Great Composers Arranged for Classical Guitar, Vol. 4 | Giovanni De Chiaro | 1992 | Koala Publications | Solo | Anthology | No. 1 Speak to Me of Love - J. Lenoir No. 2 Anitra's Dance - E. Grieg No. 3 Stars and Stripes Forever - J. Sousa No. 4 Reverie - C. Debussy No. 5 Marche Militaire - F. Schubert No. 6 Gypsy Love Song - V. Herbert No. 7 O My Beloved Father - G. Puccini No. 8 A Wand'ring Minstrel I - A. Sullivan No. 9 The Gondoliers - E. Nevin No. 10 Emperor Waltz - J. Strauss No. 11 Quartet (from "Rigoletto") - G. Verdi No 12 Slavonic Dance - A. Dvorak No 13 Hearts and Flowers - Czibulka-Tobani No 14 Sonata Pathetique - L. van Beethoven No 15 Jupiter (from "The Planets") - G. Holst No 16 Dance of the Sugar Plum Fairy - P. Tchaikovsky No 17 Rustle of Spring - C. Sinding No 18 Prelude No. 20 - F. Chopin No 19 Waltz (from "Faust") - C. Gounod No 20 Water Music - G. Handel No 21 Funeral March of a Marionette - C. Gounod No 22 Piano Concerto - W. Mozart No 23 Narcissus - E. Nevin No 24 The Golden Wedding - Gabriel-Marie No 25 Melody in F - A. Rubinstein No 26 Symphony No. 5 (Theme Nol. 1) - P. Tchaikovsky No 27 Symphony No. 5 (Theme No. 2) - P. Tchaikovsky No 28 Tales from the Vienna Woods - J. Strauss No 29 Simple Aveu - F. Thome No 30 Clair de Lune - C. Debussy No 31 Hungarian Dance No. 5 - J. Brahms No 32 Nocturne - A. Borodin No 33 Adagio - T. Albinoni No 34 Serenade - R. Drigo No 35 Habanera (from "Carmen) - G. Bizet | |||
Various Composers = Anthology | Wallach, Howard | 50 Classical Guitar Solos: in Tablature | Howard Wallach | 1995 | Creative Concepts Publishing Corp. | Solo | Anthology, standard notation with tablature | ADELITA by Francisco Tárrega ANDANTE IN C MAJOR by Fernando Sor ANDANTE IN E MINOR by Fernando Sor ANDANTINO by Matteo Carcassi ARIA DI FIORENZAby Carlo Calvi BOURRÉE by Robert de Visee CANARIO by Carlo Calvi CANARIOS by Gaspar Sanz DANZA by Anon (16th Century) EL NOY DE LA MARE by Howard Wallach (Catalan Melody) ENGLISH DANCE by Ferdinando Carulli ESPAÑOLETAby Gaspar Sanz GAGLIARDA by Anon (16th Century) GALLIARDE by Pierre Attaingnant GAVO’ITE by Robert de Visée GREENSLEEVES by Anon KEMP’S JIG by Anon (16th Century) LA BROSSE by Pierre Attaingmant LAGRIMA by Francisco Tárrega MENUET by Robert de Visée MENUET I by Robert de Visée MENUET II by Robert de Visée MINUET IN D MAJOR by Fernando Sor PACKINGTON’S POUND by Francis Cutting PASSAMEZZE by Adrian LeRoy O' SWEET OLIVER by Anon (16th Century) PAVANE by Pierre Attaingnant PEG-A-RAMSEY by Anon (16th Century) PRELUDE IN C MAJOR by Matteo Carcassi ROMANCE DE AMOR (Spanish Ballad) by Howard Wallach ROMANCE DE AMOR (Tremolo Version) by Howard Wallach RUJERO by Gaspar Sanz SALTARELLO by Vincenzo Galilei SARABANDE by Robert de Visée SICILIANA by Ferdinando Carulli SPAGNOLETTA by Carlo Calvi STUDY IN A MINOR by Dionisio Aguado STUDY IN A MINOR by Matteo Carcassi STUDY IN A MINOR I by Fernando Sor STUDY IN A MINOR II by Fernando Sor STUDY IN B MINOR by Fernando Sor STUDY IN C MAJOR by Fernando Sor STUDY IN C MAJOR by Francisco Tárrega STUDY IN E MINOR by Dionisio Aguado STUDY IN E MINOR by Matteo Carcassi STUDY IN E MINOR by Fernando Sor TORDIGLIONE by Carlo Calvi VILLANO by Gaspar Sanz WALTZ by Ferdinando Carulli WATKIN S ALE by Anon (16th Century) WILSON’S WILDE by Anon (16th Century | ||||
