Welcome to Austin Classical Guitar’s Music Library!
Our collection of printed music is cataloged below. Feel free to browse or search by keyword. You can also download a copy of the database if you would like.
Music library materials are available to the public for onsite study at ACG’s headquarters in Austin, by appointment only. For inquiries about the collection, including donations, or to schedule a visit, please get in touch with Norma Hawes at 512-300-2247 or norma@austinclassicalguitar.
ACG Music Library
In library:Y/N | # of Copies | Composer | Name | Work | Transcribed/Edited By | Published Date | Publisher | Instrumentation | Notes | Table of Contents | On Loan | Donated By: |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Y | Ablóniz, Miguel | Mlguel Ablóniz | Arietta Medievale | 1978 | Bèrben | Solo | ||||||
Y | Ablóniz, Miguel | Miguel Ablóniz | Capriccio Scioglidita | 1982 | Bèrben | Solo | ||||||
Y | Ablóniz, Miguel | Miguel Ablóniz | Capriccio Scioglidita (Warming-Up Capriccio) | 1982 | Bèrben | Method | Exercises | |||||
Y | Ablóniz, Miguel | Miguel Ablóniz | Cinque Momenti Musicali per Chitarra | 1982 | Bèrben | Solo | ||||||
Y | Ablóniz, Miguel | Miguel Ablóniz | Esercizi Essenziali per la Mana sinistra (essential exercises for the left hand) | 1954 | Bèrben | Method | Exercises, Left hand | Eight Essential Exercises for Technique Seven Chromatic Exercises for Virtuosic Technique Twenty-nine Double Scales: Thirds; Sixths; Octaves About Snaps [desc. slurred notes] on the Same String Study on Slurs and Snaps | ||||
Y | Ablóniz, Miguel | Miguel Ablóniz | Guitar Serenade | Ida Presti | 1960 | Ricordi | Solo | |||||
Y | Ablóniz, Miguel | Miguel Ablóniz | Sequential | 1973 | Bèrben | Solo | ||||||
Y | Ablóniz, Miguel | Miguel Ablóniz | You and Me ( Waltz and Samba) | 1985 | Bèrben | Solo | ||||||
Y | Agibalov, Alexei (b. 1940) | Alexei Agibalov (b. 1940) | Sonata No. 1 for the 7-String Guitar | 2010 | 7-string guitar | |||||||
Y | Aguado, Dionisio (1784-1849) | Dionisio Aguado (1784-1849) | Eight Lessons | Sophocles Papas, fing. | 1964 | Columbia Music Company | Method | Exercises, Collection, each lesson serves as a solo) | Richard Childress | |||
Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Asturias: for soloist and guitar trio | Matthew Lyons | Solo, 3 guitars | Trio, Ensemble | |||||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Asturias, Leyenda - Preludio | Andres Segovia | 1992 | Union Musical Ediciones | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Asturias, Leyenda - Preludio | Andres Segovia | 1956 | Ricordi | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Asturias, Leyenda - Preludio | Andres Segovia | 1992 | Ricordi | Solo | Richard Childress | ||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Barcarola | S. Garcia Fortea | 1964 | Union Musical Espanola | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Cadiz (Saeta) | Carlos Barbosa-Lima | 1977 | Columbia Music Co. | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Cadiz (Saeta) No. 4 de la Suite Espanola | Celedonio Romero | 1986 | Union Musical Espanola | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Cadiz Serenata) de la "Suite Española" | A. Sinópoli | ? | Ricord! | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Capricho Catalan, Op. 165 | Michael Lorimer | 1976 | Mel Bay | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Cordoba ("From Songs of Spain") Op. 232, No.4 | Carlos Barbosa Lima | 1977 | Columbia Music Co. | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Cordoba: De "Chants d'Espagne" | A. Sinopoli | 1963 | Ricordi | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Danza Española No. 1 | Jose Azpiazu | 1963 | Ricordi | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Danza Española No. 2 | Jose Azpiazu | 1963 | Ricordi | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Danza Española No. 4 | José Azpiazu | 1963 | Ricordi | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Danza Española No. 5 | Jose Azpiazu | 1963 | Ricordi | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Danza Española No. 6 | Jose Azpiazu | 1963 | Ricordi | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Evocacion (de la Suite "Iberia") para dos guitarras | Miguel Llobet | 1964 | Union Musical Española | 2 guitars | Duet, Score only | ||||
Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Guitar Music of Spain, The. Volume Two | Various | 1994 | Wise Publications | Solo | Collection, advanced level | Asturias (Leyenda - Preludio) - transcr. Luis Maravilla Cadiz (Serenata Española) - transcr. F. Tarrega; rev. Miguel Llobet Cataluna (Corranda - No.2 De La "Suite Española) - transcr. Venancio García Velasco Cordoba (De “Cantos De Espana”) - transcr. Ernesto Bitetti En La Alhambra (Capricho Morisco) - S. García Granada (Serenata-De La “Suite Espanola”) - transcr. F. Tarrega Mallorca (Barcarola) - transcr. Luis Maravilla & Luis Lopez Tejera Oriental (De “Cantos De España”) - transcr. Miguel Llobet Puerta De Tierra (Bolero) - transcr. S. García Rumores De La Caleta (Malaguena-De “Recuerdos De Viaje”) - transcr. Aureo Herrero Serenata Arabe - transcr. S. García Sevilla (Sevillanas-De La “Suite Española”) - transcr. F. Tarrega; rev. Miguel Llobet Tango (No.2 De La Suite “España”) - transcr. Venancio García Velasco Torre Bermeja (Serenata) - transcr. Miguel Llobet | ||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Gitárdarabok - Pieces for Guitar | Venancio Garcia Velasco | 1979 | Edito Musica Budapest | Solo | Collection | Danza Española Mallorca (Barcarola) Granada (Serenata) Torre Bermeja (Serenata) Córdoba Sevilla | |||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Granada: Serenata | F.Tarrega | 1964 | Otto Heinrich Noetzel Verlag | Solo | |||||
? | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Granada (Serenata) from "Suite Española" | Elias Barreiro | 1980 | The Wills Music Co. | 2 guitars | Duet, Score only | ||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Leyenda | Andres Segovia | Spanish Music Center | Solo | ||||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Leyenda (Asturias) | Sophocles Papas | 1993 | Columbia Music Co. | Solo | Richard Childress | ||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Mallorca | Andres Segovia | 1947 | Celesta Publishing Co. | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Mallorca: Barcarola Para Guitarra | Luis Maravilla | 1954 | Union Musical Espanola | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Recuerdos de Viaje No. 6 Rumores de la Caleta) | Turibio Santos | 1985 | Editions Max Eschlg | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Sevilla (Sevillanas) No. 3 de la Suite Española | CeledonioRomero | 1986 | Union Musical Espanola | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Sevilla: pour Ensemble de guitares | Yvon Rivoal | 2002 | Editions Henry Lemoine | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Suite Española Op. 47 | Manuel Barrueco | 1981 | Belwin Mills Publishing Corp | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Tango | Gaston Martin | 1966 | Georges Del!ieu & Co | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Tango Opus 165 No.2 | Andrew Segovia | 1967 | Schott | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Torre Bermeja Seranata Op.92 no.12 | Miguel Llobet | 1959 | Union Musical Espanola | Solo | |||||
Y | Albeniz, Isaac (1860-1909) | Isaac Albeniz (1860-1909) | Torre Bermeja (Serenata) | Miguel Ablóniz | ? | Bèrben | Solo | |||||
Y | Albert, Benoît | Benoît Albert | Les climatiques, vol. 1 (for 3 guitars) | 2014 | Les Productions D'Oz | 3 guitars | Trio, Ensemble, Score and parts | 1. Océan 2. Home 3. Massilloon - Ohio | ||||
Y | Albinoni, Tomaso | T. Albinoni | Adagio Sol Mineur | Gaston Martin | 1966 | Edition Delriéu | Solo | |||||
Y | Alexander, Allan | Allan Alexander | Seven Venezuelan Waltzes- Vol. I | The Hamilton Music Group (?) | Solo | |||||||
Y | Almeida, Laurindo | Laurindo Almeida | Guitariana | Laurindo Almeida | 1955 | Charles Colin | Solo | 1 piece by Bach: Corrente | Baa-Too-Kee (Batuque) - ancient ritual Brazilian Dance Mystified Braziliance Staniana (A Polyphonic Study) Eili-Eili Sueño Corrente (from Sonata II) - J. S. Bach Historia Do Luar Historia Da Saudade Historia Da Inspiracao Lament in Tremolo Form English Air When Night Falls (I Think of You) Danza Gitana (Gypsy Dance) Choro Para Olga Pavana for Pancho The One Minute Divertimento | |||
Y | Alonso, Avelino | Avelino Alonso | Diferencias | Patrlck Gaudi | 1990 | Editorial de Musica Espanola Contemporanea | Solo | |||||
Y | Amelkina-Vera, Olga | Olga Amelkina-Vera | Intermezzo for guitar quartet | 2010 | Kithara | 4 guitars | Quartet, Ensemble, Score and parts (Autographed by composer) | |||||
Y | Ameller, André | André Ameller | Catalunya Suite pour Guitar | Jean Perdreau | 1977 | Gerard Billaudot Editeur | Solo | |||||
Y | Andes, Marc | Marc Andes | Suite Folklore: Preludio; Cancion; Romance; Vals; Danza | 1981 | Editions Aux Guitares | Solo | ||||||
Y | Anido, Maria Luisa | Maria Luisa Anido | Aire de Vidalita | 1952 | Bèrben | Solo | ||||||
Y | Anonymous | Anonymous | 15 berühmte russische Lieder und Romanzen (15 Famous Russian Songs and Romances) | Anatoly Manukoff, ed. | 1961 | Musikverlag Zimmermann | voice and guitar | Anthology, Russian Folk, Gypsy, German-Russian Text | Weiße Akazien (White Acacia) - Gypsy Russian Romance Es scheint der Mond (The Moon is Shining) - Russian Folk Song Sulikò (Darling) - Georgian Folk Song Schwarze Augen (Black Eyes) - Russian Folk Song Am Kamin (By the Fireplace) - (Russian Gypsy Romance) - P. Batórin Sei nicht traurig, leibe Mutter (Don't Scold Me, Mother) - A. Dubuque Auf glattem Wolgaeise (Here Comes the Postal Troika) - Folk Song Die Petersbuger Landstraße entlang (Along Petersburg landstrasse) - FolkSong Heissa Troika (Hey, Troika!) - M. K. Steinberg Abendglocken (Evening Bells) - Folk Song Zwei Gitarren (Two Guitars) - Russian Gypsy Romance Eintönig klingt das Glöckchen [der Troika] (Bells Chime in Unison) - Folk Song Laß, Kutscher, die Rappen nur geh'n (Coachman, Don't Drive the Horse!) - Gypsy Romance Stjenka Rasin [famous Cossack leader] - Folk Song Die zwölf Räuber (Twelve Thieves) - Russian Legend | |||
Y | Anonymous | Lebedeff, Wassili P. | 50 Russiche und Ukrainische Volkslieder Und Tänze für Gitarre Mit Bezeichnung der Bässe für 10 Saitige Gitarre (Optional fingering for 9- and 10- string guitar) | Wassili P. Lebedeff | Musikverlag Wilhelm Zimmermann | Solo | Folk songs, dances, text in Russian, German, English | 1. Along the river 2. The rowan-tree 3 In the garden, in the little kitchen-garden 4 The torch 5 Snowflakes, white and downy 6 The witty fellows - Ukrainian song 7. As to the brook I go 8 Ah, Nastasya 9. Hopak - Ukrainian dance 10. The pedlars 11. The little willow-tree 12. On the azure sea 13. In the valley stood 14. The green grove 15. At the merry festival I 've been 16. The young maiden 17. A high mountain is standing there - Ukrainian song 18. E - i ukhnem! Song of the Volga-boatmen 19. By the river, by the bridge 20. Do not scold me, dear mother 21. Oh, my porch, my new porch 22. Down the mother Volga-river 23. As there went our maiden-friends 24. I am a young maiden and I sleep well 25. The lady 26. Swim away, my little boat - Ukrainian Song 27. On the Neva-river 28. The snow isn't white any longer 29. As on the hill, the steep one 30. Under the apple-tree 31. Hymn for the Tsar 32. The sea-gull - Ukrainian song 33. The little greyish blue dove 34. Beyond the forest, beyond the dark grove 35. Don't go, Grisha, to the evening-festival - Ukrainian song 36. Down the street 37. Kamarinskaya - dancing song 38. Late in the evening from out the grove 39. My field, my dear field 40. Buckwheat pancakes - Ukrainian dancing 41. Along the street a snow-storm is blowing 42. The red sarafan 43. The neighbour’s hut - Ukrainian dancing song 44. On the paved street 45. The reapers are moving out into the field - Ukrainian dancing song 46. My dear mother 47. Oi, poor young maiden - Ukrainian song 48. The glade - Cossacks' dancing song 49. Winds, stormy winds are blowing - Ukrainian song 50. Brightly shines the moon - dancing song | ||||
Y | Anonymous | Domingo Prat | Album de Danzas Y Cantos Argentines | Domingo Prat | 1977 | Ricordi Americana | Solo, Collection | South American, Argentina, Folk, Traditional | Minué Federal Chacarera Estilo (Popular) Zamba Santiagueña (Popular) Vidala (Popular) El Gato Zapateado (Variación de) | |||
Y | Anonymous | William Walton | Anon. in Love: Six Songs for Tenor Voice and Guitar | William Walton, Julian Bream, ed. | 1960 | Oxford University Press | tenor voice and guitar | Duet, Score only | 1. Fain would I change that note 2. O stay, sweet love 3. Lady, when I behold the roses 4. My Love in her attire 5. I gave her Cakes and I gave her Ale 6. To couple is a custom | |||
Y | Anonymous | Matthew Cochran | El Cóndor Pasa | Matthew Cochran | 2006 | Clear Note Publications | 4 guitars | Quartet, Ensemble, Score and parts, Folk, Tradtional, Peru | ||||
Y | Anonymous | Domingo Prat | El Testamento De Amelia (L' testament d'Amelia) | Domingo Prat | 1955 | Ricordi Americana | Solo | Folk, Cancion Popular Catalan | ||||
Y | Anonymous | Llobet, Miguel and Papas, Sophocles | El Testamento de Amelia and Plany (Catalan Folk Songs) | Miguel Llobet, arr., Sophocles Papas, rev. | 1960 | Columbia Music Co. | Solo | Folk | ||||
Y | Anonymous | Miguel Llobet | Five Catalan Melodies | Miguel Llobet, arr., Sophocles Papas, rev. | 1960 | Columbia Music Co. | Solo, 2 guitars | Collection, Folk, includes seond guitar part for El Noy | El Noy de la Mare - 2nd guitar El Noy de la Mare El Testamento de Amelia Plany La Filla Del Marxant (The Merchant's Daughter) El Metre (El Maestro) | |||
Y | Anonymous | P. Van Der Staak | Four Royal Dances (16th Century) | Pieter Van Der Staak | 1989 | Broekmans & Van Poppel | Solo | 1a. Churfürst Moritz Tantz - Anonym 1b. Saltarello 2a. Der Churfürstin Zu Sachsen Tentzleyn 2b. Saltarello 3a. Churfürst Augustus Tantz 3b. Saltarello 4a. Graff Johann Von Nassau Tantz 4b. Saltarello | ||||
Y | Anonymous | Francis Cutting (1596) | Greensleeves (Orig. para Laud) | Lupe de Azpiazu | 1963 | Union Musical Espanola | Solo | OLD, needs repair | ||||
Y | Anonymous | Miguel Llobet | Guitar Works Vol. 2: 16 Folksong Settings | Miguel Llobet, Ronald Purcell, ed. | 1989 | Chanterelle Verlag | Solo | Collection, Style, Folk, Catalan, León, Argentina | Cataluña: 1. Plany 2. La Filla del Marxant 3. El Testament d’Amelia 4. Canço del Lladre 5. Lo Rossinyol 6. Lo Fill del Rei 7. L’Hereu Riera 8. El Mestre 9. La Nit de Nadal 10. La Filadora 11. La Pastoreta 12. La Preço de Lleida 13. El Noi de la Mare León: 14. Leonesa Argentina: 15. Estilo Popular No. 1 16. Estilo Popular No. 2 | |||
Anonymous | Traditional | The Mermaid | Derek Hasted | 1990 | Derek Hasted | 4 guitars | Quartet, Ensemble, Score, sea shanty, chanty | |||||
Y | Anonymous | Mark Anthony Cruz | Nettleton | Mark Anthony Cruz | 2006 | MAC Publications | 5 guitars | Quintet, Ensemble, Score and parts | ||||
Y | Anonymous | Cesare Negri, Helmut Mönkmeyer | Nuove Inventioni di Balli (New Inventions of the Dance): Complete edition of the 43 Balli in arrangement from the Italian tablature for the guitar circa 1600 | Cesare Negri, Helmut Mönkemeyer | 1967 | P.J. Tonger | Solo | Anthology, Renaissance, Dance, Itallian | 1. Il Villanicco 2. Lo Spagnoletto 3. La Barrera 4. Brando gentile 5. Pavaniglia alla Romano 6. Gratioso 7. Torneo amoroso8. Bianco fiore 9. Il Cesarino 10. Cortesia Amorosa 11. Brando di Cales 12. Pavaniglia all'vso de Milano 13. La Biscia Amorosa 14. Bassa Gioiosa 15. Alta Visconte 16. Bassa delle Ninfe 17. Amor felice 18. Alemana d'Amore 19. Galleria d'Amore 20. Tordiglione nuouo 21. Il Canario 22. Bass Imperiale 23. Laura Gentile 24. Alta Mendozza 25. Alta felice 26. Il Bizzarro 27. So ben mi chi hà buon tempo 28. Il pastor leggiadro 29. Alta Somaglia 30. Il Bigarà 31. Leggiadra Maria 32. Fedeltà d'Amore 33. Bizzarria d'Amore 34. Leggiadra Gioiosa 35. Nobiltà d'Amore 36. La Battaglia 37. La Correnta 38. La Nizzarda 39. Ballo fatto da sei Dame 40. Ballo fatto da sei Caualieri 41. La Catena d'Amore 42. Intermedio d'Armenia Pastorale 43. Brando detto Alta Regina | |||
Y | Anonymous | Sophocles Papas | Pasacalle, from 2 Flamenco Variations | Sophocles Papas, rev. | 1960 | Columbia Music Co. | Solo | Flamenco | ||||
Y | Anonymous | Karl Scheit | Renaissance Dances (Tänze Aus Der Renaissance) | Karl Scheit | 1960 | Universal Edition | Solo | Renaissance, Collection, Dance, Includes helpful description of each type of dance | I Allemande II Pavane III Galliarde IV Balletto V Billanelle VI Allemande VII Galliarde | |||
Y | Anonymous | Elias Barreiro | Romance | Elias Barreiro | 1981 | The Willis Music Co. | Solo | |||||
Y | Anonymous | Vicente Gomez | Romance de Amor | Vicente Gomez, arr. | 1940 | Belwin Mills Publishing Corp. | Solo | |||||
Y | Anonymous | Aaron Stang | Romanza (A Spanish Romance) | Aaron Stang | 2002 | Belwin Mills Publishing Corp. | 4 guitars, optional Bass guitar | Traditional, Quartet, Ensemble, Parts only | ||||
Y | Anonymous | Sergei Rudnev | Russian Folk Songs for Classical Guitar (from The Russian Collection Volume III) | Sergei Rudnev (b. 1955), Matanya Ophee | 1994 | Editions Orphée | Solo | Folk, Melody only | Dance Song Since Yesterday's Midnight To the Road I Go Alone Grass On The Meadow The Wanderer's Song The Old Lime-Tree Along The Paved Street I will Sow Gossfoot Play, My Bagpipe The Snowball Tree Between Steep Banks My Husband Made Me Stoke The Fire I Will Forget You When... Circle Dance The Little Homestead Russian Rhapsody | |||
Y | Anonymous | Jef Goor | Sick Tune, The; Currant; Squirrel's Toy, The; Kemp's Jig (Francis Cutting) | Jef Goor | 1971 | Uitgave Metropolis | Solo, Folk | Collection | ||||
Y | Anonymous | Sophocles Papas | Spanish Romance | Sophocles Papas | 1960 | Columbia Music Co. | Solo | |||||
Y | Anonymous | John W. Duarte | Three English Folk Songs: Greensleeves; Bushes and Briars; Blackbirds and Thrushes | John W. Duarte | Novello & Company Limited | Solo | Folk | |||||
Y | Anonymous | Yuquijiro Yocoh | Sakura Theme and Variations (on the Japanese folk song) | Yuquijiro Yocoh | ? | Guitar Solo Publications | Solo | Folk, Japanese | ||||
N | Anonymous (1550) | Anonyme (1550) | Saltarello, attribué à Vincenzo Galilei | |||||||||
Y | Anonymous (1580) | Anonymous (1580) | Greensleeves | Alan Dodd | 1970 | Alan Dodd Publications | Solo | Folk | ||||
N | Anonymous (18th Century) | Anonymous (18th Century) | Kitty of Coleraíne (Traditional Irish Air) Arranged for Voice and Guitar | ? | Brazilliance Music Publishing | Voice and guitar | Folk, Score only | |||||
N | Anonymous ca. 1750 | Karl Scheit | Præludium und zwei Menuette | Karl Scheit | 1966 | Universal Edition | Solo | |||||
Y | Antunes, Jorge de Freitas | Jorge de Freitas Antunes | Sighs | 1976 | Musikverlag Zimmermann | Solo? | ||||||
Y | Aranjo, Karl | Karl Aranjo | Guitar Scale Guru: The Scale Book, Your Guide for Success! | 1998 | Creative Concepts Publishing | Method | Scales | Basic Open String Scales: C, G, F, D, Bb, A, E Major The Major Scales: Root 6, Root 5 Music Theory, Major Scale Theory Essential Root 6 & Root 5 Movable Scales Major Scales: Five Position Playing The Minor Scales Advanced Theory: The Pure Minor Minor Scales: Five Position Playing Minor Pentatonics: Five Position Playng BLUES Scales: Five Position Playing Major Pentatonics: Five Position Playing | ||||
Y | Ardizzone, Matthew | Matthew Ardizzone | Mazurka Collection | Matthew Ardizzone | 1999 | Mel Bay Publications | Anthology | John Fernando | ||||
Y | Armstrong, Ellis | Ellis Armstrong | Istanbul | 1974 | Armstrong Music Studios | Solo? | ||||||
Y | Arnold, Malcolm | Malcolm Arnold | Fantasy (written for Julian Bream) | Julian Bream, ed. | 1971 | Faber Music Ltd. | Solo | |||||
Y | Arpe, Manuel Seco de | Manuel Seco de Arpe | Tiento | Agustin Mauri | 1995 | Editorial de Musica Española Contemporanea | Solo | |||||
Y | Arrigo, Girolamo | Girolamo Arrigo | Serenata per Chitarra | 1963 | Heugel & Cie | Solo | ||||||
Y | Asencio, Vicente | Vicente Asencio | Getsemaní para guitarra (1961) | Angelo Gilardino | 1978 | Bèrben | Solo | |||||
Y | Asia, Daniel | Daniel Asia | Your Cry will be a Whisper (for Solo Guitar) (1992) | 1996 | Merion Music, Inc | Solo | ||||||
Assad, Clarice | Clarice Assad | Magnetic Trance | 2014 | Virtual Artists Collective Publishing | 4 guitars | |||||||
Y | Assad, Sergio | Sergio Assad | Aquarelle | 1992 | Editions Henry Lemoine | Solo | ||||||
Y | Bach, Carl Philipp Emanuel (1714-1788) | Bach | Solfeggietto | Giovanni DeChiaro | 1989 | The Willis Music Co. | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Christian Bach (1735-1782) | Quartetto Op. 18 | Manley Mallard | 2009 | Guitar Chamber Music Press | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Bach, Johann Sebastian (1685-1750) | Bach | 2 Choral Preludes: Wake Up, Calls the Voice, BWV 645; Jesus Remains My Joy, Bwv 147 | David Russell, arr. | 2005 | Les Éditions Doberman-Yppan | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | 12 Chorales | Giovanni DeChiaro | 1985 | The Willis Music Co. | 4 guitars | Collection, Quartet, Ensemble | 1. Christ lag in Todesbanden (Christ lay in the bonds of death) 2. Nun danket alle Gott (Now let all thank God) 3. Nun liegest alles unter dir (Now all lies beneath Thee) 4. Wo soll ich fliehen hin (Where am I to flee?) 5. Ach Gott, vom Himmel sieh darein (Ah, God, from heaven look and be merciful) 6. In dulci jubilo 7. Jesus Christus, unser Heiland (Jesus Christ, Our Savior) 8. Herr Jesu Christ, du höchstes Gut (Lord Jesus Christ, Thou highest good) 9. Schmücke dich, O liebe Seele (Deck thy self, dear soul) 10. An Wasserflüssen Babylon (By the rivers of Babylon) 11. Meines Lebens letzte Zeit (The last hour of my life) 12. Jesu, meine Freude (Jesus, my joy) | |||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | 15 Two-Part Inventions | Ken Hummer | 2003 | Alfred Music Publication Company, Inc. | Solo | Collection | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Arioso from Cantata No. 156 (BWV 156) and Harpsichord Concerto in F minor (BWV 1056, for Flute and Guitar | Gary Shocker, arr. Guitar part edited by Jason Vieaux | 2010 | Theodore Presser Company | Flute and guitar | Duet, Score and flute part | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Bach for the Guitar | Leon Block, arr. | 1965 | Edward B.Marks Music Company | Solo | Collection | Minuet from Notebook of Anna Magdalena Bach Jesu, Joy of Man's Desiring - Chorale from Cantata No. 147 Rondo-Gavotte from Violin Sonata No. 6 Awake, Awake, A Voice Is Calling - Chorale Prelude Gavotte from the 5th French Suite Gavotte from the 6th English Suite Minuet in G Minor Sarabande from the 5th English Suite Gavotte from the 3rd English Suite Gavotte fromm the 6th Cello Suite Polonaise Concerto in the Italian Style Sarabande from the 1st French Suite | |||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Bach Lute Suites for Guitar: The complete works for lute solo by Johann Sebastian Bach | Jerry Willard | 1980 | Ariel Publications | Solo | Collection | Suite I, BWV 996 Suite II, BWV 997 Suite III, BWV 995 Suite IV, BWV 1006a Prelude, Fuge, and Allegro, BWV 998 Prelude, BWV 999 Fuge, BWV 1000 | |||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Best of Bach, The | Joseph Castle | 1977 | Mel Bay | Solo | Collection | Minuet March (from Anna Magdalena's Notebook) Minuet (from Anna Magdalena's Notebook) Chorale (To Thee, Jehovah, I Will Sing) Minuet (from Anna Magdalena's Notebook) Courante Sleepers Awake (from Cantata No. 140) Air for the G String (from Suite No. 3 in D Major) Gavotte - from 6th Sonnata for Solo Violin Courante - from Suite No. 3 for Cello | |||
Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Bach for Recorder and Guitar | Eugene Reichenthal | 1976 | Edward B.Marks Music Corporation | recorder and guitar (flute and guitar) (2 guitars) | Collection, Duet, Scores only | March in G from "The Little Note Book of Anna Magdalena Bach" Minuet Wie soil Ich from "Cantata 152" Prelude from "18 Little Preludes and Fugues" (No. 10) Sinfonia from "Cantata 156" Minuet from "French Suite No. 2" Minuet from "French Suite No. 6" Bourree in E minor Gavotte from "French Suite No. 5" Siciliano from "Sonata No. 2 for Flute and Harpsichord" Bourree in A minor Jesu, Joy of Man's Desiring from "Cantata 147" Wisset ihr nicht from "Cantata 154" ....................... Little Prelude from "6 Little Preludes" Polonaise from "The Little Note Book ofAnna Magdalena Bach" Air in G\ | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Cello Suite I Guitar Transcription (BWV 1007) | Michael Lorimer | 1976 | Charles Hansen Music & Books | Solo | |||||
Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Cello Suite I Guitar Transcription (BWV 1007) | Michael Lorimer | 1989 | Mel Bay Publications, Inc. | Solo | Richard Childress | |||||
Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Cello Suite II Guitar Transcription (BWV 1008) | Michael Lorimer | 19891976 | Shattinger International Music Corp | Solo | Original for Solo Cello in D Minor, transcribed in A minor | Richard Childress | ||||
Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Cello Suite II Guitar Transcription (BWV 1008) | Michael Lorimer | 19891976 | Shattinger International Music Corp | Solo | Original for Solo Cello in D Minor, transcribed in A minor | Richard Childress | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Cello Suite V (BWV 995) (Original in C minor) / Lute Suite Ill (BWV 1011): "Pièces pour la Luth a Monsier Schouster par J.S. Bach" (Original in G minor) | Michael Lorimer | 1977 | Mel Bay | Solo | Lute, Facsimile of original lute transcription by Bach | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Chaconne (in D minor) | Andres Segovia | 1934 | Schott | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Chaconne | Andres Segovia | 1935 | Schott | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Complete Works for Lute Vol. 3 (BWV 998-999-1000) | Michael Sadanowsky | 1990 | Gerard Billaudot Editeur | Solo | Collection | Prélude - Fugue - Allegro, BWV 998 Prélude en Ré mineur, BWV 999 Fugue en La mineur, BWV 1000 | |||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Concerto Brandenbourgeois No 6 BWV 1051 | James Smith | 2000 | Doberman Yppan | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Courante - Gavotte | Andres Segovia | 1928 | Schott Music Corp. | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Drei Kleine Stucke: Polonaise (from Anna Magdalena's Notebook); Menuet; Marcia | Andres Segovia | 1935 | B. Schott's Sohne | Solo | |||||
Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Eight J. S. Bach Compositions: Transcriptions for Guitar and a Guide to Performance | Bryan Townsend | 1999 | Mel Bay Publications, Inc. | Solo | Collection | Minuet 1 from the second cello suite BWV 1008 Minuet 1 from the second cello suite BWV 1008 Sarabande from the second cello suite BWV 1008 Bourée from the first lute suite BWV 996 Siciliano from the first violin sonata BWV 1001 Andante from the second violin sonata BWV 1003 Prelude BWV 1009 Suite in A major BWV 1007: Prelude Allemande Courante Sarabande Minuets 1 & 2 Gigue Prelude from the fourth lute suite BWV 1006a | Richard Childress | |||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Fuga (from Violin Sonata in G minor, BWV 1001, and for Lute, BWV, 1000) | Karl Scheit | 1966 | Karl Scheit Universal Edition | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Fugue from Concerto e Fuga BWV 909, arranged for Two Guitars | Richard M. Long | 1986 | Tuscany Publications | 2 guitars | Duet, Score only | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Gavotte | Andres Segovia | 1954 | Schott | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Gavotte (de la Suite Anglaise no. 3) | Emlio Pujol | 1957 | Editions Max Eschlg | 2 guitars | Duet, Score only | 1 - John Fernando | |||
Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | J. S. Bach in Tablature, Volume I: Beginning to Intermediate Pieces in Standard Tab and Notation for Guitar | Jake Pincus | 1992 | Mel Bay Pulications, Inc. | Solo | Collection, Standard and tablature notation | 1. Minuet 1 in G major (From the notebook ofAnna M. Bach) 2. Musette in D Major (6) = D (From the notebook of Anna M. Bach) 3. Minuet 2 in G major (From the notebook ofAnna M. Bach) 4. Bouree in E minor (From the 1st Lute Suite) 5. Two Part Invention in C major 6. Two Part Invention in D minor 7. Minuet in G minor (6) = D 8. Jesu, Joy of Man's Desiring (From Cantata 147) 9. Gavotte (From the 3rd Lute Suite) 10. Prelude in D minor (From 1st Lute Suite) | Richard Childress | |||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Jesu Joy of Man's Desiring (Chorale from Cantata no. 147) | David Dolata | 1983 | The Willis Music Co. | ||||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Jesu Joy of Man's Desiring (from Cantata no. 147) | 1977 | Hal Leonard | Solo | ||||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Jesu Joy of Man's Desiring (from Cantata no. 147) | Laurindo Almeida | Brazil!iance Music Publishing | Solo | ||||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Jesu, Joy of Man's Desiring (from Cantata 147) | Sophocles Papas | 1975 | Columbia Music Co. | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | "Jesus que ma joie demeure" Cantate no. 147 | Jose de Azpiazu | 1964 | Edition Delrteu | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Kleine Prelude in C (Short Prelude in C) | J. Verhoef | 1968 | Harmonia-Uitgave | 2 guitars | Duet, Score only | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Lute Suite A-moll (originally in c-Moll), BWV 997 (from Musik für Gitarre) | Karl Scheit | 1984 | Universal Edition (UE 16710) | Solo | Lute | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Parkening Plays Bach | Christopher Parkening, Nick Foster, et. al. | 1973 | Antigua Casa Herry-Brener, Ltd. | Solo | Collection | Jesu, Joy of Man's Desiring (from Cantata No. 147) Prelude No. I (Well-Tempered Clavier) Prelude No. VI (Well-Tempered Clavier) Prelude No. IX (Well-Tempered Clavier) Sheep May Safely Graze (from Cantata No. 208) Sleepers, Awake (from Cantata No. 140) Be Thou With Me Gavotte I & II (from 5th Cello Suite) Prelude | Richard Childress | ||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Partita in A minor (BWV 1013) | David Leisner | 1993 | Merion Music., Inc | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Prélude | Andres Segovia | 1954 | Schott | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Prélude | Andres Segovia | 1954 | Belwin Mills | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Prelude and Fugue in A minor | Hector Quine, arr. | 1978 | Oxford University Press | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Prélude et Fugue | Andres Segovia | 1954 | Schott | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Vol. I: Prelude (Little Prelude in C minor)-Allemande-Minuetto I- Minuetto II | Andrés Segovia | 1928, 1956 | B. Schott's SÖhne | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Preludio de la suite IV para violoncelo solo | R. Sainz de la Maza | 1964 | Union Musical Espanola | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Sarabande (de la Cinquième Suite pour Violoncelle) | Emilio Pujol | 1962 | Editions Max Eschlg | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Sarabande | Andres Segovia | 1982 | Schott Music Corp. | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Selected Works | Alexander Bellow | 1976 | Shattinger International Music Corp | Solo | Sarabande and Double (from Partita I, Viiolin Solo) Bouree and Double (from Partita I, Violin Solo) Gavotte and Rondo (from Partita III, Violin Solo) Andante (from Sonata II, Violin Solo) Fugue (from Lute Suite II) | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Suite française no 5, BWV 816 | Jim Lange | 2000 | Les Prodution D'Oz | 3 guitars | Trio, Ensemble, Score and parts | Allemande Courante Sarabande Gavotte Bourrée Loure Gigue | |||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Suite in E minor | Julian Bream | 1967 | Faber Music Ltd. | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Suite in E minor for the Lute, BWV 996 | Karl Scheit | 1975 | Universal Edition | Lute | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Suite in A minor, BWV 997 (from Complete Works for the Lute) | Karl Scheit | 1984 | Universal Edition | Lute | |||||
Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Suite No. 1 BWV 1007 | John W. Duarte | 1983 | Schott & Co. Ltd. | Solo | I. Prelude II. Allemande III. Courante IV. Sarabande V. Minuets I & II VI. Gigue | Richard Childress | ||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Suite No. 3 for lute in A minor | Heinz Teuchert | 1975 | G. Ricordi & Co. | Lute | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Suite No. 3 for Violoncello (BWV 1009) | John W. Duarte | 1983 | Schott | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Toccata und Fuge D-Moll | Jose de Azpiazu | 1969 | Ricordi | Solo | |||||
Y | Bach, Johann Sebastian (1685-1750) | Johann Sebastian Bach (1685-1750) | Two Minuets | Sophocles Papas | 1950 | Columbia Music Co. | Solo | |||||
Y | Bach, Karl Philipp Emanual Bach, Johann Bernhard Bach, Wilhelm Friedmann Bach, Johann Christophh Bach, Johann Sebastian Bach, Johann Michael | Karl Philipp Emanual Bach Johann Bernhard Bach Wilhelm Friedmann Bach Johann Christophh Bach Johann Sebastian Bach Johann Michael Bach | From the Bach Family | Theodore Norman | 1969 | G. Schirmer, Inc. | Solo | Anthology | Minuet - William Friedemann Bach Passepied I - Johann Bernhard Bach Passepied II - Johann B. Bach Courante - Johann Sebastian Bach Minuet -Wilhelm Friedemann Bach La Complaisante - Karl Philipp Emanuel Bach Minuet - Johann Christoph Bach Allegro - Johann Christoph Bach Aria - Johann Sebastian Bach Minuet - Karl Phillip Emanuel Bach Aria - Johann Bernhard Bach Die Trennung (The Separation) - Karl Phillip Emanuel Bach Minuet - Karl Phillip Emanuel Bach Allegretto - Karl Phillip Emanuel Bach Minuet I - Johann Christian Bach Minuet II - Johann Christian Bach Allegro - Karl Phillip Emanuel Bach Allegretto - Karl Phillip Emanuel Bach Allegretto - Karl Phillip Emanuel Bach Minuet - Karl Phillip Emanuel Bach Presto - Karl Phillip Emanuel Bach Minuet - Karl Phillip Emanuel Bach Allegro - Karl Phillip Emanuel Bach Fugue - Wilhem Friedmann Bach Cradle Song - Wilhelm Friedmann Bach Chorale Variations - Johann Michael Bach | |||
Y | Bacharach, Burt; Sager, Carol; Cross, Christopher; Allen, Peter | Burt Bacharach, Carole Bayer Sager, Christopher Cross, Peter Allen | Arthur's Theme (Best That You Can Do) | Stan Ayeroff | 1981, 1984 | Warner Bros. Music Corp. | Solo | Movie, Popular | ||||
Y | Bacheler / Batchelar Daniel (um 1600) | Daniel Batchelar (um 1600) | Monsiers Almaine | Siegfried Behrend | 1970 | Bote & Bock | Solo | |||||
? | Bacheler, Daniel | Daniel Bacheler | Music for the Lute: Daniel Bacheler: Selected Works | Martin Long (David Lumsden) | 1970 | Oxford University Press | Lute | Collection, includes images of original lute tablature | 1. Galliard 2. Galliard 3. Galliard 4. Pavan 5. Pavan 6. Pavan 7. Almain 8. Courante 9. Round (or Ground?) 10. La Jeune Fillette 11. Courante 12. Prelude . . . 13. Pavan 14. Fantasy Catalogue of the works of Daniel Bacheler Original lute tablature | |||
Y | Bakfark, Valentinus (1507-1576) | Valentinus Bakfark (1507-1576) | O Combien Est (Claudin O. Sandrin) | Daniel Benkö | 1976 | Editio Musica Budapest | Solo | |||||
Y | Bakfark, Valentinus (1507-1576) | Valentinus Bakfark (1507-1576) | Si Grand È La Pietà (Jacques Arcadelt) | Daniel Benkö | 1976 | Editio Musica Budapest | Solo | |||||
Y | Balada, Leonard b. 1933 | Leonard Balada b. 1933 | Lento with Variation | Carlos Barbosa-Lima, fingering | 1975 | Columbia Music Co. | Solo | |||||
Y | Barbosa-Lima, Carlos | Carlos Barbosa-Lima | Brazilian Music for Acoustic Guitar | in collaboration with John Griggs | 1993 | Mel Bay Publications | Solo | Collection, CD incuded, Brazil, South American, Jazz, Impressionism, Blues, includes tablature | Mi Bossa Blue Embers Dreams El Robin Willow | |||
Y | Bardi, Agustin | Bardi, Agustin | Album de Tangos (5 tangos) | Agustin Carlevaro | 1986 | Ricordi Americana | Solo | Collection, South American | Nunca tuvo novio La última cita Qué noche Gallo ciego El baquiano | |||
Y | Barrense-Dias, Jose | Jose Barrense-Dias | 9 Danses brésiliennes | 1983 | Editions Musicales Transatlantiques | Solo | Collection, South American, Brazil | 1. Ciranda (Ronde) 2. Dans Do Balaio (Danse du panier) 3. Peixe Vivo - Caterete (Danse du poisson) 4. Zum Zum Zum (Samba Jongo) 5. Tutu Marambaia (Personnage légendaire) 6. Nhazinha - Modinha (Petite madame) 7. Nesta Rua - Modinha 8. Choro Pra Jany 9. Catingas (La Foret) | ||||
? | Barrense-Dias, Jose | Jose Barrense-Dias | Samba do virtuoso V | 1979 | Editions Musicales Transatlantiques | South American | ||||||
Y | Barrientos, Carlos (b. 1954) | Carlos Barrientos (b. 1954) | Bomba Pa' Yo!: Un Xique para Zanon | 2009 | Editions Orphée | |||||||
Y | Barrios Mangoré, Augustin (1885--1944) | Augustín Barrios (1885--1944) | Complete Works of Augustín Barrios Mangoré, The: Vol. 1 | Richard "Rico" Stover | 2003 | Mel Bay Publications, Inc. | Solo, 2 pieces for 2 guitars | Collection | Abrí la Puerta mi China Aconquija (Aire de Quena) Aire de Zamba (from the "Suite Andina") Aire Popular Paraguayo Aire Sureño Aires Andaluces Aires Criollos Aires Mudéjares (Apuntes) Allegro Sinfónico Altair A mi Madre Arabescos (Estudio No. 4) Armonías de América Canción de la Hilandera Capricho Español (Noches de Andalucia) Choro da Saudade Confesión Contemplación Córdoba (from the "Suite Andina") Cueca (from the "Suite Andina") Danza Danza Guaraní Danza Paraguaya Danza Paraguaya (Guitar Duo, Duet) Diana Guaraní Dinora Divagacion (en Imitación da Violín) Divagaciones Criollas Don Perez Freire (Tango) El Sueńo de la Muńequita Escala y Preludio Estilo Uruguayo (Luz Mala - Poemeto Regional) Estilo (Chinita) ("A la China Borda Sosa, con todo cariño" Estudio de Concierto Estudio de Concierto No. 2 Estudio del Ligado Estudio del Ligado Estudio en Arpegio Estudio en Si Menor (Guitar Duo, Duet) Estudio en Sol Menor Estudio Inconcluso Estudio No. 3 Estudio No. 6 Estudio para Ambas Manos Estudio Vals Fabiniana (Improvisation remembering Eduardo Fabini, Cerro de las Cuentas, Uruguay, 1924) Gavota al Estilo Antiguo Habanera Humoresque Invocación a mi Madre Jha Che Valle Jota Julia Florida (Barcarola) Junto a tu Corazón La Bananita (Tango) La Catedral La Samaritana Las Abejas Leyenda de España London Carapé Luisito (Minueto) Luz Mala Mabelita Madrecita Madrigal (Gavota) Maxixe Mazurka Apassionata | |||
Y | Barrios Mangoré, Augustin (1885--1944) | Augustín Barrios Mangoré | Cueca (Danza Chilena) | Richard D. Stover | 1979 | Belwin Mills Publishing Corporation | Solo | |||||
Y | Barrios Mangoré, Augustin (1885--1944) | Augustín Barrios Mangoré (1885--1944) | Danza Paraguaya (de Las Seis Cuerdas) | Alirio Diaz | 1973 | G. Zanibon | Solo | |||||
Y | Barrios Mangoré, Augustin (1885--1944) | Agustin Barrios Mangore (1885-1944) | El Ultimo Canto per chitarra | Walter Ranalli | 1980 | Bèrben | Solo | |||||
Y | Barrios Mangoré, Augustin (1885--1944) | Augustín Barrios Mangoré (1885--1944) | Estudio en Si Menor for Two Guitars | Richard D. Stover | 1979 | Belwin Mills | 2 guitars | Duet, Parts only | ||||
Y | Barrios Mangoré, Augustin (1885--1944) | Augustín Barrios Mangoré (1885--1944) | Guitar Works of Agustín Barrios Mangoré, The: The First Definitive Collection Agustin Barrios Mangoré, Volume 1 | Richard D. Stover | 1976 | Belwin Mills | Solo | Collection | Minueto en Do (Minuet in C) El Sueño de la Muñequita (The Sleep of the Little Doll) Estudio Inconcluso (Inconclusive Study) Estudio del Ligado (Slur Study) Preludio (Prelude) Mabelita (Little Mabel) Oración por Todos (Prayer for Everyone) Estilo (Argentine Song) Madrecita (Little Mother) Gavota al Estilo Antiguo (Gavotte in the Old Style) Primavera-vals (Springtime Waltz) Estudio para Ambas Manos (Study for Both Hands) Medallón Antiguo (The Old Medallion) Humoresque Luz Mala (Bad Light) Danza Guaraní (Guaraní Dance) La Samaritana (The Samaritan Girl) Villancico de Navidad (Christmas Carol) | |||
Y | Barrios Mangoré, Augustin (1885--1944) | Augustín Barrios Mangoré (1885--1944) | Guitar Works of Agustín Barrios Mangoré, The: The First Definitive Collection Agustin Barrios Mangoré, Volume 2 | Richard D. Stover | 1977 | Belwin Mills | Solo | Collection | Minueto en La (Minuet in A) Estudio No. 3 (Study No. 3) Estudio No. 6 (Study No. 6) Don Perez Freire (Tango) Junto a Tu Corazón-vals (Close to Your Heart Waltz) Preludio (Prelude) Minueto en Si Mayor (Minuet in B Major) Leyenda ed España (Spanish Legend) Escala y Preludio (Scale and Prelude) Minueto en Mi (Minuet in E) Dinora Preludio (Prelude) Danza (Dance) Oración (Prayer) Estudio del Ligado (Slur Study) Estudio Vals (Waltz Study) Canción de la Hilandera (Song of the Thread Spinner) Caazapá-Aire Popular Paraguayo (Caazapá-Popular Paraguayan Song) Romanza en Imitación al Violoncello (Romance in Imitation of the Cello) Canción de Cuna (Cradle Song) | |||
Y | Barrios Mangoré, Augustin (1885--1944) | Augustín Barrios Mangoré (1885--1944) | Guitar Works of Agustín Barrios Mangoré, The: The First Definitive Collection of Agustin Barrios Mangoré, Volume 3 | Richard D. Stover | 1977 | Belwin Mills | Solo | Collection | Madrigal - Gavota (Madrigal Gavotte) Una Limosna por el Amor de Dios (Gran Trémolo) (An Alm for the Love of God) Mazurka Apasionata (Impassioned Mazurka) Estudio de Concierto (Concert Study) Estudio (Study) Las Abejas (The Bees) Minueto en La (Minuet in A) Sarita (Mazurka) Aconquija (from Suite Andina) Córdoba (from Suite Andina) Aire de Zamba (from Suite Andina) Julia Florida - Barcarola Preludio Op. 5, No. 1 Arabescos - Estudio No. 4 (Arabesques - Study No. 4) Vals Op. 8, No. 4 (Waltz) País de Abanico (Country of the Fan) Tua imagem - vals (Your Image - waltz) Confesión - romanza (Confession - romance) Choro da Saudade (Nostalgic Choro) | |||
Y | Barrios Mangoré, Augustin (1885--1944) | Augustín Barrios Mangoré (1885--1944) | Guitar Works of Agustín Barrios Mangoré, The: The First Definitive Collection of Agustin Barrios Mangoré, Volume 4 | Richard D. Stover | 1985 | Belwin Mills | Solo | Collection | Variacion al Estudio No. 3 (de Parras de Moral) Variacion al Estudio No. 6 (de P. del Moral) Estudio (for Op. 38, Nr. 22) Vidalita Divagación (en Imitacion al Violin) Pepita Armonias de America Estilo Uruguayo Tú y yo (Gavotte) - Alphons Czibulka Capricho Español Estudio en Sol menor Serenata Morisca Pericon Tango No. 2 A mi madre (Sonatina) Adagio from Sonata, Op. 27, No. 2 ("Moonlight") - L. van Beethoven Preludio No. 20 - Fryderyk Chopin Minueto en Sol (Minuet in G) Träumerei (Op. 15, Nr. 7) - Robert Schumann ¡Ay, Ay, Ay! . . . - Osman Perez Freyre | |||
Y | Barrios Mangoré, Augustin (1885--1944) | Augustín Barrios Mangoré (1885--1944) | La Catedral (The Cathedral) | Richard D. Stover | 1979 | Belwin-Mills Publishing Cor. | Solo | |||||
Y | Barrios Mangoré, Augustin (1885--1944) | Agustin Barrios Mangore (1885-1944) | Luz Mala | 1976 | PUblicaciones Musicales Tempo | Solo | ||||||
Y | Barrios Mangoré, Augustin (1885--1944) | Augustín Barrios Mangoré (1885--1944) | Maxixe | Richard D. Stover | 1979 | Belwin-Mills Publishing Corporation | Solo | |||||
Y | Barrios Mangoré, Augustin (1885--1944) | Agustin Barrios Mangore (1885-1944) | Medallon Antiguo (de Las Seis Cuerdas) | Alirio Diaz | 1974 | Zanibon | Solo | |||||
Y | Barrios Mangoré, Augustin (1885--1944) | Agustin Barrios Mangore (1885-1944) | Un Sueño en la Floresta | Richard D. Stover | 1979 | Belwin MIlls | Solo | |||||
Y | Barrios Mangoré, Augustin (1885--1944) | Agustin Barrios Mangore (1885-1944) | Valzer N. 3 | Walter Ranalli | 1980 | Bèrben | Solo | |||||
Y | Bartók, Béla | Béla Bartók | Béla Bartók For Children: 25 Pieces for Guitar | Ferenc Brodszky | 1968 | Boosey & Hawkes, Edition Musica | Solo | Collection | 1. Children at Play 2. Children's Song 3. (Untitled) 4. Pillow Dance 5. Play 6. Tralalala Tulipan 7. Play Song 8. Song 9. (Untitled) 10. Ballad 11. (Untitled) 12. Soldier's Song 13. (Untitled) 14. (Untitled) 15. (Untitled) 16. (Untitled) 17. (Untitled) 18. (Untitled) 19. The Prisoner 20. (Untitled) 21. Chorale 22. (Untitled) 23. Pentatonic Tune 24. (Untitled) 25. (Untitled) | |||
Y | Bay, Mel | Mel Bay | Modern Guitar Method, Grade 7 | Mel Bay | 1975 | Mel Bay Publications, Inc. | Method | Harmonics, Chords, Inversions | Harmonics Adelita - Tarrega Sixth Chords Inversions Speed Studies in F Sharp Major Just A-Wearyin' for You - Carrie Jacobs Bond Triplet Etude - Carcassi Minor Sixth Chords Badinage - Victor Herbert I Love You Truly - Bond, arr. Bay Ninth Chords Wondrous Love - Early American Hymn, arr. Bill Bay Blessed Assurance - Fanny Crosby, arr. Bill Bay Eleventh Chords To a Wild Rose - Edward MacDowell, arr. Mel Bay Another Triplet Study - Carcassi Gypsy Love Song - Herbert, arr. Bay Prelude - Bach, arr. Bay Narcissus - Nevin, arr. Bay Etude in D Flat - C. Baermann Allegretto Grazioso - Carcassi Maple Leaf Rag - Joplin, arr. Bay Thirteenth Chords | |||
Y | Bay, William | William Bay | Mel Bay's Complete Book of Guitar Chords, Scales and Arpeggios | 1992 | Mel Bay Publications | Method | Major Scales Minor Scales Rock Scales (Minor Pentatonic) Arpeggio Contents Chord Contents | John Fernando | ||||
Bay, William and Christiansen, Mike | William Bay, Mike Christiansen | Mastering the Guitar Class Method: Level 1/Beginning Elementary through 8th Grade | 2000 | Mel Bay Publications | Method | Instruction, Classroom, contains a few quizzes, worksheets | Types of Guitars Parts of the Guitar Care of the Guitar Holding Position Tuning Reading the Music Diagrams First Warm-Up Solos by Number Simple Chords Learning to Read Tablature Where the Red Fern Grows (3 guitar ensemble, tablature notation) Reading Standard Notation Notes Rests E Note A New Note (F) G Note B and C Notes D Note The Tie Dotted Half Note Notes on the 3rd String A Wrinkle in Time (3 guitar ensemble, standard notation) Shadow of the Bull (ensemble) Em and D Chords Full G, G7, and C Chords Strum Patterns Swing Rhythm Blues Malaga Old Man and the Sea (4 guitar ensemble on four strings, tablature notation) Notes on the 4th String Charlotte's Web (4 guitar ensemble, standard notation) Am and D7 Chords A7 and E7 Chords B7 and Bm Chords Notes on the Fifth String Dotted Quarter Note Notes on the 6th String High A Note Star of the County Down (Irish Ballad) (4 guitar ensemble, standard notation) The C Scale A and E Chords Playing Two Chords per Measure. Sharps Morpheus (4 guitar ensemble) (from "Music in Miniatures", 1779) - William Billings Greensleeves (4 guitar ensemble) Key Signature The Cay (4 guitar ensemble) (Reggae Ensemble) The Blues Progression Writing Blues Lyrics Power Chords Flats and Natural Signs Bridge to Terabithia (4 guitar ensemble) Syncopated Strum Patterns Minor Pentatonic Improvisation Pachelbel's Canon (4 guitar ensemble) - Johann Pachelbel F and C7 Chords Bb and Dm Chords Alternating Bass Acres of Bluegrass (2 or 3 guitar ensemble) Outsiders' Blues (3 guitar ensemble), tablature notation Notation Guide Tempo and Dynamics | |||||