Various Composers = Anthology | Willard, Jerry | Library of Guitar Classics, The | Jerry Willard | 1998 | Amsco Publications | Solo | Anthology, from the 14th Century to the present | Se io m’accorgo be mio d’un altro amante - Anonymous Dove son quei fieri occhi? - Anonymous 15th Century Pezzo Tedesco - Anonymous Danza - Anonymous Gagliarda - Anonymous Saltarello - Anonymous Hie folget ein welscher tantz wascha mesa - Hans Neusidler c. 1508-1563 Tanz - Georg Fuhrmann fl.1606-1615 Pavana I - Luis de Milán 1500-1561 Pavana II - Luis de Milán Pavana III - Luis de Milán Canción del Emperador - Luys de Narváez 1530-1550 Guardame las vacas - Luys de Narváez Sonnet - Enrique de Valderrábano 1500—1551 Fantasía - Alonso Mudarra c. 1510-1580 I Serve A Worthy Lady - Anonymous Scottish La Rossignol - Anonymous 17th Century Drewerie’s Accordes - Anonymous 17th Century Volte - Anonymous 16th Century Greensleeves - Anonymous 16th Century Greensleeves - Anonymous 16th Century Almain - Francis Cutting Kemp’s Jig - Anonymous 16th Century Alman - Robert Johnson 1583-1633 Hit and Take It - Robert Johnson My Lord Willoughby’s Welcome Home - John Dowland 1563-1626 Tarleton’s Resurrection - John Dowland Queen Elizabeth’s Galliard - John Dowland The Round Battle Galliard - John Dowland Fantasia - John Dowland Pavana - Gaspar Sanz 1640-1710 Espanoleta - Gaspar Sanz Rujero - Gaspar Sanz Canarios - Gaspar Sanz Sonata L. 238 - Domenico Scarlatti 1685-1757 Sonata L. 483 - Domenico Scarlatti Menuett - Johann Kreiger 1651-1735 Tombeau sur la mort de M. Comte de Logy - Sylvius Leopold Weiss 1686-1750 Passacaille - Sylvius Leopold Weiss Fantasia - Sylvius Leopold Weiss Minuet - Robert de Visée c. 1650-c. 1725 Passacaille - Robert de Visée Minuet - Johann Sebastian Bach 1685-1750 Musette - Johann Sebastian Bach Jesu, Joy of Man’s Desiring (Theme) - Johann Sebastian Bach Sarabande - Johann Sebastian Bach Aria - Johann Sebastian Bach Suite I - Johann Sebastian Bach Prelude, Fuge, and Allegro - Johann Sebastian Bach Prelude - Johann Sebastian Bach Andante - Ferdinando Carulli 1770-1841 Sonata - Ferdinando Carulli Largo and Rondo - Ferdinando Carulli Etude No. 2 - Matteo Carcassi 1792-1853 Etude No. 3 - Matteo Carcassi Etude No. 7 - Matteo Carcassi Moderato - Matteo Carcassi Allegretto - Matteo Carcassi Allegretto - Matteo Carcassi Menuet - Matteo Carcassi Allegretto - Matteo Carcassi Caprice - Matteo Carcassi Andantino - Matteo Carcassi Andante - Matteo Carcassi Study - Mauro Giuliani 1781-1828 Study - Mauro Giuliani Study - Mauro Giuliani Study - Mauro Giuliani Study - Mauro Giuliani Study - Mauro Giuliani Study - Mauro Giuliani Study - Mauro Giuliani Study - Mauro Giuliani Rondeau - Mauro Giuliani Sonatine Op. 71 - Mauro Giuliani Study in E Minor Op. 48 - Mauro Giuliani Variations on a Theme of George Frideric Handel Op. 107 - Mauro Giuliani Theme Op. 102 - Mauro Giuliani Sonate Op. 15 - Mauro Giuliani Grand Overture Op. 61 - Mauro Giuliani Study - Fernando Sor 1778-1839 Study No. 1 - Fernando Sor Study No. 2 - Fernando Sor Study No. 3 - Fernando Sor Study No. 5 - Fernando Sor Study No. 6 - Fernando Sor Study No. 8 - Fernando Sor Study No. 9 - Fernando Sor Andantino - Fernando Sor Study - Fernando Sor Study - Fernando Sor Andante in B Minor - Fernando Sor Andante in A Minor - Fernando Sor Andantino - Fernando Sor Andante - Fernando Sor Andantino in E Minor - Fernando Sor Sonata in C Major - Fernando Sor Souvenir de Russie - Fernando Sor Variations on a Theme of Mozart - Fernando Sor Grand Solo Op. 14 - Fernando Sor Variations on la Folia and Minuet Op. 15 - Fernando Sor Minuet Op. 22 - Fernando Sor Rondo - Fernando Sor Allegro - Wolfgang Amadeus Mozart 1756-1791 Romance - Anonymous Estudio - Francisco Tárrega 1852-1909 Estudio (Version 2) Prelude No. 1 - Francisco Tárrega Prelude No. 13 - Francisco Tárrega Lágrima - Francisco Tárrega Maria (Gavotta) - Francisco Tárrega Marieta (Mazurka) Mazurka en sol - Francisco Tárrega Rosita (Polka) - Francisco Tárrega Recuerdos de la Alhambra - Francisco Tárrega Sevilla - Isaac Albeniz 1860-1909 Rumores de la Caleta - Isaac Albeniz Leyenda - Isaac Albeniz | Richard Childress | |||
Y | Various Composers = Anthology | Woody, Robert H., and Bellson, Julius | Solos for the Adult Guitarist, Volume One: "Music of the Folk" | Robert Henry Woody, Julius Bellson | 1983 | The Willis Music Company | Solo, Accompaniment | Anthology, Folk, Traditional, Popular, Harmonica | Down in the Valley Oh, My Darling Clementine On Top of Old Smokey When the Saints Go Marching On Peggy O'Neil Pop Goes the Weasel Old MacDonald Had a Farm Skip to My Lou Aunt Rhody Little Brown Jug Sweet Betsy from Pike Goober Peas Down by the Riverside Aura Lee | |||
Y | Various Composers = Anthology | Worms, Claude | Duende Flamenco: student anthology for flamenco guitar, Volume 1A: la solea | Claude Worms | 1993 | Éditions M. Combre | Solo | Anthology, Flamenco, includes tablature | Guitarists/Composers: Melchor de Marchena; Paco Aguilera; Diego Del Gastor; Perico El Del Lunar; Esteban de Sanlucar; Juan Carmona (Habichuela); Ramón Montoya; Niño Ricardo - "Gaditanas"; Niño Ricardo - "Sevilla es Mi Tierra"; Sabicas - "Aires de Puerto Real"; Niño Miguel - "En El Puente Nicoba"; Victor Monge (Serranito) - "Alborada Trianera"; Victor Monge (Serranito) - "Sentir Flamenco"; Manolo Sanlucar - "Caminito de Alcalá"; Manolo Sanlucar - "Pasito a Paso" | |||
Y | Vaughan Williams, Ralph (1872-1958) | Ralph Vaughan Williams (1872-1958) | Rhosymedre (Prelude on a Welsh Hymn Tune) | Giovanni De Chiaro | 1989 | The Willis Music Company | Solo | |||||
Y | Vercken, François | François Vercken | Et k'heure apprivoisée qui sort de la pendule | 1992 | Durand | |||||||
Y | Villa Lobos, Heitor | Heitor Villa-Lobos | Cinq Préludes No. 1 en mi mineur | 1954 | Éditions Max Eschig | Solo | ||||||
Y | Villa Lobos, Heitor | Heitor Villa-Lobos | Cinq Préludes No. 2 en do mineur | 1954 | Éditions Max Eschig | Solo | ||||||
Y | Villa Lobos, Heitor | Heitor Villa-Lobos | Cinq Préludes No. 3 en la mineur | 1954 | Éditions Max Eschig | Solo | John Fernando-1 | |||||
Y | Villa Lobos, Heitor | Heitor Villa-Lobos | Cinq Préludes No. 4 mi mineur | 1954 | Éditions Max Eschig | Solo | ||||||
Y | Villa Lobos, Heitor | Heitor Villa-Lobos | Cinq Préludes No. 5 re majeur | 1953 | Éditions Max Eschig | Solo | ||||||
Villa Lobos, Heitor | Heitor Villa-Lobos | Chôros (Typico) | Sophocles Papas | 1963 | Columbia Music Co. | Solo | ||||||
Y | Villa Lobos, Heitor | Heitor Villa-Lobos | Collected Works for Solo Guitar | Introduction by Frederick Noad | 1990 | Éditions Max Eschig | Solo | Collection | Chôros—No. 1 (1920) Suite Populaire Brésilienne (1908-1912) 1. Mazurka—Chôro 2. Schottish—Chôro 3. Valsa—Chôro 4. Gavotta—Chôro 5. Chôrinho Douze Études (1929) 1. Étude N°1: Étude des arpèges 2. Étude N°2: Des arpèges 3. Étude N°3: Allegro moderate 4. Étude N°4: Des accords répétés 5. Étude N°5: Andantino 6. Étude N°6: Poco allegro 7. Étude N°7: Très animé 8. Étude N°8: Modéré 9. Étude N°9: Très peu animé 10. Étude N°10: Très animé 11. Étude N°11: Lent 12. Étude N°12: Animé Cinq Préludes (1940) 1. Prélude N°1 in E minor 2. Prélude N°2 in C minor 3. Prélude N°3 in A minor 4. Prélude N°4 in E minor 5. Prélude N°5 in D major | Richard Childress | ||
Y | Villa Lobos, Heitor | Heitor Villa-Lobos | Concerto pour Guitare et petit orchestre (Réduction pour Guitare et Piano) | 1955 | Éditions Max Eschig | Solo guitar and piano reduction | Concerto, Orchestra, Score and guitar part | |||||