Y | Beaser, Robert | Robert Beaser | Notes on a Southern Sky | Eliot Fisk | 1980 | Helicon Music Corporation | Solo | |||||
Y | Bebey, Francis | Francis Bebey | Clementina de Jesus | 1983 | Editions Transatlantiques | Solo | ||||||
Y | Beethoven, Ludwig van (1770-1827) | Ludwig van Beethoven (1770-1827) | 12 Contredanses for 4 guitars | Jeremy Sparks | 1998 | Les Éditions Doberman-Yypan | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Beethoven, Ludwig van (1770-1827) | Ludwig van Beethoven (1770-1827) | Adagio Aus Sonate Op. 27 Nr. 2 (Mondschein) | José de Azpiazu | 1957 | Symphonia Verlag | Solo | |||||
Beethoven, Ludwig van (1770-1827) | Ludwig van Beethoven (1770-1827) | Troisième Fantaisie Op. 10: sur un Thème de Beethoven (Serenade Op. 8 for strings: Adante quasi allegretto | Matanya Ophee | 2008 | Editions Orphée, Inc. | Solo | Theme and variations, based on Beethoven's Serenade Op. 8 for strings: Adante quasi allegretto | |||||
Y | Beethoven, Ludwig van (1770-1827) | Ludwig van Beethoven (1770-1827) | Duo for Two Guitars (Orig. composed for viola and cello), Wo0 32 | Richard Long, Mark R. Switzer | 1986 | Tuscany Publications | 2 guitars | Duet, Score and parts | ||||
Y | Beethoven, Ludwig van (1770-1827) | Ludwig van Beethoven (1770-1827) | Para Elisa | Antonio Sinopoli | ? | Ricordi | Solo | |||||
Y | Beethoven, Ludwig van (1770-1827) | Ludwig van Beethoven (1770-1827) | Romanza op. 50 per violino e orchestra, transcribed for solo guitar | Miguel Ablóniz | 1975 | Bèrben | Solo | |||||
Y | Beethoven, Ludwig van (1770-1827) | Ludwig van Beethoven (1770-1827) | Two Bagatelles | Sophocles Papas | 1950 | Columbia Music Co. | Solo | |||||
Y | Behrend, Siegfried | Siegfried Behrend | Non te escaparras (Man kann sich nicht entkommen) Capriccio nach Francesco de Goya | 1957 | Bote & Bock | Solo | ||||||
? | Behrend, Siegfried | Siegfried Behrend | Porque fue sensible (Weil sie so empfindsam war) Capriccio nach Francesco de Goya | 1957 | Bote & Bock | Solo | ||||||
Y | Bellanati, Paulo | Paulo Bellinati | A Furiosa | 2000 | Guitar Solo Publications | 4 guitars | Quartet, Ensemble, Score and parts | |||||
Y | Bellanati, Paulo | Paulo Bellinati | Choro Sereno | 1993 | Guitar Solo Publications | Solo | ||||||
Y | Bellanati, Paulo | Paulo Bellinati | Estudos Litorâneos: "No.1 brisa do oceano; No. 2 acalanto das águas; No. 3 chuva e mar" | 1997 | Guitar Solo Publications | Solo | Collection | No.1 brisa do oceano No. 2 acalanto das águas No. 3 chuva e mar | ||||
Y | Bellanati, Paulo | Paulo Bellinati | Pulo do Gato | 1996 | Guitar Solo Publications | Solo | ||||||
Y | Bellanati, Paulo | Paulo Bellinati | Seresteiro Paulistano (Seresta) | 1997 | Guitar Solo Publications | Solo | ||||||
Y | Bellanati, Paulo | Paulo Bellinati | Um Amor de Valsa | 1991 | Guitar Solo Publications | Solo | ||||||
Y | Bellow, Alexander | Alexander Bellow | Four Short Pieces: 1. Prelude; 2. Etude Oriental; 3. Etude in Harmonies; 4. Bolero | 1965 | Franco Columbo, Inc. | Solo | ||||||
Y | Bellow, Alexander | Alexander Bellow | Prelude and Fugue | 1967 | Franco Columbo, Inc. | Solo | ||||||
Y | Bellow, Alexander | Alexander Bellow | Suite Miniature for Solo Guitar | 1961 | Franco Columbo, Inc. | Solo | ||||||
Y | Bellow, Alexander | Alexander Bellow | Tales of the Alhambra _as told by Washington Irving | 1973 | E. C. Kerby ltd. | Solo | ||||||
Y | Bellow, Alexander | Alexander Bellow | Variations on a Theme of Mudarra | 1972 | E. C. Kerby ltd. | Solo | ||||||
Y | Berkeley, Michael | Michael Berkeley | Worry Beads | 1982 | Oxford University Press | Solo | ||||||
Y | Berry, Jacques-Andre | Jacques-Andre Berry | Deux Preludes | 1986 | Bèrben | Solo | ||||||
Y | Beyer, Frank Michael (1979) | Frank Michael Beyer (1979) | Canzonetta | Konrad Ragossnig | 1981 | Schott | Solo | |||||
Y | Bizet, Georges | Georges Bizet | L'Arlesienne: No. 4 Farandole | Manley Mallard | 2008 | Guitar Chamber Music Press | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Bizet, Georges | Georges Bizet | The Ball | Manley Mallard | 2007 | Guitar Chamber Music Press | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Bizet, Jean | Jean Bizet | Triangles pour Guitare Solo | 1970 | Editions Musicales Transatlantiques | Solo | ||||||
Y | Blanchard, Harold | Harold Blanchard | Innocent Meandering for guitar | Stephen Robinson | 1995 | Tuscany Publications | Solo | |||||
Y | Boccherini, Luigi | Luigi Boccherini | Menuett aus dem Quintett in E-Dur für drei Gitarren | Walter Gotze | 1927 | Schott | 3 guitars | Trio, Ensemble, Score only | ||||
Y | Boda, John | John Boda | Introduction and dance | Mario Abril | 1968 | Columbia Music Co. | Solo | |||||
Y | Bogdanović, Dušan | Dušan Bogdanović | 6 Balkan Miniatures | 1993 | Guitar Solo Publications | Solo | I. Jutarnje Kolo (Morning Dance) II. Žalopojka (Lament) III. Vranjanka IV. Makedonsko Kolo (Macedonian Dance) V. Široko (Wide Song) VI. Sitni Vez (Tiny-knit Dance) | |||||
Y | Bogdanović, Dušan | Dušan Bogdanović | Lyric Quartet | 1993 | Bèrben edizioni musicali | 4 guitars | Quartet, Ensemble, Score and parts | |||||
Y | Boieldieu, François-Adrien (1775-1834) | François-Adrien Boieldieu (1775-1834) | Ouverture de l'opéra: Le Calife de Bagdad (Musique de Boieldieu) | François de Fossa, arr. Matanya Ophee, ed. | 2010 | Editions Orphée, Inc. | Solo | |||||
Y | Boismortier, Joseph Bodin de | Joseph Bodin de Boismortier | Twelve Pieces for Guitar | José de Azpiazu | 1978 | Heinrichshofen Edition | Solo | Collection | 1. Prelude 2. Pavane 3. Minuet 4. Gigue 5. Minuet 6. Sarabande 7. Contradance I 8. Contradance II 9. Gavotte 10. Minuet 11. Minuet 12. Gigue | |||
Y | Bolling, Claude; Lagoya, Alexandre | Claude Bolling, Alexandre Lagoya | Concerto for Classic Guitar and Jazz Piano (also drums and bass), 3 books: Guitar and piano; guitar only; drums and bass | 1978 | Jazz International | Jazz Combo: Guitar and piano, drums, bass | Jazz, Quartet, Ensemble, Score and parts | 1. Hispanic Dance (With a Blue Touch) 2. Mexicaine 3. Invention 4. Sérénade 5. Rhapsodic 6. Africaine | ||||
Y | Borges, Raul | Raul Borges | Six Venezuelan Pieces, Vol. I: 1. Valse Venezolano; 2. Estudio; 3. Cancion de Cuna | Sophocles Papas | 1976 | Columbia Music Co. | Solo | |||||
Y | Borsody, Lázló | Borsody Lázló | Snatches: Ten Pieces for Guitar Solo | 1982 | Edition Musica Budapest | Solo | ||||||
Y | Bosman, Lance | Lance Bosman | Harmony for Guitar | Guitar Magazine | 1991 | Musical New Series | Method | Collections | ||||
Y | Bosseur, Jean-Yves | Jean-Yves Bosseur | D'une Rive à L'autre pour Guitare | 1990 | Editions Henry Lemoine | Solo | ||||||
Y | Bournet, Patrick | Patrick Bournet | Guarani Suite | 2012 | Les Producitons D'Oz | 4 guitars | Quartet, Ensemble, Score and parts | I - Introduction II - Danza III - Huaino | ||||
Y | Boutros , Laurent | Laurent Boutros | Les Echelles du Levant: Valse No. 1 | 1997 | Editions Henry Lemoine | Solo | ||||||
Y | Boyce, William (1711-1779) | William Boyce (1711-1779 | Symphony No. 1 & 4 | Manley Mallard | 2009 | Guitar Chamber Music Press | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Boyd, Liona | Liona Boyd | Miniatures for Guitar | 1977 | Hal Leonard Publishing Corp. | Solo | Anthology | |||||
Brace, Tim | Tim Brace | Water Over Glass | 2005 | Tim Brace | 4 guitars | |||||||
Y | Brahms, Johannes (1833-1897) | Johannes Brahms (1833-1897) | Danse Hongroise No 5 | Gaston Martin | 1968 | Georges Delriéu & Co | Solo | |||||
Y | Brahms, Johannes (1833-1897) | Johannes Brahms (1833-1897) | Hungarian Dance no. 5 | David Adele | 1998 | Les Éditions Doberman-Yppan | 4 guitars | Quartet, Ensemble, Score only | ||||
Y | Brahms, Johannes (1833-1897) | Johannes Brahms (1833-1897) | Three Folk Songs from Deutsche Volkslieder for High Voice and Guitar | Allen Krantz | 1977 | International Music Company | treble voice and guitar | Soprano, Duet, Lyric translation from German to English, 1 copy without a cover | 1. Da unten im Tale (In the Valley Down Yonder 2. Feinsliebchen, du sollst... (My Love, Promise...) 3. Schwesterlein (Sister Dear) | |||
Y | Brahms, Johannes (1833-1897) | Johannes Brahms (1833-1897) | Waltz (original in A-flat) | Andres Segovia | 1960 | Columbia Music Co. | Solo | |||||
Y | Branco, Waltel | Waltel Branco | A Obra Para Violáo de Waltel Branco (signed by Branco) | Cláudo Manandro | 2008 | Curitiba | Solo | Collection, Signed copy | Alma de passarinho Areia branca Argamassa As cores do Leme Caprichoso Canto de Opanijé Choro pro Egashira Choro clássico Choro pro Menandro Choro romântico Choro-seresta Divertimento Elegia a Carybé Estudo em forma de choro Fuga No. 1 Fuga No. 2 Giga para Noelle Kazu Madorna Meditação Minueto Minha terra Moda de viola Ninho de cobra Pequenos prelúdios para violão (5) Ponteio e Modinha Prelúdio No. 3 Prelúdo para Jael Rancheira Revelções Saudades do Garoto Seis variações com laços no século XV! Só nata brasileira No. 1: 1. Prelúdio; 2. Acalanto; 3. Ponteio Tema para Pilar Valsa para Radamés Valsa amorosa Valsa choro No. 2 Valsa grega para Eva Valsa para Josephina Valsa para Leide Valsa seresteira Vaneirão Velha valsa. | |||
Y | Bresgen, Cesar | Cesar Bresden | Fioretti für Gitarre Solo | Wolfgang Guttmann ("furnished by") | 1988 | Musikverlag | Solo | |||||
Y | Bridges, Ben | Ben Bridges | Three Melodic Etudes | 1990 | Theodore Presser Co. | Solo | ||||||
Y | Brindle, Reginald Smith | Reginald Smith Brindle | Music for Three Guitars | A. Borghese, R. Frosali, V. Saldarelli, fing. | 1977 | Edizioni Suvini Zerboni | 3 guitars | Trio, Ensemble, Score only | ||||
Y | Britten, Benjamin | Benjamin Britten | Folksong Arrangements Volume 6: England (for High Voice and Guitar) | Julian Bream, ed. | 1961 | Boosey and Hawkes | voice and guitar | Soprano, Duet, English, Folk songs | I will give my love an apple Sailor-boy Master Kilby The Soldier and the Sailor Bonny at Morn The Shooting of his Dear | |||
Y | Britten, Benjamin | Benjamin Britten | Nocturnal Op.70 After John Dowland | Julian Bream | 1965 | Faber Music Ltd. | Solo | |||||
Y | Britten, Benjamin | Benjamin Britten | Songs from the Chinese | Arthur Waley | 1959 | Boosey Hawkes | Solo | Collection | 1. The Big Chariot (from The Book of Songs) 2. The Old Lute (Po Chü-i 3. the Autumn Wind (Wu-ti) 4. The Herd-Boy (Lu Yu) 5. Depression (Po Chü-i) 6. Dance Song (from The Book of Songs) | |||
Y | Brouwer, Léo | Léo Brouwer | Deux Airs Populaires Cubans: 1. Quajira Criolla (sur un thème d'ANCKERMAN; 2. Zapateado | 1972 | Editions Max Eschig | Solo | ||||||
Y | Brouwer, Léo | Léo Brouwer | Dos Canciones (for voice and guitar) | 1993 | Les Éditions Doberman-yppan | voice and guitar | Duet, Collection | I. Poema II. Madrigalillo | ||||
Y | Brouwer, Léo | Léo Brouwer | Études Simples (Estudios Sencillos) 1ère série (n° 1 à 5) | 1972 | Éditions Max Eschig | Solo | John Fernando | |||||
Y | Brouwer, Léo | Léo Brouwer | Études Simples (Estudios Sencillos) 3e série (n° 11 à 15) | 1983 | Éditions Max Eschig | Solo | Collection | Étude No. 11: pour les liés et les positions fixes Étude No. 12: pour les accords brisés en legato Étude No. 13: pour les liés et les postiions fixes Étude No. 14: pour les liés et le pouce Étude No. 15: pour les accords de trois sons | ||||
Y | Brouwer, Léo | Léo Brouwer | La Espiral Eterna | 1973 | Shott | Solo | ||||||
Y | Brouwer, Léo | Léo Brouwer | Pièce Sans Titre (Pieza sin Titulo) No. 1? | 1972 | Max Eschig | Solo | ||||||
Y | Brouwer, Léo | Léo Brouwer | Pièce Sans Titre (Pieza sin Titulo) N°2 et N°3 | 1983 | Max Eschig | Solo | ||||||
Y | Brouwer, Léo | Léo Brouwer | Preludios Epigramaticos | 1984 | Editions Musicales Transatlantiques | Solo | Collection | No. 1 "Desde que el alba quiso ser alba, toda eres madre" No. 2 "Tristes hombres si no mueren de amores" No. 3 "Alrededor de tu piel, ato y desato la mia" No. 4 "Rié, que todo rié: que todo es madre leve" | ||||
Y | Brouwer, Léo | Léo Brouwer | Sonata | 1991 | Opera tres Editiones Musicales | Solo | I. "Fandangos y Boleros" II. "Sarabanda de Scriabin" III. "La Toccata de Pasquini" | |||||
Y | Brouwer, Léo | Léo Brouwer | Toccata | 1994 | Les Éditions Doberman-Yppan | 4 guitars | Quartet, Ensemble, Score and parts | |||||
Y | Brouwer, Léo | Léo Brouwer | Tarantos | 1977 | Max Eschig | Solo | ||||||
Y | Brouwer, Léo | Léo Brouwer | Tres Apuntes (Three Sketches) | 1972 | Shott | Solo | I - De el "Homenaje a Falla" (from "Homenaje a Falla") II - De unfragmento instrumental (from a chamber music piece) III - Sobre un canto de Bulgaria (On a Bulgarian Song) | |||||
Y | Brouwer, Léo | Léo Brouwer | Un Dia de Noviembre | 2000 | Chester Music Limited | Solo | ||||||
Y | Brouwer, Léo | Léo Brouwer | Variations sur en thème de Django Reinhardt | 1985 | Editions Musicales Translatlantlques | Solo | Theme and variations, 6 variations | |||||
Y | Brun, Patrick | Patrick Brun | Autour des Lumières de La Nuit: I. Solitaire; II. Des Lumièrs Crues; III. Évadé | 1989 | Gérard Billaudot Éditeur | Solo | ||||||
Y | Bruser, Madeline | Madeline Bruser | The Art of Practicing: A Guide to Making Music from the Heart | 1997 | Bell Tower | Method | Foreword by Yehudi Menuhin | Part One: The Starting Point 1. Meeting Yourself 2 Struggle and Freedom Part Two: A Ten-Step Approach 3. Stretching 4. Settling In 5. Tuning into Your Heart 6. Basic Mechanics 7. The Spark of Inquisitiveness 8. Three Styles of Strugge 9. Simplicity 10. Pur Perception 11. Spontaneous Insight 12. The Dancing Body Part Three: Natural Command 13. Playing by Heart 14. Generosity | Richard Childress | |||
Buckingham, Jack | Jack Buckingham | El Arte Flamenco: Fundamental Techinique of the Andalusian Style of Guitar Playing | 1957 | Spanish Music Center | Method, Flamenco | Text in both Spanish and English | INTRODUCTION (INTRODUCCION) THE FLAMENCO MUSICAL IDIOM (EL IDIOMA MUSICAL FLAMENCO) WHAT IS “EL ARTE FLAMENCO”? (iQUE ES “EL ARTE FLAMENCO”?) HOLDING THE GUITAR (MANERA DE SUJETAR LA GUITARRA) "FALSETA" “PICADO” “RASGUEADO” “MARTILLO” “TAMBOR” “CEJUELA” “PARADO” DESCRIPTIVE SUPPLEMENT OF STYLES: ALEGRIAS BULERIAS FARRUCA GRANADINAS MALAGUEÑAS SEVILLANAS TARANTAS | |||||
Y | Burdick, David | Dave Burdick | Episode in Compound Meter | 1990 | Guitar Chamber Music Press | 4 guitars | Quartet, Mixed Ensemble, Score and parts, Jazz, Funk | |||||
Y | Burdick, David | David Burdick | Guitars: for Guitar Synth, Guitar Orchestra, and Electric Bass | 1992 | Guitar Chamber Music Press | Jazz Combo: 8 guitars, synth, electric bass | Mixed Ensemble, Score and parts, Jazz | |||||
Y | Buxtehude, Dietrich (1637-1707) | Dietrich Buxtehude (1637-1707) | Organ Chorales | Manley Mallard | 2007 | Guitar Chamber Music Press | 4 guitars | Quartet, Ensemble, Score only | Ach Gott und Herr BuxWV 177 Ach Herr, mich armen Sünder BuxWV 178 Auf meinen lieben Gott BuxWV 179 Courante BuxWV 179 Gigue BuxWV 179 Sarabande | |||
Y | Buzzelli, Chris | Chris Bizzelli | Blues for Jack | ? | Jazz Guitar Ensemble Series | Jazz Combo: 5 guitars, bass, drums | Quintet, Ensemble, Mixed Ensemble, Jazz, Score and parts | |||||
Y | Byrd, Charlie | Charlie Byrd | 3 Blues for Classic Guitar: Spanish Guitar Blues; Blues for Felix; Swing '59 | ? | Columbia Music Co. | Solo | ||||||
Y | Byrd, William (1543-1623) | William Byrd (1543-1623) | Fortune | Lupe de Azpiazu | 1966 | chez Alphonse Leduc | Solo | |||||
Y | Byrd, William (1543-1623) | William Byrd (1543-1623) | Pavana Fantasia & Galliard | Joseph Breznikar | 1978 | Columbia Music Co. | Solo | |||||
Y | Byrd, William (1543-1623) | William Byrd (1543-1623) | Pavana & Galliard | Joseph Breznikar | 1978 | Columbia Music Co. | Solo | |||||
Y | Cabezón, Antonio De (1510-1556) | Antonio De Cabezón (1510-1556) | Tres Composizioni per Chitarra: Para quien crie yo cabellos; Pavana con su glosa; Himno a tres | Javier Hinojosa | 1969 | Edizioni Suvini Zerboni | Solo | |||||
Y | Caggiano, Felice | Felice Caggiano | Plasma | 1984 | Edizioni Bérben | Solo | ||||||
Calatayud, Bartolomé (1882-1973) | Bartolomé Catayud (1882-1973) | Guitar Music of Spain, The. Volume One. (Over 50 traditional pieces graded from simple to advanced) | 1994 | Wise Publications | Solo | Collection | Alegre Campiña (Vals) Alegre Primavera Boceto Andaluz Cuatro Juguetes: 1. Gavota 2. Danza 3. Minueto 4. Mazurka Cuatro Piezas Fáciles Para Guitarra: 1. Vais 2. Romanza 3. Pasodoblillo 4. Cancion De Cuna (Tema Popular Mallorquin) Cubanita (Habanera) Danza Española Danza Popular De Campdevanol (Cataluña - Tema Variado) Dos Piezas Para Guitarra: 1. Bolero 2. El Majo Dos Piezas Para Guitarra 1. Bagatela 2. Gavota Estampa Gitana Galop Gavota Fácil Guajirita (Sobre Temas Populares) Habanera Marcha Húngara Marcha Militar Minueto Nostalgia Pequeña Tarantela Sonatina No.1 Sonatina No. 2 Suite Antigua: Andante Minueto Pavana Rondino Zarabanda Tango Tango Argentino Tres Canciones Populares Catalanas 1. Muntanyes Regalades 2. La Presó De Lleida (Romance) 3. La Pastoreta Tres Piezas Fáciles Para Guitarra 1. Cajita De Musica 2. Divertimento 3. Melodia Tres Piezas Para Guitarra 1. Mazurka 2. ¡Caramba! (Habanera) 3. Cançoneta Tres Piezas Para Guitarra 1. Lamento Gitano (Soleá) 2. Fandanguillo 3. Bulerias Tríptico Para Una Dama 1. Bondad 2. Simpatía 3. Alegría Una Caricia (Serenata) Vals (En Mi Menor) Vals y Mazurka Zambra | |||||
Y | Calvi, Carlo (1646) | Carlo Calvi (1646) | Renaissance and Baroque: A Collection of XVI and XVII Century Compositions, Vol. III | Alexander Bellow | 1964 | Franco Columbu, Inc | Solo | Renaissance, Baroque, Collecton | 1. Spagnoletta 2. Tordiglione 3. Canario 4. Pass'e mezo 5. Balletto 6. Sarabanda 7. Sua Corrente 8. Bertazzina 9. Alemana 10. Corrente 11. La Moda | |||
Y | Cameron, Pedro Bueno b. 1948 | Pedro Bueno Cameron (b. 1948) | Perspectivas | 1976 | Musikverlag Zimmermann | |||||||
Y | Camilleri, Charles | Charles Camilleri | Fantasia Concertante No. 5 | 1978 | Basil Ramsey Publisher of Music | Solo | ||||||
Y | Campian, Thomas (1567-1620) and Philip Rosseter | Thomas Campian (1567-1620), Philip Rosseter | The English Lute-Songs Series I: 4 & 13: Thomas Campian - The Songs from Rosseter's Book of Airs (1601) | Edmund H. Fellows, Thurston Dart, rev. | 1968 | Stainer & Bell, LTD. | Lute, voice and guitar | Collection, Renaissance, includes lute tablature | 1. My sweetest Lesbia 2. Though you are young 3. I care not for these ladies 4. Follow thy fair sun 5. My love hath vow’d 6. When to her lute Corrina sings 7. Turn back, you wanton flyer 8. It fell on a summer’s day 9. The cypress curtain of the night 10. Follow your Saint 11. Fair if you expect admiring 13. See where she flies 12. Thou art not fair 14. Blame not my cheeks 15. When the God of merry love 16. Mistress, since you so much desire 17. Your fair looks 18. The man of life upright 19. Hark all you ladies 20. When thou must home 21. Come let us sound with melody | |||
Y | Campion, Thomas (1567-1620) | Thomas Campion (1567-1620) | Thomas Campion: Twelve Favorite Lute Songs for Voice and Guitar | David Nadal | 2000 | Kithara Editions | voice and guitar | Lute, includes Campion's Original Lute Tablature, copy autographed by David Nadal | I. Beauty, since you so much desire II. Your fair looks III. Never love unless you can IV. If thou longst so much to learn V. It fell on a summer’s day VI. The cypress curtain of the night VII. I care not for these ladies VIII. Fair, if you expect admiring IX. Fain would I wed X. A secret love or two XI. When to her lute Corrina sings. XII. Never weather-beaten sail | |||
Y | Candelario, Chris A. | Chris A. Candelario | Luz Eterna (Eternal Light): Guitar solo for 1st movement Concierto de Luz Vela Musical Scores for the Eternal Light CD | 2005 | New West Entertainment | Solo | Concerto, Includes CD | Luz Eterna (Eternal Light). from 1st movement of Concierto de Luz Vela Florita por mi Amor (Little Flower for my Love) Barbara del Día (Barbara of the Day), from 2nd movement of Concierto de Luz Candelo Austina: Mi Amore Dorado por Dios (My Golden Love for God) Los Caballos Locos (The Crazy Horses) El Alma de Heidelbria (Soul of Heidelberg, from 3rd movement of Concierto de Luz Candelo Lilliana por Mañana (Lilliana of Tomorrow) Jon del Estrellas (Jon of the Stars), from 3rd movement of Concierto Santuario de Chimayo Memory of Genie (for my mom) Mesa Rojo (Red Mesa) Spanish Jade Gambler's Lament, into The House of the Rising Sun (Traditional) Pueblo Bonito (Beautiful Village) Santuario de Chimayo (Little Church at Chimaya) Tres Orquídeas (Three Orchids) Through the Eyes of a Baby | ||||
Capuzzo, Guy | Guy Capuzzo | Theory for the Contemporary Guitarist: The Ultimate Guide to Music for Blues, Rock and Jazz Guitarists | 1996 | Alfred Music Publication Company, Inc. | Method, Theory | includes work sheets | The Basics Introducing Scales and Key Signatures Introducing Chords Pentatonic, Blues and Altered Blues Scales Harmonic and Melodic Minor Scales Modes of the Major Scale Expanding Your Chords Vocabulary Modes of Harmonic and Melodic Minor Scales Symmetrical Scales Altered Dominant Chords Revisiting Slash Chords and Introducing Bichords Chordal Tendencies [Progressions] Twelve-Bar Blues Progression More Progressions Appendix: Scale and Chord Formulas Glossary | |||||
Carcamo, Brandon A. | Brandon A. Carcamo | Solace | 2020 | Brandon A. Carcamo | 4 guitars | Quartet, Ensemble, parts only | ||||||
Y | Carcassi, Matteo (1792-1853) | Matteo Carcassi (1792-1853) | 25 Estudios para Guitarra, Op. 60 | M. Llobet | 1975 | Ricordi | Solo | John Fernando | ||||
Carcassi, Matteo (1792-1853) | Matteo Carcassi (1792-1853) | 25 Melodic and Progressive Studies, Op. 60 | Paul Henry | 1993 | Hal Leonard Publishing Corp. | Solo | ||||||
Y | Carcassi, Matteo (1792-1853) | Matteo Carcassi (1792-1853) | Adieux à la Suisse, Tyrolienne de Bruguière Variée, Op. 56 (2 voices and guitar, plus guitar solo) | Richard M. Long, ed. | 2000 | Tuscany Publications | 2 voices and guitar, guitar solo for Theme & Vars. | Theme and variations | ||||
Y | Carcassi, Matteo (1792-1853) | Matteo Carcassi (1792-1853) | Carcassi Method for the Guitar (English and Spanish text) | G. C. Santisteban | 1906 | Oliver Ditson Company | Method | Several studies by Santisteban; 2 pieces for 2 guitars | Elementary Principles of Music Preliminary Instructions Exercises, 1st Position Chords Arpeggios The Barre Appogiaturas The Grupetto Harmonics Advanced Studies Scales Di Provenza il Mar (Air from Traviata), Duet - G. Verdi Peruvian Air, Duet - G. C. Santisteban Spanish Dance (El Jaleo de Jerez), Solo - Arr. by G. C. Santistban | |||