Y | Villa Lobos, Heitor | Heitor Villa-Lobos | Douze Études | 1953 | Éditions Max Eschig | Solo | Collection | Douze Études (1929) 1. Étude N°1: Étude des arpèges 2. Étude N°2: Des arpèges 3. Étude N°3: Allegro moderate 4. Étude N°4: Des accords répétés 5. Étude N°5: Andantino 6. Étude N°6: Poco allegro 7. Étude N°7: Très animé 8. Étude N°8: Modéré 9. Étude N°9: Très peu animé 10. Étude N°10: Très animé 11. Étude N°11: Lent 12. Étude N°12: Animé | ||||
Y | Villa Lobos, Heitor | Heitor Villa-Lobos | Suite Populaire Brésilienne N°. 1: Mazurka - Chôro | 1955 | Éditions Max Eschig | Solo | ||||||
Y | Villa Lobos, Heitor | Heitor Villa-Lobos | Suite Populaire Brésilienne: N°. 2: Schottish-Chôro | 1955 | Éditions Max Eschig | Solo | ||||||
Y | Villa Lobos, Heitor | Heitor Villa-Lobos | Suite Populaire Brésilienne: N°. 3: Valsa - Chôro | 1955 | Éditions Max Eschig | Solo | ||||||
Y | Villa Lobos, Heitor | Heitor Villa-Lobos | Suite Populaire Brésilienne: N°. 4: Gavotta - Chôro | 1955 | Éditions Max Eschig | Solo | ||||||
Y | Villa Lobos, Heitor | Heitor Villa-Lobos | Suite Populaire Brésilienne: No. 5: Chôrinho | 1956 | Éditions Max Eschig | Solo | ||||||
Villa-Lobos, Heitor | Heitor Villa-Lobos | Chôros (Typico) | Sophocles Papas | 1963 | Columbia Music Co. | Solo | ||||||
Y | Visée, Robert de (1650-1725) | Robert de Visée (1650-1725) | Allemanda (dalla Suite n. 8 in Sol Maggiore) | Guiseppe Gazzelloni | 1981 | Bèrben | Solo | |||||
Y | Visée, Robert de (1650-1725) | Robert de Visée (1650-1725) | Easy Suite in D Minor | Napoleon Coste, Sophocles Papas, rev. | 1960 | Columbia Music Company | Solo | |||||
Y | Visée, Robert de (1650-1725) | Robert de Visée (1650-1725) | Sarabande, Menuet, Pasacaille, en mi mineur | Emilio Pujol | 1957 | Éditions Max Eschig | Solo | Suite? | Sarabande in E Minor Menuet in E Minor Pasacaille in E Minor | |||
Y | Visée, Robert de (1650-1725) | Robert de Visée (1650-1725) | Suite C-Moll | Karl Scheit | 1971 | Universal Edition | Solo | Prélude Allemande Courante Sarabande Sarabande en Rondeau Gavotte | ||||
Y | Visée, Robert de (1650-1725) | Robert de Visée (1660-1720) | Suite D-Moll | Karl Scheit | 1944 | Universal Edition | Solo | Prélude Allemande Courante Sarabande Gavotte Menuet I Menuet II Bourrée Gigue | ||||
Y | Visée, Robert de (1650-1725) | Robert de Visée (1650-1725) | Suite en ré mineur (almost exactly the same as Suite D-Moll) | Olaf van Gonnissen; Thomas Müller-Pering; Johannes Monno; (Jonathan Irons) | 2009 | Universal Edition A. G. | Solo | New Karl Scheit Guitar Edition | Prelude Allemande Courante Sarabande Gigue Gavotte Bourée Menuet Passacaille Menuet | |||
Y | Visée, Robert de (1650-1725) | Robert de Visée (1660-1720) | Suite en Sol Majeur | Turibio Santos | 1972 | Max Eschig | Solo | I. Prélude II. Allemande III. Courante IV. Bourrée V. Sarabande VI. Gavotte VII. Menuet VIII. Gigue | ||||
Y | Visée, Robert de (1650-1725) | Robert de Visée (1650-1725) | Suite in G Minor | Frederick Noad | 1977 | Ariel Publications | Solo | 1. Allemande 2. Courante 3. Sarabande 4. Gavotte 5. Menuet 6. Pastorale 7. Gigue | ||||
Y | Visée, Robert de (1650-1725) | Robert de Visée (1650-1725) | Two Suites for Guitar in A minor and E minor | Hubert Zanoskar | 1965 | Heinrichshofen Edition | Solo | Suite in a minor: Courante Minuet Gavotte Pastorale Gavotte Gigue Passaquaille Gigue Suite in e minor: Allemande Sarabande Courante Sarabande Courante Allemande Allemande gay | ||||
Y | Visser, Dick | Dick Visser | Trois Involutions pour guitare | 1990 | Editions Henry Lemoine | Solo | I. Legato Study II. Arpeggio Study III. Vibrato Study | |||||
Y | Vitiello, Frederic | Frederic Vitiello | 4 Mini-Climats | 1989 | Editions Henry Lemoine | Solo | ||||||
Y | Vivaldi, Antonio (1678-1741) | Antonio Vivaldi (1678-1741) | Affettuoso (from Sonata for Flute, RV 48) | Mark Anthony Cruz | 2005 | MAC Publications | 3 Guitars | Trio, Ensemble, Score and parts | ||||
Y | Vivaldi, Antonio (1678-1741) | Antonio Vivaldi (1678-1741) | Concert in D | Jeremy Sparks | 1997 | Doberman Yppan | 4 guitars | |||||
Y | Vivaldi, Antonio (1678-1741) | Antonio Vivaldi (1678-1741) | Concerto in D | Charlie Byrd | 1954 | Columbia Music Co. | Solo | |||||
Y | Vivaldi, Antonio (1678-1741) | Antonio Vivaldi (1678-1741) | Concerto in D | Charlie Byrd | 1970 | Columbia Music Co. | Solo | |||||
Y | Vivaldi, Antonio (1678-1741) | Antonio Vivaldi (1678-1741) | Concerto in D | Jeremy Sparks | Doberman Yppan | 4 Guitars | ||||||
Y | Vivaldi, Antonio (1678-1741) | Antonio Vivaldi (1678-1741) | Concerto in Re maggiore | José de Azpiazu | 1954 | Symphonia Verlag | Solo | |||||
Y | Vivaldi, Antonio (1678-1741) | Antonio Vivaldi (1678-1741) | Concerto in Sol maggiore per 2 Mandolini, Archi e organo | Gian Francesco Malipiero | 1979 | Edizioni Ricordi | mandolin (2), violin (2), cello, contrabass, organ | Mixed Ensemble, Chamber Ensemble, Strings, Score only | ||||
Y | Vivaldi, Antonio (1678-1741) | Antonio Vivaldi (1678-1741) | Sonata in mi minore per violincello y guitarra | Dániel Benkõ | 1980 | Editio Musica | guitar and cello | Duet, Strings, Score only | ||||
Y | Vivier, Claude (1948-1983) | Claude Vivier (1948-1983) | Pour Guitare (1975) | Alvaro Pierri | 1987 | Doberman-Yppan | Solo | |||||
Y | Vogler, Len | Len Vogler | The Gig Bag Book of Picture Chords for all Guitarists | 1995 | Amsco Publications | Method | Photos, diagrams | |||||
Y | Volpe, Harry | Harry Volpe | Malaguena | Harry Volpe | 1987 | Charles Colin | Solo | |||||
Y | Volpe, Harry | Harry Volpe | Malagueña Made Easy | Harry Volpe | 1961 | Charles Colin | Solo | |||||
Wade-Matthews, Max | Max Wade-Matthews | The Music Box, 2-book set, An Illustrated History: Music: An encyclopedia of musical instruments and the art of music-making (The Great Composers: A complete guide to the lives and works of over 100 renowned composers - 2nd volume) | Max Wade-Matthews | 2013 | Lorenz Books | Book | Instruments, History, Photos, Illustrated | History of Music-making and the Orchestra Introduction What is Music? What is a Musical Instrument? Music of Ancient Civilizations European Music in the First Millennium Structuring Music Strings Bows Reeds Valves Drum Heads and Sticks Keyboard Keys and Hammers Evolution of the Orchestra Baroque Orchestra (1600—1750) Classical Orchestra (1750—1830) Romantic Orchestra (1830—1910) Modern Symphony Orchestra Authentic Music Chamber Music European National Music Folk Music Revolutionary Music ofthe 20th Century Brass Bands Military Bands Country Music Jazz Big Bands Rock and Pop Famous String Players Famous Woodwind and Brass Players ns Kevboard and Percussion Players Court Composers Modern Composers Role of the Conductor Famous Conductors Famous Concert Halls and Orchestras Encyclopedia of Musical Instruments Introduction Strings Woodwind and Brass Percussion Keyboards The Voice Glossary Index | Mary Lenz | |||
Y | Walker, Timothy | Timothy Walker | Fantasia Celestina | 1977 | Belwin Mills | Solo | ||||||
Y | Wanek, Friedrich | Friedrich Wanek | Zehn Essays | Günter Schwartz | 1975 | B. Schott's Söhne | Solo | I Preludio II Marsch III Sarabande IV Walzer V Improvisation VI Romanze VII Allegro di danza VIII Neandertaler Blues IX Nachstück (Klangstudie) X Perpetuum mobile | ||||
Y | Webber, Andrew Lloyd (see Lloyd Webber, Andrew) | Andrew Lloyd Webber | The Classical Guitar Collection | John Zaradin, Tim Phillips | 1992 | The Really Useful Group Ltd. | Solo | Collection, Popular, Musical, Theater | ||||