Y | Carcassi, Matteo (1792-1853) | Matteo Carcassi (1792-1853) | Classical Guitar Method | 1946 | Carl Fischer, Inc. | Method | 7 pieces for 2 guitars, 5 guitar accompaniments | Rudiments of Music Instructions for the Guitar Scale Showing the Notes, and the Extent of the First Position The Chords The Barrer Arpeggios with Three and Four Fingers Scale of C Major Scale of G Major Scale of D Major Scale of A Major. .... Scale of E Major Scale of F Major Scale of A Minor Scale of E Minor Scale of D Minor The Slur The Slide The Appcggiatura The Gruppetto The Trill The Mordente Muffled Notes Scale in the 4th Position Scale in the 5th Position, Scale in the 7th Position Scale in the 9th Position Double Notes Scale in Thirds Scale in Sixths Scale in Octaves Scale in Tenths Scale of B Minor Scale of F Sharp Minor Scale of C Sharp Minor Scale of B Major Scale of G Sharp Minor Scale of F Sharp Major Scale of D Sharp Minor Scale of B Flat Major Scale of G Minor Scale of E Flat Major Scale of C Minor Scale of A Flat Major Scale of F Minor Scale of D Flat Major Scale of B Flat Minor Harmonics Fifty Exercises Progressing in Difficulty Agatha Polka - M. Carcassi Hermose Polka - M. Carcassi Azelia Polka - M. Carcassi Hermina Polka - M. Carcassi Melody - Rubinstein, arr. C. J. Dorn Consolation (Song without words) - F. Mendelssohn, Op. 30, Nr. 3, arr. J. S. Collins Duets: 1. Waltz 2. Waltz 3. Galop 4. Waltz 5. Galop 6. Theme and Variations 7. Polonaise Songs with Guitar accompaniment: Auld Lang Syne (So lang her) - arr. W. J. Kitchener Home, sweet Home (Süsse heimat) - arr. W. J. Kitchener Kate Kearney - arr. W. J. Kitchener Annie Laurie - arr. W. J. Kitchener Hail Columbia - arr. W. J. Kitchener A List of Principal Words Used in | ||||
Y | Carcassi, Matteo (1792-1853) | Matteo Carcassi (1792-1853) | Complete Carcassi Guitar Method: 25 Studies in Spanish and English | Mel Bay | 1979 | Mel Bay Publications Inc. | Method | Elementary Principles of Music Exercises, 1st Position Exercise with Sharps and Flats Scales, Cadences, Exercises, and Pieces (includes Arpeggio Exercises) Caprice in D Minor 25 Studies | ||||
Y | Carcassi, Matteo (1792-1853) | Matteo Carcassi (1792-1853) | Guitar Method Part II (from Complete Guitar Method in 3 parts) | ? | Schott & Co. Ltd. | Method | On the Slurred Notes The Appoggiatura The Turn or Gruppeto The Shake (or Trill) The Mordent Positions: Fourth, Fifth, Seventh, Ninth Double Notes: Thirds, Sixths, Octaves, Tenths Scales, Chords, Exercises, and Preludes | |||||
Y | Carcassi, Matteo (1792-1853) | Matteo Carcassi (1792-1853) | Guitarren Schule, Teil III, Dritter Teil (Third Part): Fünfzig Übungen in fortschreitender Schwierigkeit (Fifty Exercises of Progressive Difficulty) | Hans Ritter | B. Schott's Sohne | Solo | Collection | Fünfzig Übungen in fortschreitender Schwierigkeit (Fifty Exercises of Progressive Difficulty Arie aus Cenerentola von Rossini (Aria from Cenerentola by Rossini Schweizerlied (Swiss Song) Webers letzter Gendanke (Weber's Last Thought) Italienischer Gesang (Italian Singing) | ||||
Y | Carcassi, Matteo (1792-1853) | Matteo Carcassi (1792-1853) | Seis Caprichos Op. 26 | R. Sainz de la Maza | 1962 | Union Ediciones | Solo | John Fernando | ||||
Y | Carcassi, Matteo (1792-1853) | Matteo Carcassi (1792-1853) | Sonatinen und Capricen: Drei Sonatinen, Op. 1; Sechs Capricen, Op. 26 | Ernst Dahlke | B. Schott's Sohne | Solo | Collection | |||||
Y | Cardoso, Jorge | Jorge Cardoso | Liliana: 3 guitars | Antonello Lixi, rev., fing. | 2004 | Les Productions D'Oz | 3 guitars | Trio, Ensemble, Score and parts | ||||
Y | Carfagna, Carlo | Carlo Carfagna | Frammento (per Chitarra Classica) | 1967 | Bérben | Solo | ||||||
Y | Carlevaro, Abel | Abel Carlevaro | Arenguay: Duo Concertante for 2 guitars | 1986 | Chanterelle Verlag | 2 guitars | Duet, Score only | I Encuentro II Impresiones III Lunera) | ||||
Y | Carlevaro, Abel | Abel Carlevaro | Preludios americanos - n. 1 Evocación | 1970 | Barry Editorial | Solo | ||||||
Y | Carlevaro, Abel | Abel Carlevaro | Preludios americanos - n. 3 Campo | 1969 | Barry Editorial | Solo | ||||||
Y | Carolan, Turlough O' Carolan (1670-1738) | Turlough O' Carolan (1670-1738) | 14 Irish Pieces: Irish Pieces for Classical Guitar, Volume 2 | John Loesberg, arr., Simon Taylor, fing. | 1981 | Ossian Publications | Solo | Collection, Irish, most by Turlough O'Carolan, Folk | 1. Planxty McGuire - Carolan 2. Airdí Cuan - Traditional 3. Eileen Aroon - O'Dalaigh 4. Carolan's Concerto - Carolan 5. Morgan Magan - Carolan 6. Did You See the Black Rogue? - Traditional 7. Planxty Irwin - Carolan 8. Huleth's Health - Carolan 9. Planxty Charles Coote - Carolan 10. The Three Seacaptains - Traditional 11. Planxty Connor - Carolan 12. Planxty Judge - Carolan 13. Fanny Power - Carolan 14. Sí Beag Sí Mór - Carolan | |||
Y | Carolan, Turlough O' Carolan (1670-1738) | Turlough O' Carolan (1670-1738) | Songs of the Irish Bard Music of Turlough Carolan | David Asbury | ? | Clear Note Publications | Solo` | Collection, Irish, Carolan | No. 1 - Carolan's Welcome No. 2 - Carolan's Dream No. 3 - Blind Mary No. 4 - Mrs. Power (Carolan's Concerto) No. 5 - Planxty Irwin No. 6 - Eleanor Plunkett No. 7 - Carolan's Quarrel No. 8 - Hewlett No. 9 - Bridget Cruise's 1st Aire No. 10 - Bridget Cruise's 2nd Air No. 11 - Bridget Cruise 3rd Air No. 12 - Bridget Cruise 4th Air No. 13 - George Brabazon 1st Air No. 14 - George Brabazon 2nd Air No. 15 - Carolan's Cup No. 16 - Carolan's Draught No. 17. - Lord Inchiquin No. 18 - Mabel Kelly No. 19 - Colonel O'Hara No. 20 - Fanny Power No. 21 - Sir Festus Burke No. 22 - Carolan's Receipt No. 23 - John Jameson No. 24 - Ode to Whiskey No. 25 - Beauty in Tears No. 26 - Thomas Burke No. 27 - Sí Bheag Sí Mór No. 28 - Luke Dillon No. 29 - Farewell to Music No. 30 - Separation of Soul and Body | |||
Y | Caroso, Marco Fabrizio | Marco Fabrizio Caroso | Sei Danza: I. Villanella; II. Pavaniglia; III. Passemezzo; IV. Bassa Danza; V. Balletto; VI. Cascarda | Collection, Suite | 1976 | Bèrben | Solo | |||||
Y | Carulli, Ferdinando (1770-1841) | Ferdinando Carulli (1770-1841) | 24 Preludes: Guitar Exercises for the Right Hand | Willy Domandl | 1954 | N. Simrock | Solo | Exercises | John Fernando | |||
Y | Carulli, Ferdinando (1770-1841) | Ferdinando Carulli (1770-1841) | 50 Selected Pieces in Three Volumes: II, Nos. 30-50 | Ernst Hülsen | 1926 | B. Schott's Söhne | Solo | Collection, OLD, needs repair | 30. Walzer, Op. 121, Nr 8 31. Andante grazioso, Op. 211, Nr 11 32. Walzer, Op. 121, Nr 16 33. Poco Allegretto, Op. 211, Nr 14 34. Allegretto grazioso, Op. 211, Nr 15 35. Andante, Op. 241, Nr 12 36. Walzer, Op. 211, Nr 16 37. Poco Allegretto, Op. 241, Nr 6 38. Walzer, Op. 211, Nr 17 39. Andantino, Op. 241, Nr 15 40. Alla Polacca, Op. 241, Nr 16 41. Poco Allegretto, Op. 241, Nr 18 42. Allegretto con poco moto, Op. 124, Nr 8 43. Andante Mosso, Op. 211, Nr 13 44. Walzer, Op. 241, Nr 19 45. Allegretto, Op. 124, Nr 13 46. Allegretto con poco moto, Op. 124, Nr 10 47. Walzer, Op. 124, Nr 17 48. Menuett / Trio, Op. 124, Nr 20 49. Rondo, Op. 124, Nr 12 50. Menuett / Trio, | |||
Y | Carulli, Ferdinando (1770-1841) | Ferdinando Carulli (1770-1841) | Ariettes Italiennes para voz y guitarra: Douze Ariettes Italiennes arrangee sur les plus jolis motifs de Rossini, Vol. 1 (Twelve italian ariettes arranged on the most beautiful rossini motifs) | ? | Ediciones Musicales | voice and guitar | Collection, Vol. 1: First 6 Songs | N° 1. Here is that proud moment my dear, dear to god N° 2. I dreamed of my Phyllis in the morning N° 3. O beautiful Phyllis, those tender, serene and placid eyes turn to me N° 4. Come back serene beautiful stars beautiful stars of love N° 5. He has a certain enchantment in his eyes which is completely new to this soul N° 6. If I'm far from my beloved cold suspicion my heart freezes from my beloved | ||||
Y | Carulli, Ferdinando (1770-1841) | Ferdinando Carulli (1770-1841) | Ariettes Italiennes para voz y guitarra: Douze Ariettes Italiennes arrangee sur les plus jolis motifs de Rossini, Vol. 2 (Twelve italian ariettes arranged on the most beautiful rossini motifs) | ? | Ediciones Musicales | voice and guitar | Collection, Vol. 2: Second 6 Songs | N°7. Already the night is approaching come nice beloved well to the placid sea the fresh air to breathe N°8. Pleasant wood friends plant the well-loved faithful lover who can tell me where I'm going N°9. Keep faithful, think that I'm leaving, and I'm suffering and sometimes at least remember me N°10. I love you alone you alone I loved. You were the first...yet you will be the last object that I adore N°11. I'm far away, and you don't long for me, I'm with you, and you don't sigh, I hear you say that you love me, I find love in you, no, no... N°12. Waiting for you already, adored sails, beautiful sails turn your foot to the shore | ||||
Y | Carulli, Ferdinando (1770-1841) | Ferdinando Carulli (1770-1841) | Fantasia Opus 323 | 1977 | Belwin Mills | Solo | ||||||
Y | Carulli, Ferdinando (1770-1841) | Ferdinando Carulli (1770-1841) | Marcia Op. 335 n. 3 | 1983 | Edizioni Bèrben | Solo | ||||||
Y | Carulli, Ferdinando (1770-1841) | Ferdinando Carulli (1770-1841) | Metodo Completo (in 3 Volumi) Vol. 1 | Benvenuto Terzi | 1978 | G. Ricordi & Co. | Method | Entirely in Italian and French | Exercises in 1st Position The Barre Arpeggios Scales and Exercises in C Major, G Major, D Major, A Major, E Major, F Major, A Minor, E Minor, D Minor Appendix of easy pieces in various tonalities | |||
Y | Carulli, Ferdinando (1770-1841) | Ferdinando Carulli (1770-1841) | The Guitarist's Repertoire Vol. 9: Ferdinando Carulli: Raccolta di Sonate Diverse (1805) | Matanya Ophee | 2007 | Editions Orphée, Inc. | Solo | Collection of sonatas from 1805 manuscript | 1. Rondo (C major) 2. Rondo Larghetto (C major) 3. Allegretto (D major) 4. Allegro (A major) 5. Adagio (C major) 6. Rondo Allegretto (A major) 7. Andantino (C major) 8. Largo (D major) 9. Rondo Allegretto (D major) 10. Rondo (C major) | |||
Y | Casséus, Frantz | Frantz Casséus | The Complete Works of Frantz Casséus, Volume I: Music for Solo Guitar | Marc Ribot, ed. | 2003 | Tuscany Publications | Solo | Haitian | Haitian Suite for guitar: 1. Petro 2.Yanvalloux 3. Mascaron 4. Coumbite Deux Pièces Caractéristiques Suite for Guitar: No. 1: Congo No. 2: Rara Simbi Dance of the Hounsies On Sunday (Danse) Prelude [No. 2] Romance Valse Sérénade Lointaine Chanson Improvisation Merengue Prelude No. 1 Romance (1978) Untitled (July 16, 1957) | |||
Y | Castérède, Jacques | Jacques Castérède | Rhapsodie Pour un Jour de Fête pour Guitare et Orchestre | Gérard Billaudot Éditeur | 1991 | Éditions Billaudot | Guitar and piano reduction | Orchestra, Concerto, Score and guitar part | ||||
Y | Cavanaugh, Charles | Charles Cavanaugh | Waves - Six pieces for classical guitar | 1994 | Musikedition Nepomuk | Solo | Collection | 1. Waves 2. Mercy 3. Danza 4. Contemplation 5. Parable 6. Serenade | ||||
Y | Cecconi, Raffaele | Raffaele Cecconi | Esperpentos | Quinze Pièces pour Guitarre | 1981 | Bèrben | Solo | |||||
Y | Chailey, Jacques | Jacques Chailley | Margravia pour Luth Renaissance | Michel Falèze | 1992 | Editions Aug. Zurfluh | 2 guitars | 3 movements, includes lute tablature | ||||
Y | Charlton, Andrew | Andrew Charlton | Rondo Fantasia for solo guitar | 1991 | Columbia Music Co. | Solo | ||||||
Y | Charnasse, E. | E. Charnasse | Six String Guitar (introductory book, entirely in Russian) | 1991 | Moscow "Music" | Introductory Method | Entirely in Russian | I. Structure of the Guitar; Its Origins 1. Countries of the Ancient East 2. Western Europe 3. 13th and 14th Centuries 4. Science 5. Early Guitarists II. Revival 1. First Golden Age 2. Characteristics of Guitars 3. Guitar Masters 4. Repertoire; General Characteristics 5. Publications 6. Lost Repertoire 7. Evolution of the Instrument at the End of the [16th] Century III. 17th Century 1. Transition Design Tools 2. Classical Instrument 3. Masters of Musical Instruments 4. First Half of 17th Century - Period of Decline 5. Compositions 6. Second Half of 17th Century - New Golden Age 7. Guitarists 8. Repertoire; General Characteristics 9. Composers and Their Works IV. 18th Century 1. First Half of 18th Century - Decline 2. Masters of Musical Instruments 3. Second Half of 18th Century - Renewal 4. Guitarists 5. Repertoire 6. Evolution of Playing Technique 7. Masters of Musical Instruments 8. Design Evolution V. 19th Century 1. Classical Guitar: Evolution of Its Structure 2. Guitarists 3. Evolution of Tool Technology 4. Second Half of 19th Century VI. 20th Century 1. Classical Guitar in Europe 2. First Generation of Virtuosos 3. Composers and Their Work 4. Masters of Musical Instruments 5. Classical Guitar Construction VII. Guitar Instrument - Continuous Renewal 1. Composers and Their Works 2. Instrumental and Performance Practice 3. Masters of Musical Instruments VIII. From Professional Practice to Ethnic Expression 1. Guitar in Latin America 2. Flamenco 3. Jazz 4. Electric Guitar 5. Folk Music | ||||
Y | Charnofsky, Jordan | Jordan Charnofsky | Divertimento for Solo Guitar | 1993 | Columbia Music Co. | Solo | ||||||
Y | Chávez, Carlos | Carlos Chávez | Three Pieces for Guitar | 1962 | Mills Music, Inc. | Solo | ||||||
Y | Chiodini, J. | J. Chiodini | For Ruth: Three Moods for Classical Guitar | ? | Providence Music Press | Solo | Collection | 1. Classic 2. Romantic 3. Contemporary | ||||
Y | Chobanian, Loris O. | Loris O. Chobanian | Five Pieces for Guitar | 1980 | Les Editions Doberman, Inc. | Solo | 1. Caccia 2. Ballata 3. Sonaglio 4. Canzona 5. Presto | |||||
Y | Chopin, Fryderyk (1810-1849) | Fryderyk Chopin (1810-1849) | Chopin For Guitar: Famous Transcriptions | Jan Oberbek, others* | 2010 | Polskie Wydawnictwo Muzyczne SA | Solo | Collection, *J.N. Bobrowicz, W. Jacobs, F. Tárrega | Polonaise in B flat major (transcr. in A major) - Jan Oberbek Mazurka in E major Op. 6 No. 3 (transc. in D major) - Jan Nepomucen Bobrowicz Mazurka in C major Op. 7 No. 5 - J. Oberbek Mazurka in C major Op. 17 No. 4 - J. Oberbek Mazurka in D major Op. 33 No. 2 - Walter Jacobs Mazurka in C major -- J. Oberbek Mazurka in A minor - J. Oberbek Mazurka in A minor - J. Oberbek Mazurka in F major - J. Oberbek Prelude in E minor - J. Oberbek Prelude in B minor (transcr. in G sharp minor) - J. Oberbek Prelude in A major - J. Oberbek Prelude in B major (transcr. in E major) - J. Oberbek Prelude in E flat minor (transcr. in E minor) - J. Oberbek Prelude in D flat major (transcr. in A major) - J. Oberbek Prelude in C minor (transcr. in C sharp minor) - J. Oberbek Grande Valse Brillante in A minor (transcr. in E minor) - J. Oberbek Valse in A flat major (transcr. in A major) - J. Oberbek Valse in A minor - J. Oberbek Valse in E flat major (transcr. in E major) - J. Oberbek Largo in E flat major (transcr. in D major) - J. Oberbek Feuille D'Album - J. Oberbek Życzenie: A Young Girl's Wish - J. Oberbek | |||
Y | Chopin, Fryderyk (1810-1849) | Fryderyk Chopin (1810-1849) | Complete Chopin Mazurkas, The: Fifty-one Mazurkas, Newly Arranged for Solo Guitar | Stephen Aron, arr. | 2001 | Mel Bay Publications | Solo | Collection, 3 CD set available | Op. 6, No. 1 (transcr. from F# minor to D minor) Op. 6, No. 2 (transcr. from C# minor to G minor) Op. 6, No. 2 (transcr. from E major to C major) Op. 6, No. 4 (transcr. from Eb minor to E minor) Op. 7, No. 1 (transcr. from Bb major to A major) Op. 7, No. 2 in A minor Op. 7, No. 3 (transcr. from F minor to G minor) Op. 7, No. 4 (transcr. from Ab major to C major) Op. 7, No. 5 (transcr. from C major to A major) Op. 17, No. 2 (transcr. from E minor to G minor) Op. 17, No. 3 (transcr. from Ab major to A major) Op. 17, No. 4 (transcr. from A minor to Bb minor) Op. 24, No. 1 (transcr. from G minor to E minor) Op. 24, No. 2 in C major Op. 24, No. 3 (transcr. from Ab major to D major) Op. 24, No. 4 (transcr. from Bb minor to D minor) Op. 30, No. 1 (transcr. from C minor to A minor) Op. 30, No. 2 (transcr. from B minor to D minor) Op. 30, No. 3 (transcr. from Db major to A major) Op. 30, No. 4 (transcr. from C# minor to G minor) Op. 33, No. 1 (transcr. from G# minor to E minor) Op. 33, No. 2 (transcr. from D major to A major) Op. 33, No. 3 (transcr. from C major to G major) Op. 33, No. 4 (transcr. from B minor to G minor) Op. 41, No. 1 (transcr. from C# minor to G minor) Op. 41, No. 2 in G major Op. 41, No. 3 (transcr. from B major to A major) Op. 41, No. 4 (transcr. from Ab major to G major) Op. 50, No. 1 in G major Op. 50, No. 2 (transcr. from Ab major to A major) Op. 50, No. 3 (transcr. from C# minor to G minor) Op. 56, No. 1 (transcr. from B major to major) Op. 56, No. 2 in C major Op. 56, No. 3 (transcr. from C minor to A minor) Op. 59, No. 1 (transcr. from A minor to D minor) Op. 59, No. 2 (transcr. from Ab major to D major) Op. 63, No. 1 (transcr. from B major to E major) Op. 63, No. 2 (transcr. from F minor to G minor) Op. 67, No. 1 (transcr. from G major to D major) Op. 67, No. 2 (transcr. from G minor to D minor) Op. 67, No. 3 (transcr. from C major to A major) Op. 67, No. 4 (transcr. from A minor to D minor) Op. 68, No. 1 (transcr. from C major to E major) Op. 68, No. 3 (transcr. from F major to A major) Op. 68, No. 4 (transcr. from F minor to A minor) No Opus number (transcr. from A minor to G minor) "Notre Temps" (transcr. from A minor to E minor) | |||
Y | Chopin, Fryderyk (1810-1849) | Fryderyk Chopin (1810-1849) | Studio op. 10 n. 3 | Miguel Ablóniz | 1974 | Bèrben | Solo | |||||
Y | Chopin, Fryderyk (1810-1849) | Fryderyk Chopin (1810-1849) | Two Preludes - no. 7 & no. 20 | 1962 | Columbia Music Co. | Solo | ||||||
Chopin, Fryderyk (1810-1849) | Fryderyk Chopin (1810-1849) | Vals, Op. 64, nº 2 | Fernando Alonso | 1992 | Editorial Boileau | Solo | ||||||
Y | Christiansen, Mike | Mike Christiansen | Guitar Fundamentals: Beginning Guitar COMPLETE Blended Learning Student Workbook | 2012 | Consonus Music Institute LLC | Method | Beginner, Anthology, Traditional, Ensemble | Lesson 1 Walking the Fingerboard Notes by number Lesson 2 Chord Diagram G and G7 Chords Lesson 3 C Chord Lesson 4 Em and D7 Chords Measured Music Lesson 5 Reading Tablature Lesson 6 Songs Using Tablature Lesson 7 Duet and Ensemble Using Tablature Quarter Rest Half Rest Whole Note and Whole Rest Lesson 8 Ensemble (A Minor Thing) Using Whole Notes Dotted Half Notes in Tablature Lesson 9 Songs in Tablature Full G and G7 Half Note and Whole Note Strums Lesson 10 Ensemble (Greensleeves) in Tablature Lesson 11 Strum Pattern for 4/4 Lesson 12 The D Chord Lesson 13 More Eighth Notes Lesson 14 Eighth Rest Lesson 15 Two Strum Patterns for 4/4 Lesson 16 Am and E7 Chords Lesson 17 A7 Chord Lesson 18 Reading Notes Notes on the First String Half Note Lesson 19 Notes on the Second String Whole Note Lesson 20 Two Strum Patterns for 3/4 Lesson 21 The Blues Lesson 22 Guitar Ensemble (Blues For Four) Lesson 23 Two Chords per Measure Lesson 24 Notes on the Third String Dotted Half Note Lesson 25 New Strum Pattern for 4/4 The Dm Chord The Bm Chord Lesson 26 The D Chord The A Chord Lesson 27 Ensemble (Hang Loose) Lesson 28 The F Chord Notes on the Fourth String Lesson 29 Power Chords Lesson 30 The B7 Chord Lesson 31 The E Minor Pentatonic Scale Lesson 32 Sharp and Natural Signs Lesson 33 The Chord Clock Lesson 34 Key Signatures Lesson 35 Notes on the Fifth String One Octave C Major Scale Lesson 36 Notes on the Sixth String Two Octave G Major Scale Lesson 37 Ensemble (Greensleeves) Lesson 38 Eighth Notes in Standard Notation Lesson 39 Ensemble (Swing It) Lesson 40 The C7 Chord The Eighth Rest Lesson 41 Flats Lesson 42 Dotted Quarter Notes Lesson 43 The Am7 and Dm7 Chords Lesson 44 Hammer On Lesson 45 Pull Off Lesson 46 The Slide Chords Index Blank Tablature Blank Staves Blank Chord Diagrams Songs Index: 4 String Tune - Standard Notation 6 Spanish Strings - Tablature, Quartet A Bit of Blues - Chordal Accomp. A Minor Thing - Tablature, Trio A New Day - Tablature, Quartet Add One - Standard Notation Amazing Grace - Folk, Traditional, Spiritual America (My Country 'Tis of Thee) - Patriotic America the Beautiful - Patriotic Another Power Chord Variation - Tablature Bluegrass Blues Blues for Four - Tablature, Chords, Quartet, Rhythm guitar Blues in A - Chords, Blues Blues in E - Tablature Can't Get to Sleep - Blues Caught Up - Pull Off Exercise Cripple Creek (different version) Don Gato - Traditional, Folk, Spanish Down in the Valley - Chordal Accomp., Folk, Traditional Me Too Early Spring - Tablature First Time Around - Tablature Exercise, Duet Flight of the Eagle - Standard Notation G Shuffle - Tablature and Chordal Exercise G Shuffle - Standard Notation God Rest Ye Merry Gentlemen - Traditional, Folk, Christmas Going For It - Tablature Greensleeves - Tablature, Quartet Greensleeves - Standard Notation, Chords Greensleeves - Quartet Groovin' - Quartet Gypsy Waltz - Standard Notation Half a Tab - Tablature Exercise Half Tab - Tablature Exercise Hammer Head Hammer On Hang Loose - Tablature, Quartet He's Got die Whole World in His Hands - Chordal Accomp., Folk, Traditional Me Too Heavy Hammer Hidden Castle - Tablature Hidden Passage - Standard Notation, Quartet Hold It - Tablature Exercise House of the Rising Sun - Traditional, Folk I'm on the First String - Fret and Finger Exercise I’m on the Second String - Fret and Finger Exercise In the Basement In the Mirror - Tablature, Trio Island Fever - Tablature John Henry - Blues, Traditional, Folk Klezmer - Quartet Late Winter - Quartet Lonely Cay Low- Rocker - Tablature Making Time Marianne - Chordal Accomp., Folk, Traditional Me Too - Tablature Exercise Midnight Special - Leadbelly, Blues, Traditional, Folk Molly Malone - Traditional, Folk, Irish Monday Mornin' Blues - Blues Moonset - Tablature, Quartet Nothin' Goin' Right- Tablature, Blues Oh, Sinner Man - Folk, Traditional, Spiritual, Blues Overdrive - Tablature, Power Chords Pentacillon - Tablature, Pentatonic Power Blues - Power chords, Tablature Puerto Escondido - Tablature, Trio Pull Off Raining Outside - Chordal Accomp. Really? - Tablature and Chordal Exercise Rest Stop - Tablature Scarborough Fair - Tablature Scarborough Fair - Standard Notation, Chords Scarborough Fair Secret Passage - Pull Off, Hammer On She'll Be Cornin' Round the Mountain - Folk, Traditional Me Too - Tablature Shenandoah - Folk, Traditional Short and Long - Tablature Silent Night - Franz Gruber, Christmas Simple Gifts - Folk, Traditional Slidin' Home - Slide exercise Something's Out There - Tablature Song ofJoy - Beethoven, Tablature Spanish Trio - Tablature, Trio Swing It - Quartet Tango The Chase - Tablature Exercise, Round The Slide - Slide exercise The Whole Truth - Tablature Third Degree Blues - Standard Notation, Blues This Little Light of Mine - Folk, Traditional This Train - Folk, Traditional, Religious, Spiritual Three to Get Ready - Tablature Exercise Tie - Tablature Exercise Tied Phoon - Tablature Exercise Time Machine Times Five - Tablature, Pentatonic Twice As Much - Tablature Two Bits of Blues - Chordal Accomp. Up All Night - Tablature, Trio, Blues Wait a Second - Tablature Exercise Waiting a Long Time - Tablature Walking the Fingerboard - Fret and Finger Exercise Waltz of the Dinosaurs - Standard Notation Will the Circle Be Unbroken? - Charles H. Gabriel, Ada R. Habershon, Religious Me Too Will the Circle Be Unbroken? Worried Man Blues - Folk, Traditional, Blues Worried Man Blues Ensembles Index 6 Spanish Strings - Quartet A Minor Thing - Trio A New Day - Quartet Blues for Four - Quartet First Time Around - Duet Greensleeves - Quartet, Tablature Greensleeves - Quartet, Standard notation Groovin’ - Quartet Hang Loose - Quartet Hidden Passage - Quartet In the Mirror - Trio Klezmer - Quartet Late Winter - Quartet Moonset - Quartet Puerto Escondido - Trio Spanish Trio - Trio Swing It - Quartet Up All Night - Trio | ||||
Christiansen, Mike | Mike Christiansen | Mastering the Guitar Class Method: Teacher's Supplement | 2000 | Mel Bay Publications | Method | Instruction, Classroom, companion book to Mastering the Guitar: Class Method Level 1/Beginning Elementary through 8th Grade | Foreword Making The Guitar Class Work What Instruments To Use Room Set-Up Tools To Have On Hand Tuning Holding Position Warm-Up Layered Learning Chords or Melody First Quizzes Rounds First Ensemble Piece Rhythms Note Reading vs. Tablature Strumming Techniques Ensembles Application of Cross-Curriculum Material Teaching Improvisation Listening The Guitar Recital Class Outlines Selecting a Teacher Stringing the Guitar Manuscript Paper Tablature Paper Blank Chord Diagrams Seating Chart | |||||
Y | Christiansen, Mike | Mike Christiansen | Mel Bay's Complete Jazz Guitar Method | 1995 | Mel Bay Publications | Method | Includes tablature, CD available but not included | Diagrams Chord Symbols And Abbreviations Time Values Swing Rhythm Strumming Notation Barre Chords Dead-String Chords Bass-String Chords (ala Freddy Green) Comping Chord Inversions (Four-String Chords) Altered Seventh Chords Major Scales Tonal Centers (Major) The m7b5 Chord Minor Scales Tonal Centers Chord Construction Connecting Chord Forms Chord Embellishment How To Transpose Common Chord Progressions Chord Substitution Blues Progression Pentatonic Scales Blues Scale Sequencing Diminished Chords Diminished Scale Augmented Chords Whole Tone Scale Latin Rhythms Dorian Mode Mixolydian Mode Combining Modes Improvising Over The ii-V-I Progression Lydian Mode Aeolian Mode Phrygian Mode Locrian Mode Super Locrian Mode Arpeggios Arpeggio Sequences Targeting Guide Tones Phrasing Constructing A Solo Secondary Arpeggios The Parker Cycle The Coltrane Cycle Improvising Around A Melody Quartal Harmony Playing The Blues Using Quartal Harmony Chord Substitution Using Quartal Harmony Single Note Soloing Using Fourths Geometrical Shapes Table Of Scales And Their Uses | ||||
Y | Clark, Patrick David | Patrick David Clark | The Broidered Axe | 1996 | Self-Published | Guitar and Piano | Suite | I. Abacus II. Interlude I III. Song of T'ang IV. Interlude II V. Fortune Cookie | ||||
Y | Coble, William | William Coble | Autumn Elegy | 1987 | Associated Music Publishers | Solo | ||||||
Coleridge-Taylor, Samuel | Samuel Coleridge-Taylor | Valse Suite, Op. 71 - Vivace | ? | 3 guitars | drop D on 6th string | |||||||
Y | Coorf, G. | G. Coorf | Oriental Guitar: Music of Eastern Countries, A collection of 15 progressive pieces | 1983 | Ricordi | Solo | Collection, Asian, music emulates diff. instruments | 1. Sheng 2. Damnyan 3. Karombi 4. Sadev 5. Kayageum 6. Sarangi 7. Morinxur 8. Shamisten & Tsuzumi 9. Koto & Kane 10. Sitar 11. Veena 12. Gamelan 13. Chapey 14. Santoor 15. P'ip'a | ||||
Y | Corbetta, Francesco (1615-1681) | Francesco Corbetta (1615-1681 | Caprice de Chaconne | Léo Brouwer & Paolo Paolini | 1991 | Ricordi | Solo | |||||
Y | Corbetta, Francesco (1615-1681) | Francesco Corbetta (1620-1681) | Renaissance and Baroque: A Collection of XVI and XVII Century Compositions, Vol. V | Alexander Bellow | 1967 | Franco Colombo | Solo | Anthology, Renaissance, Baroque | "Suite" in E minor: 1. Almanda 2. Sua Corrente 3. Sarabande "Suite" in D: 1. Almanda 2. Sua Corrente 3. Sarabanda "Suite" in G minor: 1. Almanda 2. Corrente 3. Sarabanda "Suite" in C: 1. Almanda 2. Corrente 3. Sarabanda "Suite" in C minor: 1. Almanda 2. Corrente 3. Sarabanda | |||
Y | Cordero, Ernesto b. 1946 | Ernesto Cordero (b. 1946) | 1. Perugia, 2. La Catedral de Taxco for guitar | 2008 | Editions Orphée, Inc. | |||||||
Y | Cordero, Fernando Cruz (1822-1861) | Fernando Cruz Cordero (1822-1861) | Six Divertissements | Matanya Ophee | 2009 | Editions Orphée, Inc. | Solo | The Guitarist's Repertoire Vol. 9 | ||||
Y | Córdoba, Merengue de | Merengue de Córdoba (Rafael Rodriguez Fernández) | La Guitarra Flamenca, Vol. 1 (companion to video) | 1996 | Encuentro Productions | Method | Flamenco, examples of basic flamenco rhythms, includes tablature, companion to video (not in library), in 4 languages | Examples/exercises on Video: Técnica Verdiales Fandango de Huelva Tientos Tanguillos Tangos Rumba Garrotín Seguiriyas Serranas Alegrías Soleá Soleá por Bulerías Guajira y Colombiana Bulerias Farruca Sevillanas Malagueñas Granaína Petenera Taranto y Taranta Fandango personal Solo de Fandango Solo de Alegrías | ||||
Y | Córdoba, Merengue de | Merengue de Córdoba | La Guitarra Flamenca, Vol. 2 con el cante de Churumbaque (accompaniment to singing by Rafael Espejo ("Churumbaque")) | 2000 | Encuentro Productions | Method | Flamenco, includes tablature, companion to video (not in library) | Rondeña Malagueña Fandango de Huelva Fandango de Calaña Fandango natural Granaína Taranta Taranto Tientos Tangos Tangos de Málaga Tanguillo Alegrías 1 Romera Caracoles Alegrías 2 Petenera Sevillanas Rumba Garrotín Guajira Colombiana Soleá Caña Polo Bambera Soleá por Bulerías Bulerías Seguiriya Liviana Serrana Fin de fiesta | ||||
Y | Córdoba, Merengue de | Merengue de Córdoba | La Guitarra Flamenca: con el cante de Churumbaque (chordal accompaniment to singing by Rafael Espejo, "Churumbaque") | 2000 | Encuentro Productions | Method | Flamenco, chord sheets, includes tablaure, accompaniment, companion to video (not in library), chord symbols | |||||
Y | Corea, Chick | Chick Corea | 500 Miles High | Davis Ramsey | ? | ? | Solo | Jazz, Possible photocopy? | ||||
Y | Corelli, Arcangelo (1653-1713) | Arcangelo Corelli (1653-1713) | Corelli (from Opus 6): Allegro; Gavotte; Vivace | Guy Cantwell | 1995 | Tule Fog Music | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Cortes (Hijo), Pedro | Pedro Cortes (Hijo) | Cruzando El Charco (Alegrías) | 1993 | Austin International Guitar Publications | Solo | ||||||
Y | Coste, Napoleon (1806-1883) | Napoleon Coste (1806-1883) | Barcarolle & Rondoletto, Op. 51, No. 14 and Op. 48, No. 3 | Ken Keaton | 1986 | Belwin Mills Publishing Corp. | Solo | Grade 2-Intermediate | ||||
Y | Coste, Napoleon (1806-1883) | Napoleon Coste (1806-1883) | Valzer op. 41 n. 8 | Francesco Tapella, fing. | 1981 | Bèrben | Solo | |||||
Y | Couperin, Louis (1626-1661); Couperin, François (1668-1773) | Louis Couperin (1626-1661) François Couperin (1668-1773) | The Couperins: Seven Pieces by Louis and François Couperin | John W. Duarte, Seppo Siirala | 1973 | Bèrben | Solo | Collection | Chaconne (Bauyn N. 54) - Louis Couperin La Flore (5e Ordre) - François Couperin Les Baricades Mystérieuses (6e Ordre) - François Couperin La Bourbonnoise (Gavotte) (1e Ordre) - François Couperin Volte (Bauyn N. 62) - Louis Couperin L'espérance: Sous le Domino Vert (13 Ordre) - François Couperin Les Coucous Bénévoles: Sous les Dominos Jaunes (13e Ordre) - François Couperin | |||
Y | Croce, Jim | Jim Croce | Time in a Bottle | Stan Ayeroff | 1984 | Denjac Music Company | Solo | Popular | ||||
Y | Croucher, Terence | Terence Croucher | Easy Pieces for Guitar: At the Zoo | 2004 | Clarendon Music | Solo | Cute pics (Not so "easy") | 1. Kangaroo 2. A Cobra 3. Elephants 4. The Leopard 5. A Giant Panda 6. The Turtle 7. Camels 8. The Peacock | Julian Mock | |||
Y | Croucher, Terence | Terence Croucher | Easy Pieces for Guitar: By the Sea | 2003 | Clarendon Music | Solo | Cute pics (Not so "easy") | 1. Moonlight on the Waves 2. An Octopus 3. A Sandcastle 4. Seagulls 5. The Crab 6. Starfish 7. The Little Boat 8. Seahorses | Julian Mock | |||
Y | Croucher, Terence | Terence Croucher | Easy Pieces for Guitar: In the Forest | 2002 | Clarendon Music | Solo | Cute pics (Not so "easy") | 1. Falling Leaves 2. The Secret Pool 3. Hedgehog 4. The Willow 5. The Owl At Night 6. The Great Oak 7. A Birch Grove 8. Bluebells | Julian Mock | |||
Y | Crucianelli, Stefano | Stefano Crucianelli | La Fileuse | 1987 | Bèrben | Solo | ||||||
Cruz, Mark Anthony | Mark Anthony Cruz | Awaken | 2009 | MAC Publications | 4 guitars | Quartet, Ensemble, Score and parts | ||||||
Y | Cruz, Mark Anthony | Mark Anthony Cruz | El Payaso | 2006 | MAC Publications | 4 guitars | Quartet, Ensemble, Score and parts | |||||
Y | Cruz, Mark Anthony | Mark Anthony Cruz | Elegy (for the Victims of Katrina ) | 2005 | MAC Publications | 4 guitars | Quartet, Ensemble, Score and parts | |||||
Cruz, Mark Anthony | Mark Anthony Cruz | Menuet and Trio | 2005 | MAC Publications | 3 guitars | Trio, Score only | ||||||
Y | Cruz, Mark Anthony | Mark Anthony Cruz | Mérida | 2004 | MAC Publications | 4 guitars | Quartet, Ensemble, Score and parts | |||||
Y | Cruz, Mark Anthony | Mark Anthony Cruz | New Settings for Three Classic Hymns: I. Lasst uns Erfreuen; II. Darwall; III. Lobe den Herren | 2006 | MAC Publications | 3 guitars | Trio, Ensemble, Score and parts | I. Lasst uns Erfreuen II. Darwall III. Lobe den Herren | ||||
Cruz, Mark Anthony | Mark Anthony Cruz | November Blues | 2016 | MAC Publications | 4 guitars | Quartet, Ensemble, Score and parts | ||||||
Y | Cruz, Mark Anthony | Mark Anthony Cruz | Pequeñas Piezas para Mi Padre: Twelve Original Compositions for Classical Guitar | 2005 | MAC Publications | Solo | Collection | 1. Florinda 2. Magdalena 3. Triste 4. Plomotor 5. Jardin de Cacto 6. Socorro 7. Danza Para Amparo 8. Herminia 9. Alvarado 10. Dos Cantantes 11. Nona 12. Matehuala | ||||
Cruz, Mark Anthony | Mark Anthony Cruz | Real de Catorce (from Triptych) | 2006 | MAC Publications | 3 guitars | Trio, Ensemble, Score and parts | ||||||
Y | Cruz, Mark Anthony | Mark Anthony Cruz | Spaces | 2008 | MAC Publications | 4 guitars | Quartet, Ensemble, Score only | |||||
Y | Cruz, Mark Anthony | Mark Anthony Cruz | Symphonette in C: I. Fantasia; II. Rondo; III. Serenade; IV. Finale | 2007 | MAC Publications | 3 guitars | Trio, Ensemble, Score and parts | |||||
Y | Cruz, Mark Anthony | Mark Anthony Cruz | Three Vignettes in A Minor for Three Guitars | 2006 | MAC Publications | 3 guitars | Trio, Ensemble, Score only | |||||
Y | Cruz, Mark Anthony | Mark Anthony Cruz | What Would Michael Kelsey Do? | 2007 | MAC Publications | 4 guitars | Quartet, Ensemble, Score and parts | |||||
Y | Cui, Cesar (1835-1918) | Cesar Cui (1835-1918) | Orientale da "Caleidoscopio, op. 50 | Abner Rossi | 1975 | Bèrben | Solo | |||||
Y | Cutting, Francis (1596) | Francis Cutting (1596) | Almayne (Orig. para Laud) | Lupe de Azpiazu | 1963 | Union Musical Espanola | Solo | |||||
Y | Cutting, Francis (1596) | Francis Cutting (1596) | Five Pieces | Brian Jeffery | 1970 | Oxford University Press | Solo | Collection | 1. Galliard 2. Cutting's Comfort 3. Alman 4. Pavane Sans Pair 5. Galliard | |||
Y | Cutting, Francis (1596) | Francis Cutting (1596) | Kemp's Jig (found in Anon: The Sick Tune, etc.) | |||||||||
Y | Cutting, Francis (1596) | Francis Cutting ( 1596) | Walsingham Variations | Paul Hopman | 1966 | Harmonia-Uitgave-Hilversum | Solo | |||||
Y | Dagosta , Sylvain | Sylvain Dagosta | Elude en FA Majeur | 1970 | Editions Musicales Transatlantiques | Solo | ||||||
Y | Darch, Robert R. | Robert R. Darch | Opera House Rag | Marcel Robinson | 1974 | Guitar Workshop Publications | ||||||
Y | Davies, Peter Maxwell | Peter Maxwell Davies | Lullaby for Ilian Rainbow | 1980 | Boosey Hawkes | Solo | ||||||
Y | de Lucia, Paco | Paco de Lucia | Guajiras de Lucia | Michael Haas | 1985 | Gitarren-Studio Musikverlag | Solo | Flamenco, includes tablature | ||||
Y | de Lucia, Paco; Modrego, Ricardo; Jimenez, Ramon | Paco de Lucia, Ricardo Modrego, Ramon Jimenez | Entre Arrayanes | 1995 | Ediciones Quiroga | Solo | Flamenco | |||||
Y | de Lucia, Paco; Modrego, Ricardo; Jimenez, Ramon | Paco de Lucia, Ricardo Modrego, Ramon Jimenez | Taconeo Gitano (Zapateado) | 1993 | Seemsa: Sociedad Española de Ediciones Musicales, S. A. | Solo | Flamenco | |||||
Y | de Lucia, Paco; Torregrosa, José | Paco de Lucia, José Torregrosa | Percusión flamenca (Zapateado) | Michael Haas | 1986 | Gitarren-Studio Musikverlag | Solo | Flamenco, includes tablature | ||||
Y | Debussy, Claude (1862-1918) | Claude Debussy (1862-1918) | Clair de Lune for Two Guitars | Jorge Martinez Zarate | 1970 | Columbia Music Co. | 2 guitars | Duet, Score only | ||||
Y | Debussy, Claude (1862-1918) | Claude Debussy (1862-1918) | Claro de Luna De la "Suite Bergamasca" | M. Parodi | 1950 | Ricordi Americana | ||||||
Y | Debussy, Claude (1862-1918) | Claude Debussy (1862-1918) | Clair de lune, Golliwogg's Cake-Walk | Jeremy Sparks | 2007 | Les Éditions Doberman-Yppan | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Debussy, Claude (1862-1918) | Claude Debussy (1862-1918) | Homage to Pierre Louys | Carlo Pezzimenti | 1988 | Troostwyk Press | Solo | |||||
Y | Debussy, Claude (1862-1918) | Claude Debussy (1862-1918) | La fille aux cheveux de Lin, arranged for flute and guitar | Stefan Nesba | 1984 | Schott & Co Ltd. | flute and guitar | Duet, Score and flute part | ||||
Y | Debussy, Claude (1862-1918) | Claude Debussy (1862-1918) | Le Petit Negre | Jose de Azpiazu | 1959 | Alphonse Leduc & Co. | Solo | |||||
Y | Debussy, Claude (1862-1918) | Claude Debussy (1862-1918) | Tres Composiciones: Doctor Gradus Ad Parnassum; La Fille aux Cheveux de Lin; The Little Shepherd | Mario Parodi | 1955 | Ricordi | Solo | Collection | ||||
Y | Debussy, Claude (1862-1918) | Claude Debussy (1862-1918) | Vier Tänze (Four Dances): Danse bohémienne; Mazurka; Le petit nègre; Golliwogg's cake-walk | Ansgar Krause | 1985 | Shott | Solo | Collection | ||||
Y | Delpriora, Mark | Mark Delpriora | Pocket Sonata | 2005 | Editions Orphée, Inc. | Solo | ||||||
Y | Delpriora, Mark | Mark Delpriora | Variations on a Theme by Sor: Variazioni Attraverso l'Ottocento (14 variations) | 2011 | Editions Orphée, Inc. | Solo | 1. Marcia 2. Sonatinetta 3. Ländler 4. Etude I 5. Nocturne 6. Canon 7. Etude II 8. Ballade 9. Scherzo 10. March Fùnebre 11. Berceuse 12. Prelude 13. Intermezzo 14. Fugue | |||||
Y | Desmond, Paul | Paul Desmond | Take 5 - Jazz Guitar Ensemble Series | Chris Buzzelli | 1988 | Desmond Music Company | Jazz Combo, 5 guitars, Bass, Drums | Popular, Jazz, Quintet, Mixed Ensemble, Score and parts | ||||
Y | Diabelli, Anton (1781-1858) | Anton Diabelli (1781-1858) | 18 Pieces for Guitar and Piano, Easy to Intermediate | ? | Kalmus | Guitar and piano | Anthology | 1. Marcia C dur 2. Allegro moderate 3. Menuetto assai moderatee cantadile 4. Allegretto 5. Allemande 6. Allegro 7. Andante cantadile 8. Allego scherzando 9. Andante cantaGile 10. Allemande 11. Rondo, allegro 12. Marcia, allegro 13. Andante 14. Polonaise 15. Largo (Trauermarsch (Funeral march)) 16. Menuetto, moderato 17. Allemande 18. Allegretto | ||||
Y | Diabelli, Anton (1781-1858) | Anton Diabelli (1781-1858) | Andante Cantabile | Mark Anthony Cruz | 2007 | MAC Publications | 3 guitars | Trio, Ensemble, Score and parts | ||||
Y | Diabelli, Anton (1781-1858) | Anton Diabelli (1781-1858) | Thirty Very Easy Studies | Ursula Peter, fing. | 1991 | Masters Music Publications, Inc. | Solo | John Fernando | ||||
Y | Diesel, Nathanael (1692-1745) | Nathanael Diesel (1692-1745) | Quinze Pièces pour Guitarre | François Castet | 1977 | Alphonse Leduc & Co. | Solo | Collection | 1. Aria 2. Polonese 3. Menuet 4. Menuet 5. Menuet 6. Aria 7. Rondeau 8. Chaconne 9. Gavotte 10. Chaconne 11. Gavotte 12. Bouree 13. Menuet 14. Marsh 15. Gavotte | |||
Y | Digmeloff, Germain | Germain Digmeloff | Les Pièces faciles pour la Guitare: Mélodie Slave; La Source | 1962 | Max Eschig | Solo | ||||||
Y | Dijkstra, Lowell | Lowell Dijkstra | Five Moods for Guitar | 1985 | Broekmans & Van Poppel B.V. | Solo | ||||||
Y | Dineen, Joe; Bridges, Mark | Joe Dineen, Mark Bridges | The Gig Bag Book of Scales for All Guitarists | Joe Dineene, Mark Bridges, eds. | 1977 | Amsco Publications | Method | Notation and diagrams of finger placement on neck | ||||
Y | Domeniconi, Carlo | Carlo Domeniconi | 3 Studies for the Spirit (1985) | 1992 | Edition Margaux | Solo | Suite | |||||
Y | Domeniconi, Carlo | Carlo Domeniconi | Passacaglia und Fuge | 1985 | Bole & Bock | Solo | ||||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | A Dream; Melancholy Galliard; Sir John Smith His Almaine; A Fancy | Johannes Monno | 2010 | Universal Edition, Karl Scheit Guitar Edition | Solo | Collection | ||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | A Fancy | Oscar Cacérès | 1987 | Max Eschig | Solo | |||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Air and Galliard | Karl Scheit | 1955 | Universal Edition | ||||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Collected Lute Music of John Dowland, The | Diana Poulton, Basil Lam | 1978 | Faber Music Ltd. | Lute, piano | Collection, No lyrics, piano reduction, includes lute tablature | Introduction Calendar of Dates in the Life of John Dowland Biographical Notes The Transcriptions Fantasies 1 A Fantasie 1a A Fantasie 2 Forlorn Hope Fancy 3 Farewell 4 Farewell (An ""In Nomine"") 5 A Fancy 6 A Fancy 7 A Fancy Pavans 8 Piper's Pavan 9 Semper Dowland Semper Dolens 10 Solus Cum Sola 11 Mrs. Brigide Fleetwood’s Pavan (alias Solus Sine Sola) 12 Dr. Case’s Pavan 13 Resolution 14 Mr. John Langton’s Pavan 14a Sir John Langton’s Pavan 15 Lachrimae 16 A Pavan 17 The Lady Russell’s Pavan 18 A Pavan Galliards 19 Captain Digorie Piper’s Galliard 20 Dowland’s Galliard 21 John Dowland’s Galliard 22 Dowland’s First Galliard 23T he Frog Galliard 23a The Frog Galliard 24 Galliard 25 Melancholy Galliard 26 Sir John Souch’s Galliard 27 A Galliard 28 A Galliard (on a galliard by Daniel Bacheler) 29 Giles Hobie’s Galliard 30 A Galliard 31 A Galliard (on Walsingham) 32 Mrs. Vaux Galliard 33 Mr. Langton’s Galliard 34 Mignarda 35 A Galliard 36 Mr. Knight's Galliard 37 My Lord Chamberlain, His Galliard (an invention for two to play upon one lute) 38 The Right Honourable The Lord Viscount Lisle, His Galliard 39 Round Battle Galliard 40 The Most High and Mighty Christianus the Fourth, King of Denmark, His Galliard 41 The Most Sacred Queen Elizabeth, Her Galliard 42 Can She Excuse 42a The Right Honourable Robert Earl of Essex, His Galliard 43 The Lady Rich's Galliard 43a The Right Honourable The Lady Rich, Her Galliard 44 The Earl of Derby’s Galliard 44a The Right Honourable Ferdinando Earl of Derby, His Galliard 45 The Right Honourable The Lady Clifton's Spirit 46 Galliard to Lachrimæ Almains 47 Sir John Smith, his Almain 47a Smythes Allmayne 48 Lady Laiton’s Almain 48a Lady Laiton’s Almain 49 An Almain 50 Mrs. White’s Thing 51 A Piece Without Title 52 Mrs. Nichols’ Almain 53 Mrs. Clifton’s Almain 54 Lady Hunsdon’s Puffe Jigs and other pieces in 6/8 rhythm 55 Mrs. Winter's Jump 56 Mrs. White's Nothing 57 Mrs. Vaux's Jig 58 The Shoemaker's Wife 59 Tarleton’s Riserrectione Song Arrangement 60 Come Away Settings of Ballad Tunes 61 Orlando Sleepeth 62 Fortune 63 Complaint 64 Go From My Window 65 Lord Strang’s March 66 My Lord Willoughby's Welcome Home 66a My Lord Willoughby's Welcome Home 67 Walsingham 68 Aloe 69 Loth to Depart 70 Robin Pieces of uncertain ascription (a) Anonymous, but probably by Dowland 71 A Fantasia 72 A Fancy 73 A Fancy 74 A Fancy 75 A Dream 76 A Galliard 77 Mrs. Norrish’s Delight 78 A Piece Without Title 79 What If A Day 80 A Coy Joy 81 Tarleton’s Jig (b) Pieces attributed to Dowland, probably incorrectly 82 A Galliard 83 Dowland’s Galliard 84 Hasellwood’s Galliard 85 Galliarda Dulandi 39 (c) Pieces from foreign MSS, unique, but obviously poor versions 86 Pauana Dulandi 87 Galliarda Dulandi 8 Other Versions 88 Piper’s Galliard 89 Can She Excuse 90 The Frog Galliard 91 Suzanna Galliard 92 Galliard Fr. Cutting From tbe Schele MS 93 Del Excellentissimo Musico Jano Dulando 94 Pavana Johan Douland 95 La Mia Barbara From tbe Margaret Board Lute Book 96 An Almand 97 The Queen’s Galliard 98 Preludium 99 Mr. Dowland’s Midnight 100 Coranto From the Hainhofer MS 101 Phantasia 102 Præambulum 103 Gagliarda List of Sources Editorial Notes Index of Titles " | |||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Dances and Fantasies (Tänze und Fantasien) (14 pieces) | Daniel Benkö | Collection | 1. Piper's Pavan 2. Lachrimæ (Pavan) 3. Dr. Case's Pavan 4. Semper Dowland Semper Dolens (Pavan) 5. Melancholy Galliard 6. The Most Sacred Queen Elizabeth Her Galliard 7. Walsingham (Galliard) 8. Captain Digorie Piper's Galliard 9. Dowland's First Galliard 10. Dir John Souch's Galliard 11. A Fantasy 12. Farewell ("In Nomine") 13. Forlorn Hope Fancy 14. Farewell | ||||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Eight Pieces by John Dowland, Volume 1 (4 pieces): | Brian Jeffery | 1972 | Oxford University Press | Solo | Collection | 1. Fantasia 2. Queen Elizbeth's Galliard 3. Alman 4. Dr. Case's Pavane | |||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | English Lute, The - Songs Series I: 5 & 6: John Dowland - Second Book of Songs (1600) | Edmund H. Fellows; Thurston Dart, rev. | 1977 | Stainer & Bell, LTD. | Lute, voice and guitar / lute | Renaissance, Collection, includes lute tablature | 1. I saw my lady weep 2. Flow my tears (Lacrimæ) 3. Sorrow, stay 4. Die not before thy day 5. Mourn, day is with darkness fled 6. Time’s eldest son, Old Age (The First Part) 7. Then sit thee down and say (The Second Part) 8. When others sing Venite (The Third Part) 9. Praise blindness eyes 10. O sweet woods 11. If floods of tears 12. Fine knacks for ladies 13. Now cease my wand’ring eyes 14. Come ye heavy states of night 15. White as lilies was her face 16. Woeful heart 17. A shepherd in a shade 18. Faction that ever dwells (Words by Fulk (Greville) Lord Brooke) 19. Shall I sue 20. Toss not my soul 21. Clear or cloudy 22. Humour say what mak’st thou here (A Dialogue) Dowland's adieu for Master Oliver Cromwell (for Lute and Bass Viol, no voice; originally for voice, lute, and viol quartet) (Oliver Cromwell, the uncle of the future Lord Protector) | |||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Fantasia No. 7 per Liuto | Javier Hinojosa | 1971 | B.Schott's Söhne | Lute | |||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Frog Galliard, The | Oscar Cacérès | 1987 | Editions Max Eschig | Solo | |||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Frog Galliard, The | Giovanni De Chiaro | 1992 | The Willis Music Co. | Solo | |||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Galliard (sur un Theme de Daniel Batchelar / Bacheler) | Francois Castet | 1966 | Alphonse Leduc & Co. | Solo | |||||