Y | Weber, Carl Maria von (1786-1826) | Carl Maria von Weber (1786-1826) | Gitarrenlieder | Erwin Schwarz-Reiflingen, ed. | 1924, reprint | Thomi-Berg | voice and guitar | Duet, Collection, German only lyrics | 1. Liebeszauber (Love spell), Op. 13 Nr. 32. Sanftes Licht (Soft Light), Op. 13 Nr. 43. Die Schäferstunde (The Pastoral Hour), Op. 13 Nr. 14. Wiegenlied (Lullaby), Op. 13 Nr. 25. Die Zeit (The time), Op. 436. Canzonette: Weh! Daß geschieden (Alas! That Divorced), Op. 29 Nr. 17. Der arme Minnesänger (The poor minstrel), Op. 25 Nr. 28. Laß mich schlummern, Herzlein, schweige (Let me sleep, dear, be silent), Op. 25 Nr. 39. Zu den armen Minnesängern (To the poor minstrels), Op. 25 Nr. 510. Canzonetta: In euren blicken (in your eyes), Op. 29 Nr. 311. Canzonetta: Heitere Tage (Cheerful days), Op. 29 Nr. 212. Bettlerlied (Beggar song), Op. 25 Nr. 413. Liebe - Glühen (Love - glow), Op. 25 Nr. 114. Romanze (Ein König einst gefangen saß von Wächtern und Feinden (A king once sat captive by guards and enemies), ohne Opus | |||
Y | Weiss, Silvius Leopold (1686-1750) | Silvius Leopold Weiss (1686-1750) | Capriccio | Anthony Glise | 1986 | The Willis Music Company | Solo | |||||
Y | Weiss, Silvius Leopold (1686-1750) | Silvius Leopold Weiss (1686-1750) | Courante Royale | Richard M. Long | 1986 | Tuscany Publications | Solo | |||||
Y | Weiss, Silvius Leopold (1686-1750) | Silvius Leopold Weiss (1686-1750) | Gigue | Carl Van Feggelen | 1969 | BMI Canada Limited | Solo | |||||
Y | Weiss, Silvius Leopold (1686-1750) | Silvius Leopold Weiss (1686-1750) | Menuet - Sarabande - Menuet | Karl Scheit | 1970 | Universal Edition | Solo | |||||
Y | Weiss, Silvius Leopold (1686-1750) | Silvius Leopold Weiss (1686-1750) | Ouverture et Ballet | Rafael Andia | 1982 | Éditions Musicales Transatlantiques | Solo | 2 separate pieces | I. Ouverture II. Ballet | |||
Y | Weiss, Silvius Leopold (1686-1750) | Silvius Leopold Weiss (1686-1750) | Ouverture und Capriccio | Olaf Van Gonnissen, Thomas Müller-Pering, Johannes Monno | 2011 | Universal Edition A.G | Solo | |||||
Y | Weiss, Silvius Leopold (1686-1750) | Silvius Leopold Weiss (1686-1750) | Passacaglia | Mitsuhiko Hamada | 1974 | Casa de la Guitarra | Solo | |||||
Y | Weiss, Silvius Leopold (1686-1750) | Silvius Leopold Weiss (1686-1750) | Prelude in E | Carl Van Feggelen | 1969 | BMI Canada Limited | Solo | |||||
Y | Weiss, Silvius Leopold (1686-1750) | Silvius Leopold Weiss (1686-1750) | Six Lute Pieces From the Baroque-Volume I (six pieces in two volumes, Nos. 1-3) | Carlos Barbosa-Lima | 1972 | Columbia Music Co. | Solo | 1. Prelude 2. Menuet 3. Allegro | ||||
Y | Weiss, Silvius Leopold (1686-1750) | Silvius Leopold Weiss (1686-1750) | Six Lute Pieces From the Baroque-Volume II (six pieces in two volumes, No.s 4-6) | Carlos Barbosa-Lima | 1972 | Columbia Music Co. | Solo | 4. Courante 5. Sarabande 6. Chaconne | ||||
Y | Weiss, Silvius Leopold (1686-1750) | Silvius Leopold Weiss (1686-1750) | Sonata for Lute in A Minor (Original in G Minor) | Michael Lorimer | 1977 | Shattinger Internation Music Corp. | Solo | |||||
Y | Weiss, Silvius Leopold (1686-1750) | Silvius Leopold Weiss (1686-1750) | Sonata for Lute in E Minor | Michael Lorimer | 1976 | Shattinger Internation Music Corp. | Solo | |||||
Y | Werner, Jean∼Jaques | Jean∼Jaques Wemer | Deux Séquences | 1977 | Editions Musicales Transatlantiques | Solo | ||||||