Dowland, John (1563-1626) | John Dowland (1563-1626) | John Dowland The First Booke of Songes or Ayres | Herbert Van Kampen | 1995 | Mel Bay Publications, Inc. | Solo | Renaissance, Collection, Separate guitar tablature provided for all pieces, all but the last piece have 2 scores: 1) Cantus and guitar; 2) Cantus, Altus, Bassus; the last piece is for 2 guitars | I. Unquiet thoughts: Cantus and guitar score; Altus, Tenor, Bassus score II. Who ever thinks or hopes of love for love: Cantus and guitar score; Altus, Tenor, Bassus score III. My thoughts are wingd with hopes: etc.(separate guitar tablature provided) IV. If my complaints could passions move: etc.(separate guitar tablature provided) V. Can she excuse my wrongs with vertues cloake: etc. VI. Now, O now I needs must part: etc. VII. Deare if you change ile never chuse againe: etc. VIII. Burst forth my teares: etc. IX. Go Cristall teares: etc. X. Thinkst thou then by thy faining: etc. XI. Come away, come sweet love: etc. XII. Rest a while you cruell cares: XIII. Sleepe wayward thoughts: XIV. All ye whom love or fortune hath betraide XV. Wilt thou unkind thus reave me of my hart XVI. Would my conceit that first enforst my woes (separate guitar tablature provided) XVII. Come againe: sweet love doth now envite XVIII. His goulden locks time hath to silver tumd XIX. Awake sweet love thou art returnd XX. Come heavy sleepe XXI. Awaie with these selfe loving lads My Lord Chamberlaine his galliard (A Galliard for two to plaie upon one Lute at the end of the booke, i.e., for 2 guitars) | Richard Childress | |||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | John Dowland's Lute Songs: Third and Fourth Books with Original Tablature | David Nadal | 2002 | Dover Publications, Inc. | voice and guitar | Renaissance, Collection, with Lute tablature, Companion volume to Lute songs of John Dowland: The Original First and Second Books | Introduction Instrumentation About the Transcriptions Tuning and Transposition Types of Transcriptions THE THIRD AND LAST BOOKE I. Farewell too fair II. Time stands still III. Behold a wonder here IV. Daphne was not so chaste V. Me, me, and none but me VI. When Phoebus first did Daphne love VII. Say Love if ever thou didst find VIII. Flow not so fast ye fountains IX. What if I never speed? X. Love stood amaz’d XI. Lend your ears to my sorrow XII. By a fountain where I lay XIII. Oh what hath overwrought XIV Farewell unkind farewell XV. Weep you no more, sad fountains XVI. Fie on this feigning XVII. I must complain XVIII. It was a time when silly bees could speak XIX. The lowest trees have tops XX. What poor astronomers are they XXL Come when I call (for two voices and two lutes) A PILGRIMES SOLACE I. Disdain me still II. Sweet stay awhile III. To ask for all thy love IV. Love those beams V. Shall I strive with words to move* * [Mignardzi, a galliard, is Dowland’s title for the solo lute version of the ayre "Shall I strive with words to move"] VI. Were every thought an eye VII. Stay Time awhile thy flying VIII. Tell me true Love (with 4-part chorus) The next three with treble and bass viols or violin and cello: IX. Go nightly cares X. From silent night XI. Lasso vita mia XII. In this trembling shadow XIII. If that a sinner’s sighs A three-part work: XIV. Thou mighty God XV. When David’s life XVI. When the poor cripple _______________________ XVII. Where sin sore wounding XVIII. My heart and tongue were twins XIX. Up merry mates (A Dialogue and 4-part Chorus) XX. Welcome black night (with a 5-part Chorus) XXI. Cease these false sports (with a 5-part Chorus) THREE AYRES FROM “A MUSICALL BANQUET” Far from triumphing Court Lady if you so spite me In darkness let me dwell GALLIARD TO LACHRIMAE A lute solo from A Pilgrimes Solace, transcribed for guitar | |||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Lachrimæ Pavan und Fantasie | Karl Scheit | 1976 | Universal Edition | Solo | |||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Lute Songs of John Dowland: The Original First and Second Books Including Dowland's Original Lute Tablature | David Nadal | 1997 | Dover Publications, Inc. | voice and guitar | Renaissance, Collection, with Lute tablature | THE FIRST BOOK OF SONGS (Originally published in 1597; Transcriptions based on Dowland's revised edition of 1613) I. Unquiet thoughts II. Who ever thinks or hopes of love III. My thoughts are wing’d with hopes IV If my complaints could passions move 10 V Can she excuse my wrongs? VI. Now, O now, I needs must part VII. Dear, if you change VIII. Burst forth, my tears IX. Go crystal tears X. Think’st thou then by thy feigning XL Come away, come sweet love XII. Rest awhile you cruel cares XIII. Sleep, wayward thoughts XIV. All ye, whom Love or Fortune XlVa. All ye, whom Love or Fortune XV. Wilt thou, unkind, thus reave me XVI. Would my conceit XVII. Come again XVIII. His golden locks XIX. Awake, sweet love, thou art return'd XX. Come, heavy Sleep XXL Away with these self-loving lads ------ My Lord Chamberlain his Galliard (For two to play . . .) THE SECOND BOOK OF SONGS (Transcriptions based on the original edition of 1600) I. I saw my Lady weep IL Flow my tears III. Sorrow, stay IV. Die not before thy day V. Mourn, day is with darkness fled VI. Time’s eldest son, Old Age (The first part) VII. Then sit thee down (The second part) VIII. When others sing Venite (The third part) IX. Praise blindness eyes X. O sweet woods XL If floods of tears XII. Fine knacks for ladies XIII. Now cease my wand’ring eyes XIV Come ye heavy states of night XV. White as lilies was her face XVI. Woeful heart XVII. A shepherd in a shade XVIII. Faction that ever dwells XIX. Shall I sue XX. Toss not my soul XXL Clear or cloudy XXIa. Clear or cloudy XXII. Humour say what mak’st thou here (a Dialogue) ------ Dowland’s adieu for Master Oliver Cromwell (no vocal part, solo guitar only) | |||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Mr. Langtons Galliard | Oscar Caceres | 1987 | Max Eschig | Solo | |||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Pavana Lachrimæ Antiquae | Sylvia Thibault | 2005 | Les Productions D'Oz | voice (or melody) and 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Queen Elizabeth's Galliard | Mark Anthony Cruz | 2006 | MAC Publications | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Seven Pieces (Sieben Stücke) | Diana Poulton | 1963 | Shott | Solo | Collection | 1. Mrs. White's Nothing 2. Mrs. Winter's Jump 3. Dowland's Bells 4. A Galliard 5. K. Darcie's Spirit 6. Mrs. Nichols's Almand 7. Can She Excuse | |||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Solowerke I (17 pieces) | Karl Scheit | 1980 | Universal Edition | Solo | Collection | 1. Complaint 2. Galliard 3. Tarleton's Riserrectione 4. Galliard 5. Lord Strange's March 6. Mrs White's Nothinge 7. Galliard 8. Sir John Smith his Almaine 9. The Frog Galliard 10. My Lord Willoughby's Welcome Home 11. Mr. Dowland's Midnight 12. Galliard (Hasellwood's Galliard) 13. A Toy (The Shoemaker's Wife) 14. Lady Laiton's Almaine 15. The Right Honourable the Lady Rich, her Galliard 16. The Right Honourable Robert, Earle of Essex, high Marshall of England, his Galliard 17. Round Battle Galliard | |||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Solowerke II (16 pieces) | Karl Scheit | 1984 | Universal Edition | Solo | Collection | 1. Queen Elizabeth's Galliard 2. What If A Day (Ballad Tune) 3. Mrs. Nichols' Almain 4. Mrs. Winter's Jump 5. Melancholy Galliard 6. Robin (Ballad Tune) 7. Galliard 8. Can She Excuse (Galliard) 9. Faksimile 10. A Fancy (Fantasia) 11. A Fancy (Fantasia) 12. Sir John Souch's Galliard 13. The Earl of Darby His Galliard 14. My Lady Hunsdon's Puffe (Allemande) 15. Captain Digorie Piper's Galliard 16. The King of Denmark His Galliard\ | |||
Y | Dowland, John (1563-1626) | John Dowland (1563-1626) | Twelve Easy Pieces for Guitar | Daniel Benkö | 1978 | Edita Musica Budapest | Solo | Collection | 1. Lady Laiton's Almain 2. Lady Hunsdon's Puffe (Almain) 3. An Almain 4. Mrs. White's Thing (Almain) 5. Mrs. Nichol's Almain 6. Orlando Sleepeth 7. Complaint 8. My Lord Willoughby's Welcome Home 9. Lord Strang's March 10. Robin 11. Go From My Window 12. Aloe | |||
Y | Drogoz, Phillippe | Phillippe Drogoz | Sur Les Routes de Fer | 1992 | Max Eschig | Solo | ||||||
Y | Duarte, Jack (John?) | Jack Duarte | Prelude and Larghetto | 1964 | Columbia Music Co. | Solo | ||||||
Y | Duarte, John W. | John W. Duarte | Variations on a Catalan Folk Song: Canco del Lladre, Op. 25 | John W. Duarte | 1968 | Novello & Company Limited | Solo | Anonymous, Folk | ||||
Y | Dumond, Arnaud | Arnaud Dumond | Cinq Haïkus Atonaux | 1983 | Éditions Musicales Transatlantique | Solo | ||||||
Y | Duncan, Charles | Charles Duncan | A Modern Approach to Classical Guitar: Book One | 1981 | Hal Leonard Publishing Corporation | Method | Anthology, Traditional, Folk, includes floppy 33 vinyl recording | The Classical Guitar Playing Position Tuning The Right Hand The Rest Stroke Right-Hand Fingernails Music Symbols Open Strings 1, 2 and 3 The Musical Alphabet The Open Bass Strings 3/4 Time Signature Combining Thumb and Fingers Review of Music Symbols The Left Hand Notes on the First String Notes on the Second String Combining Strings 1 and 2: Lightly Row Sur le Pont D’Avignon Go Tell Aunt Rhody Notes on the 3rd String: Merrily We Roll Along Yankee Doodle Au Clair de la Lune Pickup Notes: For He’s A Jolly Good Fellow Camptown Races Ties: Down In The Valley When The Saints Go Marching In Shenendoah Eighth Notes 2/4 Time: Bingo The Ash Grove Good King Wenceslas Dotted Quarter Notes: Alouette Blow the Man Down Rests: The Streets of Laredo Notes on the 4th String: The Riddle Song Notes on the 5th String: The Volga Boatman Hymn New World Theme Ode To Joy Shalom Chaverim THE C MAJOR SCALE: Joy To The World Jingle Bells SHARPS AND FLATS THE CHROMATIC SCALE: Aura Lee SYNCOPATION: Miserlou PLAYING CHORDS THE Am AND E CHORDS: Joshua Fought The Battle Of Jericho THE Dm CHORD: Wayfaring Stranger Hava Nagila MUSIC IN TWO PARTS: Folk Song Lullabye MORE ON ACCIDENTALS: Long, Long Ago London Bridge Natural Etude KEY SIGNATURES NOTES ON THE SIXTH STRING: Finlandia Noche en España ACCIDENTALS ON STRINGS 4 and 5: Lullabye - Brahms All Through The Night PLAYING FINGERS AND THUMB TOGETHER: Coventry Carol Au Clair de la Lune ACCIDENTALS ON STRING 6: Deck The Halls Lilliburlero THE FULL CHROMATIC SCALE REVIEW OF MUSIC SYMBOLS NEW FINGER COMBINATIONS: Greensleeves NOTES ON THE FINGERBOARD | ||||
Y | Duncan, Charles | Charles Duncan | Art of Classical Guitar Playing, The | 1980 | Summy-Birchard Inc. | Method | Chapter One The Principle of Functional Tension Dysfunctional Tension; Functional Tension: Lever- age from the Fingers; Seating; Conclusions Chapter Two The Left Hand Mechanics of Left-Hand Position; The Bar (Barré, Capotasto, Cejilla); Principles of Movement (I): The Role of the Arm; Dexterity of the Fingers; Principles of Movement (II): The Role ofAnticipation Chapter Three Right-Hand Position Dysfunctional Tensions of the Hand; Forming the Position; Engaging the Nails; Thumb Position; Engaging the Thumbnail; The Value of Preparation Chapter Four Nail Filing The Thumbnail; The Filing Process; Nail Care Chapter Five Articulation Chapter Six Coordination and Velocity Scales; Velocity in Scales; Chords; Homophonic and Contrapuntal Textures Chapter Seven Expressive Devices Slurs As Accent; Vibrato; Right-Hand Flourishes; Grace, Emphasis, Closure; Rasgueado Chapter Eight The Art of Classical Guitar Playing Refinement of Tone; Contrast of Tone Color; Control of Rhythm; Developing the Line: Thinking Upbeats; Expressive Nuances: Segovia's Example Appendix: A Practice Checklist 119 Selected Bibliography 125 | |||||
Y | Durkó, Zsolt | Zsolt Durkó | Divertimento per chitarra | 1991 | Editio Musica Budapest | Solo | ||||||
Y | Dyens, Roland | Roland Dyens | Austin Tango | 2009 | Les Productions D'Oz | 4 guitars | Quartet, Ensemble, Score and parts | |||||
Y | Dyens, Roland | Roland Dyens | L.B. Story (à Leonard Bernstein et Léo Brouwer) | Roland Dyens | 1994 | Editions Henry Lemoine | Solo | |||||
Y | Dyens, Roland | Roland Dyens | Tango en Skaï: Pour Guitare et Orchestere à cordes | Roland Dyens | 1997 | Editions Henry Lemoine | guitar and strings, violins (2), viola, cello, bass | Sextet, Chamber Ensemble, Strings, Score and parts | ||||
Y | Eben, Petr | Petr Eben | Mare Nigrum 1. Danza; 2. Canto; 3. Toccata | 1985 | Boosey Hawkes | Solo | Danza Canto Toccata | |||||
Y | Economides, George | George Economides | Espinóra Tango | 1963 | Associated Guitar Composers and Publishers | Solo | ||||||
Y | Ezaki, Kenjiro | Kenjiro Ezaki | Contention for Female Voice and Guitar | 2021? | Casa de la Guitarra | voice and guitar | ||||||
Y | Falla, Manuel de (1876-1846) | Manuel de Falla (1876 –1946) | La Vie Brève: Première Danse Espagnole | Emilio Pujol | 1957 | Edition Max Eschig | 2 guitars | Duet, Score only | ||||
Y | Falla, Manuel de (1876-1846) | Manuel de Falla (1876 –1946) | Récit du pêcheur (extrait de L'Amour Sorcier) | Emilio Pujol | 1962 | Editions Max Eschig | Solo | John Fernando | ||||
Y | Fampas, Dimitri | Dimitri Fampas | Conte | 1972 | Editions Max Eschig | Solo | ||||||
Y | Fauré, Gabriel | Gabriel Fauré | Pavane et Sicilienne (for 4 guitars) | Jeremy Sparks, arr. | 1998 | Les Éditions Doberman-Yppan | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Fernandez-Lavie, Fernando | Fernando Fernandez-Lavie | Noël Provençal d'après un thème de Henri Bosco | 1994 | Max Eschig | Solo | ||||||
Y | Ferrabosco, Alfonso | Alfonso Ferrabosco | Pavan | Joseph Weidlich | 1976 | DeCamera Publishing Company | Solo | |||||
Y | Ferrara, Lawrence | Lawrence Ferrara | The Student Repertoire Series, Vlume 1: A Graded Anthology... | Lawrence Ferrara | 1994 | Guitar Solo Publications | Solo, CD included | Anthology | John Fernando | |||
Y | Ferrara, Lawrence | Lawrence Ferrara | The Student Repertoire Series, Volume 2: A Graded Anthology... | Lawrence Ferrara | 1997 | Guitar Solo Publications | Solo, CD included | Anthology | coffee spill on p. 10.. | John Fernando | ||
Y | Ferrer, Jose | Jose Ferrer | Three Dances: I. Tango; II. Mazurka; III. Minuet | Betty Dove, ed. | 1962 | Columbia Music Co. | Solo | I.Tango II. Mazurka III. Minuet | ||||
Y | Feuerstein, Robert | Robert Feuerstein | Pieces for Guitar: Transylvanian Song; Variations On Two Yemenite Songs; Icaco | 1984 | Editions Orphée, Inc. | Solo | ||||||
Y | Fink, Michael | Michael Fink | Monteverdiana for Guitar Quartet - Guitar III only | 1992 | Southern Music Company | Quartet, 4 guitars | library has only Guitar III | |||||
Y | Flothuis, Marius | Marius Flothuis | Twee stukken voor gitaar, Op. 20: I. Folia; II. Habanera | 1948 | Donemus Amsterdamz | Solo | ||||||
Y | Foscarini (il Furioso), Giovanni Paulo/ L'Academico Caliginoso detto il Furioso (fl. 1600 – 1647) | Giovanni Paolo Foscarini (fl. 1600 – 1647) | Renaissance and Baroque: A Collection of XVI and XVII Century Compositions Vol. VII (9 compositions selected from "Il Primo, Secundo E Terzo Libro Della Chitarra Spagnola") | Alexander Bellow | 1964 | Franco Colombo | Solo | Collection, Renaissance, Baroque | Tasteggiata Musicale Fantasia Toccata Corrente Tasteggio Musicale Alemanda Corrente conla sua variatione Tasteggiata Soave Corrente Francese | |||
Y | Fossa, François de (1775-1849) | François de Fossa (1775 – 1849) | Cinquième Fantaisie Op. 12: sur l'air des Folies d"Espagne | Matanya Ophee | 2010 | Editions Orphée, Inc. | Solo | Theme and variations | ||||
Y | Fossa, François de (1775-1849) | François de Fossa (1775 – 1849) | La Tyrolienne Variée Op. 1 | Matanya Ophee | 2010 | Editions Orphée, Inc. | Solo | Theme and variations | ||||
Y | Fossa, François de (1775-1849) | François de Fossa (1775 – 1849) | Les Adieux À L'Espagne: Quatrième Fantaisie, Op. 11 | Matanya Ophee | 2009 | Editions Orphée, Inc. | Solo | Theme and variations | ||||
Y | Fossa, François de (1775-1849) | François de Fossa (1775 – 1849) | Première Fantaisie Op. 5 | Matanya Ophee | 2010 | Editions Orphée, Inc. | Solo | |||||
Y | Fossa, François de (1775-1849) | François de Fossa (1775 – 1849) | Quatre Divertissements Op. 13: extraits des Oeuvres de J. Haydn | Matanya Ophee | 2010 | Editions Orphée, Inc. | Solo | Theme and variations | Diverto I: Andante - Symphony No. 63, "La Roxolane" II Allegretto... Menuetto - Allegretto, Symphony No. 85 "La Reine III Menuetto Allegretto Diverto II: Largo Cantaqbile, Rondo Allegretto (not identifiable as Haydn work) Divertimento III: Andante - Symphony No. 85 "La Reine" II "Romanze" Allegretto Menuetto, Allegretto - Symphony No. 86 III: Allegretto Divertimento IV: Andante - Symphony No. 53 "L'Imperiale" II Andant Rondo: Allegro - Symphony No. 85 "La Reine" IV Finale: Presto | |||
Y | Fossa, François de (1775-1849) | François de Fossa (1775 – 1849) | Troisième Fantaisie Op. 10: sur un Thème de Beethoven | Matanya Ophee | 2008 | Editions Orphée, Inc. | Solo | Theme and variations, based on Beethoven's Serenade Op. 8 for strings: Adante quasi allegretto | ||||
Y | Frescobaldi, Girolamo (1583-1644) | Girolamo Frescobaldi (1583-1644) | Aria con Variazioni detta >La Frescobalda< | Andrés Segovia | 1939, 1967 | B. Schott's Söhne | Solo | John Fernando-1 | ||||
Y | Frescobaldi, Girolamo (1583-1644) | Girolamo Frescobaldi (1583-1644) | Fünf Stücke | Andrés Segovia | 1968 | B. Schott's Söhne | Solo | |||||
Y | Frescobaldi, Girolamo (1583-1644) | Girolamo Frescobaldi (1583-1644) | Toccata (per spinettina sola over liuto) | Ruggero Chiesa | 1968 | Edizioni Suvini Zerboni | Solo | |||||
Y | Froberger, Johann Jakob (1616-1667) | Johann Jakob Froberger (1616-1667) | Tombeau pour Mr. Blancrocher | Michael Lorimer | 1976 | Shattinger-International Music | Solo | |||||
Y | Frost, Donald | Donald Frost | Dedication One; Dedication Two | 1976 | Peer International Corp | Solo | ||||||
Y | Fuenllana, Miguel de | Miguel de Fuenllana | Fantasia de Redobles | George Clinton | 1963 | Ricordi | Solo | |||||
Y | Fujii, Shingo | Shingo Fujii | Quatrro Ritornelli | 2011 | Gendai Guitar Co., Ltd. | 4 guitars | Quartet, Ensemble, Score and parts | I. ...verso il mare (to the sea) II. Tarantèlla III. Cantilèna (chanting song) IV. ...la fine e l'inizio (the end is the beginning) | ||||
Y | Galante, Claudio | Claudio Galante | Deux Esquisses: 1. Impromptu; 2. Petite Sérénade | Giovanni Podera | 1994 | Bèrben | Solo | |||||
Y | Gärber, Erich | Erich Gärber | 5 Originalkompositionen für Gitarre-Solo | 1968 | Musikverlag Josef Preissler | Solo | Dämmerstunde Romanze in a-moll Valse melancholique Andalusische Impressionen Zärtlichkeiten | |||||
Y | García, Jeremy S. (b. 1973) | Jeremy S. Garcia (b. 1973) | Una Passeggiata nel Giardino: " Walk in the Park" | 2017 | JSG Publishing 001 | Solo | ||||||
Y | Garcia, Olimpiades | Olimpiades Garcia | Gran Minueto (Las Palmas, 1967) | 1975 | Union Musical Española | Solo | ||||||
Garcia, Olimpiades | Olimpiades Garcia | La Fuga Del Zapatero, Motivo Español No. 2 (1962) | 1975 | Union Musical Española | Solo | |||||||
Y | Garoto (Anibal Augusto Sardinha) | Anibal Augusto Sardinha | Guitar Works of Garoto, Volume 2, The | Paulo Bellinati | 2002 | Guitar Solo Publications | Solo | Tristezas de um Violão (Chôro Triste No. 1) Meditação Naquelas Velhos Tempos Gracioso Vivo Sonhando Enigma Esperança Nosso Chôro Chôro Triste No. 2 Doce Lembrança Jorge do Fusa Gente Humilde (original) Gente Humilde (arrangement) | ||||
Y | Gascon, Leon Vicente | Leon Vicente Gascon | 6 Composiciones Españolas para guitarra - Op. 11 | 1964 | Ricordi Americana | Solo | I. La Maja de la Mantilla: Mazurka II. En Mi Aldea: Noche Buena III. Madrileña: Tonadilla IV. El Gaditano: Tango Flamenco V. Gitanilla: Farruca VI. Ecos de Ronda: Jota Aragonesa | |||||
Y | Gates, David (Bread) | David Gates | If | Stan Ayeroff | 1971 | Warner Bros. Publications Inc. | Solo | Popular, Bread: the band | ||||
Y | Gault, Philippe | Philippe Gault | Espoir pour Guitare (1977) | 1978 | Editions Musicales Transatlantiques | Solo | ||||||
Y | Gaultier, Ennemond; Le Jeune, Du But | Ennemond Gaultier, Du But Le Jeune | Five 17th-Century French Lute Duets | Peter Danner | 1978 | Belwin Mills Publishing Corp. | 2 guitars | Renaissance, Duet, Score only | Les Larmes de Boisset, Courante - E. Gaultier Courant L'Immortelle - E. Gaultier Canaries - E. Gaultier Courante - Le Jeune Courante - Le Jeune | |||
Y | Giacometti, Antonio | Antonio Giacometti | L'Estasi del Moto | Angelo Gilardino | 1989 | Bèrben | Solo | |||||
Y | Girard, Anthony | Anthony Girard | Les Perles du Temps: trois poèmes pour guitare (missing 3rd piece) | 1998 | Gerard Billaudot Editeur | Solo | missing 3rd piece | |||||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829 | 120 Studies for Right Hand Development | Paul Brelinsky | 1983 | Beam Me Up Music | Solo, Method | John Fernando | ||||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829 | Best of Giuliani | Joseph Castle | 1979 | Mel Bay Publications Inc. | Solo | Collection | Preludio Andantino Caprice Tarantella Popular Air Scherzo Waltz Minuet Melodie Larghetto Prelude in E Minor | |||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829) | Centoventi Arpeggi dall'op. 1 per chitarra | Rugerio Chiesa | 1976 | Edizioni Suvini Zerboni | Solo, Method | Rewrite of 120 Studies for Right Hand Development | ||||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829) | Ejercicios de Arpegios [12 Studies] | Isaias Savio | 1957 | Ricordi | Solo, Method | Exercises, Arpeggios, Collection | ||||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829) | Fugue in G Major | Sophocles Papas | 1977 | Columbia Music Co. | Solo | |||||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829 | Giulianate Op. 148 | José Smiroldo | 1972 | Edizioni Bèrben | Solo | Collection | I - La Risoluzione II - Lo Scherzo III - L'Amoroso V - L'Armonia VI - Il Sentimentale VII - La Melanconia VIII - L'Allegria | |||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829) | Giuliani Revisited (Arpeggios) | Christopher Berg | 1997 | Mel Bay | Method | Arpeggio exercises, Technique | ||||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829) | Mauro Giuliani: The Complete Works in Facsimiles of the Original Editions, Volume 37: Ten Works for voice and guitar or piano, Opus numbers 13, 22, 27, 39, 79, 89, 95, 149, 151, 151 bis | Brian Jeffery, ed. | 1986 | Tecla Editions | voice and guitar or piano | Collection | Trois Romances, opus 13: 1. When I saw a young and pretty woman, I instantly gave her my heart 2. Happy is he whom near you sighs, who on himself alone attracts these beautiful eyes 3. Need to love is for us on earth like the pure air that comes to animate us Trois Romances, opus 22: 1. Réponse à la romance de Mr. de Ségur "Ne m'oubliez pas" ( Reply to the romance by M. de Ségur "Do not forget me") 2. L'Illusion (Illusion) 3. Le Premier Momvent (The First Moment) Marie Louise au Berceau de son Fils Romance, opus 27 Sei Cavatine, opus 39: 1. Par che di giubilo l'alma del3ri (It seems tha my soul is delirious) 2. Confuso, smarrito, spiegar ti vorrer che fosti, che sie (Confused, bewildered, I would like to explain to you what you were and what you are) 3. Alle mie tante lagrime, al mio crudel dolore... (At the sight of my many tears, of my cruel pain... 4. Ah! non dir che non t'adoro se finor penai cosí (Don't say that I don't adore you, since I've suffered so much so far) 5. Ch'io sent'amor per femine, No! non sarà mai vero (That I should feel love for a woman - no! it will never be true) 6. Già presso al termine de'suoi martiri, fugge quell'anima (Now near the end of its sufferings, my soul flees) Cavatina "Di tanti palpiti" from Rossini's Tancredi, opus 79: Di tanti palpiti e tante pene, dolce mio ben, spero mercè (From such beating of my heart, from such sufferings, my sweet beloved, I expect your mercy) Sechs Lieder, opus 89: I. Abschied (Farewell) (Goethe) II. Lied aus der Ferne (Song from Far Away) (Matthisson) III. Abschied (Farewell) (maybe Schiller) IV. Lied (Song) (Steigentesch) V. Ständchen (Serenade) (Tiedge) VI. An Das Schicksal (To Fate) (Reissig) Sei Ariette, opus 95 1. Ombre amene, amiche piante... (Pleasant shades, friendly trees,...) 2. Fra tutte la pene, v'è pena maggiiore? (Among all sufferings, is there any suffering greater than this?) 3. Quando sarà quel dì, ch'io non ti senta in sen... (When will the day come. when I do not feel you...) 4. Le dimore amor non ama, presso a lei mi chiama amore... (Love does not like delays. My love cals me to her...) 5. Ad altro laccio vedrsi in braccio in un momento la dolce amica... (To see my sweet love trapped in the arms of another...) 6. De due bell'anime che amor piagò... (Of two beautiful souls whom Love wounded) Pastorale for two voices, flute, and guitar (or piano), opus 149 "Près d'un volcan, sur des bords enchanés" Romance, opus 151 Ode di Anacreonte (Ode to Anacreon), Opus 151 bis | |||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829) | Sei Grandi Variazioni Op. 112 | Paolo Mugga | 1975 | Edizioni G. Zanibon | Solo | Theme and Variations (6) | ||||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829 | Six Variations (sur la chanson nationale "I Bin a Kohlbauern Bub") Op. 49 | Richard M. Long | 1982 | Tuscany Publications | Solo | Theme and Variations | ||||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829) | Studien für Gitarre op. 1b | Dieter Kreidler | 1985 | Shott | Solo, Method | Collection, Instruction, Technique | Studies:1. Sustained notes: Maestoso 2. Stopped notes: Sostenuto 3. Dotted notes: Allegro 4. Grace note from below: Andantino 5. Grace note from above: Grazioso 6. Group of two grace notes: Allegretto 7. The Pralltriller (inverted mordent): Andante mosso 8. Inverted turn: Allegretto 9. Very common short grace note: Allegro spiritoso 10. Legato playing of larger intervals: Vivace 11. Glissando: Allegro moderato Pieces: 1. Maestoso 2. Allegretto grazioso 3. Andantino mosso 4. Allegro grazioso 5. Allegretto 6. Allegretto con moto 7. Allegro maestoso 8. Allegro spiritoso 9. Allegro spiritoso 10. Allegro spiritoso 11. Sostenuto 12. Andantino grazioso | |||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829) | Tíz Könnyu Darab (Ten Easy Pieces) | Daniel Benkö | 1980 | Editio Musica | Solo | Collection | Menuet Divertimento (1) Sonatino I, II Divertimento (2) Walzer (1) Scherzo Walzer (2) Scherzando Divertimento (3) Divertimento (4) | |||
Y | Giuliani, Mauro (1781-1829) | Mauro Giuliani (1781-1829 | Variationen über eine Romanze aus "La Gloire et l'Amour" op. 105 | 2009 | Universal Edition A.G., Wien | Solo | Theme and Variations | |||||
Y | Giuranna, E. Barbara | E. Barbara Giuranna | incipit | Carlo Carfagna | 1985 | Bèrben | Solo | |||||
Y | Glise, Anthony | Anthony Glise | Classical Guitar Pedagogy: A Handbook for Teachers | 1997 | Mel Bay Publications, Inc. | Method | Classroom Instruction | BOOK I: PRINCIPLES OF TECHNIQUE Chapter One—Sitting Position of the Instrument Position of the Arms Position of the Legs Chapter Two—Anatomical Function ofthe Hands General Anatomical Terms Finger Movement The Thumb The Left Hand Position of the Wrist Guitar-related Injuries General Warning About Injuries Chapter Three—The Right Hand Position and Movement of the Right Hand (Closed and Open Hand Techniques) Position and Movement of the Thumb Shape of the Nails Nails vs. Flesh Chapter Four—The Left Hand Position of the Left Hand (Turned Hand and Flat Hand Positions) Movement of the Left Hand Fingers BOOK II: PRINCIPLES OF PEDAGOGY Chapter Five—The Right Hand Scratching Exercise Moving Exercise Releasing Exercise Additional Exercises Alternation Right Hand Fingering Chapter Six—The Left Hand Left Hand Fingering—"The Fourth-Finger Approach" Chapter Seven—The Right and Left Hands Exercises—"The Basic Seven" Rhythmic Variants of "The Basic Seven" Pulsing Scales Arpeggios (Individual Full Plant, Full Plant, Sequential Plant and Free Arpeggio Techniques) Chapter Eight—The Teacher Teaching (Research, Reading and Memorization) Coaching Chapter Nine—Practicing Practicing Practicing for Performances Chapter Ten—Additional Subjects for Intermediate Students Bars Vibrato (Arm, Wrist and Finger Vibrato) Developing Speed (Right and Left Hand Speed Development) Accuracy in Fast Passages Tremolo Chapter Eleven—Additional Subjects for Advanced Students Advanced Bar Techniques (Hinge Bar and Split Bar) Appagado Arpeggiating Chords Cadential Arpeggiation Harmonics (Natural and Artificial) Left Hand Split Trills Playing with the Flesh Rest Stroke Melodies in Arpeggios Right Hand Cross Alternation Right Hand String Crossing with P Subito Piano Slurs Tamboura Timbre Changes (Opposition and Complementary Movements) Chapter Twelve—Performing Stage Presence Chapter Thirteen—On Stage Stage Etiquette Stage Fright Media Chapter Fourteen—Teaching Children Chapter Fifteen—Arranging A Private Studio BOOK III: MUSICIANSHIP Chapter Sixteen—The Middle-Man—An Introduction to Æsthetics The Artist The Art Chapter Seventeen—Physical Control Over the Sound Dynamics Timbre Articulation Phrasing Chapter Eighteen—Mental Control Over the Sound Singing Mental Dynamics Mental Orchestration Mental Practicing Chapter Nineteen—Phrasing: "The Strong-Weak Maxim" Chapter Twenty—Schenker Analysis for Interpretation Chapter Twenty-One--Temporal Modes in Music Appendix I Trouble-Shooting Checklist for Teachers Appendix II Sample 16-Week Lesson Outline Appendix III Suggested Methods, Studies and Pieces Appendix IV Suggested Magazines Appendix V Selected Research Source Materials | ||||
Y | Gnattali, Radamés (1906-1988) | Radamés Gnattali (1906-1988) | 3 Concert Studies for Guitar | 1990 | Chanterelle Verlag | Solo | Collection, South American, Brazil | Dansa Brasileira Toccata em ritmo de samba Toccata em ritmo de samba No. 2 | ||||
Y | Gnattali, Radamés (1906-1988) | Radamés Gnattali (1906-1988) | 10 Studies for Guitar | Laurindo Almeida, fing. | 1988 | Chanterelle Verlag | Solo | Collection, South American, Brazil | ||||
Y | Gnattali, Radamés (1906-1988) | Radamés Gnattali (1906-1988) | Alma Brasileira | Rafael Rabello, fing. | 1990 | Chanterelle Verlag | Solo | South American, Brazil | ||||
Y | Gnattali, Radamés (1906-1988) | Radamés Gnattali (1906-1988) | Brazilian Soul | Laurindo Almeida | Brazilliance Music | Solo | South American, Brazil | |||||
Y | Gnattali, Radamés (1906-1988) | Radamés Gnattali (1906-1988) | Saudade | Laurindo Almeida | 1991 | Chanterelle Verlag | Solo | South American, Brazil | ||||
Y | Gold, Ernest | Ernest Gold | Exodus (Main Theme) | Dan Fox | 1962 | Chappell & Co., Inc. | Solo, 2 guitars, 3 guitars | Ensemble, Duet. Trio, Rhythm | ||||
Y | Goss, Stephen b. 1964 | Stephen Goss (b. 1964) | Under Milk Wood Variations: for Guitar Quartet and Narrator | 2009 | Editions Orphée, Inc. | 4 guitars and narrator | Quartet, Ensemble, Score and parts (narrator's script taken from "Under Milk Wood" by Dylan Thomas) | I. First Voice II. Mr Mog Edwards and Miss Myfanwy Price - Vals III. Lord Cut-Glass IV. Captain Cat and Rosie Probert V. Mrs Dai Bread Two - Habanera VI. Mr Waldo | ||||
Gounod, Charles | Charles Gounod | Ave Maria (Adapted to the First Prelude of J. S. Bach) | ? | G. Schirmer Inc. | Voice and piano, voice and guitar | Piano part could be played with guitar | Richard Childress | |||||
Y | Gounod, Charles | Charles Gounod | Funeral March of a Marionette for Guitar Quartet | Glenn Caluda | 1987 | Meron Music, Inc. | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Gounod, Charles | Charles Gounod | Pasacalle (from "2 Flamenco Variations" by S. Papas) | Sophocles Papas, rev. | 1960 | Columbia Music Co. | Solo | Flamenco | ||||
Y | Grabowski, Zbigniew | Zbigniew Grabowski | Vier Kleine Solostücke | 1994 | Edition Peters | Solo | Collection | Entrée Etude méditative Valse Impression du sud | ||||
Y | Graf-Martinez, Gerhard | Gerhard Graf-Martinez | Flamenco Guitar Method Volume I: For Teaching and Private Study | 2002 | Schott Music International | Method | Flamenco, Instruction, Standard notation and tablature, CD for Volumes 1 and 2 with Sound Examples | List of Compositions and Music Examples: 1. Sencillos I (Tangos) 2. Sencillos I (simplified notation) 3. 3-Finger-Rasgueo 4. Estudio por Soleá 5. 4-Finger-Rasgueo 6. Sencillos II (Tangos) 7. Naino I (Tangos - Cejilla at 3rd fret) 8. Pulgar Exercise 9. Naino II (Tangos - Cejilla at 3rd fret) 10. Naino III (Tangos - Cejilla at 3rd fret) 11. IV (Tangos - Cejilla at 3rd fret) 12. Mantón I (Soleá) 13. Caí I (Alegrías en Do) 14. Ayudado Exercise I 15. Ayudado Exercise I 16. Rumbita (Rumba) 17. Mantón II (Soleá) 18. i-Downstroke with Golpe (Garrotín) 19. p-Downstroke with Golpe and p-Upstroke (Garrotín) 20. Naino V (Tangos - Cejilla at 3rd fret) 21. m-Golpe 22. a-Golpe 23. Quejío I (Taranto) 24. Rumba-Compás I 25. Rumba-Compás II 26. Rumba-Compás III 27. Rumba-Compás IV 28. Rumba-Compás V 29. Rumba-Compás VI 30. Tresillo I 31. Tresillo II 32. Tresillo III 33. Tresillo IV 34. Tangos-Compás with Tresillos (Cejilla at 3rd fret) 35. Soleá-Compás with Tresillos I 36. Soleá-Compás with Tresillos II 37. Soleá-Compás with Tresillos III 38. Soleá-Compás with Tresillos IV 39. Fandango de Huelva (Intro) 40. Fandango de Huelva (Copla) 41. Sevillanas (Intro) 42. Sevillanas (Coplas) 43. Paso Lento (Alegría) 44. Mantón III (Soleá) | ||||
Y | Graf-Martinez, Gerhard | Gerhard Graf-Martinez | Flamenco Guitar Method Volume II: For Teaching and Private Study | 2003 | Schott Music International | Method | Flamenco, Instruction, Standard notation and tablature, CD with Volume 1 | List of Compositions and Music Examples: 1. Arpegio Exercise I 2. Arpegio Exercise II 3. Arpegio Exercise III 4. Arpegio Exercise IV 5. Quejío II (Taranto) 6. Mantón IV (Soleá) 7. Mantón V (Soleá) 8. Mantón VI (Soleá) 9. Rumbita II (Rumba) 10. Tremolo Exercise I 11. Tremolo Exercise II 12. Quejío III (Taranto) 13. Picado Exercise I 14. Picado Exercise II 15. Picado Exercise III 16. Mi-Dórico 17. La-Dórico 18. Si-Dórico 19. Fa#-Dórico 20. Lérida (Garrotín) 21. Compás Exercise I (Bulerías) 22. Compás Exercise II (Bulerías) 23. Compás Exercise III (Bulerías) 24. Compás Exercise IV (Bulerías) 25. Bulerías-Compás I 26. Bulerías-Compás II 27. Bulerías-Compás III 28. Bulerías-Compás IV 29. Bulerías-Compás V 30. Bulerías-Compás VI 31. Bulerías-Compás VII 32. Bulerías-Compás VIII 33. Bulerías-Compás IX 34. Bulerías-Compás X 35. Bulerías-Compás XI 36. Bulerías-Compás XII 37. Bulerías-Compás XIII 38. Bulerías-Compás XIV 39. Bulerías-Compás XV 40. Bulerias-Compas XVI 41. Bulerías-Compás XVII 42. Bulerías-Compás XVIII 43. Columpio I (Bulerías) 44. Columpio II (Bulerías) 45. Columpio III (Bulerías) 46. Alzapúa I (Exercise) 47. Alzapúa II (Exercise) 48. Alzapúa III (Exercise) 49. Alzapúa IV (Bulerias) 50. Alzapúa V (Bulerias) 51. Alzapúa VI (Bulerias) 52. Mantón VIII (Soleá) 53. Mantón IX (Soleá) 54. Mantón X (Soleá) 55. Mantón XI (Soleá) 56. Alegría en Mi I (Compás Exercise) 57. Alegría en Mi II (Compás Exercise) 58. Alegría en Mi III (Intro) 59. Alegría en Mi IV (Escobilla) 60. Alegría en Mi V (Puente) 61. Caí II (Alegría en Do) 62. Caí III (Alegría en Do) 63. Caí IV (Alegría en Do) 64. Caí V (Alegría en Do) 65. Columpio IV (Bulerías Intro) 66. Columpio V (Bulerías) 67. Quejío IV (Taranto) 68. Naino VI (Tangos) 69. Naino VII (Tangos) 70. Naino VIII (Tangos) | ||||
Y | Granados, Enrique (1867-1916) | Enrique Granados (1867-1916) | Danza Española No. 5 | A. Sinopoli | Ricordi | Solo | ||||||
Y | Granados, Enrique (1867-1916) | Enrique Granados (1867-1916) | Danza Española No. 5 (Andaluza) | M. Llobet | Union Musical Espanola | Solo | ||||||
Y | Granados, Enrique (1867-1916) | Enrique Granados (1867-1916) | Estudio Técnico de la Guitarra Flamenca, Vol. 1 | 2001 | Ventilador Music | Method | Flamenco, studies and exercises for each flamenco technique, includes tablature, CD included | I. Rasgueo II. Arpegios de cuatro notas III. Arpegio abarcando las seis cuerdas IV. Trémolo Flamenco V. Pulgar VI. Alzapúa VII. Picados VIII. Escala de una Octava IX. Escala de dos Octavas X. Escalas y Arpegio en tres octavas XI. Arpegio-Picado XII. Ligados XIII. Notas simultáneas (Acordes) XIV. Cejillas Once Obras de Estudio de Mecanismo (Estudio N°11 de Trémolo Flamenco "Canto Nostálgico" | ||||
Y | Granados, Enrique (1867-1916) | Enrique Granados (1867-1916) | Four Spanish Dances, Op. 37: No. 1, 3, 4, 12 | Manuel Barrueco | 1981 | Belwin Mills | Solo | Collection | Minueto No. 1 Villanesca No. 4 Zarabanda No. 3 Arabesca No. 12 | |||
Y | Granados, Enrique (1867-1916) | Enrique Granados (1867-1916) | La Maja de Goya (Tonadilla) | Miguel Llobet | 1958 | Union Musical Espanola | Solo | OLD, need repair | ||||
Y | Granados, Enrique (1867-1916) | Enrique Granados (1867-1916) | Spanish Dance No. 3, "Fandango" | Elias Barreiro | 1983 | The Willis Music Company | 2 guitars | Duet, Score only | ||||
Y | Granados, Manuel | Manuel Granados | Manual Didactico de la Guitarra Flamenca, Vol. 1 | 2000 | Ventilador Edicions | Method | Flamenco, includes separate tablature | Soleá NIVEL 1 Soleá NIVEL 2 Soleá NIVEL 3 Soleá NIVEL 4 Alegrías NIVEL 1 Alegrías NIVEL 2 Alegrías NIVEL 3 Siguiriyas NIVEL 1 Siguiriyas NIVEL 2 Siguiriyas NIVEL 3 Siguiriyas NIVEL 4 Tientos NIVEL 1 Tientos NIVEL 2 Tientos NIVEL 3 Tangos NIVEL 1 Tangos NIVEL 2 Tangos NIVEL 3 Bulerías NIVEL 1 Bulerías NIVEL 2 Bulerías NIVEL 3 Soleá de Concierto (fragmento) Alegrías de Concierto (fragmento) Siguiriyas de Concierto (fragmento) Tientos de Concierto (fragmento) Tangos de Concierto (fragmento) Bulerías de Concierto (fragmento) | ||||
Y | Granados, Manuel | Manuel Granados | Manual Didactico de la Guitarra Flamenca, Vol. 2 | 2000 | Ventilador Edicions | Method | Flamenco, includes separate tablature | Soleá NIVEL 5 Alegrías NIVEL 4 Alegrías NIVEL 5 Siguiriyas NIVEL 5 Tientos NIVEL 4 Tientos NIVEL 5 Tangos NIVEL 4 Tangos NIVEL 5 Bulerías NIVEL 4 Bulerías NIVEL 5 Soleá por Bulerías NIVEL 1 Soleá por Bulerías NIVEL 2 Soleá por Bulerías NIVEL 3 Soleá por Bulerías NIVEL 4 Estructura ritmica del Fandango y sus derivados (Rhythmic structure ofthe “Fandango” and derived styles) Fandango (Compás) Fandango la VARIACIÓN Granaina la VARIACIÓN Granaina 2a VARIACIÓN Taranta la VARIACIÓN Taranta 2a VARIACIÓN Malagueña la VARIACIÓN Malagueña 2a VARIACIÓN Rondeña (Afinación) Rondeña la VARIACIÓN Rondeña 2a VARIACIÓN Rondeña 3a VARIACIÓN | ||||
Y | Granados, Manuel | Manuel Granados | Manual Didactico de la Guitarra Flamenca, Vol. 3 | 2000 | Ventilador Edicions | Method | Flamenco, includes separate tablature | PICADOS CEJILLA ARPEGIOS LIGADOS Soleá por bulerías NIVEL 5 Fandango 2a- VARIACIÓN Fandango 3a- VARIACIÓN Fandango 4a VARIACIÓN Fandango 5a VARIACIÓN Granaína 3a VARIACIÓN Granaína 4a VARIACIÓN Granaína 5a VARIACIÓN Taranta 3a VARIACIÓN Taranta 4a VARIACIÓN Taranta 5a VARIACIÓN Malagueña 3a VARIACIÓN Malagueña 4a VARIACIÓN Malagueña 5a VARIACIÓN Rondeña 4a VARIACIÓN Rondeña 5a VARIACIÓN Estructura rítmica y acentos I Rhythmic structure and accents Farruca NIVEL 1 Farruca NIVEL 2 Serranas NIVEL 1 Serranas NIVEL 2 Serranas NIVEL 3 Guajiras NIVEL 1 Guajiras NIVEL 2 Guajiras NIVEL 3 | ||||
Y | Granados, Manuel | Manuel Granados | Manual Didactico de la Guitarra Flamenca, Vol. 4 | 2000 | Ventilador Edicions | Method | Flamenco, includes tablature | Farruca (Nivel/Level 3) Farruca (Nivel/Level 4) Farruca (Nivel/Level 5) Serranas (Nivel/Level 4) Serranas (Nivel/Level 5) Guajiras (Nivel/Level 4) Guajiras (Nivel/Level 5) Acompañamiento al Cante Acompañamiento de los estilos a Compas Accompaniment to the Cante Accompaniment to Set Time Signatures Siguiriyas: acompañamiento al Cante Soleá : acompañamiento al Cante Tientos: acompañamiento al Cante Acompanamiento de Jos estilos Libres Esquema armónico de los estilos Libres Accompaniment to Free Time Styles Free Time Styles harmonic diagram Fandango: acompañamiento al Cante Granaína: acompañamiento al Cante Malagueña: acompañamiento al Cante | ||||
Y | Grieg, Edvard | Edvard Grieg | Danza De Anitra | Julio S. Sagreras | 1959 | Ricordi Americana | Solo | |||||
Y | Grieg, Edvard | Edvard Grieg | Grieg for the Guitar | Leon Block | 1974 | Edward B. Marks Music Corp. | Solo | Collection | Theme from Concerto for Piano and Orchestra Anitra's Dance from "Peer Gynt" Suite No. 1 I Love Thee (Ich liebe dich) Waltz, Op. 12, No.2 Young Lad Solvejg's Song from "Peer Gynt" Suite No. 2 Wedding Day at Troldhaugen Norwegian Dance Ase's Death from "Peer Gynt" Suite No. 1 Morning Mood from "Peer Gynt" Suite No. 1 | |||
Y | Grieg, Edvard | Edvard Grieg | Three Lyric Pieces, Op. 12 | Julian Bream | 1967 | Faber Music Ltd. | Solo | Waltz Watchman's Song (from Macbeth) Fairy Dance | ||||
Y | Grier, Jon | Jon Grier | Swing Shift | ? | UNC Jazz Press | Jazz Combo: 5 guitars, bass, drums | Jazz, Funk, Ensemble, Score and parts | |||||
Y | Griggs, John | John Griggs | Chords, Progressions, Substitutions and Pieces | 2001 | Mel Bay Publications | Method | Includes CD, Folk songs, Traditional, Spiritual Songs include tablature, Accompaniment Styles | Guitar Fingerboard Major Scales Chord Construction Skip To My Lou Rock-A-My Soul Polly Wolly Doodle Oh, My Darlin’ Clementine Oh, Where Has My Little Dog Gone? It Ain’t Gonna Rain No More He’s Got The Whole World Yellow Rose Of Texas Wildwood Flower Standing In The Need Of Prayer Aloha Oe Go Tell It On The Mountain This Little Light Of Mine Wabash Cannonball Down By The Riverside Fascination - Fermo Dante Marchetti, lyrics by Dick Manning Chinatown, My Chinatown - Jean Schwartz, lyrics by William Jerome (made popular by the Mills Brothers) Ida, Sweet As Apple Cider - Eddie Munson, lyrics by Eddie Leonard (also credited to Eddy Cantor) Darktown Strutter’s Ball - Shelton Brooks Bill Bailey, Won’t You Please Come Home! - Hughie Cannon For Me And My Gal - George W. Meyer, lyrics by Edgar Leslie and E. Ray Goetz I Wonder Who’s Kissing Her Now - Harold Orlob, lyrics by Will M. Hough and Frank R. Adams. Melody Of Love - Hans Engelmann, lyrics by Tom Glazer Wabash Blues - Fred Meinken, lyrics by Dave Ringle When You And I Were Young, Maggie - J. A. Butterfield Poor Butterfly - Raymond Hubbell St. Louis Blues - W. C. Handy Frankie And Johnny Wang-Wang Blues - Henry Busse, Gussie Mueller, and Theron E. "Buster" Johnson, lyrics by Leo Wood Ja-da - Bob Carleton Chordendum | ||||
Y | Griggs, John | John Griggs | Guitar Chord Book | 1987 | Griggs Music Co. | Method | Chords, Instruction | Guitar Fingerboard Note Finder Chord Construction — An Introduction Intervals Interval Chart Symbols Explained How to Read the Chord Diagrams in this Book Major Chord Construction Minor Chord Construction Augmented Chord Construction Dominant Seventh Chord Construction Dominant Seventh Augmented Fifth Chord Construction Dominant Seventh Diminished (Flat) Fifth Chord Construction Minor Seventh (Major Sixth) Chord Construction Half Diminished Seventh (Minor Sixth) Chord Construction (m7b5) Diminished Seventh Chord Construction Major Seventh Chord Construction Major Seventh Augmented Fifth Chord Construction Major Seventh Diminished (Flat) Fifth Chord Construction Major Seventh Flat Third (Major-Minor Seventh) Chord Construction Dominant Seventh Add Sharp Ninth Chord Construction Dominant Seventh Add Flat Ninth Chord Construction Six-Nine (Major Sixth Add Major Ninth) Chord Construction Dominant Ninth Chord Construction Dominant Ninth Augmented Fifth Chord Construction Dominant Ninth Flat Fifth Chord Construction Major Ninth Chord Construction Major Ninth Augmented Fifth Chord Construction Major Ninth Flat Fifth Chord Construction Dominant Eleventh Chord Construction Dominant Eleventh Augmented Fifth Chord Construction Dominant Eleventh Flat Fifth Chord Construction Dominant Eleventh Augmented Ninth Chord Construction Dominant Eleventh Flat Ninth Chord Construction Dominant Seventh Suspended Fourth Chord Construction Dominant Thirteenth Chord Construction Dominant Thirteenth Augmented Fifth Chord Construction Dominant Thirteenth Flat Fifth Chord Construction Dominant Thirteenth Augmented Ninth Chord Construction Dominant Thirteenth Flat Ninth Chord Construction Dominant Thirteenth Augmented Eleventh Chord Construction Inversion — Expansion — Octave Doubling — Omitted Tones The Principal Chords in All Keys Circle of Fifths Sharp — Flat Key Signatures How Chords Progress How Chords Connect "Play it by Ear" — Chord Progression Chart Major Chords — (Diagrams) Major Chords — (Diagrams) Cont'd Minor Chords — (Diagrams) Minor Chords — (Diagrams) Cont’d Dominant Seventh Chords — (Diagrams) Dominant Seventh Chords — (Diagrams) Dominant Seventh Augmented Fifth Chords — (Diagrams) Dominant Seventh Flat Fifth Chords — (Diagrams) Augmented Chords — (Diagrams) Diminished Seventh Chords — (Diagrams) Minor Seventh (Major Sixth) Chords — (Diagrams) Half Diminished Seventh (MinorSixth) Chords— (Diagrams) Major Seventh Flat Third Chords (Diagrams) Major Seventh Chords (Diagrams) Major Seventh Augmented Fifth Chords (Diagrams) Major Seventh Flat Fifth Chords (Diagrams) Dominant Seventh Add Flat Ninth Chords (Diagrams) Dominant Seventh Add Sharp Ninth Chords (Diagrams) Six-Nine Chords (Diagrams) Dominant Ninth Chords (Diagrams) Dominant Ninth Augmented Fifth Chords (Diagrams) Dominant Ninth Flat Fifth Chords (Diagrams) Major Ninth Chords (Diagrams) Major Ninth Augmented Fifth Chords (Diagrams) Major Ninth Flat Fifth Chords (Diagrams) Dominant Eleventh Chords (Diagrams) Dominant Eleventh Augmented Fifth Chords (Diagrams) Dominant Eleventh Flat Fifth Chords (Diagrams) Dominant Eleventh Flat Ninth Chords (Diagrams) Dominant Eleventh Augmented Ninth Chords (Diagrams) Dominant Seventh Suspended Fourth Chords (Diagrams) Dominant Thirteenth Chords (Diagrams) Dominant Thirteenth Augmented Fifth Chords (Diagrams) Dominant Thirteenth Flat Fifth Chords (Diagrams) Dominant Thirteenth Flat Ninth Chords (Diagrams) Dominant Thirteenth Augmented Ninth Chords (Diagrams) Dominant Thirteenth Augmented Eleventh Chords (Diagrams) | ||||
Y | Griggs, John | John Griggs | Learning to Play Guitar | 1969 | Griggs Music Co. | Method | Melody with Lettered Chords | Tuning Basic Fundamentals of Music Left Hand Position and Fingering Chord Diagrams - C Chord Reading the Notes on Staff The First Piece (C Chord and Notes HIgh E, F, G) The Second Piece (Adding G7 Chord and B, C, D) Exercise No. 1 Hot Cross Buns Aunt Rhodie Mary's Lamb [Mary Had a Little Lamb] Shoo, Fly The Third Piece (Adding G and D7 Chords and Notes G, A) Exercise No. 2 Roll Along [Lightly Row] Blow the Wind Blow [Blow the Man Down] Chromatic Signs Exercise No. 3 Fee-Neh (Adding Am and E7 chords. introducing Fine, D.C.) Mary Blue [Mary Had a Little Lamb in A minor] The Fourth Piece (Adding Dm and A7 chords, Notes D, E, F) Exercise No. 4 Aura Lee Somewhere (Dal Segno) Dynamic Signs Tempo Terms The Fifth Piece (Adding Notes A, B, middle C) Exercise No. 5 Ties and Slurs Lovers Waltz (Adding High A) The Sixth Piece (Adding Chords Em, B7, Notes low E, F, G) Exercise No. 6 Two Part Writing on One Staff Chords - Arpeggio Style Chromatic Scale (Half Steps) Whole Tone Scale (Whole Steps) Principal Chords in C Major: C, F, G7 The C Major Scale Boogie Woogie Principal Chords in A Minor: Am, Dm, E7 The A Minor Scales (Natural, Harmonic, Melodic) Blues Principal Chords in G Major: G, D7 The G Major Scale Baroque [Minuet from Bach's Anna Magdalen Notebook] Principal Chords in E Minor: Em, Am, B7 The E Minor Scales Classical Dance Principal Chords in F Major: F, Bb, C7 Dance of Romance Principal Chords in D Minor: Dm, Gm, A7 Flamenco Playing Notes by Ear ("Jingle Bells" with missing notes) Playing Chords by EAr ("Silent Night" in C Major) 16 Pieces to Play in All [MAJOR] Keys: Mary Ann (C Major) Swing Low, Sweet Chariot (F Major) Alexander's Ragtime Band (F Major) - Irving Berlin Give My Regards to Broadway (Bb Major) - George M. Cohan Beautiful Brown Eyes (Eb Major) - Alton Delmore Streets of Laredo (Ab Major) Li'l Liza Jane (Db Major) Pretty Baby (Gb Major) - Tony Jackson, Ragtime She Wore a Yellow Ribbon (Cb Major) - George A. Norton When Irish Eyes Are Smiling (C# Major) - Ernest Ball, lyrics by Chauncey Olcott and George Graff, Jr. This Train (F# Major) Alabama Jubilee (B Major) - George L., words by Jack Yellen Goin' Down That Road Feelin' Bad (E Major) Ballin' The Jack (A Major) - Chris Smith, words by Jim Burris Crawdad Song (D Major) Shine On Harvest Moon (G Major) - Nora Bayes, words by Jack Norworth | ||||
Y | Grimoire | Grimoire | Guitar Grimoire, The, Volume I: A Compendium of Formulas for Guitar Scales and Chords | 1994 | Metatron Inc. | Method | Theory, Chords, Chord voicing, Tone Scales | HOW TO USE THIS BOOK • THE BUILDING BLOCKS OF MUSIC • SCALES AND MODES • MODES AND RELATIVE SCALES • CHORDS • CHORD NAMING SYSTEM • POLYCHORDS • COMPATIBILITY • THE PATTERNS • INTERVALS AND INSTRUMENT 7 TONE SCALES • MAJOR • MELODIC • HARMONIC MINOR • HARMONIC MAJOR • HUNGARIAN MINOR • HUNGARIAN MAJOR • NEAPOLITAN MINOR • NEAPOLITAN MAJOR • ENIGMATIC MINOR • ENIGMATIC • COMPOSITE II • IONIAN b5 • LOCRIAN • PERSIAN 5 TONE SCALES • MINOR PENTATONIC (BLUES SCALE) • KUMOI • HIROJOSHI 6 TONE SCALES • WHOLE TONE • AUGMENTED • PELOG • DOMINANT SUS 8 TONE SCALES • DIMINISHED • 8 TONE SPANISH • BEBOP LOCRIAN • BEBOP DOMINANT • BEBOP DORIAN • BEBOP MAJOR | ||||