Y | Williams, Joseph V., II | Joseph V. Williams II | Austin Pictures | 2011 | L'es Productions D'oz | guitar and strings, String quartet, guitar orchestra (8 parts), bass | Large Ensemble, Score and parts | I. Hill Country II. Floating on Ladybird Lake III. Grackles IV. Violet Crown with Cicadas V.Capital City Construction | ||||
Y | Williams, Joseph V., II | Joseph V. Williams II | Eighteen 2 6 3 | 2012 | 4 guitars, bass | Quartet, Quintet, Score and parts | ||||||
Y | Williams, Mason | Mason Williams | Classical Gas | 1968 | Irving Music, Inc. | Solo | Popular, includes piano sheet music | |||||
Y | Williams, Mason | Mason Williams | Classical Gas (Solo guitar and solo piano) | Ernie Ball | 1968 | Irving Music, Inc. | Solo | Popular, includes piano sheet music | ||||
? | Williams, Mason | Mason Williams | Classical Gas | Paul Brelinsky | 1982 | Irving Music, Inc. | Solo | Popular, includes tablature | ||||
Y | Willis, Rex | Rex Willis | Gypsy Mood: Flute and Jazz Guitar Duo with Guitar Ensemble and Bass | 2015 | Clear Note Publications | Jazz Combo: Flute, jazz guitar, 3 guitars, bass | Jazz, Ensemble, Score and parts | |||||
Y | Wolfsohn, Michael P. | Michael P. Wolfsohn | Ultimate Guitar Chord User's Guide: A Complete Guide to Finding, Playing, & Using Chords | 1992 | Hal Leonard Publishing Corporation | Method | Chords | About This Book How to Use This Book Guide to Notation Tablature Chord Frames Music Theory Half steps and Whole steos Major Scales Intervals Triads and Sevenths Diatonic Triads Harmonic Functions Chord Substitution and Alterations Chord Construction Necessary Notes in Chords Table of Chord Substitutions Movable Small Chord Forms Major Triads Minor Triads Sevenths Chord Charts About the Chords C Major C Minor C7 C#(Db) Major C#(Db) Minor C#(Db) 7 D Major D Minor D 7 Eb(D#) Major Eb(D#) Minor Eb(D#) 7 E Major E Minor E 7 F Major F Minor F 7 F#(Gb) Major F#(Gb) Minor G Major G Minor G 7 Ab(G#) Major Ab(G#) Minor Ab(G#) 7 A Major A Minor A 7 Bb(A#) Major Bb(A#) Minor Bb(A#) 7 B Major B Minor B 7 Psycho-acoustic Hierarchy Modes Blues | ||||
Y | Wölki, Konrad | Konrad Wölki | der gitarrenchor (The Guitar Choir), Band 1: Siebzehn leichte Spielstücke für drei Gitarren (Seventeen Easy Pieces for Three Guitars) | 1966 | Apollo Publishing Paul Linke | 3 guitars | Collection, Trio, Ensemble, Instruction, Score only | 1. Goldne Brücke (Golden Bridge) - Children's Folk Song 2. Taler muß wandern (Thaler must hike) - Children's Folk Song 3. Am Abend Kanon (Oh, How Lovely Is the Evening) - Folk Song 4. Ade (Farewell) - French Folk Song 5. Mädchen, warum weinest du (Girl, why are you crying?) - Children's Folk Song, with variation by Wölki, op. 78, 1 6. Geschichten erzählen (Tell stories) - Wölki, op. 78, 2 7. Schornsteinfeger (Chimney Sweep) - Children's Folk Song 8. Roter Rock (Red Skirt) - Children's Folk Song 9. Ed regnet (It's raining) - Children's Folk Song 10. Ho he (Height) - based on English Shanty, Wölki, op. 78, 3 11. Meins Herzens Schöne (My Heart's Beauty) - J. Fr. Reichardt, Wölki, op. 78, 4 Bauernkapelle (Peasant Band) (from "Playmates") - Wölki, op. 55, 8 13. Festlich gestimmt (Festive Mood) - Michael Kubik 14. Bange Erwartung (Dreadful Anticipation) (from "Playmates"), Wölki, op. 55, 11 15. Verschämtes Tänzchen (Shy Dance) (from "Playmates") - Wölki, op. 55, 15 16. Kreuz und quer (Criss-cross) (from "Playmates") - Wölki, op. 55, 14 17. Er hat's dick hinter den Ohren (He's got a lot between his ears) (from "Playmates") - Wölki, op. 55, 13 | Julian Mock | |||