Y | Grimoire | Grimoire | Guitar Grimoire, The, Volume II: A Workbook of Chord Voicing | 1994 | Metatron Inc. | Method | Theory, Chords, Chord voicing, Tone Scales | HOW TO USE THIS BOOK • VOICING CHORDS • MOVABLE CHORDS • PITCH INDICATOR CHART • ARPEGGIOS • THE EXAMPLE PAGES • INVERSIONS 3 & 4 NOTE CHORDS: M sus2 sus b5 ° + b6 -b6 6 -6 °7.... Q(3) 7 -7 7sus2 7sus 7b5 ø 7+ M7 -M7 M7sus2 M7sus M7b5 M7° M7+ -M7+ POLYCHORDS • SUBSTITUTIONS 5 NOTE CHORDS 9 -9 B9 #9 M7 9 -M7 9 M7 b9 -M7 b9 M7 #9 ALT 6 NOTE CHORDS: 11 -11 #11 -#11 M7 11 -M7 11 M7 #11 -M7 #11 7 NOTE CHORDS: 13 -13 13#11 -13#11 M7 13 -M7 13 M7 13#11 -M7 13#11 CHORD DERIVATIVE CHARTS | ||||
Y | Guerau, Francisco (1649-1722) | Francisco Guerau (1649-1722) | Jácaras: Air de Danse | Emilio Pujol | 1957 | Editions Max Eschig | Solo | John Fernando | ||||
Y | Hamilton, Fred | Fred Hamilton | The Hills of Andelain: A Region of the Land Free of the Sunbane | 1984 | UNC Jazz Press | Jazz Combo: 5 guitars, bass, drums | Jazz, funk, Ensemble, Score and parts | |||||
Y | Hand, Frederic | Frederic Hand | 5 Studies for Solo Guitar | 1979 | G. Schirmer Inc. | Solo | ||||||
Handel, George Fridrich (1685-1759) | Georg Friedrich Handel (1685-1759) | A Tempo Di Gavotti (from Op. 1, No. 7) | Mark Anthony Cruz | 2004 | Mark Anthony Cruz | 4 guitars | Quartet, Ensemble, Score and parts | |||||
Y | Handel, George Fridrich (1685-1759) | Georg Friedrich Handel (1685-1759) | Sinfonia (from the Masque "Acis and Galatea") | Manley Mallard | 2008 | Guitar Chamber Music Press | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Handel, George Fridrich (1685-1759) | Georg Friedrich Handel (1685-1759) | Suite in D Minor: Volume 1 | Carlos Barbosa-Lima | 1977 | Columbia Music Co. | Solo | Prelude Allemande Courante Sarabande | ||||
Y | Handel, George Fridrich (1685-1759) | Georg Friedrich Handel (1685-1759) | Suite No. 8 in D major (original in G major) | William Kanengiser | 1991 | Guitar Solo Publications | Solo | Allemande Allegro Courante Aria Gavotte with Variations | ||||
Y | Hartig , Heinz Friedrich | Heinz Friedrich Hartig | Drei Stucke fur Gitarre; a) Capriccio only | Siegfried Behrend | 1957 | Bote & Bock | Solo | |||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Andante | Francisco Tarrega, Sophocles Papas, ed. | 1962 | Columbia Music Co. | Solo | |||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Andante | Mark Anthony Cruz | 2005 | MAC Publications | 3 guitars | Trio, Ensemble, Score only | ||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Fugue from "The Creation" (Transcribed in the style of Sor) | Mark Delpriora | 2010 | Editions Orhpée, Inc. | Solo | Transcribed in the style of Fernando Sor | ||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Gavota Graciosa | Pedro Baez | 1972 | Randolph | Solo | |||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Menuet from G major Quartet | Andres Segovia | 1935 | Schott | Solo | |||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Quatre Divertissements Op. 13: extraits des Oeuvres de J. Haydn | François de Fossa (1775 – 1849), Matanya Ophee, ed. | 2010 | Editions Orphée, Inc. | Solo | Diverto I: Andante - Symphony No. 63, "La Roxolane" II Allegretto... Menuetto - Allegretto, Symphony No. 85 "La Reine III Menuetto Allegretto Diverto II: Largo Cantaqbile, Rondo Allegretto (not identifiable as Haydn work) Divertimento III: Andante - Symphony No. 85 "La Reine" II "Romanze" Allegretto Menuetto, Allegretto - Symphony No. 86 III: Allegretto Divertimento IV: Andante - Symphony No. 53 "L'Imperiale" II Andant Rondo: Allegro - Symphony No. 85 "La Reine" IV Finale: Presto | ||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Quartet No. 8 in E Major Op. 2, No. 2 | Manley Mallard | 2004 | Guitar Chamber Music Press | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Quartet No. 64 Op.76, No. 5 ("The Lark") | Manley Mallard | 2007 | Guitar Chamber Music Press | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Sérénade (extract from the quartet Op. 3, n°5) | Luc Lévesque | 2002 | Les Productions D'Oz | 4 guitars | Quartet, Ensemble, Score and parts | ||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Three Grand Duos for two guitars, Volumes II & III Score, Duos 4-9, "Grand duo pour deux guitares tiré de l'œuvre de Haydn" | François de Fossa, Jan de Kloe, ed. | 2009 | Editions Orphée, Inc. | 2 guitars, Score only | Collection, Duet, Score only | ||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Three Grand Duos for two guitars, Volume II: Parts, Duos IV-V-VI, "Grand duo pour deux guitares tiré de l'œuvre de Haydn" | François de Fossa, Jan de Kloe, ed. | 2009 | Editions Orphée, Inc. | 2 guitars, Parts | Collection, Duet, Parts only | ||||
Y | Haydn, Joseph (1732-1809) | Joseph Haydn (1732-1809) | Three Grand Duos for two guitars, Volume III: Parts, Duos VII-VIII-IX, "Grand duo pour deux guitares tiré de l'œuvre de Haydn" | François de Fossa, Jan de Kloe, ed. | 2009 | Editions Orphée, Inc. | 2 guitars, Parts | Collection, Duet, Parts only | ||||
Y | Heider , Werner | Werner Heider | Examen für Gitarre solo 1992 (4 parts) | 1994 | Bote & Bock | Solo | ||||||
Y | Hemmo, Philip | Philip Hemmo | Beginning Classroom Guitar: A Musician's Approach | 1998 | Schirmer Books | Method | Classroom Instruction, missing CD | How to Read Music How to Practice Parts of the Guitar Sitting Position The Hands Nail Shape and Care Right-Hand Position Left-Hand Position Rest and Free Strokes Tuning Your Guitar Open String Notes Notes on the First (E) String Chord Break #1 Notes on the Second (B) String First and Second String Exercises Sleep, Sleep, Baby Sleep - French Lullaby Ode to Joy - Beethoven Lightly Row - Traditional Chord Break #2 Notes on the Third (G) String Exercises on the First Three Strings Bye, Baby Bunting - English Lullaby Yankee Doodle - Traditional Red River Valley - Folk, Traditional Clair de Lune (French Folksong) Simple Gifts - Shaker Hymn, Traditional Aura Lee - Traditional Don't You Weep After Me - Folk, Spiritual Chord Break #3 Major Scale (Using 3 Strings) Notes on the Fourth (D) String Exercises on the First Four Strings Amazing Grace - Traditional Spanish Ladies - Sea Shanty? I Gave My Love a Cherry - Folk When the Saints Go Marching In - Spiritual Chord Break #4 Notes on the Fifth (A) String Exercises on the First Five Strings Greensleeves - Folk My Country 'Tis of Thee [America] - Patriotic, Traditional L'Homme Armé - French Renaissance Melody Brahms Lullaby Guitar Ensemble: Are You Sleeping Chord Break #5 Notes on the Sixth (E) String Exercises on all Six Strings: Shenandoah - Traditional The Minstrel Boy Fantasy in A Minor Swing Low, Sweet Chariot - Spiritual Come Again! Sweet Love Doth Now Invite - John Dowland Blue-Tail Fly - Civil War Tune Blow, Ye Winds - Sea Chanty More Guitar Ensemble: Dona Nobis Pacem - Traditional Round Oh, How Lovely Is the Evening - Traditional Round Chord Break #6 Waltz (exerpt) - Matteo Carcassi Compound Meter Row, Row Your Boat - Traditional Round The Darby Ram - Traditional Drink to Me Only with Thine Eyes - Traditional High Barbaree - Sea Chanty Song - Franz Schubert Chord Break #7 Guitar Tablature P-i-m-a Independence The Arpeggio Dynamics Notes Everywhere on the Guitar Sharps and Flats/Accidentals Villano - Gasper Sanz Prelude - Matteo Carcassi Chord Break #8 (Basic Blues) Bar Chords: E-form bar chords A-form bar chords Bar Chords in Classical Music Prelude - Matteo Carcassi More Advanced Scales: 2-Octave C Major Scale Pentatonic Minor in A Blues Scale in A Slurs Chord Break #9 (Rock Pattern) Harmonics: Harmonic Waltz - Philip Hemmo Grace Notes Study - Mauro Giuliano Chord Break #10 (Muting) Musical Symbols and Terms Open Position Chords Chord Charts Musical Anthology: Andantino in C - Matteo Carcassi Caprice - Ferdinando Carulli Prelude in C - Ferdinando Carulli Allegro - Mauro Giuliani Minuet - Robert de Visée Prelude in G - Ferdinando Carulli Prelude in A - Ferdinando Carulli Andantino in G - Ferdinando Carulli Study in A Minor - Mauro Giuliani Andantino - Mauro Giuliani Pavana - Gaspar Sanz Andantino - Fernando Sor Allegretto in A - Matteo Carcassi Andante in C - Fernando Sor Ricercar - Joan Ambrosio Dalza (1508, Venice) Wilson's Wilde - Anonymous Allegretto Moderato - Fernando Sor A Petite Piece - Fernando Sor Adagio - Dionisio Aguado Op. 6, No. 2 - Fernando Sor Pavan - Luis Milan Andantino - Fernando Sor Étude - Mauro Giuliani Works for Guitar Ensemble: Red River Valley, Duet, 2-part - Traditional, arr. P.H. Menuetto and Trio, Duet, 2-part - W. A. Mozart, arr. P.H. In the Shade upon the Grass, Duet, 2-part - Christopher Fishburn, arr. P.H. Fairwell Fair Armida, Duet, 2-part - Robert Smith, arr. P.H. Canzona, Duet, 2-part - Dominico dello Mansaro, arr. P.H. Fine Knacks for Ladies, Trio, 3-part - John Dowland, arr. P.H. Galliard, Trio, 3-part - Orlando Gibbons, arr. P.H. Do You Not Know, Trio, 3-part - Thomas Morley, arr. P.H. Minuet, Trio, 3-parts - J. S. Bach, arr. P.H. Chorale, Quartet, 4-parts - J. S. Bach, arr. P.H. Trio, Quartet, 4-parts - Franz Josef Haydn, arr. P.H. | ||||
Y | Henry, Sonny | Sonny Henry | Evil Ways | Ron Goldsmith, Aaron Stang, ed. | 2002 | Warner Brothers | 5 guitars, optional Bass | Quintet, Ensemble, Score and parts, Popular, includes CD | ||||
Y | Hernandez, Rafael | Rafael Hernandez | Concerto for Guitar: for Guitar and String Orchestra | 2004 | Guitar Masterworks Seres | guitar and strings, string orchestra, violin (2), viola, cello (2), double bass | Septet, Chamber Ensemble, Orchestra, Strings, Score only, King Crimson, Austinite | I. RESPLENDENT CRIMSON II. OBEISANCE III. "ZAPPA"TEADO | ||||
Y | Herrero, Oscar | Oscar Herrero | Torrente: Nine Condert Solos for Flamenco Guitar (1 piece is for 3 guitars) | 2003 | Mel Bay Publications | Solo | Collection, Flamenco, includes tablature, CD | 1. Dos hermanas (Colombiana) 2. Miragua (Alagría) 3. Sombra y Candil (Taranta) 4. Carmen (Sevillanas) 5. Armonía para dos mundos (Trémolo) 6. Paisano (for 3 guitars), 4 movements 7. Torrente (Bulerías) 8. Manantial (Soleá) 9. Tierra Mojada (Guajira) | ||||
Y | Hinsley, Matthew | Matthew Hinsley | Classical Guitar for Young People | 2010 | EnvisionArts LLC | Solo | Anthology, Collection, CD included, Beginner to Intermediate | Daybreak The Elevator Nightfall Moonwalk Reverie Waverunner Imagination Nocturne - J. K. Mertz (Hinsley) G Major Scale Switchbacks Super Stretcher The Hourglass Sand Dunes Pendulum Waltz Camelback Country Dance Legend - I. Albeniz (Hinsley) Every Letter Scale Dervish Upstream Light and Dark Andante - M. Carcassi (Hinsley) Ascending & Descending Slurs Tango Guitarists' DIET Packington's Pound - Anon Study - F. Tarrega Españoleta - G. Sanz Andante in A Minor - F. Carulli Alman - R. Johnson Study No. 7, in A Minor - F. Carulli Study in E Minor - M. Giuliani Lágrima - F. Tarrega Canon - J. Pachelbel Aria, from Partita - J. Logy Capriccio, from Partita - J. Logy Sarabande, from Partita - J. Logy Gigue, from Partita - J. Logy Firefly Nocturne No. 1 in A Minor (Op. 4) - J. K. Mertz Nocturne No. 2 in C Major (Op. 4) - J. K. Mertz Sonata in A Major (L. 238) - D. Scarlatti Introduction, Theme and Variations in A Minor - J. K . Mertz Philosophy Overall Sequence and Technical Approach Thoughts on Teaching Advanced Music Making and Memorization Helpful Hints, Tricks of the Trade, Tools from the Toolbox Notes on Beginning Pieces Rote Tunes | ||||
Y | Holab, William | William Holab | Rhapsody for Guitar | 1990 | Henmar Press Inc. | Solo | ||||||
Y | Holborne, Antony | Antony Holborne | Alman: The Night Watch, from Five Pieces | Brian Jeffery | Oxford Guitar Music | Lute | ||||||
Y | Hollós, Máté | Máté Hollós | Igirc '80: Spielmann '80 Minstrel '80 | Zoltán Tokos, fing. | 1982 | Editio Musica | Solo | |||||
Y | Horvit, Michael | Michael Horvit | Concerto for Guitar and Orchestra (guitar part only) | ? | Valle Music Papers | guitar and orchestra | Guitar part only | |||||
Y | Houghton, Phillip | Phillip Houghton | Five Exotic Studies | 1079 | Boosey & Hawkes Music Publishers Ltd. | Solo | 1. Prelude - Orange Blossom Harvest 2. Romance - Long Deep Waltz 3. Aubade - Kingfisher lake 4. Phantasy - The Good Knight Sir Grimbold's Dream 4. Tremolo Study - Oceana | |||||
Y | Hübner, I. G. H. | I.G.H. Hübner | 12 Variations on God Save the King Op. 6 | John R. King | 1990 | C & E Publishers | Solo | Theme and Variations | ||||
Y | Hunt, Oliver | Oliver Hunt | Storm, The | 1977 | Schott & Co. Ltd. | Solo | ||||||
Y | Hupfeld, Herman | Herman Hupfeld | As Time Goes By | Stan Ayeroff | 1983 | Warner Bros. Inc | Solo | Popular | ||||
Y | Iradier, S. (1809-1865) | S. Iradier (1809-1865) | La Paloma: Habanera | Eduardo S. De La Maza | 1963 | Union Musical Ediciones | Solo | |||||
Iznaola, Ricardo | Ricardo Iznaola | Path to Virtuosity, The: a technical workout manual for all guitarists | 1997 | Mel Bay - Chanterelle | Method | Exercises, Levels I-IX | Level I (Preparatory): Exercises 1 to 20 Basic Positioning & Articulation of Right-Hand Basic Positioning & Articulation of Left-Hand Three Note Chords Preparation of the Left-hand for Scale Playing Introduction to Arpeggio Playing Preparation of the Left-Hand for Chordal Positioning Preparation for the Barré Alternation of p, i, m with a Introduction to Double Notes Introduction to Four-Note Chords Preparation of the Left-hand for Slurs Level II: Exercises 21 to 28 Extension and Contraction of the Right Hand Introduction to the Chromatic Octave Scale Extension of Left-hand Left-hand Shifts Level III: Exercises 29 to 37 Right-hand Arpeggio Technique Chromatic Octaves Two-Octave Major Scale Left-hand Slurs Left-hand Extension Left-hand Shifts Level IV: Exercises 38 to 47 Arpeggio Technique Chromatic 5ths and Minor 3rds Two-Octave Melodic Minor Scales Chromatic Scales Left-hand Slurs, Extension, Shifts Level V: Exercises 48 t0 58 Tremolo Technique Chromatic Major 3rds, 4ths, Augmented 4ths (dim. 5ths) Three-Octave Major Scales (E to G) Three-Octave Minor Scales (e to g) Chromatic Scales (ascending with sharps up to B above high C, flats descending) More Left-hand Slurs, Extension, Shifts Level VI: Exercises 59 to 68 Tremolo Technique Minor and Major 6ths Three-Octave Major Scales (Ab, A, Bb, B) Slurs: Upper Voice Trills above Bass Line) (uses LH fingers 3, 4) More Left-hand Slurs, Extension, Shifts Harmonics Natural Harmonics Chromatic Scale in Artificial Harmonics Level VII: Exercises 69 to 81 Rasgueado Technique Minor and Major 7th and 9ths Three-Octave Melodic Minor Scales (g# to b) Trills in an Upper Voice above a Bass Line Trills and Shifts Left-hand Extensions, Contractions, with Shifts Left-hand Shifts with Octave Jumps Natural Harmonics Diatonic Scales in Artificial Harmonics Violin-Type Harmonics Level VIII: Exercises 82 to 90 Repeated Chords 10ths to minor 13ths Two-Octave Harmonic Minor Scales Double Slurs More Left-hand Slurs, Extension, Shifts (Jumps and Slides) Arpeggios in Artificial Harmonics Level IX: Exercises 91 to 101 Repeated Chords Major 13ths to Double Octaves Three-Octave Harmonic Minor Scales Slurs & Campanella (Double Trills) Left Hand Shifts (One Finger Arpeggios) Artificial Harmonics with Slurs Incorporating Full Use of Right Hand Fingers Co-ordination Exercise in Artificial Harmonics Appendix I: Work-Out Plans for All Levels Appendix II: Special Effects, Use of the Right Hand LIttle Finger and Transcendental Technique I. Special Effects: Pizzicato-Mutes i. Mute-pizzicato with a & e ii. Non-Muted p pizzicato iii. Pizzicato Stridente Percussive Effects i. Right hand a. Tambora b. Special Strumming Effects ii. Left hand a. Tabalet b. Pizzicato c. Villa-Lobos Partials and Multiphones II. Uses of the Right Hand Litle Finger III. On Achieving "Virtuoso" Speed In Scales IV. Left-Hand Technique Beyond the 12th Position | |||||
Y | Jarrett, Keith | K. (Keith) Jarrett | Lucky Southern | Davis Ramey, arr. | ? | ? | Solo | Bossa nova, possibly photocopied | ||||
Y | Jelinek, Ivan (1683-1759) | Ivan Jelinek (1683-1759) | Suite en La Majeur | Vladimir Mikula | 1989 | Editions Henry Lemoine | Solo | Ouverture (grave) Gavotte Air Courante II Sarabande Menuet I Menuet II Allegro | ||||
Y | Jenkins, Karl | Karl Jenkins | Palladio (for four guitars) | Gary Spolding | 2000 | Lathkill Music Publishers | 4 guitars | Quartet, Ensemble, Score only | ||||
Y | Johnson, Robert (1583-1633) | Robert Johnson (1583-1633) | Carman's Whistle | Lupe de Azpiazu | 1966 | Alphonse Leduc & Co. | Solo | Orig. for Lute | ||||
Y | Joplin, Scott | Scott Joplin | Classical Guitar: Scott Joplin | Mario Abril | 1974 | Charles Hansen | Solo | Popular | ` | |||
Y | Joplin, Scott | Scott Joplin | Entertainer, The | Marcel Robinson | 1981 | Cambium Music Publications | Solo | Ragtime | ||||
Y | Joplin, Scott | Scott Joplin | Entertainer, The | Fernando Alonso | 1992 | Editorial Boileau | Solo | Ragtime | ||||
Y | Joplin, Scott | Scott Joplin | Maple Leaf Rag | Marcel Robinson | 1981 | Cambium Music Publications | Solo | Ragtime | ||||
Y | Joplin, Scott | Scott Joplin | Scott Joplin for Guitar | Carlos Barbosa-Lima | 1986 | Belwin Mills | Solo | Ragtime | The Cascades The Chyrsanthemum The Easy Winners The Entertainer Eugenia Gladiolus Rag Heliotrope Bouquet Maple Leaf Rag Pleasant Moments Weeping Willow | |||
Y | Joplin, Scott | Scott Joplin | Weeping Willow | Marcel Robinson | 1974 | Guitar Workshop Publications | Solo | Ragtime | ||||
Y | Joplin, Scott; Hayden, Scott | Scott Joplin and Scott Hayden | Sunflower Slow Drag | Marcel Robinson | 1974 | Guitar Workshop Publications | Solo | Ragtime | ||||
Y | Kabalevsky, Dmitir | Dmitri Kabalevsky | Kabalevsky for Guitar: Ten Easy Pieces from Op. 27 & Op. 39 (Pieces for Children Op. 39; Easy Pieces Op. 27) | John Ellinger | 1980 | Associated Music Publishers, Inc. | Solo | 1. Melody 2. Polka 3. Rambling 4. Funny Event 5. A Little Joke 6. A Sad Story 7. Playing 8. Jumping 9. Scherzo 10. A Little Fun | ||||
Y | Kaps, Hansjoachim | Hansjoachim Kaps | Folklore-Klänge aus aller Welt (Folklore Sounds from Around the World) | 1974 | Robert Lienau | 3 guitars, guitar choir | Collection, Trio, Ensemble, Score only, Folk | 1. Taiga (Russia) 2. Old long signe (Scotland) 3. Greensleeves (Ireland) ? 4. Errinnerung an Nagasaki (Remembrance of Nagasaki) (Japan) 5. Kleine Serenade (Little Serenade) (Spain) 6. Tanz aus Thessalien (Dance from Thessaly) (Greece) 7. Ungarischer Tanz (Hungarian Dance) 8. Palito (Argentina) | Julian Mock | |||
Y | Karjalainen, Kari | Kari Karjalainen | Three Equal Thoughts | 1979 | Chorus Publications | Solo | ||||||
Y | Karmon, Michael | Michael Karmon | When the Sheep Won't Come: A Sleepless Nocturne for Guitar | 1998 | Michael Karmon | Solo | 5 movements | I. 11:47 p.m. II. 2:21 a.m. III. 3:59 a.m. IV. 4:33 a.m. V. 5:46 a.m. | ||||
Y | Kelterborn, Rudolf | Rudolf Kelterborn | 5 Monologe für Gitarre solo | Christoph Jaggin | 1987 | Hug & Co. | Solo | |||||
Y | Kennedy, Jimmy; Carr, Michael | Jimmy Kennedy and Michael Carr | South of the Border (Down Mexico Way) (Solo-Duet-Trio-Ensemble) | Dan Fox | 1961 | Shapiro, Bernstein & Co. Inc. | Solo, 2 guitars, 3 guitars | Popular, Duet, Trio, Ensemble, Score only | ||||
Y | Kern, Jerome | Jerome Kern | All the Things You Are | Pete Hankinson, Mundell Lowe | ? | UNC Jazz Press | Jazz Combo: 6 guitars, bass, drums | Ensemble, Jazz, Popular, Score and parts | ||||
Y | Kiefer, John | John Kiefer | Five Animations for Guitar Solo, Series Two: 6-10 | 1996 | John Kiefer | Solo | ||||||
Y | Kiefer, John | John Kiefer | Five Movements for Guitar | 1996 | John Kiefer | Solo | Duration 6 min. | 1-Choral 2-Dance 3-Sprituoso 4-Grave 5-Animato | ||||
Y | Kiefer, John | John Kiefer | Gestalt for solo guitar: 3 movements | 1996 | John Kiefer | Solo | 3 movements | 1. Diversion 2. Tranquil 3. Ether | ||||
Y | Kiefer, John | John Kiefer | Halloween Suite for guitar | 1996 | John Kiefer | Solo | 1. Entrance 2. Marche Macabre 3. Dies Irae 4. Interlude 5. Midnight 6. Shadowround | |||||
Y | Kiefer, John | John Kiefer | Prelude, Canon & Allegro for Guitar solo | 1996 | John Kiefer | Solo | ||||||
Y | Kindle, Jürg | Jürg Kindle | Flow (guitar orchestra) | 2012 | Les Productions D'Oz | 4 guitars, bass | Quartet, Mixed Ensemble, Score and parts | |||||
Y | Kindle, Jürg | Jürg Kindle | Kalimba: Percussion Guitar Music No. 1 Quartet No. 1 | 2001 | Les Productions D'Oz | 4 guitars | Quartet, Ensemble, Score and parts | |||||
Y | Kingsley, Gershon | Gershon Kingsley | Popcorn | Mel Bay | 1969 | Bourne Co. | 2 guitars | Duet, Popular, Solo with Accompaniment | ||||
Kleynjans, Francis | Francis Kleynjans | Arie et trois petites Chorales, Op. 163 | 2001 | Edition Margaux | 3 guitars | Trio, Ensemble, Score and parts, not original copy | ||||||
Y | Kleynjans, Francis | Francis Kleynjans | Deux Pièces En Ré | 1982 | Editions Henry Lemoine | Solo | 1. Comme une Berceuse 2. Choro | |||||
Kleynjans, Francis | Francis Kleynjans | Imagerie, Op. 43 | Annette Kruisbrink | 2002 | Les Productions D'Oz | 3 guitars | Trio, Ensemble, Score and parts, missing original copy | |||||
Y | Kleynjans, Francis | Francis Kleynjans | Les 4 Points cardinaux | 1997 | Edition Margaux | 4 guitars | Quartet, Ensemble, Score and parts | 1. Nord (Mélodie Scandinave) 2. Sud (Habanera) 3. Est (Valse Viennoise) 4. Ouest (Ragtime) | ||||
Y | Klickstein, Gerald | Gerald Klickstein | Tuning the Guitar by Ear: a practical new approach for the uncompromising musician | 1968 | Mel Bay Publications, Inc. | Method | Introduction How to Use this Book Symbols and Terms Guitar Fitness Guitar Setup Getting Started Playing Harmonics Listening for Beats Exercises 1-5 Learning to Tune Tuning the Fifth String Tuning and Testing the Fourth String Tuning and Testing the Third String Tuning and Testing the Sixth String Tuning and Testing the Second String Tuning and Testing the First String Test Chords Tuning Summary Tuning Two or More Guitars Tuning on Stage Alternate Tunings Low-D Tuning ®=F# Tuning Low-G Tuning Conclusion Why this Tuning System Works Questions and Answers Additional Reading About the Author Appendix: To the Teacher Tuning for Beginning Guitarists | |||||
Y | Kocsár, Miklós (* 1933) | Kocsár Miklós (1933-2019) | Suite per Chitarra | 1989 | Editio Musica Budapest | Solo | Hungarian | 1. Allegro 2. Vivace 3. Sostenuto 4. Andante, con moto 5. Molto Capriccioso 6. Agitato 7. Lento | ||||
Y | Kolanian, Iakovos | Iakovos Kolanian | Arpeggios for Classical Guitar (260 Modes Based on Études: Pujol; Aguado; Tárrega) | Iakovos Kolanian | 2011 | Philippos Nakas Myusic House | Solo | Method, Anthology, Studies and exercises for each piece | El Abejorro - Emilio Pujol Étude in E - Dionisio Aguado Recuerdos de la Alhamba | |||
Y | Kolb, Barbara | Barbara Kolb | Looking for Claudio: Solo Guitar and Tape | 1978 | Boosey & Hawkes | Solo | missing tape written into score | |||||
Kolb, Tom | Tom Kolb | Music Theory: Everything You Ever Wanted to Know But Were Afraid to Ask | 2005 | Hal Leonard Corp. | Method | missing CD | CHAPTER 1: The Fretboard CHAPTER 2: Theory Basics CHAPTER 3: Scales and Key Signatures CHAPTER 4: Intervals CHAPTER 5: Triads CHAPTER 6: Harmonizing the Major Scale CHAPTER 7: Chord Construction CHAPTER 8: Harmonizing the Minor Scale CHAPTER 9: Determining Key Centers CHAPTER 10: Blues Harmony and Pentatonic Scales CHAPTER 11: Modes and Modal Harmony CHAPTER 12: Other Scales and Modes: Chord/Scale Relationships: Arpeggios CHAPTER 13: Chord Substitution and Reharmonization Index of Musical Terms Answer Keys for Quizzes and Ear Training Drdls Guitar Notation Legend | |||||
Y | Koshkin, |