Y | Wölki, Konrad | Konrad Wölki | der gitarrenchor (The Guitar Choir), Band 2: Acht Spielstücke für Gitarrentrio oder Gitarrenchor (Acht Spielstücke über europäische Volksweisen für drei Gitarren (Eight plays on European folk tunes)), op. 88 | 1972 | Apollo Publishing Paul Linke | 3 guitars | Collection, Trio, Ensemble, Instruction, Score only | 1. Spielstück über eine spanische Tanzweise (Piece about a Spanish dance style) 2. Varianten eines deutschen Liedes (Variants of a German song) 3. Altenglische Kontratänze als Gitarrenmusik (Old English counter dances as guitar music) 4. Schwedische Spielmannsmusik (Swedish minstrel music) 5. Varianten einer niederländischen Volksweise (Variations of a Dutch folk tune) 6. Erinnerung an rumänische Dorfmusik (Memory of Romanian village music) 7. Varianten eines serbischen Tanzes (Variants of a Serbian dance) 8. Spielmusik über französische Volksweisen (Play music based on French folk tunes) | Julian Mock | |||
Y | Wölki, Konrad | Konrad Wölki | Sechs Mal Drei (Six Times Three: Six Pieces for Three Guitars) | 1975? | Musikverlag Josef Preissler | 3 guitars | Collection, Trio, Ensemble, Instruction, Score only | 1. Einstimmung (Warm-up), op. 92, 1 2. Entree, op. 92, 2 3. Kleine Ouvertüre (Little Overture), op. 71 4. Suite in a, op. 61, B 5. Nostalgie, op. 92, 3 6. O Tannenbaum (Ritornell und Lied), op. 52 (song is not same melody as the popular one in 3/4, and can be played on another instrument) | Julian Mock | |||
Y | Wyble | Jimmy Wyble | The Art of Two-Line Improvisation (19 Etudes, 2 Improvisations) | Rich Carter | 1979 | Flat Five Publishing | Solo | Collection | EXAMPLES ETUDE SEVEN ETUDE TWELVE (to Red Norvo) ETUDE ELEVEN (Blues for Bix) ETUDE EIGHTEEN ETUDE NINETEEN (Blues for Monk) ETUDE TWENTY ETUDE FOURTEEN (to Alec Wilder) ETUDE FIFTEEN (to Alec Wilder) ETUDE SIXTEEN (to Alec Wilder) IMPROVISATION PART ONE IMPROVISATION PART TWO ETUDE EIGHT ETUDE TEN (to Scott Joplin) ETUDE THIRTEEN (to Jimmy Rowles) ETUDE TWENTY-TWO (to Louis Armstrong) ETUDE NINE ETUDE TWENTY-FIVE ETUDE TWENTY-THREE (Jigsaw) ETUDE TWENTY-FOUR (Silent One) ETUDE SEVENTEEN (to Fats Waller) ETUDE TWENTY-ONE (Two Lines for Barney) | |||
Y | York, Andrew | Andrew York | 8 Discernments | 1994 | Guitar Solo Publications | Solo | 1. Willow 2. Walking 3. Chant 4. Spider Dance 5. Heath 6. Snowflight 7. Royal Plum Pudding 8 Sherry's Waltz | Richard Childress | ||||
York, Andrew | Andrew York | 8 Dreamscapes | 1994 | Seven Centers Publishing | Solo | 1. In Sorrow's Wake 2. Skeleton 3. Hejira 4. Pine Cove 5. Tufnell Park 6. Watercolor 7. Quicksilver 8. The Current | Richard Childress | |||||
Y | York, Andrew | Andrew York | Attic | 1996 | Les Éditions Doberman-Yppan | Guitar orchestra, 9 guitars | Nonet, Ensemble, Score and parts | |||||
Y | York, Andrew | Andrew York | Lullaby | 1988 | Guitar Solo Publications | |||||||
Y | York, Andrew | Andrew York | Pacific Coast Highway for Guitar Quartet or large Ensemble | 1994 | Corda Music Publications | 4 Guitars, large Ensemble | Quartet, Ensemble, Score and partrs | |||||
York, Andrew | Andrew York | Sunburst | 1986 | Guitar Solo Publications | Solo | |||||||
? | Zamora, Kari | Kari Zamora | An Epic Statement (for String Orchestra) | 2012 | Zamora Music | violin (21), viola (5), cello (5), bass (4) | String Orchestra, Score and parts, no guitar | |||||
Zaninelli, Luigi | Luigi Zaninelli | Barcarola for Solo Guitar | 1985 | Theodore Presser Co. | Solo | |||||||
Zarate, Jorge Martinez | Jorge Martinez Zarate | Dos Canciones Americanas: Cancion (Costa Rica); Trova (Venezuelan) | 1988 | Barry Buenos Aires | Solo | South American, folk? | ||||||
Y | Zohn, Andrew | Andrew Zohn | Dialogue | 1999 | Les Productions D'Oz | Solo | ||||||
In library:Y/N | # of Copies | Composer | Name | Work | Transcribed/Edited By | Published Date | Publisher | Instrumentation | Notes | Table of Contents | On Loan | Donated By: |